20th Century Landscape Photography

Columns of the Parthenon vintage silver bromide print, 1929 Signed in pencil on mount: "Arnold Genthe, 1929" Illustrated: Arnold Genthe, As I Remember, Reynal & Hitchcock, NY, 1936, ...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

A couple relaxing by a pool near Lake Tahoe, California, 1959. Relaxing at Lake Tahoe Slim Aarons Estate Edition Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Complimentary dealer shipping to your framer, worldwide. Additional sizes offered: 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Internal tags: Lake Tahoe; Slim Aarons; architecture poolside, mountain, pool and sky; mid-century modern; vintage glamour, vintage tahoe...

Princess Bianca Hanau-Schaumburg at her Gstaad chalet, 1985. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by...

Colored photograph of the Neuschwanstein Castle in Bavaria, Germany. The photograph is matted to a thick board to protect against bending. The wo...

"Yosemite Falls Close Up" is an original black and white archival pigment print. Using the original photograph taken in 1958. This is signed by the artist Thomas Ferderbar in the lower right and titled on the lower left using silver sharpie. A view from down stream of Yosemite Fall, so that the viewer feels as if they are there comparing human size to the large waterfall. Boulders and trees frame the view making it all the more impressive. Paper Size: 50" x 40" Frame Size: 54" x 44" Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

Hand printed silver gelatin photograph dry mounted on board. Mat with a texture. Signed in pencil lower right.

This mid-1970s photograph, captured by society photographer Slim Aarons, features guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, This is an estate st...

Framed in Rounded Wood. High Quality Muesum Glass. Photograph in major museums and galleries around the world. Own part of history!

Saint Tropez Beach - Topless Sunbathing Nude Portrait French Riviera Beaches by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. E...

Palazzo Ducale, Galleria dei Marmi, Mantova, 1996 C-print Edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to c...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

This exquisite halftone print after Alfred Stieglitz (1864–1946), titled Mountains and Sky, Lake George, originates from the 1947 folio Stieglitz Memorial Portfolio, 1864–1946. Publi...

This is a vintage Marc Riboud photo of a Menashe Kadishman sculpture in the Billy Rose sculpture garden at the Israel Museum. Hand signed and editioned. This is for one Photograph from the portfolio entitled "Jerusalem: City of Mankind," The mounting is 14 X 17 inches. the actual photo measurement is between 9.25 X 14 to 10.5 X 13.5 inches (22.9 X 35.6 to 26.7 X 34.3 cm.) This is hand signed and editioned in pencil, on print mount recto; and stamped on the reverse with photographers name and copyright info. In a folding jacket with a printed credit and title. The first copy was awarded to the President of the United States, the second to the President of the State of Israel, the third to the Mayor of Jerusalem and the fourth to the Baron Edmond de Rothschild. Rare Cornell Capa and Baron Edmond De Rothschild “Jerusalem: City Of Mankind” Photo Album 1973. It has been produced by the international fund for concerned photography, INC, New York for the women’s division of the American Friends of the Israel Museum, New York. 15 copied were reserved for participating photographers. Color prints are made by dye transfer process from original transparencies and black and white enlargements are made from original negatives under the photographers supervision. Design and production – Arnold Skolnick / Bhupendra Karia. Color prints by Berkey K & L Custom Services INC, New York. Black and white prints by Igor Bakht Werner Braun – Moonrise over the Knesset Robert Burroughs – At the Western Wall. Cornell Capa – View from the Israel Museum sculpture garden. Leonard Freed – Reading from Sephardic Torah scrolls. Ernst Haas – In the Arab quarter, Old City. Charles Harbutt – Easter, Holy fire. Ron Havilio – Wallscape. Bhupendra Karia – Midday prayers, Al Aqsa grounds. Marc Riboud – Ecumenical landscape Billy rose garden, Israel museum. Ted Spiegel – Benedictine nun, Mount of Olives. Micha Bar-Am – Via Dolorosa on Friday. Marc Riboud (French: 1923 – 2016) was a French photographer, best known for his extensive reports on the Far East: The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Riboud was born in Saint-Genis-Laval and went to the lycée in Lyon. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. As a young man during World War II, he was active in the French Resistance, from 1943 to 1945. After the war, he studied engineering at the École Centrale de Lyon from 1945 to 1948. He moved to Paris where he met Henri Cartier-Bresson, Robert Capa, and Chim, David Seymour, the founders of Magnum Photos. By 1953 he was a member of the organization. His ability to capture fleeting moments in life through powerful compositions was already apparent, and this skill was to serve him well for decades to come. Over the next several decades, Riboud traveled around the world. In 1957, he was one of the first European photographers to go to China, and in 1968, 1972, and 1976, Riboud made several reportages on North Vietnam. Later he traveled all over the world, but mostly in Asia, Africa, the U.S. and Japan. Riboud has been witness to the atrocities of war (photographing from both the Vietnam and the American sides of the Vietnam War), and the apparent degradation of a culture repressed from within (China during the years of Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of daily life, set in sun-drenched facets of the globe (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), and the lyricism of child's play in everyday Paris. In 1979 Riboud left the Magnum agency. Riboud's photographs have appeared in numerous magazines, including Life, Géo, National Geographic, Paris Match, and Stern. He twice won the Overseas Press Club Award, received the Lifetime Achievement Award at the 2009 Sony World Photography Awards and has had major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. Riboud was made an Honorary Fellow of the Royal Photographic Society in 1998. One of Riboud's best known images is Eiffel Tower Painter, taken in Paris in 1953. It depicts a man painting the tower, posed like a dancer, perched between the metal armature of the tower. Below him, Paris emerges from the photographic haze. Lone figures appear frequently in Riboud's images. In Ankara, a central figure is silhouetted against an industrial background, whereas in France, a man lies in a field. The vertical composition emphasizes the landscape, the trees, sky, water and blowing grass, all of which surround but do not overpower the human element. An image taken by Riboud on 21 October 1967, entitled "The Ultimate Confrontation: The Flower and the Bayonet," is among the most celebrated anti-war pictures. Shot in Washington, D.C. where thousands of anti-war activists had gathered in front of the Pentagon to protest against America's involvement in Vietnam. Select Exhibitions 1958 Photographs From The Museum Collection (Museum of Modern Art, New York) 1959 30th Anniversary Special Installation - Towards the "New" Museum (Museum of Modern Art) 1960...

American photographer Julius Shulman’s images of Californian architecture have burned themselves into the retina of the 20th century. A book on modern architecture without Shulman is...

August 1985: Prince Charles playing polo for the 'Diables Blues' at Cowdray Park in Sussex. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the...

The Rolling Stones 1963 (printed later) Silver gelatin print Estate stamped and numbered edition of 50 with certificate of authenticity from he Terry O'Neill estate Terry O’Neill CB...

NASA Apollo 14 commander Alan Shepard stands by the US flag on the moon with the shadow of Edgar D. Mitchell, module pilot, taking the picture. This is an 8" x 10" vintage chromogen...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Andreas Bernhard Lyonel Feininger (December 27, 1906 – February 18, 1999) was an American photographer and a writer on photographic technique. He was noted for his dynamic black-and-...

Slim Aarons Snowmass Gathering 1968 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Two women, wearing brightly-coloured skiwea...

Slim Aarons Skiing In St. Moritz 1983 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Countess Jan Bonde in the Palace H...

Extraction of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Transportation of Marble Blocks is a Silver Salt print realized in the 1910s. From Alinari archive. Good conditions and aged.

Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...

Hand printed silver gelatin photograph by artist. Signed in pencil lower right recto by artist. Very rare size. Framed in black wood and Conservation Clear Glass Frame dimension ...

This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...

This one depicts a sports wristwatch over an aerial landscape and is titled Fields Pattern. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, ...

This one depicts an aerial landscape and is titled Liftoff from Arrowhead. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and phot...

Paris, Champs Elysées - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality ...

Early black and white photograph of a fisherman fishing in what appears to be a European town setting. The photograph is matted to a board to prevent bendi...

This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it. It is titled Josias Astronomical Clock SIMONS, Vera (1920 - 2012) Vera Habrecht Simon...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

Signed with printed title on front of print. From 'Parmelian Prints of the High Sierra', limited edition of 100 copies.

Minnie and Dru Montagu - Couple Poses for Photograph on Sandy Beach under Palms by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 1...

Milan / New York: Electa Editrice / Rizzoli International Publications, 1982. A portfolio of twelve heliogravure plates with tissue guard-leaves, housed in portfolio and slipcover....

The Providence images present speculative, temporal environments where time, space, and light remain elusive. These constructed landscapes, drawn from various locations, invite refle...

The Doric Colonnade is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including historical ...

The Night is an offset photograph realized by Laura Liverani in 1970. Very good conditions. Signed on the rear with the dedication.

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

This vintage silver gelatin print is signed in pencil on the front of the mount, with image number "6" in the lower left corner. Portfolio Two stamp with print #6 and set #A in red c...

This one depicts fragmented space photos and is titled Moon and Earth. it depicts a view from outer space. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons...

Florida Palms A view of palm trees at a beach resort in Boca Raton, Florida, April 1978. 40x40” / 101x101 cm - paper size Estate Stamped Collection Edition to 150 Photo by Sl...

Poolside Dreams, 1970 - Poolside Gossip Poolside Glamor Palm Springs Poolside by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. '...

Hamptons Tennis Club by Toni Frissell Girlfriends watch the tennis at a tennis club in The Hamptons in 1955. Oversize Limited Signature Stamped Edition 20x16" inches / 51 x 41 cm ...

Caption: Bedford, New York resident Mary Jane Russell poses with her cats on a four-poster style bed laid out on the lawn, 1960. Estate stamped and hand numbered edition of 150 with...

Fernando Natalici, "Boy and Dog," Bahia, Brazil 1998: Artist Notes: "I was walking on the beach late afternoon with my friend Geralyn from New York near the "pousada" I opened in Tr...

Old days Photo - Border Pass is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includ...

Old days Photo - Fountain is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

Slim Aarons Lake Tahoe Trip 1959 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Young women canoeing at Zephyr Cove on th...

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

April 1968: Mr and Mrs Donald Leas with their Rolls Royce and two pet dogs outside The Flagler Museum in Palm Beach, Florida. Guests by the pool at Klaus Pudel's villa, the Casa Mon...

Old days Photo - The Villa is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includin...

Old days Photo - Gathering is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including ...

Palm Beach Idyll 1963 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A couple sunbathing by the sea at Palm B...