Late 20th Century Landscape Photography

Women playing backgammon while sunbathing at the Habitation Leclerc pool, January 1975 Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Backgammon by the pool...

This mid-1980s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing on the terrace at the villa of Umberto and Pucci Nordio, Portofino This i...

Eldorado, the Redo family villa in Mazatlan, Mexico, January 1984. 40 x 60 inches $3950 30 x 40 inches $3350 10 x 12 inches $1350 Complimentary dealer shipping to your framer, wo...

Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...

Guests by the pool at Klaus Pudel's villa, the Casa Montefino, overlooking Portofino harbour, Portofino, Italy, August 1977. Portofino Villa Slim Aarons Estate Edition Chromogenic L...

Loose print. Hand printed by artist. No damage. Mint condition. Signed and titled in pencil with notations No markings on verso.

Loose print. Hand printed by artist. No damage. Mint condition. Signed and titled in pencil with notations No markings on verso.

Palazzo Ducale, Massa, Italy, 1999 Chromogenic print 120 x 150 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his native Italy an...

Dante's View, Death Valley Gelatin silver print, (1938), printed in 1981 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston (1953-1954), supe...

NASA Apollo 14 commander Alan Shepard stands by the US flag on the moon with the shadow of Edgar D. Mitchell, module pilot, taking the picture. This is an 8" x 10" vintage chromogen...

Hand printed silver gelatin photograph dry mounted on board. Mat with a texture. Signed in pencil lower right.

This mid-1970s photograph, captured by society photographer Slim Aarons, features guests round the swimming pool at the Hotel du Cap Eden-Roc, Antibes, France, This is an estate st...

Palazzo Ducale, Galleria dei Marmi, Mantova, 1996 C-print Edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to c...

August 1985: Prince Charles playing polo for the 'Diables Blues' at Cowdray Park in Sussex. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the...

Slim Aarons Skiing In St. Moritz 1983 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Countess Jan Bonde in the Palace H...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Ellen Brooks (born February 3, 1946) is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles-based art community of the late 1960s and ‘70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others. Biography Ellen Brooks was born in Los Angeles, California. She received both her Bachelor’s degree and her Master’s degree in Fine Arts from the University of California, Los Angeles, in 1968 and 1971 respectively. Her early works dealt primarily with human figures, notably Beach Piece, an early work in which she employed the photographic medium to address issues of alienation versus bodily presence in space. The work, which featured larger-than-lifesize nude figures in various poses of recline, was installed on Venice Beach, from which the figures appeared to half-emerge from the sand. During her graduate studies she constructed a series of flats [Flats 1–5] which were shown at the Museum of Modern Art in the 1970 exhibition Photography Into Sculpture. The flats addressed similar issues of scale to Beach Piece from the opposite direction, incorporating the viewer’s vantage point from above to obfuscate the objects’ situation in space. Following her MFA she moved to San Francisco, where her use of the photograph continued a progression of investigations of scale and installation. Her next major work, Adolescent Piece, also used nude bodies. The work would subsequently be refabricated and reinstalled in several different forms at different scales over the next four decades, at University of Las Vegas, San Francisco Art Institute, and at the Los Angeles Institute of Contemporary Art. Its most recent iteration, at MOCA in 2011, employed the original process of 1976, using Xerox transfers from photographic contact sheets. This installation “constituted a ‘fourth generation’ of the photographs,” according to the artist. “The first generation was the negative; the second, the eight-by-10-inch contact sheet, the third, the machine copy of the contact sheet onto wax paper, and the fourth, the images glued onto the gallery walls.” The work garnered significant attention during several of its stagings, due to the relative unguardedness of its young, unclothed subjects, all between the ages of ten and fifteen. Tableaux In the late ‘70s and into the 1980s, Brooks worked on an extended series called Tableaux. Like the earlier flats, the Tableaux used the reduced scale of maquettes to stage film still-esque scenes of domestic interiors and dilemmas, often incorporating disarray or ambiguous circumstances within their three walls. Created using miniature...

20X 16 sheet. signed, dated and titled. Deaccessioned from the Readers Digest magazine corporate collection. MARNA CLARKE EDUCATION BA degree in mathematics, University of North Carolina, Chapel Hill Studied Photography at Hartford Art School; University of Connecticut, Storrs; and International Center of Photography, New York City GRANTS Individual Artists Grant, Connecticut Commission on the Arts (1987) COLLECTIONS Aetna Insurance Company, Hartford, CT Bibliothèque Nationale de France, Paris, France Reader’s Digest, Pleasantville, New York Sol LeWitt Collection, Chester, CT PUBLICATIONS 2014 Feature Shoot 2014 Huffington Post, Arts & Culture 2010 Our World, PhotoAlliance, San Francisco, CA (2010) West Marin Review (2008) For Kids’ Sake, Photographic Resource Center, Boston, MA (1985) The Best of Photojournalism/10, Running Press (1985) New American Nudes, Morgan & Morgan (1981) PHOTOGRAPHY-RELATED WORK Adjunct Instructor of Photography, Hartford Art School, U. of Hartford (1991, 1987-88) Regular contributor (Profile feature), Hartford Monthly magazine (1988) Regular contributor to Northeast (the Sunday magazine of The Hartford Courant) Work also appeared in Connecticut Magazine and New England Monthly (1982-85) Board of Directors, CT Art Directors Club (1984-85) Internship at Light Gallery in NYC (1980) SELECTED EXHIBITIONS Keeping the Channel Open, Annex Gallery, Gallery Route One, Point Reyes, CA (2017-18) Home exhibition at SFO Airport, one of 14 finalists (2018) Seeing Red exhibition, Gray Loft Gallery, Oakland, CA (2018) (Juried by Ann Jastrab) Annual Juried Show, Marin Society of Artists (2017) First Place Tine As We Know It, Gallery Route One, Point Reyes, CA (2015-2016). Solo exhibition. Mini Show, Bolinas Museum, Bolinas, CA (2015) Geography of Hope, Pt Reyes...

This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American av...

This one depicts an aerial landscape and is titled Liftoff from Arrowhead. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and phot...

This one depicts a sports wristwatch over an aerial landscape and is titled Fields Pattern. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons, was a German/American aviation pioneer, ...

Paris, Champs Elysées - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality ...

This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it. It is titled Josias Astronomical Clock SIMONS, Vera (1920 - 2012) Vera Habrecht Simon...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

The Night is an offset photograph realized by Laura Liverani in 1970. Very good conditions. Signed on the rear with the dedication.

Florida Palms A view of palm trees at a beach resort in Boca Raton, Florida, April 1978. 40x40” / 101x101 cm - paper size Estate Stamped Collection Edition to 150 Photo by Sl...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Fernando Natalici, "Boy and Dog," Bahia, Brazil 1998: Artist Notes: "I was walking on the beach late afternoon with my friend Geralyn from New York near the "pousada" I opened in Tr...

Andy Warhol (1928-1987) Beach Scene (1975) Unique polaroid print Size: 4.25 x 3.5 in (10.8 x 8.9 cm) Frame size: 11 x 8.875 in (27.9 x 22.5 cm) Unsigned Authenticated by the Authen...

Interstate Flashback (Vegas) - 2004 55x72cm, Edition 4/5, Analog C-Print, hand-printed by the artist, based on the original Polaroid. Signature label and Certificate artist inve...

Behold nature's stunning beauty in this black white hand signed landscape photograph of beautiful Ayers Rock in Australia, showcasing the elegant curv...

Dining Al Fresco in Capri 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Italian artist and actress Domiziana Gio...

Poolside Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer R...

Palazzo Ducale, Galleria dei Marmi, Mantova 1996 (printed later, 2025) C-print Edition of 5 The photographer is based in Florence, and is fascinated how his architectural subject ma...

This 1990 winter landscape photograph, captured by society photographer Slim Aarons, features Andreas Kirche and Liebfrauen Kirche in Kitzbuhel in the Austrian Tyrol, 1990. This is ...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

A giant game of chess in Santa Lucia, in the Lesser Antilles, 1993. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

St. Louis and the Arch Vintage Photograph St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso. Provenance: US Bank Visual Arts Departm...

This work is unique Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

Slim Aarons Cushing and Neri 1973 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. ...

St. Louis and the Arch Vintage Photograph St. Louis: title, signature, dated 1977, copyright 1982, and edition 1/10 to verso. View down Walnut St. of St. Louis' city hall building. ...

Klosters (1963) Limited Estate Stamped (Photo By Slim Aarons) Skiers pass by the Hotel Chesa Grischuna. Klosters, 1963. Additional Information: Unfr...

Lynn Davis (American, b. 1944), Water Fall, Gelatin Silver Print on Matte Paper, 1992, signed, dated and numbered edition "1/30" to the verso, wood frame. Image: 19.25" H x 23.25" W'...

Hand printed silver gelatin photograph by artist. Signed in pencil lower right recto by artist. Very rare size. Framed in black wood and Conservation Clear Glass Frame dimension ...

Caribe Hilton Beach, 1956 Chromogenic Lambda Print Estate edition of 150 A woman reclining in a hammock hung between palm trees on the beach at the Caribe Hilton in San Juan, Puert...

LEO FRANCE - Seves II, Firenze, 2019 Chromogenic print 120 x 150 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his native Italy ...

Slim Aarons Rowing Off Sicily 1975 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Two couples...

Abstract Metal Shape in Rocky Landscape - Esoteric Art Photograph Photo depicting a curved, metallic sculpture resting on a rocky ground by Y. Y. Meru (American b. 1923 d. 2009.) Th...

Roquebrune Brune Cap Martin, 1981 open edition 40 x 30 inches The Monte-Carlo Beach Hôtel on the Pointe de la Vieille in Roquebrune-Cap-Martin, southe...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

This mid-1970s portrait photograph, captured by society photographer Slim Aarons, features a guest taking a break from the sun at the Marbella Club, Marb...

Notre Dame, Study 2, Paris, France by Michael Kenna is a limited edition black and white photograph of the Norte Dame in Paris, France. The cathedral stands tall against a bright sky...

Digital Photograph from Film Original ed. 2 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California...

Steam Train Press, Wyoming, 1954 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed la...

This early 1970s photograph, captured by society photographer Slim Aarons, features a ski resort in Courchevel in the French Alps, circa 1970. This is an estate stamped and hand num...

Fishermen, Weligama, South Coast, Sri Lanka, 1995 - Steve McCurry Signed and affixed with photographer's edition label and numbered on reverse Digital c-ty...

This work is unique. Provenance: Estate of the Artist, to The Andy Warhol Foundation for the Visual Arts, to Private Collector London, to current collector Los Angeles Exhibition H...

Edition of 45 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...