City Landscape Photography

a Piece of Wild West (Pieces of Berlin), 2018, 1/10, Lambda C-Print, 30x30cm signed Certificate, mounted on Aluminium INSTANTDREAMS Gallery presents Florian Reischauer's project 'Pi...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Black and White Fine Art Landscape Photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed ...

View Of Rome is a vintage black and white photograph realized in the early 20th Century as reprint of an image of the late 19th century. Good conditions. A historical testimonial o...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

'Carlton Hotel' The entrance to the Carlton Hotel, Cannes, France, 1958. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

Madison Square Garden (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Madison Square Garden marquee night, west 49th street, Manhattan, New York, USA, circa 1953 Additional Information: Unframed Paper Size: 40x60'' Printed Later Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

'Megachess' A giant game of chess in Saint Lucia, in the Lesser Antilles, February 1993. 30 x 20" inches / 76 x 51 cm paper size Estate Stamped Collection Edition to 150 Pho...

Snow Covered Central Park Study 7, New York City, USA - no. 11920 Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition ...

Brooklyn is an Archival Inkjet Print by contemporary photography Morgan Silk. Brooklyn by Morgan Silk is available in this size of 22" x 44" in an Edition of 10. Morgan Silk has be...

"Beverly Hills Hotel" by Slim Aarons Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. (Photo by Slim Aarons) Slim Aarons (born George Allen Aar...

Framing included in listing price ($1,500 value), free art transport to the continental U.S., and a 14 day return policy. Please note there is some repaired damage to the frame noted in the images. San Francisco from Thierry Cohen...

Brooklyn Bridge Tug Boat (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts) Downtown skyline manhattan seen through cables of Brooklyn Bridge tug boat i...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Black and white fine art panorama landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editi...

Hong Kong Apartments I is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. The ...

a Piece of Markthalle (Pieces of Berlin), 2019, 1/10, Lambda C-Print, 30x30cm, unmounted signed Certificate Florian Reischauer's project 'Pieces of Berlin' Berlin – for most younge...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

a Piece of Bitte Lebn (Pieces of Berlin), 2012, 31/50, Lambda C-Print, 30x30cm signed Certificate, mounted on Alu-Dibond Florian Reischauer's project 'Pieces of Berlin' Berlin – fo...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Street Night (1954) - Silver Gelatin Fibre Print (Photo by Monty Fresco/Topical Press Agency/Getty Images) 29th September 1954: A bus and cars travelling ...

limited edition (10), signed

limited edition (10), signed

Shanghai Backstreet (1926) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Silhouettes in a Chinese backstreet, Shanghai, China, circa 1926. Additio...

'Notre Dame 5' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

Palm Beach Street by Slim Aarons Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. How typically 'Slim style' this photograph is. Beautiful and iconic 1950's c...

Park View IV is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25 and is sold unframed. This print is als...

Money, Money, Money - 2016, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-120. Not m...

a Piece of Staycation III (Pieces of Berlin), 2018, 1/3, Lambda C-Print, 100x100cm signed Certificate, unmounted INSTANTDREAMS Gallery presents Florian Reischauer's project 'Pieces ...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned industrial sites, and defunct storefr...

Suspension Wires - Architectural Photograph Black and White Silver Gelatin A dramatic view of the suspension wires maintaining a suspension bridge. 16" x 20" print Silver Gelatin p...

'New York Skyline' by Stuart Möller The skyline of New York City, 2014. Cityscape. The magnificent skyline of the iconic city of New York. Beautiful mint condition SIGNED Limited ...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

Two Run-Down Fashion Shops is a Color Photographic Print on Hahnemuhle Paper in an Edition of 20 in this size of 20" x 24". States of America is the photographic legacy of one of th...

Brixton Flats is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. Hicks depicts the norma...

Purple Door, Montana is a Photographic Color Print on Hahnemuhle Paper in this size of 20" x 24" in an edition of 10. Michael Ormerod was a British photographer with a distinct and ...

Fifth Avenue, Broadway, New York City - no. 11777 Black and White Fine Art cityscape photography. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by arti...

The Factory is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. Frazer Smith pl...

Black and white fine art minimalist cityscape - landscape photography. Notre Dame Cathedral the soul and the heart of Paris. Archival pigment ink print, edition of 9. Signed, titled,...

A unique, original silver gelatin black and white photograph by Keystone View and Co. View of The Halles Market in Paris, circa 1940. Features: Original silver gelatin print photography unframed. Press photography. Press agency: KEYSTONE VIEW CO, Paris. Photographer: Anonymous. Title: Paris, The Halles, circa 1940. Provenance: Private collection. Image Size: 3.15 in high (8.1 cm) by 4.33 in wide (11.6 cm) - Archivally matted in a 17 in by 13 in mat. A typed caption at the back reads "Paris 1er ardt, Les Halles...

Black and White Fine Art Cityscape, Waterscape Panorama Photography - Dubai marina in the blue hour with the impressive skyscrapers and the beauti...

Rockefeller Center (1945) - Silver Gelatin Fibre Print (Photo by George Enell/Hulton Archive/Getty Images) circa 1945: The Rockefeller Center in midtown Manhattan, New York City. ...

Jack Hayhow Title: Downtown Drama Photographic Print on fine Paper Year: 2020 Size: 28x42 inches Edition: Unique Signed by hand COA provided Ref.: 924802-892 ----------------------...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in limited edition of 12 pieces in perfect condition - Composition from an assembly of 4...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Vintage poster after a photograph by Franco Fontana (Modena, 1933), one of the italian most famous contemporary photographers. Titled at the bottom. Very good conditions. Fontana st...

Hand printed photograph by artist. Numbered 1/40, signed and dated on verso. Signed in pencil on recto. Mint Condition. Framed in brushed warm walnut brown metal frame with plexiglass.

Reportage from Albania - Tirana - Photograph is a color photograph realized in the Late 1980s. Good conditions. the landscape of Albania through the art of photography is captured ...

Tokyo is a photograph taken by Amanda Ludovisi in 2019. It represents a street in a rainy evening in the center of Tokyo. This is a giclée print on Ca...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...

'Beverly Hills Hotel' by Slim Aarons Beautiful 1950's cars parked outside the iconic Beverly Hills Hotel on Sunset Boulevard in California, 1957. Typically 'Slim' this photograph ...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

David Pugh View from Empire State Building I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum qualit...

Black and white fine art cityscape - landscape photography. Winter Scenery in Central Park, New York City, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and nu...

David Pugh Pink City I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum quality for highest age resi...