Plant Landscape Photography

Yucca is a cyanotype Work on paper by Cynthia MacCollum. This original artwork is 31.5 x 8.5 on archival paper. It is currently unframed. Macollum uses actual plants and flowers a...

Edition of 25 Signed, titled, negative date, print date and numbered. Sepia toned gelatin silver Michael Kenna's black and white photographs are powerful and alluring. His imagery t...

Hand printed photograph. Printed 2007 Edition 2/40 Excellent condition

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Saint Anton Snow by Toni Frissell Snow begins to fall on an already snow covered mountain side with pine forest behind it. Saint Anton Austria 1955. Large 40 x 30" inches / 101 x ...

'Eleuthera Pool Party' by Slim Aarons LIMITED EDITION ESTATE STAMPED PRINT Numbered in ink to 150 only and emboss stamped on front. Guests at the French Leave...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'the eyes, the ears', 2005 Lambda print Sheet 30,5 x 25,4 cm (12 x 10 in.) Frame 31,5 x 26,5 x 2,5 cm (12 3/8 x 10 3/8 x 1 in....

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

Claire Clarkson's "Blue Ivy II" is from a series of photographs exploring the replication of the cyanotype photographic process through modern technologies. H...

RISAKU SUZUKI (*1963, Japan) SAKURA 13,4-152 2013 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry bloss...

Jardin des Plantes, Study 1, Paris, France by Michael Kenna presents a tranquil scene. Tall trees with barren branches line the park road, leading back to a building in the distance....

Edition of 15 Signed, titled, and dated. Bill Kennedy is an American photographer and printmaker. His photographs are glimpses of a traditional American landscape. The most well kn...

Araquém Alcântara The Amazon Forest I, Alta Floresta, Mato Grosso, Brazil, 2005 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edi...

Syoin KAJII (*1976, Japan) NAMI_N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Artist Commentary: The world-famous lily ponds in Monet's gardens at Giverny make as great a subject for art today as when painted by the master himself. Words that describe this p...

RISAKU SUZUKI (*1963, Japan) SAKURA 07, 4-1, 2007 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 122.8 x 157.7 x 5 cm (48 3/8 x 62 1/8 x 2 in.) Edition of 5 (#2/5) Fram...

Heather Hollis Devils Tower National Park Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2019 Size: 12 x 8.7 inches (30.48 x 22.09 cm) Edition: 15 Signed on label (to be a...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Heather Hollis Autumn Afternoon Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached vers...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Hand printed by artist. Cibachrome paper. Framed in off white metal and high grade plexiglass. Has pencil inscription on the left hand side of front mat. 'Could be erased ' Retails ...

Hand printed by artist. Edition 9/40 Printed 2007 Excellent condition

Gaia 21 - Springtime in Catalonia Black and White Diptych Nature Photography by Jaume Llorens Bach Gaia 21 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Paper b...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-64 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5; Ed. no. 1/5 Framed A Label signed by the artist is provided...

Rodrigo Katayama Rainforest, Brazil, 2018 41 x 27.5 inches Edition of 13 60 x 40 inches Edition of 9 71 x 48 inches Edition of 5 Archival Pigment Print

Rodrigo Katayama Nature Abstraction #3, Rainforest (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Rodrigo Katayama Nature Abstraction #13, Heliodora (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. Photographer Ludwig Favre's affinity for shooting California is deeply tied to nostalgi...

Gaia Diptych 45 - Murmuration Black and White Light and Shadow Photography by Jaume Llorens Bach Gaia Diptych 45 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White ...

ABOUT THIS ARTIST: Timo Helgert is a German artist, best known for his viral virtual installations. His work draws inspiration from classical escapism and draws elements from modern ...

Gloriosa Noire No.3, 2025 A study in silhouette and stillness. Flame curves. Velvet dark. Captured on Polaroid film, a bloom both vanishing and eternal. Archival pigment print on H...

Gloriosa Noire, 2025 A study in silhouette and stillness. Flame curves. Velvet dark. Captured on Polaroid film, a bloom both vanishing and eternal. Archival pigment print on Hahnem...

'Fern Forest I' is an Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. Morgan Silk has been involved in cre...

Vetyver Pool, photograph from Richard Heeps India series, The Ambassador's Window. On a journey through India, a pilgrimage from Kerala in the South, to his Grandfather's birthplace ...

RISAKU SUZUKI (*1963, Japan) Water Mirror 15, WM-272, 270 (Diptych), 2015 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5 (#3/5) Print only A Label signed b...

Villa Cetinale, Siena, Italy, May 2012 A moment at a storied property where centuries of history pile on Photographed by Jonathan Becker Contemporary ...

From the series Chasing Good Fortune

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-64 2002 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of all that ...

Anne Sager (American, 1930-2024), Price Sticker Graffiti, Color Photograph, Chromogenic Print on Paper, signed lower right, signed and with artist's estate stamp to verso, in mat, un...

Lerici '25 is an original black and white Polaroid photograph captured on SX-70 film along the Ligurian coastline of Italy. The image is part of a limited edition of 20, hand-signed ...

Pink Bicycle, Sultan Sea, CA by William Greiner is a color photograph of child's bike resting against a bush, abandoned in the Californian desert. Archival Pigment Print 24 x 36 in....

40"x50" limited edition of 5 signed by the artists on reverse (available unframed - please inquire about framing options). This photograph is taken with a large format camera, capturing immense detail in the verdant green landscape and what remains of The Maharishi Mahesh Yogi Ashram's stone huts which have been overtaken by the jungle. These meditation huts are located north of the Indian city of Rishikesh- this is the site of the Beatles Ashram, also known as Chaurasi Kutia. The collaborative artist team of Sasha Bezzubov and Jessica Sucher worked on this project, "The Searchers" and captured this stunning photograph prior to the location being reopened to the public. The Searchers is a series of large-scale photographs examining Western spiritual tourism in India. Bezzubov and Sucher investigate the magnetic pull of India’s rich religious history and the utopian communities that cater to Western seekers. While exploring yoga centers, meditation retreats and ashrams, the artists straddle the line between observers and participants. The project results in distinct groupings: spatially astounding interiors, bizarre landscapes, and portraits of those who simultaneously appear both lost and found. The connecting thread is the visual strangeness and cultural collisions inherent in this phenomenon. This series includes photographs taken at the Osho Meditation Resort in Pune and the Sivananda Yoga Vedanta Dhanwantari Ashram in Nayyar Dam, Kerala. With The Searchers, the artists build on themes explored in their previous bodies of work, specifically Expats and Natives (Bezzubov and Sucher) and The Gringo Project (Bezzubov). These previous projects center around young Western travelers...

RISAKU SUZUKI (*1963, Japan) SAKURA 21, 4-570 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5; Ed. no. 4/5 Framed A Label signed by the artist is provid...

#10282-a Lake Erie, Buffalo, New York, USA 2011/2023 Signed in black ink, verso Archival pigment print 6 x 6 inches, sheet 5.25 x 2.25 inches, image This work is offered by CLAMP...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are...

An Aston Martin DB6 sports car driving past the tennis courts at Il Pellicano Hotel in Porto Ercole, Tuscany, August 1973. Slim Aarons Estate Edition, C...

Hilltop, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-788, 787 (diptych) 2017 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mirror’i...

Gaia 98 - Black and White Diptych Waves Crashing on Shore with Natural Flora by Jaume Llorens Bach Gaia 98 is a 18cm x 24cm Black and White Photographic print on Premio Kozo 180gsm ...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

28 x 50" 8-ply mat for an additional $203.00 - Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photo...

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-22 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 4/5 Framed The Sakura (Japanese term for ‘cherry blosso...

28"x40" photograph, edition of 5 signed on reverse. In this photograph by Zoe Wetherall, “Horses” two horses stand next to a wire fence, the shadows of the fence posts and horses d...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Lerici '25 is an original black and white Polaroid photograph captured on SX-70 film along the Ligurian coastline of Italy. The image is part of a limited edition of 10, hand-signed ...

RISAKU SUZUKI (*1963, Japan) SAKURA 16, 4-75, 2016 Chromogenic print Sheet 81.3 x 101.6 cm (32 x 40 in.) Edition of 7 (#1/7) Print only The Sakura (Japanese term for ‘cherry blossoms’) Celebration commences in early spring and has inspired artists since the reign of the Emperor Saga in 8th century Japan. The impressive blooming of the trees after winter symbolizes hope and strength, but as the petals fall, one is reminded of the fragility of beauty and life itself. Risaku Suzuki’s painterly photographs...

Hell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley sh...