Urban Landscape Photography

Driving (Strange Love) 2003, 30x96cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certificate, artist Inventory No. 30004. Not mount...

Industrial Wasteland (American Depression) - 2017 “How can we live without our lives? How will we know it's us without our past?” ― John Steinbeck, The Grapes of Wrath 24x20cm, Edi...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His pictures of New York's iconic architecture carry the same romantic feel of a Parisian shooting ...

The black-and-white photo depicts a street scene from San Francisco's Chinatown along Grant Avenue, taken in 1962. The image shows traditional Chinese architectural elements, with a ...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Views of Spina di Borgo is a lot of two vintage single-coated photographic prints. On the back a violet stamp "Fotovedo Roma..." and some hand-written notes in lapis reporting the da...

Empire 8am (Strange Love) - 2005 50x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and certificate. Artist Inventory No. 6147. ...

Street Fest - Euro Disney Resort is a colour vintage photo, realized in 1990s. Street Fest - Euro Disney Resort will fill the streets of Festival Disney with music and entertainment...

a Piece of Staycation III (Pieces of Berlin), 2018, 1/3, Lambda C-Print, 100x100cm signed Certificate, unmounted INSTANTDREAMS Gallery presents Florian Reischauer's project 'Pieces ...

City Sky (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back wi...

Park View IV is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25 and is sold unframed. This print is als...

a Piece of how long is now II (Pieces of Berlin), 2017, 3/10, Lambda C-Print, 30x30cm signed Certificate, mounted on Aluminium Florian Reischauer's project 'Pieces of Berlin' Berli...

Reportage from Albania - Shkodër is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured aestheticall...

Carlton Hotel, 1958 - Carlton Hotel Canne French Riviera South of France by Slim Aarons 16" x 16" print on 16" x 20" paper. Limited Edition Estate Stamped Print. Edition of 150. Pri...

Driving - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory Pl2017-356. Not mo...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

'Carlton Hotel' The entrance to the Carlton Hotel, Cannes, France, 1958. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons ...

'Tram Turntable' A tram being manually rotated on a turntable in San Francisco, California, 1960. 20x20" inches / 51 x 51 cm paper size Estate Stamped Collection Edition to 150...

Snow Covered Central Park Study 7, New York City, USA - no. 11920 Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition ...

Peek-a-boo! Wherever You Look, You See The Chrysler Building. Viewed from Chelsea, with warm golden light, the Art Deco crown peeks out from among other boxy high-rises that compose...

Hotel Olden People carry their skis past the Hotel Olden in Gstaad, 1961. Paper size 40 x 40" inches / 101 x 101 cm Estate Stamped Collection Edition to 150 Photo by Slim Aar...

Madison Square Garden (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Madison Square Garden marquee night, west 49th street, Manhattan, New York, USA, circa 1953 Additional Information: Unframed Paper Size: 40x60'' Printed Later Silver Gelatin Fibre Print NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 10 x 12'' 12 x 16'' 16 x 20'' 20 x 24'' 20 x 30'' 30 x 40'' 40 x 60'' FRAMING AVAILABLE ON REQUEST About the Artist: H. Armstrong ROBERTS (1883-1947) is an artist born in 1883 The oldest auction result ever registered on the website for an artwork by this artist is a photography sold in 2012. ACTORS ON SET, Bette Davis, Ladies Fashion...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Brooklyn is an Archival Inkjet Print by contemporary photography Morgan Silk. Brooklyn by Morgan Silk is available in this size of 22" x 44" in an Edition of 10. Morgan Silk has be...

"Beverly Hills Hotel" by Slim Aarons Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. (Photo by Slim Aarons) Slim Aarons (born George Allen Aar...

Hong Kong Apartments I is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. The ...

Brooklyn Bridge Tug Boat (1953) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts) Downtown skyline manhattan seen through cables of Brooklyn Bridge tug boat i...

a Piece of Markthalle (Pieces of Berlin), 2019, 1/10, Lambda C-Print, 30x30cm, unmounted signed Certificate Florian Reischauer's project 'Pieces of Berlin' Berlin – for most younge...

Jack Hayhow Title: Downtown Drama Photographic Print on fine Paper Year: 2020 Size: 28x42 inches Edition: Unique Signed by hand COA provided Ref.: 924802-892 ----------------------...

a Piece of Bitte Lebn (Pieces of Berlin), 2012, 31/50, Lambda C-Print, 30x30cm signed Certificate, mounted on Alu-Dibond Florian Reischauer's project 'Pieces of Berlin' Berlin – fo...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Street Night (1954) - Silver Gelatin Fibre Print (Photo by Monty Fresco/Topical Press Agency/Getty Images) 29th September 1954: A bus and cars travelling ...

Money, Money, Money - 2016, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2016-120. Not m...

Siena Rain - Oversize c type - Limited Edition 1/50 by Bernhard Wübbel Beautiful archival pigment print limited to 50 only - numbered and stamped by the gallery and with certifica...

Shanghai Backstreet (1926) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) Silhouettes in a Chinese backstreet, Shanghai, China, circa 1926. Additio...

Photo NY City, signed, limited to 5. I like the impression which is offering the picture.

Montevideo is a set of two vintage original albumen prints made by unknown photographer in the 1880s. Prints in very good condition, applied on a single cardboard. Caption in Itali...

Midtown Manhattan Night Artist Aerial Perspectives / Getty Images C print Oversize 40 x 60" inches / 101 x 152 cm Unframed Framing & Different S...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

'New York Skyline' by Stuart Möller The skyline of New York City, 2014. Cityscape. The magnificent skyline of the iconic city of New York. Beautiful mint condition SIGNED Limited ...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...

Brixton Flats is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. Hicks depicts the norma...

The Factory is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith. It is available in this size in an Edition of 25, and is sold unframed. Frazer Smith pl...

A unique, original silver gelatin black and white photograph by Keystone View and Co. View of The Halles Market in Paris, circa 1940. Features: Original silver gelatin print photography unframed. Press photography. Press agency: KEYSTONE VIEW CO, Paris. Photographer: Anonymous. Title: Paris, The Halles, circa 1940. Provenance: Private collection. Image Size: 3.15 in high (8.1 cm) by 4.33 in wide (11.6 cm) - Archivally matted in a 17 in by 13 in mat. A typed caption at the back reads "Paris 1er ardt, Les Halles...

Black and White Fine Art Cityscape, Waterscape Panorama Photography - Dubai marina in the blue hour with the impressive skyscrapers and the beauti...

Title: "Top Floor View II" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on label COA provided Multiple Sizes Available (please inquire within) Framing Available (please inquire within) Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice. One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries. Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar. It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further. Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level. Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...

"Fontana del Moro, Piazza Navona", Rome is a black and white vintage photo, realized in 1978.  Good conditions and aged. It belongs to a historical and nostalgic album including hi...

Rockefeller Center (1945) - Silver Gelatin Fibre Print (Photo by George Enell/Hulton Archive/Getty Images) circa 1945: The Rockefeller Center in midtown Manhattan, New York City. ...

Pigment photographic paper - photography & fine art print © Jean Pierre De Neef Artwork sold in limited edition of 12 pieces in perfect condition - Composition from an assembly of 4...

'Carlton Hotel' by Slim Aarons The entrance to the Carlton Hotel, Cannes, France, 1958. A couple dressed elegantly in all white tennis outfits with rackets in hand, wander past the...

Sequoia Lodge - Euro Disney Resort  is a colour vintage photo, realized in the Early 1990s. Good conditions and aged. It belongs to a historical and nostalgic album including histo...

A moment in time In 2021, a gallery from Brussels contacted us. There, a photographic collection had been kept in tin boxes for decades, consisting of 6x6 glass slides in color. Th...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch image i...

David Pugh View from Empire State Building I Archival Pigment Print on Hahnemühle Photo Rag Baryta, 100% Cotton Fibre, 315 gsm, Acid and Lignin free, ISO 9706 conform / museum qualit...