Woodland Landscape Photography

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Syoin KAJII (*1976, Japan) NAMI_N01-N02, 2024 Lambda Print with Diasec Face, Diptych (two works) Small: Sheet 63 x 168 cm (24 3/4 x 66 1/8 in.) Large: Sheet 112.5 x 300 cm (44 1/4 x ...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Araquém Alcântara The Amazon Forest I, Alta Floresta, Mato Grosso, Brazil, 2005 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edi...

Jardin des Plantes, Study 1, Paris, France by Michael Kenna presents a tranquil scene. Tall trees with barren branches line the park road, leading back to a building in the distance....

Daniel Mansur Vert #4, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Signature L...

Hand printed by artist. Edition 9/40 Printed 2007 Excellent condition

RISAKU SUZUKI (*1963, Japan) Water Mirror 15, WM-272, 270 (Diptych), 2015 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5 (#3/5) Print only A Label signed b...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-64 2002 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of all that ...

Daniel Mansur Available sizes: 60 x 40 inches 100 x 150cm 71 x 47 inches 180 x 120cm 88.5 x 60 inches 225 x 150 cm Edition of 6 copies overall - Archival Pigment Print Signat...

Stars 2, 2014 - Stars and Trees in Ancient English Woodland and Forest Landscape by Ellie Davies Stars 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in ...

Anne Sager (American, 1930-2024), Price Sticker Graffiti, Color Photograph, Chromogenic Print on Paper, signed lower right, signed and with artist's estate stamp to verso, in mat, un...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

From the series Chasing Good Fortune

40"x50" limited edition of 5 signed by the artists on reverse (available unframed - please inquire about framing options). This photograph is taken with a large format camera, capturing immense detail in the verdant green landscape and what remains of The Maharishi Mahesh Yogi Ashram's stone huts which have been overtaken by the jungle. These meditation huts are located north of the Indian city of Rishikesh- this is the site of the Beatles Ashram, also known as Chaurasi Kutia. The collaborative artist team of Sasha Bezzubov and Jessica Sucher worked on this project, "The Searchers" and captured this stunning photograph prior to the location being reopened to the public. The Searchers is a series of large-scale photographs examining Western spiritual tourism in India. Bezzubov and Sucher investigate the magnetic pull of India’s rich religious history and the utopian communities that cater to Western seekers. While exploring yoga centers, meditation retreats and ashrams, the artists straddle the line between observers and participants. The project results in distinct groupings: spatially astounding interiors, bizarre landscapes, and portraits of those who simultaneously appear both lost and found. The connecting thread is the visual strangeness and cultural collisions inherent in this phenomenon. This series includes photographs taken at the Osho Meditation Resort in Pune and the Sivananda Yoga Vedanta Dhanwantari Ashram in Nayyar Dam, Kerala. With The Searchers, the artists build on themes explored in their previous bodies of work, specifically Expats and Natives (Bezzubov and Sucher) and The Gringo Project (Bezzubov). These previous projects center around young Western travelers...

RISAKU SUZUKI (*1963, Japan) SAKURA 21, 4-570 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5; Ed. no. 4/5 Framed A Label signed by the artist is provid...

30"x40" limited edition of 5 signed by the artists on reverse (available unframed - please inquire about framing options). This photograph is taken with a large format camera, capturing immense detail in the verdant green landscape and what remains of The Maharishi Mahesh Yogi Ashram's stone huts which have been overtaken by the jungle. These meditation huts are located north of the Indian city of Rishikesh- this is the site of the Beatles Ashram, also known as Chaurasi Kutia. The collaborative artist team of Sasha Bezzubov and Jessica Sucher worked on this project, "The Searchers" and captured this stunning photograph prior to the location being reopened to the public. The Searchers is a series of large-scale photographs examining Western spiritual tourism in India. Bezzubov and Sucher investigate the magnetic pull of India’s rich religious history and the utopian communities that cater to Western seekers. While exploring yoga centers, meditation retreats and ashrams, the artists straddle the line between observers and participants. The project results in distinct groupings: spatially astounding interiors, bizarre landscapes, and portraits of those who simultaneously appear both lost and found. The connecting thread is the visual strangeness and cultural collisions inherent in this phenomenon. This series includes photographs taken at the Osho Meditation Resort in Pune and the Sivananda Yoga Vedanta Dhanwantari Ashram in Nayyar Dam, Kerala. With The Searchers, the artists build on themes explored in their previous bodies of work, specifically Expats and Natives (Bezzubov and Sucher) and The Gringo Project (Bezzubov). These previous projects center around young Western travelers...

The Gloaming 4, 2011 - Light on Forest Floor in English Woodland Forest by Ellie Davies The Gloaming 4 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

A curve in a s steep path in woods that disappear into morning mist. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph print...

RISAKU SUZUKI (*1963, Japan) SAKURA 16, 4-75, 2016 Chromogenic print Sheet 81.3 x 101.6 cm (32 x 40 in.) Edition of 7 (#1/7) Print only The Sakura (Japanese term for ‘cherry blossoms’) Celebration commences in early spring and has inspired artists since the reign of the Emperor Saga in 8th century Japan. The impressive blooming of the trees after winter symbolizes hope and strength, but as the petals fall, one is reminded of the fragility of beauty and life itself. Risaku Suzuki’s painterly photographs...

Jung LEE (*1972, South Korea) Sanyuhwa (The Poem ‘Flowers on the Hills’ by Kim Sowol), 2012 C-Type Print, Diasec 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 5, plus 2 AP – Biograp...

Untitled (Fairytales) - 2006 98x96cm, Edition 3/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the Polaroid. Certificate an...

'Youth and the Wise' ('Mono No Aware' Series) 24 x 36" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Woven together into richly textured, poetic photographic artworks is the acknowledgement that in all things there is balance: In the sensual interplay of light and shadow; in virial life and peaceful dormancy; in the enduring and the effervescent. Using intricate layering of double exposure photographic techniques, Sophia expresses the moments of chaos and harmony; and of the fleeting magic and serene stillness within...

'Tyrolian winter morning' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the te...

This 22" x 28" framed digital pigment print is by Oklahoma photographer, Jon Burris. This photograph presents a striking monochromatic rendering of a densely wooded landscape and gra...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-717 2017 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Redwoods by Erik Pawassar 42 x 117 inches (107 x 298cm) signed edition of 7 48 x 135 inches (122 x 343cm) six panels of 48 x 22.5 inches signed edition of 7 31 x 88 inches (79 x 224cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request _________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Hand printed by artist. Cibachrome paper. Framed in off white metal and high grade plexiglass. Has pencil inscription on the left hand side of front mat. 'Could be erased ' Retails ...

"WOODLANDS" by Mat Hennek The photos from the Woodlands cycle are the outcome of numerous excursions through all sorts of bosk - wood impressions with bewitching atmospheres. Carefu...

Daniel Mansur IN PARADISUM series 60 x 88.5 inches 150 x 225 cm Edition of 6 Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies ov...

Between the Trees 8, 2014 - Misty Natural Landscapes and Ancient Woodland by Ellie Davies Between the Trees 8 is a stunning Digital C-Type Print on Fuji Maxima Matte Paper, availabl...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

This is an exclusive limited edition black and white Giclée print, on 100% cotton Hahnemühle Photo Rag Fine Art matte paper. This beautiful black and white high contrast photograph...

The road disappears into white past the oak in the foreground. Morning sunlight glows through the dense fog. The road is Skyline Blvd in Oakland, California the moment when the sun b...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

El Capitan, 2016 by Jo Crowther is a 16" x 20" Archival Inkjet Print from a Limited Edition of 12 in this size. Taken during Crowther's travels through the United States and Califor...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Starting with photographic base elements, such as the figure or the landscape, Haider transforms the scenery into a surreal world through heavy post-production. She uses photographs,...

Seascapes 5, 2020 - Grassy Marshland in Ancient Forest Nature and Woodland by Ellie Davies Seascapes 5 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Released in spring 2025, Solace is a 192-page hardback by Ugnė Pouwell presenting a composed sequence of black-and-white still life, abstract studies, landscapes and portraits, inter...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Buttermere in Winter, 1997 is 20" x 24" Archival Inkjet Print. Available in this size only in an Edition of 50. All items are shipped as a print only and come unframed. Jo Crowthe...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

'Youth and the Wise' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered, unframed _________________ Woven together into richly te...

"WOODLANDS" by Mat Hennek The photos from the Woodlands cycle are the outcome of numerous excursions through all sorts of bosk - wood impressions with bewitching atmospheres. Carefu...

Pando Forest #6 is available in an Edition of 5 + 2 Artist Proofs. Laval's new body of work continues her ongoing exploration of light in nature. Combining the natural landscape with a radical manipulation of light, Laval creates an other-worldly scape that bridges the gap between our reality and one that could only ever be imagined. The Pando Forest is an incredible display of vegetation in Utah's Fishlake National Park in the United States. Comprised of over 40,000 individual trees, this forest is really one living organism. Connected by one enormous root system, the forest continues to exist by producing clones of itself in response to environmental stresses. Creating small, temporary interventions in the organic landscape, Laval takes natural and artificial light and observes the interaction in nature through reflective surfaces. Marine blues and plush magentas describe this living organism, while radiant aquamarines...

Contemporary minimalist aerial landscape photograph of orange summer sunset against blue mountains Archival digital print, Edition of 25 (#369) Image size 19.3 x 29 inches with 2 inc...

After (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 18799. Signature label and Certi...

Indian Summer VII (The Last Picture Show) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on the Polaroid, Certificate and Signature label Arti...

Chalk Streams 6, 2023 - Contemporary Ecosystem Photography New Forest Country by Ellie Davies Chalk Streams 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availabl...

Eucalyptus II is an Archival Inkjet Print by contemporary photographer Morgan Silk. Eucalyptus II by Morgan Silk is available in this size of 17" x 24" from an edition of 25. A co...

It's Going to Be OK (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 23890. Signature l...

Chalk Streams 5, 2023 - Chalk Stream Photography Contemporary English Landscape by Ellie Davies Chalk Streams 5 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availa...

Chalk Streams 2, 2023 - Contemporary English Landscape Photography New Forest by Ellie Davies Chalk Streams 2 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availabl...

Sunrise Moments, November 23, 2014, 7-40-12 a.m., Cypress Creek, TX is a landscape photograph by David H. Gibson. The photograph is printed using arch...