Glass Photography

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Created for the 2017 Whitney Biennial, Aurora uses a photograph of a dense, lush landscape captured at dawn. For this work, Soto developed a technique using layers of face-mounted, l...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

“Colour gives me a new way of working - in complete darkness. It seems contradictory that to produce colour you need to work in the dark. You blindly feel your way around the paper w...

Supernova, 2017 Printed on museum glass, Hand gilded with White Gold and Silver leaf, Framed 61 x 61 cm (including frame) 45 x 45 cm (glass print) Edition of 5. - Although the prints...

It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades. This piece is something very special... two Luminograms in one work of...

June Melody, 2017 Printed on museum glass, hand gilded with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gild...

Cosmos I, Pink and White Gold leaf on Glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded with Pink Gold and White Gold leaf 31 x 31 cm/ 12.2 x 12.2 in (Framed) From Edi...

"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a scattering of flowers on the surface, all help to convey the dark mystery of a life below the surface." - Valda Bailey...

ATO MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO MIC - where the “ ” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...

"The play of water and light has fascinated me for years. From childhood I have found sunlight underwater mesmerising - be it a Cornish rock pool or The Red Sea, the movement and diffraction of light excites me. Add to that the thrill of schools of fish - specifically Akule, which are found in seas off Hawaii. I spent some time wanting to make a series of prints that captured the play of light on these fast moving fish - creating flowing abstract forms and textures." - Mike G Jackson The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - Michael G Jackson Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. His work has been exhibited internationally and is part of various private and museum collections including The National Art Gallery in Washington, USA. Selected Press: “Mike Jackson...

Print info: Impact #3 by Michael G Jackson Archival Pigment Print (from the original hand made darkroom c-type), 35 2/5 × 23 3/5 in 90 × 60 cm Limited Edition of 3. Framed print...

It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...

Cosmos III, Moon and Pink Gold leaf on glass, 2019 Archival Pigment Print on Museum Glass, Hand Gilded by the Artist with Moon Gold and Pink Gold 31 x 31 cm/ 12.2 x 12.2 in. Framed E...

Poppit Sands #19, 2011 - 2014 - Black and white abstract photographic print, Framed; Silver Gelatin Print with mount board 7.5 x 7.5 inches / 19 cm (approx.) plus frame From an editi...

Neuroqueer - Series These photographs portray neurodivergent people and their daily lives. Like them, these images were born outside of what’s considered “normal.” The film roll was...

The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson) NEW YORK CITY AND THE HUDSON 2020 "After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc . Please allow 2-4 weeks for mounting and framing - we will keep you updated About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO MIC, MMX Gallery, London 2022. “Mike Jackson...

It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...