Plate Glass Photography

Cedars - A dense stand of western red cedar guard the path into the darkness beyond the lamplight. A gap in the foliage creates a void, an invitation to enter into an unknown and unc...

"I am primarily driven by an exploration of colour and form. My objective is to bring an emotional is to bring an emotional element and aesthetic balance to my work." "It came to me in the middle of the night - as these things often do - that to incorporate gold leaf into the finished print would neatly encapsulate some of the elements I am trying to express. Its application would obviously have to be done by hand with all its attendant imperfections and mistakes. Kintsugi - the Japanese art of patching broken ceramics with gold - shares its aesthetic with Wabi Sabi." - Valda Bailey...

Rebecca Skinner’s “Saint Olaf Church II” is a 14 x 11 inch contemporary black and white photograph of an abandoned, weathered wooden church with peeling paint and boarded windows und...

Rebecca Skinner’s “Forbode” is a 18 x 12 inch black and white interior photograph of an abandoned, decaying hallway with peeling walls and open doors, evoking an eerie, forgotten, an...

Rebecca Skinner’s “Domino Room” was photographed at the abandoned Scranton Lace Factory in Pennsylvania and is part of a series documenting the loss of industry in America. Large win...

Rebecca Skinner’s “Looking Up” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron st...

Rebecca Skinner’s “Remnants II” is part of her "On and Off the Trail" series and documents the beautiful Mississippi coast. The 12 x 18 inch black and white landscape photo is of pie...

The road to Heaste, Isle of Skye The road to Heaste on the Isle of Skye with a view of Beinn na Caillich and Blaven beyond. THE ROAD TO HEASTA, ISLE OF SKYE, 2012-2013 Fine Art Giclee Print (Archival Pigment Print from Wet plate collodion), in vintage frame saved from the Scottish castle... Image: 58 x 81 cm Frame: 85 x 110cm / 33.5 x 43.3 inches Series: The Dark Mountains (The Hebrides) / 'No Innocent Land' Signed on recto The series 'No Innocent Land' is a journey across the islands of Scotland using an antique process to document the dramatic landscapes of Scotland. Using a 100 year old camera, images have been made and developed by hand on mountain tops, in valleys, by the sides of lochs, and in some of Scotland's most beautiful landscapes. ALEX BOYD Alex Boyd's images represent a major addition to the tradition of modern landscape photography" - Robert Macfarlane, Author Alex Boyd is a landscape and documentary photographer, printmaker and writer. His work is primarily concerned with the Scottish landscape. As a photographer his work examines the role of early Scottish landscape photographers, often using antique processes such as the Victorian wet-plate collodion process using antique cameras in mountain environments. In 2019 he was awarded a Daiwa Foundation Scholarship to work and photograph the mountains of the Japan Alps centred on Mount Yari as well as shortlisted for the Hariban Award. He was the Mountain Photographer of the Year at the Kendal Mountain Festival in 2013, the UK's largest mountain festival. His work on the Cuillin mountains on the Isle of Skye as the Royal Scottish Academy's artist in Residence is in several National Collections. His work has been widely exhibited internationally with solo exhibitions at the Scottish Parliament, as well as group exhibitions at the Royal Academy, Royal Ulster Academy and the Royal Scottish Academy. His work is held in the collections of the National Galleries of Scotland, The Royal Photographic Society, the Royal Scottish Academy, the V&A in London and the Yale Centre for British Arts in the USA. His first book St Kilda - The Silent Islands was recently shortlisted for a Saltire Award. His second book The Isle of Rust, a collaboration with writer Jonathan Meades was, like his first book, named as a photography book of the year by The Scotsman. He is a Fellow of the National Library of Scotland, The Winston Churchill Memorial Trust, The Ballinglen Arts Foundation, and the Royal Society of Art. He is currently working on a PhD on Scottish Photography...

Rebecca Skinner’s “Erosion #4” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 16 x 24 inch black and whi...

Driftwood at beach. Black and white. Dye sublimation on aluminum. Floats in sleek white contemporary wooden frame. Limited Edition of 10. Matte Finish gives the piece a painting feel. About the Artist: Keith Ramsdell...

George McLeod Untitled #7, Tree Huggers from the Future, 2021 Archival Pigment Print, Mounted Dibond in custom frame; with Black Stained Oak and antire...

Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a...