Plexiglass Nude Photography
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Style: Contemporary
Medium: Plexiglass
"Lira" Nude Photography 24" x 16" in Ed. of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
"Lira" Nude Photography 36" x 24" in Ed. of 25 by Yevgeniy Repiashenko
Ready to hang.
Mounting the photo under of glossy acrylic glass creates rich colors and strong contrasts and a...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Photographic Paper, Pigment, Plexiglass
"Euphoria" Nude Photography 24 x 16 inch Edition of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
"Euphoria" Nude Photography 24 x 16 inch Edition of 28 by Yevgeniy Repiashenko
"Euphoria" by Yevgeniy Repiashenko
Year photo was taken: 2013
Art Print
Limited Edition of 28
Picture...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Pigment, Plexiglass
"WetWay" Nude Photography 16 x 24 in Ed. of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
"WetWay" Nude Photography 16 x 24 in Ed. of 28 by Yevgeniy Repiashenko
"WetWay" by Yevgeniy Repiashenko
Year photo was taken: 2013
Art Print
Limited Edition of 28
Picture size:
Hei...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Pigment, Plexiglass
"La tête" Nude Photography 19" x 24" in. Edition of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
"La tête" Nude Photography 19" x 24" in. Edition of 28 by Yevgeniy Repiashenko
Year photo was taken: 2014
Photography
Limited Edition of 28
Picture size:
Height: 19" inch
Width: 24"...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Photographic Paper, Pigment, Plexiglass
" Genesis" Photography 24 x 18 in Ed. of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
" Genesis" Photography 24 x 18 in Ed. of 28 by Yevgeniy Repiashenko
Photography - ready to hang
Year photo was taken: 2019
Edition of 28.
Mounting the photo under of glossy acryli...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"Marche des Méréides" Photography 24 x 18 in Ed. of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
"Marche des Méréides" Photography 24 x 18 in Ed. of 28 by Yevgeniy Repiashenko
Photography - ready to hang
Year photo was taken: 2017
Edition of 28.
Mounting the photo under of gl...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Archival Pigment, Plexiglass
"Jeune Nuit" Ballet Photography 45" x 45" in Ed. of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
"Jeune Nuit" Ballet Photography 45" x 45" in Ed. of 18 by Yevgeniy Repiashenko
"Jeune Nuit" by Yevgeniy Repiashenko
Year photo was taken: 2017
Limited Edition of 18
Picture size:
...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
Black and white 12 - black and white photo
By Leo Reinfeld
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body.
Long before that I already had the idea that the female body contains every line, ev...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
C Print, Plexiglass
No title (No 03) Photography Edition of 25 32x32 inch by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 03) Photography Edition of 25 32x32 inch by Yevgeniy Repiashenko
No title (No 03)
Photography
Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko
Year photo was take...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"S2L" (FRAMED) Photography 44" x 44" inch Edition 1/10 by Giuliano Bekor
Located in Culver City, CA
"S2L" (FRAMED) Photography 44" x 44" inch Edition 1/10 by Giuliano Bekor
"S2L" from SCULPT series
Original photography by Giuliano Bekor
44" x 44" inch
Edition of 10
Archival pigment print mounted on dibond
Custom frame comes with non reflective museum glass
SCULPT series
The body is a vessel for the soul. The movement of every muscle – a hand position, an arch in the back, the nape of a neck – reveals the innermost continuum of the spirit. Together, lines and sinew form an emotional narrator. Using contrast, texture, and the language of the human body, this collection exposes the intersection of physical and non-physical, the marriage of tactile and ethereal.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery Sofitel Hotel Beverly Hills CA;
2019 - February Modernismo Hôtel Plaza Athénée...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"Jeune Nuit" Ballet Photography 32" x 32" in Ed. of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
"Jeune Nuit" Ballet Photography 32" x 32" in Ed. of 25 by Yevgeniy Repiashenko
No title (No 14) by Yevgeniy Repiashenko
Year photo was taken: 2017
Limited Edition of 25
Picture siz...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment, Archival Pigment
No title (No 24) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 24) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko
Year photo was taken: 2016
Photography
Limited Edition of 25
Picture size:
Height: 32" inch
Width: 3...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Archival Pigment, Plexiglass, Pigment
No title (No 78) Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 78) Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko
No title (No 78) by Yevgeniy Repiashenko
Year photo was taken: 2017
Limited Edition of 18
Picture size:
Height: 45" inch
Width: 45" inch
This photo work is transported in a robust plywood case.
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed gold makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
No title (No 15) Ballet Photography 32 x 32 in Ed. 2/25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 15) Ballet Photography 32 x 32 in Ed. 2/25 by Yevgeniy Repiashenko
No title (No 15) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 25
This artwo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment, Archival Pigment
No title (No 49) Ballet Photography 26x32 in Ed of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 49) Ballet Photography 26x32 in Ed of 25 by Yevgeniy Repiashenko
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina....
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Archival Paper, Pigment, Plexiglass
No title (No 39) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 39) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko
No title (No 39)
Photography
Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko
Year photo was t...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"No title (No 10)" Photography 32 x 26 in Edition of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
"No title (No 10)" Photography 32 x 26 in Edition of 25 by Yevgeniy Repiashenko
No title (No 10) by Yevgeniy Repiashenko
Year photo was taken: 2015
Limited Edition of 25.
Photograph...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Pigment, Archival Pigment, Plexiglass
No title (No 55) Ballet Photography 45 x 37 in Ed of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 55) Ballet Photography 45 x 37 in Ed of 18 by Yevgeniy Repiashenko
Year photo was taken: 2020
Limited Edition of 18
Photography on Diasec and Dibond
This artwork is pa...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
"S2R" Photography (FRAMED) 44" x 44" inch Edition 1/10 by Giuliano Bekor
Located in Culver City, CA
"S2R" Photography (FRAMED) 44" x 44" inch Edition 1/10 by Giuliano Bekor
"S2R" from SCULPT series
Original photography by Giuliano Bekor
44" x 44" inch
Edition of 10
Archival pigment print mounted on dibond
Custom frame comes with non reflective museum glass
SCULPT series
The body is a vessel for the soul. The movement of every muscle – a hand position, an arch in the back, the nape of a neck – reveals the innermost continuum of the spirit. Together, lines and sinew form an emotional narrator. Using contrast, texture, and the language of the human body, this collection exposes the intersection of physical and non-physical, the marriage of tactile and ethereal.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"RA" Photography Edition 8/25 32" x 32" inch by Yevgeniy Repiashenko
Located in Culver City, CA
"RA" Photography Edition 8/25 32" x 32" inch by Yevgeniy Repiashenko
2018 1st Place, 11th International Color Awards, Photographer Of The Year
This artwork is part of "Spirit" seri...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment, Archival Pigment
"E-motion" Nude Photography 16" x 24" inch Edition of 28 by Yevgeniy Repiashenko
Located in Culver City, CA
"E-motion" Nude Photography 16" x 24" inch Edition of 28 by Yevgeniy Repiashenko
"E-motion" by Yevgeniy Repiashenko
Year photo was taken: 2013
Picture size:
Height: 16" inch
Width: ...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
Whites 039
By Leo Reinfeld
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body.
Long before that I already had the idea that the female body contains every line, ev...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print
"S2M" Photography (FRAMED) 44" x 44" inch Edition of 10 by Giuliano Bekor
Located in Culver City, CA
"S2M" Photography (FRAMED) 44" x 44" inch Edition of 10 by Giuliano Bekor
"S2M" from SCULPT series
Original photography by Giuliano Bekor
44" x 44" inch
Edition of 10
Archival pigment print mounted on dibond
Custom frame comes with non reflective museum glass
SCULPT series
The body is a vessel for the soul. The movement of every muscle – a hand position, an arch in the back, the nape of a neck – reveals the innermost continuum of the spirit. Together, lines and sinew form an emotional narrator. Using contrast, texture, and the language of the human body, this collection exposes the intersection of physical and non-physical, the marriage of tactile and ethereal.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
Hommage a Magritte - Diptych
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print
Black and white 11 - black and white photo
By Leo Reinfeld
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body.
Long before that I already had the idea that the female body contains every line, ev...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
C Print, Plexiglass
Hommage a Pollock IV
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print
"LB27" Abstract Photography 42" x 56" inch Edition of 4 by Giuliano Bekor
Located in Culver City, CA
"LB27" Abstract Photography 42" x 56" inch Edition of 4 by Giuliano Bekor
INSTALLATION: 12 pieces of 14 x14 inches trim bleed (please refer to photos)
Medium:
Single Sided Printed ...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Metal
No title (No 16) Ballet Photography 32x32 in Ed. of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 16) Ballet Photography 32x32 in Ed. of 25 by Yevgeniy Repiashenko
No title (No 16)
Photography
Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko
Year photo was tak...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Archival Pigment, Plexiglass
"No title No 28" Photography 45" x 45" in Ed. of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
"No title No 28" Photography 45" x 45" in Ed. of 18 by Yevgeniy Repiashenko
No title (No 28) by Yevgeniy Repiashenko
Year photo was taken: 2018
Limited Edition of 18
Photography on ...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
No title (No 5) Ballet Photography 32x32 in Ed. 2/25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 5) Ballet Photography 32x32 in Ed. 2/25 by Yevgeniy Repiashenko
Year photo was taken: 2017
This picture is a part of Spirit series.
The picture shows the frozen moveme...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"Hills" Black
White Photography 24x36 inch Ed. of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
"Hills" Black
White Photography 24x36 inch Ed. of 18 by Yevgeniy Repiashenko
Hills
Photography
Edition of 18 (24 x 36 inch) by Yevgeniy R...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
No title (No 45) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 45) Ballet Photography 32 x 32 in Ed. of 25 by Yevgeniy Repiashenko
No title (No 45) by Yevgeniy Repiashenko
32" x 32" inch
Year photo was taken: 2017
Limited Edition ...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment, Archival Pigment
No title (No 47) Ballet Photography 32x26 in Ed. of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 47) Ballet Photography 32x26 in Ed. of 25 by Yevgeniy Repiashenko
No title (No 10) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 25.
Photography...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Pigment, Archival Pigment, Plexiglass
"LB18" (FRAMED) Abstract Photography 60" x 40" in Edition of 4 by Giuliano Bekor
Located in Culver City, CA
"LB18" (FRAMED) Abstract Photography 60" x 40" in Edition of 4 by Giuliano Bekor
2018
This artwork printed on a highest resolution archival fine art Kodak metallic pearl paper, pri...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Metal
Damasked
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
Price Upon Request
GAIA
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size: 50'' x 40'' and is priced at $13,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
THUONG NGAN (FOREST GODDESS)
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
FILLE DE REVE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Ink, Archival Paper, Black and White, Digital, Pigm...
Price Upon Request
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Archi...
Price Upon Request
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Pigme...
Price Upon Request
VENATION
By Reka Nyari
Located in New York, NY
Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Pigment, Pigment, Archival Pigment, Digital Pigment, Plexiglass, Archiva...
Price Upon Request
L
ARTISTE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
PHANTASMA
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
ROUTES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
BELOVED
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
SORCIER
By Reka Nyari
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
Print is also available in large size: 63'' x 50'' and i...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Price Upon Request
Plexiglass nude photography for sale on 1stDibs.
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