1980s Nude Photography

Jo - Limited edition archival pigment print, 1982 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed...

Experience the allure of the Mediterranean with this iconic Slim Aarons genuine Estate Edition photograph, capturing topless swimmers on a rocky promontory of the pristine island of ...

Signed on mount recto; titled with artist stamp on mount verso. Edition of 15. Price subject to change without notice.

Experience the allure of the Mediterranean with this iconic Slim Aarons genuine Estate Edition photograph, capturing topless swimmers on a rocky promontory of the pristine island of ...

Tourism: Chartres, 1985 Chromogenic color print 18 × 12 in 45.7 × 30.5 cm Edition of 16/25 Laurie Simmons has an ambitious exhibition currently on tour. "Big Camera/Little Camera," a survey of some two hundred photographs, two films, and a selection of three-dimensional pieces, including props used in some of her staged tableaux. This exhibition opened at the Modern Art Museum of Fort Worth, Texas, from October 14, 2018 to January 27, 2019 and is now at the Museum of Contemporary Art in Chicago until May 5, 2019. (A print of "Tourism: Chartres" is represented in the show. Laurie Simmons’ engagement with non-human subjects ranges from her earlier works, in which she photographed miniature scenes of post-war domestic splendor, to her more recent use of life-size sex dolls that appear to be engaged in surprisingly believable activities. Endowing dolls, puppets, and ventriloquist dummies...

'Keith Haring Painted Man'/Keith Haring Into 84: A complete set of 3 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, ...

C. Z. Guest, 1955 Chromogenic Lambda Print Estate edition of 150 American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 – 2003) beside the pool of her ocean-front estate...

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990. Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon. Sepia Tone, Nude, Beach, Sand, Sky, Clouds, Pines, Fire Island...

Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Estate stamped and hand numbered edition of 150 with certificate of authenticity ...

Edition 2 of 25. Shipping time depends on method of shipping. ABOUT Robin Rice is an accomplished Gallerist in The West Village. Her eye manages to capture the bliss of small sing...

Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Estate stamped and hand numbered edition of 150 with certificate of authenticity ...

Sunbathing in Capri, Catherine Wilke 1980 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Catherine Wilke...

“Torso with Blowing Shirt” (3/5) is a captivating 1988 black-and-white nude photograph by acclaimed American photographer Mark Sink (b. 1958). Known for his ...

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Printed Later. Cath...

'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

Sunbathing in Capri, Catherine Wilke 1980 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Catherine Wilke...

Countess on Deck 1982 Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Countess Gioia Gaetani-Lovatelli relaxes o...

Countess Gioia Gaetani-Lovatelli relaxes on deck during a yachting holiday in Porto Rotondo, 1982. Estate stamped and hand numbered edition of 150 with certificate of authenticity ...

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity fr...

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity fr...

Jackie Kennedy, 1959 Chromogenic Lambda Print Estate edition of 150 Jacqueline Kennedy (Jackie Onassis) (1929 – 1994) wife of Senator Jack Kennedy at an ‘April in Paris’ ball. Origi...

Yoshihiko Ueda Untitled, NUDE , 1985 Gelatin silver print 10 3/4 x 8 3/4 inches (image) 11 x 9 1/2 inches (sheet) 27 5/8 x 22 1/2 inches (frame) Edition 1 of 25 Signed recto Black ...

Cortina dAmpezzo, 1988 Chromogenic Lambda Print Estate edition of 150 Snowboarding in Cortina d’Ampezzo, March 1988. Estate stamped and hand number...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern day tool: the Polaroid. Because of its immediacy and simplicity it became an essential part of his process in the 80's and 90's. As a result the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in a various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Alex" is a young man posing nude on top of a tarp. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern-day tool: the Polaroid. Because of its immediacy and simplicity, it became an essential part of his process in the 80's and 90's. As a result, the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Bar Back" is a young man posing nude on top of a first aid kit. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

This is a unique work taken by Andy Warhol of a nude male in a hotel bathtub in Paris. Work is stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Fou...

Wand • 1985 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

This is a self-portrait with a 1950s girly cut-out set against a dramatic tropical sky. It's is a straight shot. The camera is on a tripod while the photographer slides over to bec...

ALBERT WATSON (*1942, Scotland) Naomi Campbell, Palm Springs, 1989 1989 Archival pigment print Image 122 x 91.5 cm (48 x 36 in.) Sheet 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 1...

Wand • 1985 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

Swimming Pool Series, 1983 #1/50 Ektacolor print Italian photographer Franco Fontana is a pioneer of color photography, known for his abstract cityscapes, seascapes, and landscapes....

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Printed Later. Cath...

Burgenstock Hotel on Lake Lucerne, 1984 Chromogenic Lambda Print Estate edition of 150 The Burgenstock hotel on Lake Lucerne in Switzerland, August 1984....

Capotes House, Chromogenic Lambda Print Estate edition of 150 American writer Truman Capote’s house in Palm Springs, California, January 1970. Estate stamped and hand numbered edi...

Chief of Protocol, 1961 Chromogenic Lambda Print Estate edition of 150 The Honorable Angier Biddle Duke, Chief of Protocol for the State Department during the Kennedy Years, Novembe...

Edition of 10

Karin Rosenthal Santorini, 1981 Gelatin silver print 10h x 10w in

Wand • 1985 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

Catherine Opie Untitled 1989 Signed, dated, and inscribed in pencil, verso Vintage gelatin silver print 7 x 7 inches, image Contact gallery for price.

Jean-Michel Basquiat photograph 1984/2014: This intimate photo of Jean-Michel Basquiat was taken during his stay on a ranch in Hana on the island of Maui in 1984. He was working in ...

Val (Bruce is King/Female Nude) 1982 Signed, dated, and inscribed in red ink, recto Chromogenic print (negative sandwich) retouched with ink 20 x 16 inches, sheet Contact gallery...

Paul Wadina, Point Conception Beach, 80's Male Queer Portrait Photography, Weber 1987 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25....

Christian and Jason, Bear Pond, Adirondack Park 1989 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 17 x 14 inches (43. 2 x 35....

Werner, Montecito, California 1989 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price. This work...

Billy, Camp Rowdy, Bellport, New York 1988 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price. T...

Dave, Camp Rowdy, Bellport, New York 1988 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print (Edition of 3) 10 x 8 inches (25.4 x 20.3 cm) Contact gallery...

Male Nude Backside 1988 Signed in pencil, l.r. Also signed, dated, verso Vintage gelatin silver print 14 x 11 inches Contact gallery for price. This work is offered by ClampArt i...

Miami 1989 Signed, l.r. Gelatin silver print 6.9 x 4.7 inches (17.5 x 11.9 cm), image 13.5 x 10.5 inches (26.7 x 26.7 cm), framed Contact gallery for price. This work is offere...

Mesopotamia 1987 Estate stamp in black ink, verso Vintage chromogenic print (negative sandwich) retouched with ink (Edition 12) 14 x 11 inches, sheet 10.75 x 10.75 inches, image ...

Panties, 1984 Archival pigment print Signed and numbered edition Additional sizes available. Robert Farber is a contemporary American photographer best known for his iconic image...

Nude Torso, 1984 Archival pigment print Signed and numbered edition Additional sizes available. Robert Farber is a contemporary American photographer best known for his iconic im...

Alex Back, 1984 Archival pigment print Signed and numbered edition Additional sizes available. Robert Farber is a contemporary American photographer best known for his iconic ima...

Gelatin silver print (Edition of 15) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of nude models Tony and Rosetta. From personality portraits and advertising campaigns t...

Gelatin silver print (Edition of 15) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Vintage chromogenic print (negative sandwich) retouched with ink (Edition of 12) Estate stamp in black ink, verso 20 x 16 inches, sheet 18 x 12 inches, image This artwork is offere...

Photogravure (Edition of 46) Editioned in pencil, verso 16 x 11 inches, sheet 4.25 x 3.25 inches, plate This artwork is offered by ClampArt, located in New York City. “Mark was an...

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

This photograph is an Edition of 30. Please see additional editions listed below. All editions are signed by the photographer. Larger sizes may be available upon request.