Fabric Portrait Photography

David Bailey Rolling Stones [Avebury Hill], 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 74.92 cm Sheet: 58.4 x 82.53 cm Edition of 10

"Kate Moss. Boyfriends Underpants" Photography 50x40 in Ed. of 20 by Kate Garner Signed & numbered by the artist Hahnemuhle fine art archival paper Not framed. Ships rolled in tube. Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

“Al Andalus” Nude Photography 30" x 24" inch Edition 2/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Not framed. Ships in tube ...

“Inner Space” Portrait Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Not framed. Ships in tube. From "Unbearable Lightness...

“Tramp Stamp 1” (FRAMED) Photography 30" x 24" inch Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Playboy" series. T...

David Bailey Mick Jagger Goats Head Soup Album Art Version, 1973 Archival Inkjet on paper Signed by the artist, on verso Image: 101 x 148 cm Sheet: 111 x 158 cm Edition of 10 + 2 AP

David Bailey Rolling Stones Colour Out of Our Heads, 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58...

Limited Edition Series. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography...

In the photograph by artist Fidel Santos, an ancient marble bust of Ares, the Greek god of war, reveals a strikingly serene expression that contras...

An early example of a street photography portrait in color and multiple exposures with an image of broken glass . Exhibited: Images en Couleur, Brooklyn Museum, 1970. ( This was firs...

“Cream” Photography 36" x 28" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy series, we ...

Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Framed: 66.5 x 66.5 x 4 cm Edition of 10