Fabric Portrait Photography

David Bailey Rolling Stones [Avebury Hill], 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 74.92 cm Sheet: 58.4 x 82.53 cm Edition of 10

Fernando Botero in his Studio, Paris, 1992 by Jean-Michel Voge is a 13" x 19" archival pigment print in an edition of 5, printed by the photographer on handmade Japanese Awagami pape...

A contemporary color photograph by Jean-Michel (JM) Voge, Tree, 1996 is a portrait of Surma Tribe boys from the Omo Valley in Ethiopia, Africa. This is an...

"Kate Moss. Boyfriends Underpants" Photography 50x40 in Ed. of 20 by Kate Garner Signed & numbered by the artist Comes with COA issued by the artist Hahnemuhle fine art archival paper Not framed. Ships rolled in tube. Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

Little Surma Boy, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph of a child from the Surma tribe in the Omo Valley in Ethiopia, Africa. The photograph is printe...

“Foreign Bodies” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA sig...

"Milla pinkyellow Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Comes with COA issued by the artist Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

"Milla pink blue Uke" Photography 29" × 20" in Edition 2/20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist Not ...

"Milla pink Uke" Photography 29" × 20" in Edition of 20 by Kate Garner Hahnemuhle fine art archival paper Signed & numbered by the artist Come with COA issued by the artist Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtful selection of Kate Garner’s most pivotal work, showing the arc of identity, and her expression as one of the great masters of fine art photography today. In this collection of works, see rare and seldom viewed images of Kate Moss, Angelina Jolie, David Bowie, FKA Twigs, and more. Kate Garner evolved in the edgy pop-punk heyday of 1980’s London. By the time she was in her early 20s, she was well on her way to becoming one of the most enigmatic fine art photographers of our time. But it didn’t start that way. Until Kate was 19, she had spent most of her time in a tough mining town in the north of England. It was a practical place with practical people that studied practical vocations and couldn't afford to let themselves dream too much. Growing up, Kate had expected a similar existence, but it was never what she had envisioned. Like much of her class, she attended formal trade education at the local vocational college after graduating secondary school and spending a year hitch-hiking from England, through Europe, Afghanistan, Iran, Pakistan to India Garner came back from India and started to study commercial photography, and in Northern England, that meant--pots and pans. But, Kate knew she was different and would often take herself down into the thriving metropolis of London to see and experience the vibrant Mecca of arts and creatives. Her creative path took a pivotal point when her wanderings introduced her to the Blitz Kids. The art students and teenage squatters took her in, and It wasn’t long before she began shooting the streets with London’s party scene artisans and gender-bending pioneers. Working with John Galliano, Stephen Jones, Boy George, and later even David Bowie--Kate became fully immersed in the New Romantic...

“Red Bull” Black & White Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA signed by the artist Not framed. Ships in tube. From "Unbearable Lightness...

Dandy, 1996 by Jean-Michel Voge is a photographic portrait of a colorfully painted boy with a feathered headdress from the Surma Tribe in Ethiopia, Africa. The photograph is printed by the artist on handmade Awagami Japanese paper. Signed on verso (back of photograph), In an edition of 5. Available: 2/5. Provenance: JM Voge Archive *** Artist's Bio: Jean-Michel (JM) Voge (b. 1949) is a fine art photographer, formerly editorial freelancer for magazines, such as Madame Figaro (1982-2010), Le Figaro Magazine, Point of View, Marie France, Town and Country, European Travel and LIFE, Fortune Magazine, and AD Spain. The French photographer published a critically-acclaimed monograph on portraits of Europeans, "Figures of Europe," which include portraits of influential Europeans through 1990. Among JM's personal projects, he photographed the Surma tribe in the Omo Valley...

Boy with Calf, 1996 by Jean-Michell Voge, is a contemporary color photograph 19" x 13" of a nomadic tribal child from the Surma tribe, painted from head to toe, posing with a calf wi...