Child Portrait Photography

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features two skiers inspecting their skis on the slopes of the Sugarbush Mountain ski resort in Wa...

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features two skiers inspecting their skis on the slopes of the Sugarbush Mountain ski resort in Wa...

Memory Sequence (Stay) - 2006 Polaroid - Unique Piece 1/1, 8.8 x 7.5 cm (image area) 10.6 x 8.6 cm ( including white Polaroid frame) Artist Inv. #24851. Signed on verso. Not moun...

TV and film actress Eva Gabor takes a coffee in an unfinished bedroom in Bay Roc Hotel, Montego, Jamaica, 1950. In this classic image of vintage mid-century ...

Untitled (Traintracks) - The Last Picture Show - 2004 48x47cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist...

Floaties (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 1435. Not ...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston from the original...

Pantomime - Stage of Consciousness (29 Palms, CA) - 2007 75x93cm, Edition of 10 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signature label and Certificate. Art...

The Farmer's Wife's Portrait (American Depression) - 2004 48 x 46 cm, Edition of 10, plus 2 artist Proofs. Archival C-Prints based on a Polaroid. Signature label and Certificate....

Edition of 7 Portrait of a boy. Karo ethnic group Murule, Ethiopia, Olga Michi is a modern digital artist, author of the concept of cinematographic projects. In her works, Olga fol...

Edition of 7 Portrait of a woman with a child. Surma ethnic group, Ethiopia. In the biblical past, prophet Moses attempted to save the people of Israel by putting his trust in the ...

WASTELANDS Edition of 50 including 'Waiting for Randy' analog C-Print (20x20cm) Hardcover book is 80 pages, 29,7 x 21 cm, english, linen cover with image imprinted. in a hand made ...

Let October Touch Your Skin - 2021 40x60cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based a Polaroid Collage. Hand-signed and numbered by the artist with Certificate. ...

Ghost Story - 2021 Edition of 10 plus 2 Artist Proof, 20x25cm, Archival C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Signed on b...

'Delirium' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, Not mounted. Signed on the back and with certificate. Artist inventory PL219-625 ...

The Comte de Paris, pretender to the French throne, with his wife the Comtesse and their children at their home, the Manoir du Coeur Volant, Louveciennes, France, 1956. Slim Aarons ...

Guests around the clifftop pool at Warren Avis' villa 'La Barranca', Las Brisas, Acapulco, Mexico, January 1971. Slim Aarons 'Clifftop Pool' Chromogenic Lambda print Slim Aarons Estate Edition Complimentary dealer shipping to your framer. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Slim Aarons, Acapulco, Vintage Poolside...

The Comte de Paris, pretender to the French throne, with his wife the Comtesse and their children at their home, the Manoir du Coeur Volant, Louveciennes, France, 1956, Printed Later...

Potral - 2020 Edition of 10 plus 2 Artist Proof. Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper. Signature label and certificate. Not mounted. Lisa...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

This black-and-white photograph captures a scene of agricultural labor in the hills surrounding Port-au-Prince, Haiti. The image shows a worker using a traditional hand hoe to till t...

Oilfields I (Stranger than Paradise) - 1999, 60x60cm, Edition 5/10. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signature label. ...

'Subtle', 2017, 40 x 40 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not Mounted. Artist Statement “Since my childhood ...

Jean (Suburbia) 2004, 20x24cm, Edition of 1/10, digital C-Print based on a Polaroid, not mounted, Signed on verso with Certificate, unmounted. This project "Suburbia" was shot on th...

Look Both Ways (Shot 2019 on 600 Film) Edition of 10 - 40 x 40 cm - Digital C-Print based on a on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works ...

Hex - Shot 2019 on 35 MM Film Influenced by Italian Giallo, and Argentos Le Tre madri The Three Mothers trilogy. Edition of 10 - 40 x 40 cm - Digital C-Print based on a on a Polaro...

Three Sisters II (2018), Edition 1/10. 40 x 50 cm. Photograph printed in Canson Barita Fiber Rag 340gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. ...

'Mermaid's Daughter' (Till Death do us Part), 2005, 20x24cm, Edition 1/10, digital C-Print print, based on a Polaroid, Certificate and Signature label, artist Inventory No. 9121, n...

'Kids playing Football' 2015, Edition 1/10 plus 2 Artist Proofs. 25 × 36 × 0.8 cm. Digital Print based on reclaimed Fuji FP-100C negative, mounted under Plex...

'Haiti' Edition 2/10, 20x30cm, 2010 printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. We went to Haiti in 2010, and just a few days a...

This black-and-white photograph captures a lively street scene in the Santa Lucia neighborhood of Naples, Italy, in 1954. Two street musicians perform against the worn, textured wall...

This mid-1950s photograph, captured by society photographer Slim Aarons, features American writer C.Z. Guest (Mrs F.C. Winston Guest, 1920 - 2003) and her son Alexander Michael Dougl...

Elizabeth Taylor in Yellow with Ivy, Side 1 -- Mark Shaw was sent by LIFE to photograph Elizabeth Taylor for the April 28, 1961 issue. The images he took were never used for the article that celebrated her acceptance of the Oscar for best actress of 1960 for her role as a semi-pro call girl in the movie Butterfield 8. Shaw’s stunning portraits show Taylor in her Oscar ceremony finery, a dress called “Soiree a Rio” from Dior’s Spring-Summer 1961 Haute Couture collection. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Elizabeth Taylor. She is standing and turns her head to her left to face the camera. She keeps her hands in front of her by her waist. She does not smile. She is wearing a yellow dress with flower designs on the bottom skirt. There is a pink flower on her waist. This is an outdoor photograph...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

"Untitled 20" In this best-selling, award-winning black and white photograph, a Suri boy elegantly perched in a tree looks over his livestock. The distinctly preserved cultures of the Omo Valley in Ethiopia are featured in this print series titled Omo: Expressions of a People. For this series, Drew received the Associate Distinction from the Royal Photographic Society. These limited edition archival prints are carefully inspected, signed, and numbered by the artist. Custom sizes are available upon request. Shared Edition of 75 Across All Sizes. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. ABOUT DREW: Photographer & filmmaker Drew Doggett creates print series featuring the extraordinary stories of diverse cultures and communities seen through a fashion-inspired lens. Through both intimate and expansive perspectives, he reveals his subjects in vivid detail. Drew's work is in public and private collections around the world, notably the Smithsonian Institute. He has received over 100 awards and honors for his photography and short films; in 2020, he was named number one in the US and fourth globally for black and white photography...

Positano (1958) - Limited Estate Stamped (Photo By Slim Aarons) A little boy carries a basket of groceries home in Positano, 1958. Additional Infor...

Marquess of Waterford (1970) Limited Estate Stamped - Giant (Photo by Slim Aarons) The Marquess and Marchioness of Waterford and their elder son, the Earl of Tyrone, in the ground...

Depeche Mode - Signed Limited Edition Oversized Print Depeche Mode (from left: Andy Fletcher, Martin Gore, Vince Clarke, Dave Gahan) Cover shoot for Mel...

“The New Emphatics: for feet and legs – drama from the ground up”, fashion story photographed at El Conquistador Hotel in Puerto Rico for American Vogue, 15 February 1969. The fantas...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

Afghan Nomad Girl 1990 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 60 x 40 inches Signed and numbered edition of 10 with certificate of authenticity Steve McCurry...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

X-ray lenticular artwork Signed - sticker label at the back of the artwork Lenticular is a ribbed lens that refracts light from different angles. When sequential images are split be...

This piece is an original photograph printed from the original camera negative, shot by Bill Carroll in 1945, and printed in 2010. This image depicts a young Norma Jeane at the begin...

This young Turkana girl in northern Kenya wears a goatskin known as an ‘egolas’. In traditional Turkana communities the inhabitants are excellent at making garments from animals, and...

I came across the intense stare of this Pokot lady at a Friday market on a mountain summit in northern Kenya; it was the same market where I photographed a Samburu goat herder wrappe...

John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects in their day to day attire. The C-t...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

I came across the intense stare of this Pokot lady at a Friday market on a mountain summit in northern Kenya; it was the same market where I photographed a Samburu goat herder wrappe...

This young Turkana girl in northern Kenya wears a goatskin known as an ‘egolas’. In traditional Turkana communities the inhabitants are excellent at making garments from animals, and...

Himba Siblings in Namibia John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects in their ...

In the far north of Namibia as you head towards the border with Angola at Epupa Falls, barely visible tracks radiate off the main dirt road into bush and disappear across sandy, dry ...

I came across the intense stare of this Pokot lady at a Friday market on a mountain summit in northern Kenya; it was the same market where I photographed a Samburu goat herder wrappe...

A young Himba child from Namibia John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natura...

Himba woman from Northern Namibia John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects i...

Otjitando is a Himba woman from the deserts of Namibia. She lives in a nomadic society and decorates her skin and hair with red mud. Otjitando gazes confidently at the viewer, ex...

John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with natural light and his subjects in their day to day attire. The C-t...

I came across the intense stare of this Pokot lady at a Friday market on a mountain summit in northern Kenya; it was the same market where I photographed a Samburu goat herder wrappe...