Teen Portrait Photography

Silvana Mangano in Pose is a vintage black and white photograph realized in the 1960s. Good conditions.

Call Me Timothée #5 10/27/2024 Polaroid (Unique) Signed, titled, and dated, verso 4.25 x 3.5 inches

Archival pigment print (Edition of 10 + 2 APs) Signed, titled, dated, and numbered, verso 17 x 22 inches, sheet size 12 x 18 inches, image size From the series "A Tale of Two Cities: Disco Era Bushwick" This artwork is offered by ClampArt, located in New York City. Meryl Meisler...

Skiers outside the Chalet Costi in Zermatt, 1968. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Sli...

Michael Jordan was so excited to celebrate with his fellow teammates, he arrived at the party missing one of those famed "Air Jordan" shoes! Photographer Richard Shay caught him in this shot from 1997 while celebrating the team's 5th Championship win. This A.P. photograph is matted and framed in a simple black frame measuring 20.25h x 16.25w inches. Richard Shay MIchael Jordan "One Shoe Left at United Center" Celebrating 5th Championship Win, 1997, 2023 archival pigment print 16h x 12w in 40.64h x 30.48w cm A.P. RSY009 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Portrait of Rocco Mortelliti is a vintage black and white photograph realized in the 1970s. Good conditions.

Signed artist proof print of Guns N' Roses by Timothy White. This 1988 shot was featured on the cover of Rolling Stone Magazine Signed, artist proof print, 16x16" image on 17x22" p...

India and Gaëlle, Summer 2020 40 x 30 cm, Edition 4 of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not ...

Photo of Nino Manfredi  and Senta Berger is a vintage black and white photograph realized in the 1960s. Good conditions.

Cynthia Eichler (sitting) with Vicky Schaft Bruder (centre) and Cathy Tankoos (Mrs Joseph Tankoos) by the Chinese teahouse on Everglades Island in Palm Beach, Florida, April 1985. Th...

Luchino Visconti is a vintage black and white photograph realized in the 1970s. Good conditions.

Women at Work - Historical Photograph About Women Rights is an original black and white photograph realized by an anonymous photographer in Hamburg With the copyright of the photogr...

Miguel Bosé in in "High Heels" is an vintage black and white photograph realized in 1991. Good conditions.

A man stops to watch a young woman tie her sandals on the pavement in Portofino marina, August 1977. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and s...

Family Snapper 1959 Babe Paley (Mrs William Paley) by the pool. Her husband, William Paley is snapping the photographer at their cottage, Round Hill...

Women Embrace on Floor Near JudiJupiter’s Legs Les Mouches, NY, NY June 1978 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inches (Edition of 5 + 2 APs) ...

Historical Photo - Portrait is a  vintage photo, realized in the late 19th Century . The artwork is a well-balanced composition.

Penn State PA, 2000 Signed, titled, and dated in pencil, verso (Total edition of 5) Vintage gelatin silver print 16 x 20 inches, sheet $6,100 Modern gel...

Brooke Shields, Martin Hewittin - Endless Love - Vintage Photo is a vintage black and white photograph realized in the 1981. Good conditions.

Pete Doherty, by Kevin Westenberg, 2008 Archival Pigment Print, Signed Limited Edition Print size 152 x 101 cm signed numbered edition size 3 only th...

A scene of the film Marianne and Juliane  is a vintage black and white photograph realized in the 1981. Good conditions.

Signed limited edition print of Soundgarden singer Chris Cornell, from acclaimed music photographer, Chris Cuffaro. Taken in September 1991 in Indio, CA Signed limited edition 17x22" print, edition number 25/50 Chris Cuffaro has shot the best of the best in the music world including ground-breaking bands like Jane’s Addiction...

A Scene of the Film Au revoir les Enfants is a vintage black and white photograph realized in the 1987. Good conditions.

Margherita Boniver  is a vintage black and white photograph realized in the 1980s. Good conditions.

Elvis Presley in Jailhouse Rock is a vintage photographic print on single-coated paper. Photograph is an official picture from the set of 1957 MGM's fi...

Signed limited edition contact sheet print of The Rolling Stones singer Mick Jagger by Brian Aris, taken from a session at Brian’s London studio Signed limited edition 20x24" print,...

Slim Aarons - Family Snapper - Estate Stamped Babe Paley (Mrs William Paley) by the pool. Her husband, William Paley is snapping the photographer at their cottage, Round Hill, Jamai...

Gail Getty is a vintage photograph realized in the 1960s. Good conditions.

Boy with Action Figures, 1984 by Tria Giovan From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proo...

The Beatles, approaching the stage at Shea Stadium by Robert Whitaker. The Beatles walking onto the field at Shea Stadium in New York City. This show ...

Crosswalk on Delancey Street, 1988 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3...

Video Game Arcade, 1988 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Pro...

Marcello Mastroianni and Sophia Loren vintage photograph is an original black and white photograph realized by an anonymous photographer With the certification of authenticity by th...

Signed limited edition 16.5" x 23" print of Rolling Stones guitarists Keith Richards and Ronnie Woods, taken in Paris. Brian Aris limited edition prints, s...

Ancient Portrait of Japanese gymnasts is an original vintage albumen print on single cardboard: 26 x 34 cm. Realized between the 1880s and the 1890s. Image 21 x 26 cm. Caption in I...

Jules and Jim (Renée’s Dream) - 2007 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 80x78c...

circa 1955: Film star Joan Collins in a pink and white bedroom with an accessory pink poodle. Slim Aarons Pink Accessory, Estate Edition Chromogenic Lambda print 1955, Printed Later...

Signed limited edition print of Bob Dylan by Lynn Goldsmith A portrait of Bob Dylan, capturing the reluctant figurehead of American unrest at his introspective best. The year was 19...

Vintage Photo. The Italian Actress Valeria Golino during the filming of a movie.

Solitary (Haley and the Birds) - 2013 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x20...

Archival pigment print (Edition of 12) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Mariette Pathy Allen has been photographing the tra...

Vintage Photo. The American Actor Paul Newman on the set of a movie in 1950s.

Total edition of 7 Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. “Sailboats and Swans” is a series of portraits of prisoners in Russia ...

Girls in the sport team is an original black and white photograph realized by the Gherlone photography agency. With the stamp of "Gherlone, Torino" on the rear. Good conditions. Vi...

Everything Is Built on Shifting Sands (The Girl Behind the White Picket Fence) - 2014 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardco...

Cadets, Valley Forge Military Academy + College 1998 Signed, titled, and dated in pencil, verso (Total edition of 5) Vintage gelatin silver print 16 x ...

The Rolling Stones drummer, Charlie in the dressing room before a show in San Francisco. July 26th, 1966 Signed limited edition, signed and numbered by Bill Wyman and featuring the ...

The Letter (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 2...

'Mussolini In Exhibition' is a b/w photographic print on glazed paper. Stamp of agency Trampus, Paris and cliché applied on the back, realized in 1937. The photo demonstrates Benito...

1957: John Albert Edward Spencer Churchill, the 10th Duke of Marlborough (1897 - 1972) and his wife Mary relax on a bench in the grounds of Blenheim Palace, the family seat in Oxford...

Archival pigment print Date stamped with facsimile of signature in grey ink, l.r. This photograph is offered by ClampArt, located in New York City. About the artist: Born and raised in South Africa, photographer Sam Haskins moved to London in his early 40s. He is best known for the three books, "Five Girls...

48.1 x 22.6 in (122 x 57.5 cm) Archival Pigment Print Edition of 12 Price does not include tax.

Lena and Katya; Juvenile Prison for Girls Ukraine 2009 Signed and numbered, verso Archival pigment print (Total edition of 7 + 2 APs) This work is offered by CLAMP in New York City.

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Digital gelatin silver print Signed, titled, dated, and numbered in pencil, verso 11 x 14 inches (Edition of 25 + 3 APs) 16 x 20 inches (Edition of 18 + 3 APs) This artwork is off...

Traces of Time II (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13371. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Traces of Time (The Girl Behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13370. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. The images in this series are an attempt to capture human stories in everyday life, those ...

Wallflower (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate,...

Shadows (Till Death do us Part) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist In...