Vertical Still-life Photography

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...

Jennifer Latour Shapeshifter no17, 2025 Edition of 7. Signed in pencil by the artist. Archival pigment print mounted to Dibond, UV laminated, with cleat. Exclusive to ADDITION. Desc...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Rose with Smoke, from the folio A Season in Hell, originates from the 1986 edition published by The Limited ...

Poppy No.8 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 80x64 cm and is part of an exclusive series of 15 prints, each hand-sig...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...

A single bloom, stripped of sentiment, stands quiet in a field of darkness. Splatters break the surface, suggesting memory, erosion, or quiet rupture. This is not a floral study, it ...

Flora 31, 2015 - Harvest Photography Hay Farm Grass by Marisa Culatto Flora 31 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Editi...

Cup Runneth Over, limited edition photograph, archival photograph, signed Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and ...

R2D2 from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" These iconic figures hav...

A single bloom, stripped of sentiment, stands quiet in a field of darkness. Splatters break the surface, suggesting memory, erosion, or quiet rupture. This is not a floral study, it ...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Flora 34, 2015 - Passion Flower Photograph Lavender Photograph Cocktail Ice by Marisa Culatto Flora 34 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size o...

In this evocative still life minimalist photograph "Just an orange", French artist and photographer Natalya Mougenot captures a moment of serene simplicity: a single, radiant orange ...

Flora 26, 2015 - Orange Lilly Garden Flowers by Marisa Culatto Flora 26 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of ...

William Wegman is an American artist renowned for his iconic dog photographs featuring his Weimaraners, who he sees as "perfect fashion models", utilizing their elegant forms and abi...

Peony No.12 Printed on museum-grade Hahnemühle Photo Rag Baryta paper, each print is hand-signed by the artist on both the front and back, numbered as part of a limited edition of 2...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Natasha Martin is an LA-based photographer who loves color and infusing dre...

Ying Chen has a recurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, the sky is cloudy, yet everything is ...

'Poppy’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle phot...

'Rose glow' Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand the test of time, pre...

'Black rose' 2023 From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both front and back with Certificate of Authenticity. Photograph is s...

'Coupled Poppies’ photographed in London, United Kingdom 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Printed on Hahnemühle...

William Wegman is a renowned photographer famous for his unique and artistic photographs of Weimaraner puppies. His approach to is far from conventional, avoiding the typical "cuddly...

Poppy No.5 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Ying Chen has a recurring dream: scenery consisting of cloud filled Sky, fields of grass, and a body of water. In this foggy but colorful dream, the sky is cloudy, yet everything is ...

Peonies Afloat Limited edition of 5 Archival pigment print on Hahnemühle Photo Rag fine art paper 126x100cm + 4 cm white border around the photograph Signed in the bottom right corne...

'Lily No.3' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 10. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

'Lily No.2' Lily was photographed using a large format 4x5 black and white film. From Limited edition of 15. Printed on archival Hahnemühle Photo Rag Baryta paper. Signed both fr...

'Summer boys' Tellaro, Italy 2024 Limited edition of 20. Printed on Hahnemühle photo rag Baryta 308 Gsm fine art paper, these limited edition photographs are designed to withstand...

'Black rose' 2023 It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art pap...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

High contrast photo by Peter Stackpole (American, 1913-1997). The photo shows a hot bar of metal on a large machine, about to be worked. The metal is g...

Peony No.12 Printed on museum-grade Hahnemühle Photo Rag Baryta paper, each print is hand-signed by the artist on both the front and back, numbered as part of a limited edition of 2...

Poppy No.7 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-s...

Flora 19, 2015 - Chinese Lantern Portrait Photography by Marisa Culatto Flora 19 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edi...

Large format photograph of conceptual vignette with dark red velvet curtain and Carrara marble floor Standing Ovation (2016) by Frank Schott 40 x 32...

Black Glove (Michael Jackson) by Tom Schierlitz a highly detailed still life photograph of the king of pop's iconic sequin and rhinestone crystal glove ...

Poppy No.6 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 100x 125 cm and is part of an exclusive series of 10 prints, each hand-...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

'Cornuta' Printed on museum-grade Hahnemühle Photo Rag Baryta paper, each print is hand-signed by the artist on both the front and back, numbered as part of a limited edition of 20,...

This exquisite photogravure after Robert Mapplethorpe (1946–1989), titled Cross IV, from the folio A Season in Hell, originates from the 1986 edition published by The Limited Edition...

DARTH VADER from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" "They encapsulat...

As an artist, He is fascinated by the opulence and richness of still life of the golden age of Dutch painting in the 17th c. These works, of course, symbolize mortality and the temporal nature of material goods. In his still life, He built these images with the same symbolic references but with the best quality, you can get. By playing with light and dark, He captures the beauty of every flower and each object down to the smallest detail. In addition to photography, he uses high-resolution scans to achieve extreme detail. He use photography as a base, but in the end, he arrive at an image that nobody could actually shoot as a photograph.He is not a photographer in the traditional sense, but he does take many pictures and he needs a lot of layers. In his still life of flowers and objects, he creates a balance between objects and living materials with light and shadow and the best quality. He created the photographic illusion of a painting from the golden age in a new tech way by scanning every object individually and combining these with photographs that he took. The construction takes a lot of time and months of post-production. In his work, everything has to be perfect. It’s like a movie. The light and color have to be right. (It is quite obsessive work.) He loves the idea of “the impossible image” – the idea of there being no limits and of using the photograph as the basis for an image that’s in his head. Zoltan Gerliczki...

Poppy Bud captures a quiet, transitional moment in nature—the fragile opening of a poppy bud. The tightly closed bud, with its textured, velvety surface, contrasts beautifully with t...

The artist inspiration is deeply rooted in the notion of discovery through visual reflections and a strong passion for symmetry and linear structure. Her architectural works of Refle...

The photography belongs to a cycle of photographies of NY, published in the book "New York", Verlag und Volk, Berlin 1967. Signed by the author on the back, certificate will be inclu...

Poppy No.12 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 125 x 100 cm and is part of an exclusive series of 10 prints, each han...

White Bloom in Water captures the serene elegance of a single flower floating on the water’s surface, its sharp, intricate details contrasted by the soft, abstract shadow beneath. Th...

Flora 28, 2015 - Cream Orchid Flowers Gift by Marisa Culatto Flora 28 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6. ...

Flora 18, 2015 - Flower Portrait Natural Environment by Marisa Culatto Flora 18 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edit...

Flora 15, 2015 - Yellow Snapdragon Star Flower Portrait by Marisa Culatto Flora 11 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited ...

Flora 10, 2015 - Ivory Rose with Gold Snapdragon and Pink Wildflower in Ice Flora 10 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited ...

A Perfect Pearing, limited edition photograph, archival ink, signed and numbered Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia...

Flora 13, 2015 - Green Beetle Photography Natural Environment Portrait by Marisa Culatto Flora 14 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only f...

Peony No.10 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-...

Flora 23, 2015 - Pink Rose Floral Arrangement by Marisa Culatto Flora 23 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of ...

Flora 11, 2015 - Summertime Wildflower Meadow Grasses Frozen in Ice Color Print Flora 11 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

Flora 9, 2015 - Springtime Floral Arrangement Cocktails on Ice Color Print Flora 9 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Ed...