1980s Still-life Photography

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Orchids‘ who was captured on film in 198...

Flower - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigment...

Orchids - Signed limited edition archival pigment print, 1985 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Salmon - Signed limited edition archival pigment print, 1985 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printe...

Salmon - Signed limited edition archival pigment print, 1985 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then print...

Artist: Anne Turyn, American (1954 - ) Title: Color Chart Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 This image was captured on film. This print that is being offered is ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Orchids ‘ who was captured on film in ...

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Clams - Signed limited edition archival pigment print, 1984 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

Cactus - Signed limited edition archival pigment print, 1989 - Edition of 5 This image was captured on film. This print that is being offered is a high-quality Archival Pigment ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the ...

Hand signed and titled in ink by the artist from edition of 50 (plus proofs). Color Photo printed at CVI Lab by master printer Guy Stricherz. Published by Prestige Art Ltd. From the color saturated 1980's. "A course in miracles"" The title, taken from the 1976 book on New Age spiritual guidance encourages speculation about each element in this still life. The amount of roses--three--is a significant number in many religions and mythologies. Besides Jesus and Albert Einstein, Flack included the silent mystic Hindu philanthropist Shree Krishnaji, also known as Baba. Flack used the detail of his face with the roses, hovering above the ocean, in her monumental painting, Baba. Following an illness, she turned to mysticism, framing Christian and Hindu images with Jewish ones in A Course of Miracles of 1983: On the “west” side, a photograph of Albert Einstein and a European Jewish candlestick...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

A large scale Cibachrome photograph. An abstract work from the series titled, "Fairfax Ladies," (the historic old Jewish neighborhood of Los Angeles) produced 1983. The subject was created through by placing diaphanous fashion garments onto photo-sensitive paper, embellishing them with objects, paper bits, and flora, and layering in painterly surfaces with scratches, completely covering the image. The series won a prize in the BCibachrome competition (1985), sponsored by BC Space Gallery (Laguna Beach, CA), and was exhibited at "Robin Valle: From Darkroom to Digital, Works from 1974-2009," posthumously presented August 2009 at El Camino College Gallery (Torrance, CA). Work presented under plexiglass in a custom wood frame. Work Size: 39.5 x 29.5 in. Framed Dimensions: 43.5 X 33.5 X 2 in. Valle, Robin Joy (1953-2009) After receiving her BA from SMU and an MFA in Photo/Cinematography from the University of Illinois in 1977, she moved to Los Angeles. Valle exhibited her one-of-a-kind Cibachrome photographs at galleries and museums locally and nationally. In 1982, she was selected for the NEA funded, "Life in LA" project, sponsored by the Los Angeles Women's Building. Valle taught photography at many Southland colleges as well as the LA County High School for the Arts. She was one of the first LA based photographers to explore digital media, receiving an Innovative Instruction Grant from Chaffee College in 1989 to create their first photography class in digital media. In 1998 she became a member of the full-time faculty at El Camino College, where she was instrumental in developing the Digital Arts program. Her work ranged from Black and white photographs to colorful, intricately layered patterns that command the gallery walls. It isn’t surprising that she, along with fellow art instructor, Joyce Dalal, contributed largely to the ECC art department’s merge towards digital art. As one of the first local photographers to explore digital media, she was crucial to the development of the Digital Arts Program. Before computers became commonplace, Valle’s techniques show a digital influence. “Her work was always inventive”, said ECC art curator, Susanna Meiers. An effect that can easily be done now with a few mouse clicks on Adobe Photoshop, required a long process of rubbing dye into the actual photograph in the ’70s. Her methods of illustrating were just as unique as the topics themselves. Photographs of the violent Chinese protest at Tiananmen Square in 1989 where military response murdered protestors in large numbers included photographing images from her television screen. “Crime Stats/ Hollywood” was a theme she dedicated to the gang violence around her neighborhood in the early ’90s. With washed out gang members as the focal point, and graffiti as well as mapped out grids of Los Angeles as the backdrop, Valle’s layering, collage-like technique is continued on and more developed. “There is a fanciful, imaginary quality of her work,” said Meiers. From her quirky pieces of birds, zebras, and even dinosaurs enveloped in patterned, colorful, designs to her more serious themed feminist pieces, her eclectic, colorful style breaks through. Her feminism is on display in “Expectations” which illustrates women’s ability to “look good and produce children.” A bright human embryo steals your attention dead center, with a “June Cleaver” type 1950’s woman smirking at you from either side of it. A mustard yellow backdrop, brings the entire piece together illustrating society’s views of women as well as her playfulness as an artist. “Robin was terribly funny and had a laugh that would just set people off,” Meiers said. The art curator designed a section of the gallery similar to Valle’s apartment. A bright pink shelf...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

For the past 30 years Barbara Jaffe has used her 4x5 inch view camera and a variety of black & white and expired pos/neg Polaroid films to create photographs that are a tribute to th...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This is a unique photographic print taken by Andy Warhol in 1982 in the airline/Port Authority terminal while shooting U.S. Airways commercial. Andy notes in his diary on April 12, 1...

This is a unique photographic work taken by Andy Warhol. Image dimensions: 8 x 10 in. Framed dimensions: 16.5 x 18 in. The work is framed to archival standards by Handmade Frames of...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual A...

This is a unique photographic work taken by Andy Warhol in the back of a cab in NYC in 1984. Work comes with a Certificate of Provenance issued by Christie's. Stamped on the verso ...

This is a unique work taken by Andy Warhol while traveling to Los Angeles in 1978. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and...

This is a unique work. Dated 'Jan 24 1983' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The A...

This is a unique photographic taken by Andy Warhol of one of this flower paintings. The work is initialed by the artist on the front side of the polaroid. Provenance: Gift of t...

This is a unique photographic work taken by Andy Warhol while visiting Catherine Guinness' English Estate in Gloucestershire in 1986. Work comes with a Certificate of Provenance iss...

This is a unique photographic work taken by Andy Warhol at Herta Foods in 1980 while visiting the factory in Germany. Here is an excerpt from The Andy Warhol Diaries regarding this ...

Untitled #115 by Jo Ann Callis presents a hat and pair of gloves on a table with 7 cherries placed below. A small black bird perches on top of the hat, looking down at the fruit scattered on the table. This vintage c-print measures 24 x 20 inches, and is presented matted with a silver metal frame, measuring 28.38 x 23.38 x 1.13 inches. This photograph is signed and dated in ink on the verso. This photograph was acquired from the Atlantic Richfield Company. Jo Ann Callis was born in Cincinnati, OH and relocated to Los Angeles in 1961. She enrolled at UCLA in 1970 where she began taking classes with Robert...

86.IV.47 - 06 markings on sticker verso, Edition not know. Matted and framed under glass, not examined out of frame. Done for the American Express Company

This is a unique work. Dated 'Nov 22 1982' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The A...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This is a unique photographic work taken by Andy Warhol. Banal subjects such as tables and dining carts following a meal were common subjects of Warhol's.. Image dimensions: 8 x 10 ...

Signed by the photographer Edition 9/10

Signed by the photographer

Photographer’s stamp on the verso

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Crats...