Conceptual Photography

Flora 27, 2015 - Goldenrod Flower Yarrow Achillea in Ice Color Print Photograph Flora 27 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

80 x 60 inches ed. of 7 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumenta...

Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 5 $9,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentalit...

Flora 12, 2015 - Viola Yellow Pansies with Ivy Leaves Frozen in Ice Color Print Flora 12 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 60 x 90 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of historical architecture, gardens, and masterpieces. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Notes on the Old National Gallery and Sleeping Beauty: The Old National Gallery (Alte Nationalgalerie) is the original home of the Nationalgalerie, whose collections today are divided between the New National Gallery, the Hamburger Bahnhof – Museum for Contemporary Art – Berlin, the Friedrichswerder Church, Museum Berggruen and the Collection Scharf-Gerstenberg. The idea of establishing a cultural and educational centre across from the Berlin Palace...

City Hall Law Library Philadelphia signed and numbered on label, verso Paper is trimmed to the image: actual image size listed 50 x 63 inches ed of 10 ...

Boston Public Library 55.4 x 50 inches ed. of 10 $6,000 66.5 x 60 inches ed. of 7 $9,000 77.6 x 70 inches ed. of 5 $11,000 signed and numbere...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...

Reinhard Görner Inter Arma Charitas Lisbon, Portugal 2014 50 x 50 inches ed. of 10 $6,000 60 x 60 inches ed. of 7 $9,000 70 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Search: Reinhard Görner, Library series, Halle, Germany, Large-Scale Photography, Large-scale German photography, German Libraries, German Monuments...

Reinhard Görner 'Study Center' Duchess Anna Amalia Library Weimar, Germany 2017 A luminous ode to architectural grandeur and intellectual heritage, Reinhard Görner’s masterful phot...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentali...

Detail From: Four Regents of the Groot-Kramergild WERNER J. VAN DEN VALCKERT, 1622, PAINTING GALLERY BERLIN ​ Timeless authority, captured anew. In this masterful fine art photograph...

"Kansas" is one of a set of four digital prints whose titles were inspired by the iconic film The Wizard of Oz starring Judy Garland. The other three are titled: The Land of OZ, The ...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

In Pinball Wizard, part of Görner's Secret World of Plants series, the interplay of vibrant greens and soft-focus spheres creates a mesmerizing, otherworldly scene. This German macro...

Reinhard Görner Biblioteca del Senado, Madrid 2017 59 x 50 inches ed. of 10 $6,000 71 x 60 inches ed. of 7 $9,000 83 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trimmed to the image: actual image size listed Internal Keywords: Reinhard Görner, Library series, Madrid, Spain, Large-Scale Photography, Large-scale German photography, Spanish Libraries, Spanish Monuments, Library Photography...

Riggs Library I, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. T...

Igor Vishnyakov is a Russian Postwar & Contemporary artist who was born in 1968 in Moscow. Igor spent his childhood in Africa and Southeast Asia. After returning to Moscow in the mi...

"It had been raining all morning but the clouds suddenly parted and we had 30 minuets of glorious sunlight, magical light." - Brian Griffin. The iconic "A Broken Frame" album cover ...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

A masterpiece of Baroque symmetry and intellectual grandeur, Reinhard Görner’s Wren Library, Cambridge captures the timeless elegance of one of Brita...

Reinhard Görner Schussenried Abbey I Library Germany 50" x 63" Edition of 10 $6,000 60" x 75.7" Edition of 7 $9,000 70" x 88.3" Edition of 5 $11,000 signed and numbered on label,...

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...

60 x 61.3 inches ed. of 7 $9000 70 x 71.6 inches ed. of 5 $11,000

Edition of 10 C-Print 17.875 x 17.875 Framed in natural wood Michelle Buhler has a BFA from the University of Utah. She has studied photography at the International Center of Photography and cinematography at New York University. She currently lives in Idaho. Education: New York University, Cinematography, New York, New York, 2011 International Center of Photography, Advanced Color Photorgraphy with Liz Deschenes, New York City, 2007 University of Utah, BFA Photography, Salt Lake City, Utah, 2003 Articles and Awards 2012 Honorable Mention in the 2012 First Edition of Hey Hot Shot, Jen Bekman Gallery, NYC 2012 The Stone Mind, Open House: Art on Iowa by Justin Roth 2003 Red Magazine...

In Out of Nowhere, part of Reinhard Görner's Secret World of Plants series, the delicate interplay of deep purples, vibrant greens, and soft-focus backgrounds creates an evocative an...

In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...

In this captivating macro photograph, Görner skillfully unveils the intricate interplay between texture and light within the delicate anatomy of a flower. The vibrant yellow hues rad...

Two Men in an Embrace Printed to order Gay content Inquire about various sizing Comes unframed. About the Artist: Short Biography in a Nutshell: A fun journey My first foray into...

This installation imagines a dipping pot that the Radium Girls might have had at a work station. Lit by black light to highlight the neon glow, this object conveys a modern view on t...

Riggs Library, Washington DC, by world-renowned architectural photographer Reinhard Görner, captures the timeless elegance of one of America's rare surviving cast-iron libraries. Thi...

In this mesmerizing macro photograph, Görner masterfully captures the delicate interplay between form and color within a flower's intimate landscape. The soft, diaphanous pink petals...

This series of six transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transparencies can also be purchased separately for $3200 each and are an edition size of 3. Dimensions are 72 x 48 inches each. The upper transoms are window transparencies in shades of green. They are also available and can be fit to meet specific window sizes. In this window setting, they are 45 x 45 inches and can be purchased as a set of 5 panels for $3500 for that group. Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Detail From: The Saints Laurentius and Catherine, Giovanni Gaddi, 1380 painting Berlin Painting Gallery 2008 Two editions available. This 2008 conceptual photograph by German photo...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

This captivating macro photograph by German artist Reinhard Görner draws the viewer into the intricate, sensuous details of a blooming iris. The soft, velvety petals in shades of vio...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Slu...

Photography. Roe v Wade political document projected on the figures before the picture was taken.

Ana Paes (A Guarda, 1982) makes us aware of the interstices that exist between one plane and another, shows us that this apparent continuity of the image-movement is, in fact, only a...

60 x 61.3 inches ed. of 7 $9,000 70 x 71.6 inches ed. of 5 $11,000

Venus (detail), Sandro Botticelli Workshop, Painting Gallery, Berlin, Photograph 53.4 x 40 inches ed. of 7 $4400 66.7 x 50 ed. of 5 $6800 signed and numbered on label, verso Rein...

C-type print/Diasec

The photograph measures 50 x 50 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

The photograph measures 40 x 60 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

Savannah Spirit Reach 24 x 24 inches Archival pigment print on Hahnemühle Photo Rag. Edition 1 of 5 Signed by artist Latest press ARTSY: May 28, 2019: The Photographers Fighting In...

The photograph measures 40 x 40 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...

7000 Querce (7000 Oaks) is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held in the Eighty...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...

Beuys' Exhibition is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held in the Eighty's. Th...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Reinhard Görner, Ganymed, Palazzo Grimani, Venice, Italy. In this monumental photograph, a sculpture depicting the Kidnapping of Ganymed is suspended in the center of the vault, decorated by lacunae. The image combines the unique geometric abstraction of the architecture with the organic form of the sculpture and the floor. What is so unique about this artwork? Compositionally, all lines radiate to the the center of the room, where the energy is thrust upwards again by the mythical figure. The wings of Ganymed direct the eye back to the perimeter of the room, where the attention flows inwards once again. The floor radiates with an earthy ktenic energy, which compliments the vertical push of the sculpture. The result is a living, pulsing composition, set within the unusual warm classicism of this unique Venetian Palazzo. This beautiful palace was the residence of the Doge Antonio Grimani. It is one of the most unique examples of Venetian architecture in transition from Gothic, well-rooted in the local culture, to the Renaissance. German large-scale photographer Reinhard Görner is known for his stunning, monumental-scale photography, which combine a sense of grandness with intimacy. He was born in 1950 in Leipzig, Germany, and he lives and works in Berlin, Germany. He studied drama, german literature and sinology in Munich and Berlin, and has been photographing architecture, interiors, and public spaces since 1981. Condition: New. Images are crisp and sharp. Images are not shown at full resolution for the protection of the artist. 50 x 49 inches ed of 10 $6,000 60 x 59 inches ed of 7 $9,000 70 x 68.8 inches ed of 5 $11,000 signed and numbered on label, verso Reinhard Görner with his large format architectural photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed More about the Palazzo: Newly restored, the Palazzo Grimani also includes Camerino di Callisto, with stucco by Giovanni da Udine...

BEYOND DECORUM, CLOSED AND OPEN Series, I am selling each individually. they are pairs of open and closed jackets. I will include the second photo for reference. This listing is just for the closed jacket photograph. Vintage C-print on Fuji crystal archive paper. Image size is 40 x 30", sheet measures 50 X 36 Provenance: printed by Muse X, Los Angeles. I believe these were test, proof prints. They are not signed or editioned The work of Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman and fashion/art. Iké Udé (born 1964) is a Nigerian-American photographer, performance artist, Ike Ude was born in 1964 in Lagos, Nigeria where he was raised. The eldest son of a wealthy family, he was exposed to photography and portraiture at an early age by dressing up for biweekly family portraits. Udé knew he was an artist by the age of six, when he developed a habit of firing a catapult at passers-by when he disapproved of their walk or the way they were dressed. As an adolescent, Udé attended the Government Secondary School, a British boarding school in Afikpo Nigeria. He was a habitué of London before he moved to New York in 1981 to study Media Communications at Hunter College, CUNY. He began his art career in the late 1980s with abstract painting and drawing. Since the 1990s, photography has been his primary medium. Udé is a dual citizen of the United States and Nigeria. Udé's paintings and drawings are less well known than his photography, though critics and art historians have recognized his early work. The late Henry Geldzahler, said of Udé's paintings and works on paper: "I am touched and amazed at the ways in which he manages to blend invisibly the modernist tradition with his own Nigerian roots. There is never anything forced in the conjunction; air and light seem to be his media." Udé began his Cover Girls series in 1994. Each photograph imitates the cover of a popular fashion or lifestyle magazines, in which the artist himself is featured as the model. (ala the work of Cindy Sherman) The photographs were consciously stylized, posed, photographed and then paired with type matching that of the respected magazine. At first glance, each photograph appears to be an authentic magazine cover. Udé used the magazine cover as a stage to critique the fetishism of the upper class white model and the effects of popular culture on today's consumerist society. The series was exhibited in 1994 in the New York City gallery Exit Art. Udé's black and white series of photographs, Uli, references both high fashion and Uli body art, wall motifs from Udé's Igbo heritage. The photographs explore the anonymity of the inscribed and disembodied self. Udé's dynamic use of light, namely the chiaroscuro effect, serves as a critical compositional element in the series. Udé's Beyond Decorum series, begun in 1999, juxtaposes photographs of men's shirts and women's pumps with suggestive personal advertisements in place of the clothing tags. With its accompanying book, Beyond Decorum: Photographs by Iké Udé, the series traveled across the United States and Canada. The exhibition was shown at the Institute of Contemporary Art in Portland, Maine; OBORO in Montreal, Canada; Sert Gallery; Carpenter Center at the Harvard University Art Museum; and MAK Museum in Vienna, Austria before traveling for two more years internationally. Udé's Paris Hilton: Fantasy and Simulacrum is a conversation between his alter ego, Visconti, and the celebrity Paris...