Post-Modern Photography

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Photograph from the "Swimming" series by renowned Spanish photographer Vari Caramés. It is one of his most iconic series, capturing different people bathing in pools, both in and out...

Central Park in autumn with skyline in the background. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. O...

An iconic photograph of John Lennon and Yoko Ono outsitde the Dakota Hotel in Manhattan. The photo was taken November 21st, 1980. The print is signed, titled and numbered 5/15 in ma...

David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

MASSIMO LISTRI Massimo Listri, Castello di Rivoli III, Torino, Italy 48 x 60 inches 120 x 150 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed...

Jay Mark Johnson Constantino Sott’Acqua #2 Cetona, Italia, 2007 Archival pigment, paper, aluminum 47.5”x 95.5” (framed) Edition of 3/3 $32,500

Black and white photography, unique gelatin silver bromide print, with wooden and glass frame, signed by the photographer Vari Caramés (1953, Ferrol, Spain) on the back. The work is ...

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

Rare black and white photograph, a portrait of a handsome man by Edward Henry Weston (March 24, 1886 – January 1, 1958). Signed "EW 1949" lo...

Artist: Curtis Knapp, American Title: Andy Warhol Year: 1983 (printed 1991) Medium: Silver Print on Fiber Paper, signed and numbered in ink Edition: 25 Size: 17 in. x 14 in. (43.18 ...

Nick Veasey 2025 Framed chromaluxe (dye-sub) Edition of 50 Featured in Nick Veasey's solo show at OA Fine Art gallery Paris, France, November 2025 Through his lens, Veasey unveils ...

Titel: Without Title (New York) Medium: Photograph Year: 1974/2014 Publisher: Griffelkunst Hamburg Size: 7.4 × 10.7 on 11.5 × 15.4 inches After a photographer training at the photo ...

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

Philippe Cheng (American, b. 1961) "Untitled, Greece, 2005", signed, titled and dated verso, C-print (chromogenic print) mounted on aluminum with UV ultra non-glare plexiglass P...

Dressing room, La Villa Blanc, Albuquerque, 1971 Gelatin silver print, 19 3/4 x 15 7/8 in. Signed, titled, dated and numbered by Jeffrey Silverthorne Edition of 12, Printed 2008 Jef...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This artwork is offered by ClampArt, located in New York City. “Meatyard searched continually for a non-objective art that would be wordless poetry, spontaneous music without sound. The ‘Motion-Sound’ pictures of his later years brought Meatyard’s passion for music and, paradoxically, the silence of Zen Buddhism together in photography. In creating the series, he focused the camera on a natural scene (or one containing plain rural architecture) and then moved it slightly. The result of this action is an image that suggests sound while abstracting natural forms. The landscapes of the ‘Motion-Sound’ series are in stark contrast to the evocative, more traditional views of the Red River Gorge that Meatyard was executing during the same years.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), p. 122 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

the 12" x 24" on metal - Edition of 5 Colorful dawn photograph printed on metal About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art...

Nick Veasey - The Bird in Colour No 3 TR Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Nick Veasey Film Print Alex DeLarge 2025 Fom Print Series Signed and numbered by artist framed chromaluxe (dye-sub) 14 x 17 ½” + frame Edition of 50 AP

David Hamilton was a British photographer and film director best known for his photography of young women and girls. In addition to he composed photographs of flowers, men, landscape...

Nick Veasey - The Bird in Colour No 6 MR Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. SELECT GROUP EXHIBITS 2018 Marquee Projects, Bellport, NY: "By the Sea: Mikael Levin, Vera Lutter, Steel Stillman, James Welling" Hohenems Jewish Museum, Hohenems, Austria: "Say Shibboleth! On Visible and Invisible Borders" 2014 Centre d'art Contemporain Faux Mouvement, Metz: "Travail d'archives" 2013 Galerie Michele Chomette, Paris. "Sleeping Beauties IV" 2011 Musée d'art et d'histoire du Judaïsme, Paris. "War Story" in "A journey through the MAHJ's Contemporary Collection" 2010 Bibliotheque Nationale de France, Paris. "Qumran" 2009 The Solo Project, Basel; Gilles Peyroulet Gallery. "New York Moments: Mikael Levin and Rudy Burckhardt" 1996 Galerie F-15 Alby, Moss, Norway: "James Welling and Mikael Levin" 1993 Grand Palais, Paris: "Salon Decouverts" ( Curated by Jean-Claude Lemagny) 1990 Brooklyn Museum, New York: "New Acquisitions" Musem Ludwig, Cologne:"Vom Landschafsbild zur Spurensicherung" 1989 Fotografiska Museet, Stockholm: "Lewis Baltz and Mikael Levin" 1987 One Penn Plaza, New York: "Beautiful Photographs" (Curated by Gene Thornton) 1985 Pavillon des Arts, Paris: "La Photographie Creative" (Curated by J.C. Lemagny) Caves Sainte-Croix, Metz, France: "Construire le Paysage de la Photographie" SELECT PUBLIC COLLECTIONS Jüdisches Museum, Berlin (a selection from War Story in the permanent installation.) Whitney Museum of American Art, New York Metropolitan Museum, New York International Center of Photography, New York Jewish Museum, New York Bibliothèque Nationale, Paris Centre national d'art et de culture George Pompidou, Paris Fonds National d'Art Contemporain, Paris Princeton University Art Museum, Princeton, NJ Victoria and Albert Museum, London Israel Museum, Jerusalem Moderna Museet, Stockholm Statens Konstrad, Stockholm Canadian Center for Architecture, Montréal From the David C. and Sarajean Ruttenberg Collection The Ruttenbergs are longtime art lovers who have collected abstract expressionist paintings, African art...

Holopainting by French contemporary artist Dominique Mulhem. Dominique Mulhem is a contemporary artist who creates Holopaintings, works where painting meets technology. Using hologr...

This unique monotype cyanotype, rendered in rich blue tones, draws inspiration from mid-century modern shapes to explore themes of balance and duality. Abstract forms echo harmony an...

Artist: Rebecca Blake Title: Model in Organza Gown Year: 1980 Medium: Color Photograph, signed and dated l.r. Image: 13 x 9 in. (33.02 x 22.86 cm) Frame Size: 21 x 16 in.

Artist: Shahrokh Hatami Title: The Fab Four Year: 1962 / Printed: 2005 Medium: Archival Pigment Print on Watercolor paper, signed and numbered in pencil Editi...

Artist: Ron Galella, American (1931 - ) Title: Limelight - Mick Jagger and Jerry Hall Year: 1984 Published: 2009 Medium: Gelatin Silver Print, signed and numbered in pencil verso Ed...

Artist: Herb Greene Title: Ron Wood Year: circa 1984 Printed circa 1995 Medium: Color Photograph Size: 13.5 in. x 10.5 in. (34.29 cm x 26.67 cm) Frame Size...

Artist: Norman McGrath Title: Guggenheim Museum Year: 1995 Medium: Photograph, Signed and Dated in l.r. Paper Size: 22 x 17 inches/ 56 x 43 cm Frame Size: 26 x 21 inches/ 66 x 53 cm

Artist: Maggie Taylor, American (1961 - ) Title: Untitled (Well, He May Be A Foreigner After All) Year: 1988 Medium: Color Photograph Edition: 15 Size: 12.5 x 16.5 in. (31.75 x 41.91...

Artist: Herb Greene Title: Rod Stewart Year: circa 1966 Printed 1995 Medium: Gelatin Silver Print, Signed in ink Size: 9 in. x 12 in. (22.86 cm x 30.48 cm) Frame Size: 17.5 x 21.5 i...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundacion Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Artist: Unknown Title: Downtown New York City Skyline Year: 1981 Medium: Color Photograph Edition: 4/150 Size: 30 in. x 40 in. (76.2 cm x 101.6 c...

Artist: Rita Barros Title: Keith Richards at the Chelsea Hotel Year: 1989 Medium: Gelatin Silver Photograph, Signed and numbered in ink verso Edition: 2/15...

Nick Veasey - The Bird in Colour No 2 TM Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

Artist: Stanley Einzig Title: Birthday Party Scene 4 Year: c. 1970's Medium: Color Photograph Size: 8 x 10 inches Mr. Einzig was the personal photographer to...

Nan Goldin (b. 1953) is one of the most influential photographers of the 20th century. Beginning in the 1970s, Goldin took candid shots of her friends and lovers, characters often li...

Artist: Rita Barros Title: Arthur Miller at the Chelsea Hotel Year: 1992 Medium: Gelatin Silver Photograph, Signed and numbered in ink verso Edition: 2/6 S...

Artist: Curtis Knapp, American Title: Roy Lichtenstein Year: 1990 (printed 1991) Medium: Silver Print on Fiber Paper, signed and numbered in ink Edition: 35 Size: 20 in. x 16 in. (5...

Artist: Anne Turyn, American (1954 - ) Title: What Do You Whisper Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches

Artist: Willie Miller, American (1940 - ) Title: Colors Year: 1990 Medium: Color Photograph Size: 18 in. x 12 in. (45.72 cm x 30.48 cm) Willie Miller has been a South Beach based f...

Artist: Anne Turyn, American (1954 - ) Title: Who Are You Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches

Artist: Willie Miller, American (1940 - ) Title: Lady in Red Year: 1995 Medium: Color Photograph, signed verso Size: 18 in. x 12 in. (45.72 cm x 30.48 cm) Willie Miller has been a S...

Artist: Willie Miller, American (1940 - ) Title: Shssh! Year: 1985 Medium: Color Photograph Size: 12 in. x 18 in. (30.48 cm x 45.72 cm) Frame: 19.5 x 25.5 inches

Artist: Anne Turyn, American (1954 - ) Title: Color Chart Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Color photograph, 2007, signed, dated and numbered 3 of 25 on the reverse. 14 x 11 in. (sheet), 20 1/7 x 16 1/2 in. (frame). It appears to be signed Laura Cohen or Laura Cohn Taped t...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

"I wanted Christina to learn some responsibility for cleaning her room, but it didn't work." Edition of 15 Gelatin silver print, 11 x 14 in. Signed, numbered, and dated in pencil wi...

Photo Image taken in black & white of Western Wall (Wailing Wall) Kotel Hamaaravi in Jerusalem Israel. Hand signed, dated and titled. From very small edition of just 5 prints. (American-Israeli) Born in New York City, Mikael Levin grew up in Israel, the United States and France. He attended Williams College and received a B.A. in Film and Photography from Hampshire College in 1976 before studying at the Academy of Fine Arts in Stockholm. Levin's first published project was Silent Passage (1985), a series of romantic, reflective landscape photographs inspired by a pond in Sweden. This was followed by several other series, including Les Quatre Saisons du Territoire, a study of the changes in land use in western France; Borders, which focused on the political, practical, and conceptual transformation of national borders in contemporary Europe; and War Story, Levin's reconstruction of the journey his father, the war correspondent Meyer Levin, made while traveling with the photographer Eric Schwab during World War II. Meyer Levin wrote of these experiences in In Search (1950), which described his view of the final battles of World War II and the liberation of the Nazi concentration camps in 1944-45. Levin photographed sites his father and Schwab had visited as they appear today. These photographs and passages from the elder Levin's writings formed an installation work at ICP in 1997, and were also published as a book. Levin's most recent project, Common Places: Cultural Identity in the Urban Environment, considers the relationship between the past and present in the urban environments of four European cities: Katrineholm, Cambrai, Erfurt, and Thessaloniki. Although inflected differently in each series, Mikael Levin's photographs have in common their interest in the emotional, intellectual, and historical significance of landscape. His work ignites landscape's capacity simultaneously to recall and overwrite the events of the past, especially in works such as War Story and Common Places. His photographs represent a new approach to landscape photography that reinvigorates this traditional genre. Lisa Hostetler Handy et al. Reflections in a Glass Eye: Works from the International Center of Photography Collection, New York: Bulfinch Press in association with the International Center of Photography, 1999 Mikael Levin has been exhibited widely in the US and in Europe, including solo exhibitions at the Jewish Museum, Paris, 2010, the Berardo Museum, Lisbon, 2009, the Bibliotheque Nationale, Paris, 2003, the International Center of Photography, New York, 1997, and Fundación Mendoza, Caracas, 1980. His work was included in the Venice Biannual in 2003. Judaic, Judaica. SELECT GROUP EXHIBITS 2018 Marquee Projects...

Black and white original photography by Cyrille Druart. Edition: I/VIII Dimensions: 112 x 200 cm Signed and Numbered Cyrille Druart is a French photograph and architect, a book a...

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 11 x 14 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

MASSIMO LISTRI Opera Nacional, Paris, France 40 x 48 inches 100 x 120 cm Edition of 5 48 x 60 inches 120 x 150 cm Edition of 5 71 x 88.5 inches 180 x 225 cm Edition of 5 Framing ...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...