Horizontal Abstract Prints

The Illustrator is an original artwork realized by Mino Maccari. It is an artist' proof, hand signed in pencil on lower right margin "Maccari"; on the lower left margin "prova di col...

DREAMFIELDS II is a hand drawn original lithograph by the artist Sybil Kleinrock (spouse of the renowned jewelry designer David Yurman. It was printed in seven colors using tradition...

HOWARD HODGKIN Blue Skies, Nothing but Blue Skies, 2002 Screenprint in Colors, Scrunched Up and Presented in a Box 5 3/25 × 6 3/10 x 2 inches Edition of 500 (unnumbered) Momart is a British company specialising in the storage, transportation, and installation of works of art. Today, the company is best known for two things: its annual artist Christmas Card, and a 2004 warehouse fire that destroyed irreplaceable art works including Tracey Emin's famous "Everyone I Have Ever Slept With. Momart's clients include the Royal Academy of Arts, Victoria & Albert Museum, National Gallery, Tate Modern, Tate Britain and Buckingham Palace. The tradition of the MOMART "Christmas card" (which would later morph into actual artist-designed work) goes back to 1984 when the first object – a festive card – was designed for the company by Bruce McLean. Since then Momart collaborated on this project with many of the top British and international artists. The complete series of Momart Christmas cards is now part of the permanent collections of the Victoria and Albert Museum and the Tate. The present item is the vintage 2002 MOMART Christmas card, designed by Howard Hodgkin. It is a rich blue screenprint, scrunched up in a box - with the printed text MOMART CHRISTMAS CARD 2002 inside the box, the artist's name and work title, "Blue Skies, Nothing But Blue Skies" and a credit at the bottom "With thanks to Gagosian Gallery London and Peter B. Willberg." And that's the MOMART "gift". Very cool and collectible! Unnumbered, but known to have been issued in an edition of 500 About Howard Hodgkin For an artist, time can always be regained . . . because by an act of imagination you can always go back. —Howard Hodgkin One of England’s most celebrated contemporary painters, Howard Hodgkin (1932–2017) was deeply attuned to the interplay of gesture, color, and ground. His brushstrokes, set against wooden supports, often continue beyond the picture plane and onto the frame, breaking from traditional confines. Embracing time as a compositional element, his work is testament to his immersion in the intangibility of thoughts, feelings, and fleeting private moments. Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1998 Hodgkin joined Gagosian, and the gallery presented his first show in the United States since his critically acclaimed 1995–96 exhibition at the Metropolitan Museum of Art, New York, which had traveled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group...

Color lithograph on vellum. Edition of 19/90. Hand signed and numbered in pencil. Slightly browned on margins. In this powerful lithograph, Manessier explores his signature inter...

Maciunas & George Brecht, George Maciunas, George Brecht No Smoking, ca. 1973 Rare, historic Hand pulled Fluxus silkscreen Limited edition and rarely found collectible (though exact number produced not known) 16 31/50 × 16 3/4 inches Black and white hand-pulled silk screen by George Maciunas of George Brecht's iconic ”No Smoking” offset wallpaper squares George Maciunas was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, an international community of artists, architects, composers, and designers. "George Maciunas had an extreme dislike of smoking. Being an asthmatic he could not tolerate it personally and with his complete devotion to Fluxus, professionally he felt there was no time or space for such a self-indulgent act. This disdain led fellow Fluxus artist, George Brecht to suggest a “no smoking” sign...

Red Grooms Ruckus Manhattan (Hand signed), 1981 Historic Offset lithograph poster (hand signed by Red Grooms) 11 × 28 inches Hand signed by Red Grooms on the front Unframed The artis...

Allan Mardon, Canadian (1931 - ) - Release, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 23 x 29 inches, Size: 25.5 in. ...

Lynda Benglis Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph Signed in graphite pencil on the front. Accompanied by a letter of authenticity from the publisher. Unnumbered. 24 × 36 inches Unframed Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is a limited edition hand signed lithograph, published in 1982 to celebrate the 1984 Los Angeles Olympics . The Olympic Committee commissioned 15 nationally known artists, including famous sculptor and feminist icon Lynda Benglis to create unique designs to promote the event. This was Benglis' contribution to the portfolio. In 2017, the Olympic Museum in Lausanne Switzerland...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 121-122, 1960. Published by...

Richard Serra Clara, Clara (Hand Signed by Richard Serra), 1983 Offset Lithograph Poster (Hand signed by Richard Serra) Boldly signed with black marker on the front Frame Included: held in original vintage 1980s frame This is the rare vintage offset lithograph poster of Richard Serra's 1983 work "Clara Clara", exhibited at the Pompidou Center in France in 1983-1984. Very collectible when hand signed by Richard Serra! Accompanied by gallery issued Certificate of Guarantee Measurements: Frame: 27.5 x 37.75 x 1 inch Print: 25.5 x 35.75 inches About Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Original serigraph silkscreen print by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen p...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 252, 1982. Published by Aim...

Color lithograph on vellum. Edition of 55/90. Hand signed and numbered in pencil. Very good condition. A vibrant abstract composition by Manessier, characterized by his signature...

Signed, titled and numbered, edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photograph...

JOHN S. de MARTELLY (1903 - 1979) HIEROGLYPHIC, 1954 Lithograph, signed, no. 20 and dated '54 in pencil by the artist. 12 x 16 inches, large sheet 17...

Lithograph on Guarro vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: Published by Art Conseil, Paris; printed by La Polígrafa, Barcelona, 1974 in...

This vibrant red, blue, orange and yellow lithograph is based on the 1961 Rosenquist oil painting Brighter than the Sun (private collection), with fragmented images from advertising,...

Photo/ print a part of a pattern from a renowned Czechoslovak designer Jindrich Halabala. This size is an edition of 15 and signed by the author. Different size of the original also...

Richard Serra East-West/West-East: A Permanent in the Brouq Nature Reserve, Qatar (Hand Signed by Richard Serra), ca. 2014 Superb provenance: donated by the artist to a major contemporary art organization Very rare offset lithograph (Hand Signed by Richard Serra) Boldly signed on the front in black marker by Richard Serra 24 × 36 inches Unframed Sscarce when hand signed by Richard Serra. This work depicts Serra's iconic permanent installation in the desert of Brouq Qatar: East-West/West-East, which has become a famous landmark in Qatar since its installation in 2014. According to the Jewish-born Richard Serra, he had been visiting Qatar for about 12 years, during which he was introduced to the Chairperson of the Qatari Museums Authority and the sister of the new Emir, Sheikha Mayassa, by the architect of the Museum of Islamic Art, IM Pei. It was Sheikh Mayassathat who urged Serra to build a sculpture in the desert. The artist once said it was the most important thing he had ever done. In 2020 the Serra sculpture was famously vandalized. This hand signed print has superb provenance as it was donated directly by the artist to a major charitable foundation and is accompanied by a documentation from a Foundation as well as a COA from the gallery. Richard Serra biography: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

David Salle Hand Signed Poster by David Salle upper left, 2000 Offset Lithograph Signed by the artist and dedicated to Nadine 25 × 30 inches Unframed This is a uniquely signed David...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 2 (Series G, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Original serigraph silkscreen print by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen p...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif III, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Walter Darby Bannard Siciliian Magician, 1980 Silkscreen on wove paper Pencil signed, titled and dated by the artist on the front Unframed Provenance: Bart Gallery, Providence, RI Th...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Carmen Louis Cicero, American (1926 - ) - Untitled 10, Year: 1971, Medium: Screenprint, signed, numbered and dated in pencil, Edition: AP, Image Size: 18 x 20 inches, Size: 23 x 24...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Frank Stella Experiment and Change (Hand Signed), 2017 Offset Lithograph Hand signed by the artist i ink on the lower right front 22 × 27 4/5 inches Unframed This offset lithograph ...

A large, abstract monotype diptych containing rich textures and color, by American artist Betsy Margolius. The work is signed and titled verso. Each Sheet measures 26 x 21 inches.

Mid Century Modern Artwork Hand Embellished Giclee on Canvas, Blue Green ORL-6848 Vibrant Colorful Abstract-0-22-6 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY...

This image is an artist proof and is annotated VIII / VIII The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...

The Yellow Structure is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower lef...

Rocca Luis César Constelaciones A, 2023 Serigraph in seven colors 21.70 x 27.60 in Edition of 30 This serigraph (silkscreen or screen print) is part ...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 35/100 Publisher : Galerie Börjeson (Malmö) Printer : La Poligrafa, S.A. (Barcelone) Catalog : [Maeght 938 p. 75 ; Cr...

David Shapiro’s minimalist works are meditative and quiet. This black and tan print has a reductive Zen quality. Shapiro was born in Brooklyn in 1944 and passed away in 2014. He did ...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

The Great Lathe is an artwork realized by Renato Cenni (1906-1977) in 1970s. Original Lithograph. Hand-signed on the lower right. Below, the words "Machining of a crank shaft on a...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

The Red and Yellow Structures is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the ...

Peter Halley Musee d'Art Contemporain Pully/Lausanne (Hand Signed), 1992 Offset lithograph poster (hand signed by Peter Halley) 11 1/2 × 16 1/2 inches Unframed Hand signed in black ...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Still Life is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut print. Excellent conditions. Lojze Spacal...

Joseph Beuys (German, 1921-1986) Title: Aufbau, 1977 Medium: Offset on grey cardboard, stamped Dimensions: 30.5 x 43 cm Edition of 100: Hand-signed and numbered in pencil Publisher: ...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

George Trakas Isle of View, 2006 Aquatint and dry point etching printed on Lana Gravure paper Signed, titled and numbered X/X in pencil; bears publishers' blind stamp on the front 18...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue, green, and yellow palette and captures a landscape scene with lu...

"New World 7" is a print copy on canvas of a modern art in cubism and abstract line after the famous Bulgarian artist Dimiter Buyukliiski-Mitchy, About the artwork: TECHNIQUE: oil...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Raymond Parker (also known as Ray Parker) 1980s Art Dealers (Hand Signed by Raymond Parker), 1980 Rare Offset Lithograph Poster. Hand Signed in Pencil by Ray Parker Hand signed by Ray Parker on the front 25 × 38 inches Unframed This is a collectible hand signed vintage offset lithograph poster on blind stamped wove paper, published on the occasion of an exhibition of works by renowned Abstract Expressionist painter Ray Parker, hand signed as well as plate signed. This traveling exhibition was hosted by multiple galleries, all listed on the poster including Betty Cuningham, Susan Caldwell, The Grippi Gallery...

Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted with grasses and ferns that lie beneath. Christine Ravaux is a Belgian artist who uses nature in m...

From the estate of Jerry Opper and Ruth Opper Abstract Line Print c.1950's Stone Lithograph on Paper 25" x 19.5" Unframed Estate stamp lower left Came from ...

**FALL SUPER SALE UNTIL OCTOBER 13TH** Celebrating the one and only Dolly Parton. This piece captures the glamorous life she is having and sharing with the world. An all around exc...

**ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** **IMPORTANT: This is a Limited edition of 30 museum quality prints on...

This is a one-of-a-kind original monoprint, made on a press by contemporary Japanese woman artist Kyoko Takagaki. Takagaki studied art at Temple University in Philadelphia, PA, USA. ...

Friedel Dzubas (1915-1994) was a Berlin-born, American abstract painter and a key artist associated with both the New York School and the Color Field movement. Dzubas studied art i...

CORAL 3 is an original hand drawn lithograph created in 1979 by the NY woman artist, Joan Melnick. Inspired by the fragile beauty of coral reefs with their exotic forms and vibrant c...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 12 (Series L, Variation 12), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

Roy Ahlgren Allegro, 1986 Serigraph Signed, title and edition in pencil in lower margin Edition 5/100 Sheet: 22 1/4in H x 29 3/4in L (unframed) Ahlgren came to art relatively late ...

Oil on cardboard, realized by Antonio Sanfilippo in 1971. Not signed. Published in the Catalogue Raisonné, no. 914