Horizontal Abstract Prints

Artist: Doo Shik Lee, Korean (1947 - 2013) Title: Impressions of Women Year: 1993 Medium: Suite of Five Lithographs on Arches, Each signed and numbered in pencil Edition: 175 Size: ...

Artist: Arthur Secunda Title: Night Bird Year: 1974 Paper Size: 26 x 23 inches Edition: Signed in pencil and marked 151/250 Arthur Secunda (b. 1927 – d. 2022) was an American painte...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26...

This exquisite lithograph by Joan Miro (1893–1983), titled Nocturne (Nocturnal), from the folio Derriere le miroir, No. 57–59, originates from the 1953 edition published by Maeght Ed...

Mary Bauermeister Pittsburgh International Carnegie Museum, 1967 Offset Lithograph Poster 20 × 37 inches Edition of 500 Unframed This is the original, historic poster designed by Mar...

Shooting Star - 1979 Print - Silkscreen 36.5'' x 36.75'' Edition: Signed in pencil, dated and marked 238/250 Unframed

Number 32 (1950) By Jackson Pollock 2004 Medium: Offset Lithograph Paper Size: 27.5 x 35.5 inches ( 70 x 90 cm ) Image Size: 17.88 x 30.25 inches ( 45 x 77 cm ) Edition Size: ...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme au miroir (Woman with a Mirror), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, origina...

Lithograph on vélin paper. Paper Size: 15 x 33 inches, with bifold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, ...

This Limited-Edition abstract print, by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame wired and ready to hang. Other floater f...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original Keith Haring Tokyo Pop Shop advertisements designed by Haring to advertise the opening of his 1980s Tokyo Pop Shop store and c...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

Temporal Perception 206A (Triptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a triptych. Each element size is: 45 x...

This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Russell’s Way by Al Held, American (1928–2005) Date: 1969 Aquatint on Somerset paper, signed, dated, and numbered in pencil verso Edition of 37/50 Image Size: 35.5 x 44.5 inches Size...

Lithograph realized by Giulio Marelli in 1970 ca. Edition of 150 in arab numbers and XXV in roman numbers. Hand signed and numbered in pencil. Very g...

Jasper Johns VIOLA (Viola Farber, Founding Member of Merce Cunningham Dance Company), Field 162, 1972 Original state Color lithograph on Angoumois à la Main paper with full margins ...

Signed and dated "55" in pencil. Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abst...

Dorothy Dehner, American (1901 - 1994) - Navaho, Year: 1970, Medium: Screenprint, signed and numbered in pencil, Edition: 77/150, Image Size: 17 x 22 inches, Size: 20 x 26 in. ...

This work is hand signed in pencil by the artist "L. Fontana" in the lower right image. It is also hand numbered in pencil from the edition of 80, in the lower left image. It was pr...

James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce. Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'. ABOUT THE IMAGE "I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.78 inches (49.5 x 65.5 cm) Edition: Unique Signed and dated by hand COA ...

Hilliard Reynolds Dean, '#3', color lithograph, 1970, edition not stated but small. Signed and titled in pencil. A fine impression, with fresh colors, on Arches, heavy, cream wove pa...

"Mizuhiki" is an exclusive publication by Stone + Press in an edition of 100. Katsunori Hamanishi was born in 1949 on Hokkaido island - Japan's second largest island. In 1973 he fi...

Alexander Calder (American, 1898-1976) Fiesta, c. 1973 Lithograph in colors Signed lower right Edition: E. A. 20 x 28 inches 35.5 x 37.75 inches, framed One of America's best known ...

Roland Ayers (1932-2014). The Emperial Message, 1959. Drypoint Etching on paper, 15 × 17 ¾ inches. Larger in acid free archival matting. No Frame. A/P (no edition, unique examp...

Artist: Salvador Dali Title: Sports Medium: Lithograph in colors on Arches paper Year: 1973 Edition: XXXV/CI Sheet Size: 18 7/8" x 23 7/8" Image Size: 16" x 19" Signature: Hand signe...

This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, originates from the 1977 edition published by Societe Internationale d'Art XXe siecle, Paris, and printed by Curwen Prints Ltd, London, 1977. Reclining Figure Interior Setting I reflects Moore’s masterful synthesis of form and space, capturing his lifelong exploration of the reclining human figure as a symbol of harmony between nature, body, and landscape. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches (24.77 x 31.75 cm). Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Curwen Prints Ltd, London. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure Interior Setting I, from the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977 Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1977 Publisher: Societe Internationale d'Art XXe siecle, Paris Printer: Curwen Prints Ltd, London Catalogue raisonne reference: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 458 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe siecle, Nouvelle serie, XXXIXe Annee, No. 49, Decembre 1977, published by Societe Internationale d'Art XXe siecle, Paris About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris and London, including Mourlot, Arte, and Curwen, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, Surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...

Artist/Designer; Manufacturer: Robert Motherwell (American, 1915-1991) Marking(s); notes: signed, blind stamp; ed. 7/10. There were also 5 APs; 1983 Materials: etching and aquatint i...

This artwork titled "Composition" 1967, is an original colors lithograph on Arches paper by renown Italian artist Alberto Magnelli, 1888-1971. It is hand signed and numbered 37/75 in...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

Claes Oldenburg Houseball with Fallen Toy Bear, 2013 Color lithograph on Japanese watercolor paper Hand signed and numbered 21/50 by Claes Oldenburg on the front 38 3/5 × 44 inches U...

Unique monotype in colors. Hand signed, dated and numbered '1/1' lower left by Paul Jenkins. Frame size approx 27 x 34.5 inches. Additional images are available upon request. Cer...

A very good impression of this screenprint on BFK Rives wove paper. One of 7 numbered artist's proofs, aside from the edition of 30. Signed, dated, inscribed "AP" and numbered 5/7 in...

Joan Miró "M.1067" from Maravillas con variaciones acrósticas Original lithograph in colors on Vélin de Rives paper Hand signed by the artist and numbered III/XV from an edition of f...

Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....

This is an exclusive handprinted limited edition cyanotype. This beautiful triptych is called "French Riviera Cove" and it shows the water reflection of one of the most iconic coves ...

Artist Name: Gene Davis Title: Carousel Year: 1980 Medium Type: Lithograph Size-Width Size-Height: 17" x 23" Signed Edition Size: Signed in pencil, and marked 172/250 Known for ...

Signed and dated "52" in pencil Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abst...

Artist: James Rosenquist (1933-2017) Title: Gravity Feed, State II (Glenn 147-A) Year: 1978 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 12/78 Size: 22.75 x 40 ...

This original exhibition poster features L'Ange du Foyer, one of the most iconic and recognized images by the surrealist master Max Ernst. Created for the Max Ernst exhibition at the...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a Aime Maeght (Tribute to Aime Maeght), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommag...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

“Stacking Stones” is a unique cyanotype monotype by Kind of Cyan that explores balance, rhythm, and form through organic abstraction. Created using traditional light-sensitive proces...

Abstract Composition is a contemporary artwork realized in 1980s. Screenprint on paper. Hand signed on the right margin. Edition 45/150 prints.  Good condition. 

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

Hogan Seidel’s "Glimpses of Their Garden #1" is an abstract botanical photograph in vibrant cyanotype blue, printed as an 11 x 17 inch archival inkjet print on 13 x 19 inch fine art ...

This proof is one of just a few printed in this color combination: the edition of 110 is printed with an orange background, while this copy is a muted yellow with the central, scribb...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

This exquisite heliogravure after Henri Matisse (1869–1954), titled La Nageuse dans l'aquarium (The Swimmer in the Aquarium), from Henri Matisse, Jazz, originates from the 1983 secon...

This exquisite lithograph by Antoni Tapies (1923–2012), titled A ma (To My), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Marguerite Maeght ...

Abstrakte Bilder (No Text) By Gerhard Richter 2004 Medium: Offset Lithograph Paper Size: 27.5 x 35.25 inches ( 70 x 90 cm ) Image Size: 19.25 x 29.25 inches ( 49 x 74 cm ) Edi...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

TallerOr Screen print printed on "card board" (cream poster board), 1968 Signed and numbered in pencil Edition: 150 (54/150), plus 11 for the Vasarely Fou...

Antoni Tàpies. "Composition" 1976 Lithograph hand-signed Print run of 75 copies, 69/75 56 x 76 cm

This captivating screen print, titled "Man", is a compelling example of Mid-Century Modernist art, created by artist Sheng Hey in the early 1970s. The print is signed by the artist a...

Donald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...