Medium Abstract Prints

Created as a screenprint in colors by Jean Dubuffet in 1973, Epiphanor is from the Présences Fugaces series, is hand-monogrammed, dated and numbered in pencil and measures 29 ¾ x 21 ...

Jean Marie Haessle, French-American (1939-) Serigraph silkscreen Hand signed in pencil and numbered Elana's Dream (red background) 1980 Jean Marie Haessle was born in 1939 in Alsa...

Another example of this iconic Frank Stella print can be found at the Poster House Museum in Manhattan. For inspiration only are photographs from their display. "The concentric squ...

Of Time and Age is an artwork realized by Mark Tobey in 1975. Etching on wove paper. Signed and numbered 139/150. Published by Baukunst Galerie, Köln. Prov. Coll Jorg Kees. Sheet 65 ...

Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in 1978. Good conditions. Joan Miró i Ferrà (20 April 1893 –...

Jane Kent, American (1952 - ) - Fried Egg, Year: circa 1980, Medium: Monotype etching on heavy stock cotton paper, signed and numbered in pencil, Edition: 1/1, Image Size: 24 x 2...

Joan Miró M.990 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed in white crayon From a rare signed edition of 15, annotated EA/15 Mourlot 990 from Miró L...

This original limited-edition exhibition poster was created for the 1990 show at the prestigious Galerie Lelong in Paris, France. Known for showcasing the works of some of the most ...

Lithograph, 1961 Edition : 41/100 Publisher : Maeght, Paris Printer : Maeght, Paris Catalog : [Vallier n°161 p.230; Mourlot n°100] 48.50 cm. x 65.50 cm. 19.09 in. x 25.79 in. (pap...

Artist: John Chamberlain (1927-2011) Title: Flashback VIII Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 120/175, plus proofs Size: 28 x 20 inches Inscription: Signe...

City Dweller is a mixed-media print created by Bik Chuen Ha in 1994. Using geometric and abstract forms, Ha portrays a modern figure wearing a hat, composed of triangles, circles, an...

Pablo Picasso Hommage à René Char, 1969 Color lithograph on Arches wove paper by Henri Deschamps, Paris Signed in the plate Image size: 63.6 x 44.7 cm Sheet size: 75.7 x 52 cm Prin...

Artist: Takashi Murakami Title: We are the Jocular Clan (10) Portfolio: We are the Jocular Clan Medium: Offset lithograph with silver, glossy varnish on wove paper Date: 2018 Edition...

Rare exhibition poster by Puerto Rican artist, Lorenzo Homar (1913-2004). Noveno Festival de Theatro Puertorriqueno, 1966. Screen print poster on p...

Lithography on paper printed in 40's, numbered 42/300, 54,5 x 75,5 x 0,1 cm - 21,4 x 29,7 x 0,04 in, printed by Moulot Editions Editions with the stamp Fernand Léger on Musee Biot pa...

This lithograph was printed in 1965 at the Atelier Mourlot in Paris. It is signed, and numbered from an edition of 150. A major theme running through Lanskoy's work is the interactio...

Keith Haring (after) Champions / The Contemporary Art Center of Cleveland Poster, 1984 (Hand signed by Keith Haring), 1988 Offset lithograph (Hand sig...

This artwork titled "Sans Titre" 1968, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numbered 30/...

Love By Robert Indiana Robert Indiana (1928–2018) was an American artist known for his bold, typographic pop art, particularly his iconic "LOVE" sculpture and print. His work ofte...

Stephen A. Davis, American (1945 - ) - Untitled 25, Year: 1999, Medium: Lithograph with hand colored pastel, signed and dated in pencil lower right, Image Size: 23 x 16 inches, Si...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

David Shrigley Ignore the Ghosts, 2022 Screenprint in eleven colours with varnish overlay on Somerset Satin Tub Sized 410gsm paper Signed by the artist and numbered, on verso 76 x 56...

This lithograph was created by American artist Jasha Green (1923-2006). Known for his abstract expressionist vision, some of his prints also show his appreciation for op art and surrealism...

Roman Numeral Edition 22" x 25.5" Unframed Limited Edition Giclée and Silkscreen of CL Hand Signed by Sylvester Stallone Collector's Edition 40" x 34" Unframed Limited Edition Giclé...

Prizma IV Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Artist: Peter Alexander (1939) Title: Sitka Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed and n...

Manfred Schwartz (American, b. Poland, 1909-1970), "Somber Planet", Lithograph on Paper, mid 20th century, numbered edition "13/90" lower left, signed in pencil lower right, with the...

Pierre Clerk African Suite #7 Monaco - 1980 Print - Silkscreen, on Arches archival paper 30.5'' x 19.5'' Edition: Signed in pencil, dated and marked 173/200 unframed The images of ...

VILLA NEUVE is an original limited edition lithograph printed using hand lithography techniques on archival printmaking paper 100% acid free. VILLA NEUVE is an imaginative modernist ...

76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...

Eugenio Carmi, Italian (1920 - 2016) - Realite Imaginaire, Year: 1972, Medium: Screenprint on Arches, signed, dated and numbered in pencil, Edition: 85/100, Image Size: 28.5 x 20...

Watercolor on paper 32 x 25 inches framed

Kathan Brown Evening Moon, 1962 Color etching on wove paper Hand signed, titled, dated and numbered 30/100 by Kathan Brown on the front 18 3/4 × 27 3/4 inches De-accessioned from the...

This artwork "untitled #1" 1978 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed,...

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. Although Nevelson is best known f...

Engraving Edition : 30/80 77.00 cm. x 64.00 cm. 30.31 in. x 25.2 in. (paper) Handsigned by the artist in pencil Ref : LCD2470

Lithograph, 1966 Handsigned by the artist in pencil and numbered 39/150 Catalog : Sorlier 66 80.00 cm. x 57.00 cm. 31.5 in. x 22.44 in. (paper) 65.00 cm. x 50.00 cm. 25.59 in. x 19...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Lithographie originale en 8 couleurs, édition en 99 exemplaires sur papier Arches, 26 épreuves sur papier Japon et 25 épreuves d'artistes. Epreuve signée et datée 98, numérotée 28/99...

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Blue II, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size:...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Jean Albert Gorin (French, 1899-1981), 1970, silkscreen printed in colors, pencil-signed and numbered 22/175, Image 23.75 x 23.75 inches, Published ...

Rio de Janeiro is a colorful, bold, graphic, and visually compelling offset-lithograph by blue chip, pop artist Robert Rauschenberg. ​​​​​​​​​​​​​​​​In 1991, he was involved with th...

Salvador Dalí Whoever Takes Carmen Away Must Pay with His Life 1970 (from Carmen): Lithograph in colors on Arches paper. 25.5 x 19.8 inches (64.8 x 50.5 cm). Good overall vintage ...

Cultivating the Mind by Bik Chuen Ha features an abstract human figure and symbolic text arranged in harmonious balance. At the center, a dark brown figure with hands joined in praye...

This original poster, designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York (September 19–November 16, 1969), is a screen print on white glo...

Salvador Dali - Attack on the Windmils - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 64.5...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Two Warped Corners Herbert Bayer, Austrian (1900–1985) Date: 1973 Screenprint, signed and numbered in pencil Edition of 5/50 Image Size: 29.75 x 29.75 inches Size: 32 in. x 32 in. (8...

Artist: Salvador Dali (1904-1989) Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Hologram glasses and computers to see ...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

This vibrant work features abstract details from Damien Hirst's series of Cherry Blossom paintings and reinterprets the traditional subject of landscape painting. Damien Hirst Fruit...

Minuit - From the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition of 150 copies...

Artist: John Chamberlain (1927-2011) Title: Flashback III Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 119/175, plus proofs Size: 28 x 20 inches Inscription: Signed...

Artist: Peter Alexander (1939) Title: San Blas II Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

Philip Guston at David McKee Gallery (pencil signed by Philip Guston), 1974 Lithograph and offset lithograph poster Signed in graphite pencil under the image 24 1/2 × 20 inches Unframed, unnumbered Rare vintage lithographic poster of 1974 Guston exhibition at David McKee Gallery Signed under the image in graphite pencil by Philip Guston Another hand signed edition is in the permanent collection of Vassar College; otherwise we haven't seen another besides the present work; a true collectors item when hand signed by the artist. Philip Guston Biography Philip Guston (1913 – 1980) is one of the great luminaries of twentieth-century art. His commitment to producing work from genuine emotion and lived experience ensures its enduring impact. Guston’s legendary career spanned a half century, from 1930 to 1980. His paintings—particularly the liberated and instinctual forms of his late work—continue to exert a powerful influence on younger generations of contemporary painters. Born in Montreal, Canada, in 1913 to poor Russian Jewish émigrés, Guston moved with his family to California in 1919. Briefly attending the Otis Art Institute in Los Angeles in 1930, he was otherwise completely self-taught. Guston’s first precocious work, Mother and Child, was completed when he was only seventeen years of age. Influenced by the social and political landscape of the 1930s, his earliest works evoked the stylized forms of Giorgio de Chirico and Pablo Picasso, social realist motifs of the Mexican muralists, and classical properties of Italian Renaissance frescoes of Piero della Francesca and Masaccio that he had seen only in reproduction. Painted in Mexico with another young artist, the huge fresco The Struggle Against War and Fascism drew national attention in the US. Guston’s success continued in the WPA, a Depression-era government program that commissioned American artists to create murals in public buildings. While not widely known today, the young artist’s early experiences as a mural painter allowed a development of narrative and scale that he would draw upon in his late figurative work. In the early 1940s, as the WPA program was ending, Guston found work teaching at universities in the Midwestern United States. In his studio, he was working in oils on easel paintings that were more personal and smaller in scale, focusing on portraits and allegories, like Martial Memory and If This Be Not I. His first solo exhibition in Iowa was well received and, within a few years, he was offered his first solo show in New York City. Guston was awarded a Prix de Rome, allowing him to leave teaching and spend a year in Italy, studying firsthand the Italian masters he loved. By the time he had finished The Tormentors, Guston’s move to abstraction was all but complete. On his return from Italy, he continued dividing his time between the artists’ colony of Woodstock in Upstate New York and New York City, which was then emerging as the center of the postwar art world. He rented a studio on 10th Street, where abstract expressionists Jackson Pollock, Willem de Kooning and Mark Rothko also worked. For Guston, success was never what mattered most. He was already impatient with the language of pure abstraction and experimenting with larger forms, using a limited palette of grays, pinks and blacks. As his forms became still more reduced, he stopped painting altogether and embarked on a series of simplified abstract “pure drawings” in brush or charcoal. At this juncture, Guston removed himself from the art scene in New York, living and working in Woodstock for the remainder of his life. Guston’s move ­was hardly a withdrawal. Freed from the distractions and formal constraints of the art world and the opinions of critics, he was able to experiment with new forms and to engage more deeply with the issues that mattered to him. The 1960s was a period of great social upheaval in the United States, characterized by assassinations and violence, civil rights and anti-war protests. “When the 1960s came along I was feeling split, schizophrenic,” Guston later said. “The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines...

Maite Diaz Gonzalez (Cuba, 1963) Untitled from Cuban Portfolio, ca.2010 silkscreen on canvas 25.6 x 19.7 in. (65 x 50 cm.) Edition of 100 Unframed ID: DIA1205-001-100_3 Hand-signed ...

Berkley; University Art Museum; original exhibition poster by Richard Lindner. Size: 23.5" x 30" Exhibition year: 1969. Archival linen-backed original serigraph; excellent cond...