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Size: Oversized
Barcelona
Located in Palo Alto, CA
Joan Miró Barcelona, 1972-1973 is an in depth extraction of the artist’s psyche and imagination. As a Surrealist, Miró uses automatic drawing, wher...
Category

1970s Modern Abstract Prints

Materials

Etching, Aquatint

Barcelona
Barcelona
Price Upon Request
La Fronde (The Slingshot)
Located in Palo Alto, CA
Miro showcases his skilled handling of carborundum in this marvelous work. This particular piece features more of the rich and beautiful texture than any of his other prints, evident...
Category

1960s Abstract Abstract Prints

Materials

Etching, Aquatint

Nemrik, from The Near East Series
Located in Palo Alto, CA
Frank Stella Nemrik, from the Near East Series, 1999 is a chaotically vibrant work that encapsulates Stella’s abstract style so poignantly. Using a mix of bright, neon colors, Stella...
Category

1990s Abstract Prints

Materials

Handmade Paper, Etching, Screen, Engraving, Lithograph, Stencil

Bene come il sale (As Good as the Salt), from Italian Folktales Series
Located in Palo Alto, CA
Brightly colored and captivating, Frank Stella Bene come il sale (As Good as the Salt) speaks to Stella’s artistic inclination towards nonrepresentational painting. Figures exist wit...
Category

1980s Abstract Abstract Prints

Materials

Handmade Paper, Etching, Color

Untitled VII by Victor Pasmore, 1990
Located in Kingsclere, GB
Untitled VII by Victor Pasmore, 1990 Additional information: Medium: screenprint 73.2 x 103.5 cm 28 7/8 x 40 3/4 in signed with initials, dated and numbered 61/70 in pencil Victor ...
Category

20th Century Abstract Prints

Materials

Screen

Untitled IX by Victor Pasmore, 1990
Located in Kingsclere, GB
Untitled IX by Victor Pasmore, 1990 Additional information: Medium:screenprint 73.4 x 104 cm 28 7/8 x 41 in signed with initials, dated and numbered 70/70 in pencil Victor Pasmore ...
Category

21st Century and Contemporary Abstract Prints

Materials

Screen

One Down by Howard Hodgkin, 1981-2
Located in Kingsclere, GB
One Down by Howard Hodgkin, 1981-2 Additional information: Medium: lithograph with hand-colouring in gouache 91.4 x 121.9 cm 36 x 48 in signed, dated and numbered in pencil Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category

21st Century and Contemporary Abstract Prints

Materials

Lithograph

Julian and Alexis by Howard Hodgkin 1977-1978
Located in Kingsclere, GB
Julian and Alexis by Howard Hodgkin 1977-1978 Additional information: Medium: lithograph in colours with hand-colouring on Arches 70 x 102 cm 27 1/2 x 40 1/8 in signed, dated and numbered 19/30 in pencil Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category

20th Century Abstract Prints

Materials

Lithograph

Street Palm by Howard Hodgkin, 1990-91
Located in Kingsclere, GB
Street Palm by Howard Hodgkin, 1990-91 Additional information: Medium: intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand-colouring in vermillion red egg tempera 160 x 137 cm 63 x 54 in signed with initials, numbered and dated Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54). Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames. In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent. Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category

20th Century Abstract Prints

Materials

Intaglio

Large Colorful Abstract Expressionist Lithograph by Paul Jenkins
Located in Long Island City, NY
Untitled Paul Jenkins, American (1923–2012) Date: 1969 Lithograph, signed, dated and numbered in pencil Edition of AP Size: 63 in. x 43.5 in. (160.02 cm x 110.49 cm) Frame Size: 67.5...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Lithograph

Untitled (Road Maps)
Located in Saint Louis, MO
Tom Friedman Untitled (Road Maps), 2005 Lambda print Image Dimensions: 40 1/4 x 31 1/4 inches (102.2 x 79.4 cm) Framed Dimensions: 45 1/8 x 36 1/4 x 2 inches (114.6 x 92.1 x 5.1 cm...
Category

Early 2000s Contemporary Abstract Prints

Materials

Lambda

Odd Vocation
Located in Saint Louis, MO
Gary Paller Odd Vocation, 2013 Relief/Collagraph Print on paper Framed Dimensions: 49 x 34.5 inches (124.5 x 87.6 cm) Paper Dimensions: 44 x 30.5 inches (111.8 x 77.5 cm) Edition...
Category

2010s Abstract Abstract Prints

Materials

Paper, C Print

Skorpion - Scorpio By A.R. Penck
Located in Dubai, Dubai
Skorpion - Scorpio By A.R. Penck A.R. Penck, born Ralf Winkler in Dresden, Germany, in 1939, was a trailblazing artist who made indelible contributions to the Neo-Expressionist mo...
Category

1990s Contemporary Abstract Prints

Materials

Paper, Screen

Composition in blue, yellow and grey 16
Located in Paris, FR
Lithograph, 1958 Handsigned by the artist in pencil and numbered 91/100 Publisher : Galerie Creuzeveult (Paris) Printer : E. Desjobert (Paris) Catalog : Schneider 16 55.00 cm. x 76.0...
Category

1950s Abstract Abstract Prints

Materials

Lithograph

Next Room (Marrakitch)
Located in Palo Alto, CA
Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...
Category

Early 2000s Contemporary Figurative Prints

Materials

Screen

Untitled #31
Located in Palo Alto, CA
Created in 2011, this Monoprint with hand-coloring on silkscreen is hand-signed by Pat Steir (Newark, 1940 - ) in pencil in the lower right margin. This is a unique and original wor...
Category

2010s Abstract Abstract Prints

Materials

Monoprint, Screen

Untitled #31
Untitled #31
Price Upon Request
Loops Curves Blue/Red
Located in Palo Alto, CA
Created in 1999, this etching and aquatint on white Somerset Textured paper is hand-signed by Sol LeWitt (Hartford, 1928 - New York, 2007) in pencil in the lower right margin and is ...
Category

1990s Conceptual Abstract Prints

Materials

Etching, Aquatint

Formulation: Articulation, Portfolio II, Folder 25
Located in Saint Louis, MO
JOSEF ALBERS (1888 – 1976) "Formulation : Articulation" Portfolio II, Folder 25 Screen-printed geometric composition printed by Ives Stillman, Inc., New Haven, CT. From the set of 12...
Category

1970s Abstract Geometric Abstract Prints

Materials

Paper, Screen

Hreppholar VII (Berswordt/Wallrabe 80; G. 1)
Located in New York, NY
Edition of 35 This work is offered by CLAMP in New York City.
Category

1990s Contemporary Prints and Multiples

Materials

Etching

The New Building
Located in Laguna Beach, CA
In 1971 Jim Dine produced the first works in which a large heart appears on its own, a device to which he has since returned both on canvas and in his graphic work, as with this exam...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Etching, Woodcut

Dream Do III
Located in New York, NY
This 17-color screen print was created by the artist in 1997. Signed in pencil and numbered, from the edition of 75. Available for local pick up from Mic...
Category

20th Century Contemporary Abstract Prints

Materials

Screen

The Pequod Meets the Jeroboam: Her Story from the Moby Dick Deckle Edges Series
Located in Long Island City, NY
Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...
Category

1990s Abstract Geometric Abstract Prints

Materials

Mezzotint, Etching, Aquatint, Lithograph

Lithograph n°29
Located in Paris, FR
Lithograph, 1972 Handsigned by the artist in pencil annotated "Epreuve artiste" Edition : 200 ex. Publisher : Olympia 72, Munich Printer : Mourlot, Paris Catalog : [BNF77] 104.00 cm...
Category

1970s Abstract Abstract Prints

Materials

Lithograph

Sajippe Kraka Joujesh
Located in Miami, FL
TECHNICAL INFORMATION: Kenny Scharf Sajippe Kraka Joujesh 1998 Screenprint 40 x 46 in. Edition of 150 Pencil signed and numbered Condition: This work is in excellent condition
Category

1990s Pop Art Abstract Prints

Materials

Screen

Cage Grid I (Complete Set)
Located in London, GB
Gerhard Richter (b. 1932) Cage Grid I (Complete Set) signed with initial and numbered ‘4/16 R.’ (on the reverse of panels A-O); signed and numbered ‘4/16 Richter’ (on the reverse of ...
Category

2010s Contemporary Abstract Prints

Materials

Giclée

Red Abstract Art, Abstract Prints, Contemporary Art-Mingle VII
Located in Delaware , OH
Red Abstract Art, Abstract Prints, Contemporary Art-Mingle VII ABOUT THIS PIECE: This abstract art titled "Mingle VII" is a vibrant, colorful composition. It combines painting, pho...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Contemporary Art, Colorful Abstract Art, Abstract Prints-Mingle III
Located in Delaware , OH
Contemporary Art, Colorful Abstract Art, Abstract Prints-Mingle III ABOUT THIS PIECE: This abstract art titled "Mingle III" is a vibrant, colorful composition. It combines painting...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Blue Abstract Art, Colorful Abstract Art, Abstract Prints-Mingle XII
Located in Delaware , OH
Blue Abstract Art, Colorful Abstract Art, Abstract Prints-Mingle XII ABOUT THIS PIECE: This abstract art titled "Mingle XII" is a vibrant, colorful...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Blue Face
Located in New York, NY
A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...
Category

20th Century Pop Art Abstract Prints

Materials

Lithograph, Screen, Woodcut

Untitled
Located in London, GB
Monoprint in colors on two sheets, 1988, signed in silver ink, from Salty Water/Fan Mail, on Arches wove paper, with the blindstamp of the publisher, Novak Graphics, Toronto.
Category

1980s Abstract Prints

Materials

Monoprint

Barcelona III (from Barcelona Suite)
Located in Kansas City, MO
Joan Miro Barcelona III (from Barcelona Suite) Etching and Aquatint and Carborundum in Colors on Guarro Wove paper Year: 1972 Edition: 50 Signed and ...
Category

1970s Abstract Expressionist Prints and Multiples

Materials

Handmade Paper, Etching, Aquatint

Borborygmi
Located in New York, NY
Borborygmi, 1988 Signed, dated, and numbered in pencil in lower margin Aquatint with colors 49 x 49 inches
Category

1980s Abstract Prints

Materials

Aquatint

"Vase of Afterlife, " Colorful abstract Monoprint in Black Frame
Located in Houston, TX
This large monotype print effectively portrays Bert Long’s iconic style. Furnished with his notorious abstracted eye and gestural style, this work demonstrat...
Category

1990s Folk Art Abstract Paintings

Materials

Paper, Monoprint

"Painting the Paint, " Monoprint, Colored, Framed
Located in Houston, TX
This large monoprint demonstrates Bert Long’s affection for introspection. Referring to the paint as both an action and an object underscores the fluidity of...
Category

1990s Folk Art Abstract Drawings and Watercolors

Materials

Paper, Monoprint

Abstract Art, Colorful Abstract Prints, Blue Abstract Photography-Mingle IX
Located in Delaware , OH
Abstract Art, Colorful Abstract Prints, Blue Abstract Photography-Mingle IX ABOUT THIS PIECE: This abstract art titled "Mingle IX" is a vibrant, colorful composition. It combines p...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Colorful Abstract Prints, Abstract Art, Red Abstract Photography-Mingle II
Located in Delaware , OH
Colorful Abstract Prints, Abstract Art, Red Abstract Photography-Mingle II ABOUT THIS PIECE: This abstract art titled "Mingle II" is a vibrant, colorful composition. It combines pa...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Blue Abstract Art, Colorful Abstract Photography, Abstract Prints-Mingle X
Located in Delaware , OH
Blue Abstract Art, Colorful Abstract Photography, Abstract Prints-Mingle X ABOUT THIS PIECE: This abstract art titled "Mingle X" is a vibrant, colo...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Abstract Prints, Abstract Art, Colorful Abstract Photography-Mingle VII
Located in Delaware , OH
Abstract Prints, Abstract Art, Colorful Abstract Photography-Mingle VII ABOUT THIS PIECE: This abstract art titled "Mingle VII" is a vibrant, colorful composition. It combines pain...
Category

2010s Abstract Abstract Prints

Materials

Rag Paper, Color

Untitled
Located in New York, NY
Created by Ellsworth Kelly in 1983 as a color lithograph, Ellsworth Kelly's Untitled is hand-signed and numbered in pencil. Measuring 29 x 41 in. (73.7 x 104 cm), unframed, this art...
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Modern Art, Abstract Modern Art, Pink Abstract Photography-Mingle IV
Located in Delaware , OH
Modern Art, Abstract Modern Art, Pink Abstract Photography-Mingle IV ABOUT THIS PIECE: Vibrant, colorful abstract modern art by Addison Jones. She combines painting, photography a...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Rag Paper, Color

America - La France variations I, 46/70 color lithograph with collage
Located in Three Oaks, MI
America-La France Variations I 1983-4. Lithograph in colors with collage on Tyler Graphics Ltd. handmade paper. Signed in pencil Numbered 46/70 (there were also XVIII artist’s proofs...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph

Pink Abstract Art, Abstract Art, Colorful Abstract Photography-Mingle V
Located in Delaware , OH
Pink Abstract Art, Abstract Art, Colorful Abstract Photography-Mingle V ABOUT THIS PIECE: Vibrant, colorful abstract composition by Addison Jones. ...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Rag Paper, Black and White

Abstract Art, Colorful Abstract Prints, Blue Abstract Photography-Mingle XI
Located in Delaware , OH
Abstract Art, Colorful Abstract Prints, Blue Abstract Photography-Mingle XI ABOUT THIS PIECE: Vibrant, colorful abstract composition by Addison Jones. She combines painting, photog...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Rag Paper, Black and White

Twilight, from Sunrise Sunset Portfolio
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Twilight, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 40 x 88 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunset 3, from Sunrise Sunset Portfolio
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Sunset 3, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 39 x 70 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunset 2, from Sunrise Sunset Portfolio
Located in Miami, FL
Technical Information Alex Katz Sunset 2, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 42 x 46 i...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunset 1, from Sunrise Sunset Portfolio
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Sunset 1, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 E...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Sunrise, from Sunrise Sunset Portfolio
Located in Miami, FL
TECHNICAL INFORMATION Alex Katz Sunrise, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 in...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Archival Pigment

Trace sur la Paroi I - Joan Miró, Etching, Aquatint, Abstract Prints, Surrealist
Located in London, GB
Signed in pencil, numbered from the edition of 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris. (Dupin 440).
Category

1960s Abstract Abstract Prints

Materials

Etching, Aquatint

Ross Bleckner, Just Because #3
Located in New York, NY
Ross Bleckner Just Because #3 1997 17-color screenprints Size: 33 x 42 inches (84 x 107 cm) Edition: 75 Suite of 3 also available
Category

1990s Abstract Prints

Materials

Archival Ink

Ross Bleckner, Just Because #1
Located in New York, NY
Ross Bleckner Just Because 1997 17-color screenprint Size: 33 x 42 inches (84 x 107 cm) Edition: 75 Suite of 3 also available
Category

1990s Abstract Abstract Prints

Materials

Archival Ink

Just Because #2
Located in New York, NY
Ross Bleckner Just Because 1997 17-color screenprint Size: 33 x 42 inches (84 x 107 cm) Edition: 75 Suite of 3 also available
Category

1990s Abstract Abstract Prints

Materials

Archival Ink

Venice, Afternoon, Howard Hodgkin
Located in New York, NY
A large image with wonderful presence, Venice, Afternoon was created by British colorist, Howard Hodgkin in 1995 as a hand-painted etching and aquatint with carborundum on 16 sheets ...
Category

20th Century Modern Prints and Multiples

Materials

Etching, Aquatint

Cooperative Kinetics #11, embossed serigraph monoprint, abstract, biomorphic
Located in Jersey City, NJ
Cooperative Kinetics #11, 2016, embossed serigraph monoprint on Rives 280 gram paper. Orange, green, black and white. Non Objective, abstract, unique. Print size is 30" x 22.5"
Category

2010s Abstract Geometric Abstract Prints

Materials

Ink, Rag Paper

Cooperative Kinetics #12, embossed serigraph monoprint, abstract, biomorphic
Located in Jersey City, NJ
Cooperative Kinetics #12, 2016, embossed serigraph monoprint on Rives 280 gram paper. Orange, green, black, gray and white. Non Objective, abstract, unique. Print size is 29.5" x 41.5"
Category

2010s Abstract Geometric Abstract Prints

Materials

Ink, Rag Paper

Flat Top Pyramid With Colors Superimposed
Located in Miami, FL
TECHNICAL INFORMATION: Sol LeWitt Flat Top Pyramid With Colors Superimposed 1988 Silkscreen in Twenty Colors Superimposed 30 x 95 in. Edition of 30 Pencil signed and numbered Accom...
Category

1980s Minimalist Abstract Prints

Materials

Screen

Ruby
Located in New York City, NY
"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...
Category

2010s Contemporary Abstract Photography

Materials

Plexiglass, Archival Pigment

Ruby
Price Upon Request
Nan Jing Orphee Part II
Located in Rye, NY
Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. The second in a series of images about the extravagant luxury in China. Nanji...
Category

2010s Abstract Photography

Materials

Digital, Lambda

Arena I (white white)
Located in New York, NY
Screenprint on paper with 24 karat gold leaf, collage and tape on board (Edition of 24) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in Ne...
Category

Early 2000s Contemporary Mixed Media

Materials

Gold Leaf

Timberaine: C - Print, Woodcut, Abstract Art, Contemporary Art, Terry Frost
Located in London, GB
Signed in pencil verso, numbered from the edition of 16. Printed on wove paper by Stoneman Graphics, Cornwall. Published by The Paragon Press, London. (Kemp 201).
Category

Early 2000s Abstract Abstract Prints

Materials

Woodcut

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