Oversized Abstract Prints

color lithograph, linocut, and screenprint with hand-coloring collage on T.H. Saunders and hand-cut Somerset paper Edition 48 of 60 signed, dated, and numbered in pencil (sheet) 52....

Acrylic and silkscreen ink on triple primed canvas. Hand signed, dated, titled and numbered "P/P" on verso by Robert Indiana. Printer's Proof edition. Total of 4 panels. Each pan...

Large scale limited edition woodcut print of an an abstracted scene with landscape elements and rough figural forms including a dog, house and tree that emerge from chaotic linear ab...

Shepard FAIREY (Obey Giant) Harmony : The Lotus Flower Original sceen print Handsigned in pencil blind stamp to margin Numbered 42 / 89 On vellum 41 x 30 inch (c. 104 x 76 cm) Come...

A print by Robert Rauschenberg. "Prime Pump from ROCI USA" is a color screenprint on paper and Lexan print from the Wax Fire Works Series. "Prime Pump from ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 280, 1969. Published by Aimé M...

Andrea Belag New Moon, 1990 Monotype on Wove Paper 42 × 30 inches Hand signed and dated on the front Published by Pelavin Editions, with blind stamp on the front Unique Unframed Love...

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Rising to prominence in the late 1970s and early 1980s, American artist Julian Schnabel is known for a multidisciplinary practice that spans painting, sculpture and film. During his ...

This abstract limited edition print by Teodora Guererra features a warm palette, with large strokes and washes of grey, muted yellow-orange, burnt sienna, and white, which move acros...

Nick Thomm CHROMATIC - 4 Print Set (XL SIZE 36" x 48" PER PRINT). Limited Edition #43 of 50. Hand Signed Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. ...

Artist: Robert Natkin, American (1930 - 2010) Title: Untitled Year: 1985 Medium: Screenprint, signed and numbered in pencil Edition: 22/26 Image Size: 30 x 42 inches Size: 36 x 48 in...

Celebrating the universe by Mauro Oliveira Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate o...

Color screenprint on J. B. Green paper, 1970-71. Initialed by the artist and numbered 123/150 in pencil, lower right. Printed by Kelpra Studio, London. Published by Marlborough Gra...

ANTONIO SAURA "Serie Abierta" 1989 Silkscreen on paper. Copy 48/99. Signed and justified in pencil. 75 x 104cm.

Les Senteurs II by Pierre Marie Brisson, French (1955) Date: 2002 Mixed Media Print on Handmade Paper, signed and numbered in pencil Edition of 30/30 Image Size: 30.5 x 30.5 inches S...

**ANNUAL SUPER SALE UNTIL FEB 29tH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Limited edition of 30 museum quality Giclee prints on CANVAS, signed ...

Robert Motherwell (1915-1991) is one of the essential American abstract painters that radically defined post-war abstraction in New York City. Today, his work appears in museum coll...

This abstract limited edition print by Teodora Guererra features a warm palette, with thin layers of warm grey and burnt sienna tones layered over top of one another. White is layere...

This is a large hand signed serigraph silkscreen, pencil numbered in Roman numerals. biographical info: The son of a rabbi, Agam can trace his ancestry back six generations to the f...

This abstract landscape limited edition print by Elwood Howell features a high horizon line, separating a pale, nearly grey foreground and a blue gradient sky. Along the horizon line...

This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a vibrant green and blue palette and captures a scene of a field with lush fo...

Georg Baselitz (German, born 1938) Puck, 1993 Medium: Woodcut on wove paper Dimensions: 103 x 72 cm Edition of 300: Hand-signed and numbered Catalogue raisonné: WVZ 1008 Condit...

ANJA VAN HERLE – "TOO LONG THREE" (SET OF THREE) Hand-Embellished Giclée on Canvas ⚜ Hand Signed, Numbered, and Titled ⚜ Frameless Display ICONIC TRIO OF CONTEMPORARY POP PORTRAITS ...

Kenneth Noland Untitled, 1987 Monotype with hand painting on wove paper Signed and dated in pencil on the reverse, with the artist's initials blind stamped lower right Unique Frame i...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

This limited edition abstract giclee print by Sofie Swann is an edition of 95. It features thin, imperfect vertical rectangular shapes which are half white and half deep red, and are...

This unique cyanotype monotype diptych features fluid, interlocking shapes that drift across luminous fields of blue, creating a rhythmic balance between movement and stillness. Hand...

Alan Shields Untitled mixed media geometric abstraction collage, ca. 1979 Etching and aquatint in colors with collage Pencil signed and numbered 15...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

This contemporary limited edition print by Teodora Guererra features a colorful palette with white, muted orange, green, and varying blue tones layered in light, vertical strokes tog...

This abstract landscape limited edition print by Tony Iadicicco features a blue monochromatic palette. It has an abstracted landscape composition, with three stark blue horizon lines...

This abstract landscape limited edition print by Elwood Howell features a vibrant blue palette. Light green and violet accents contrast with the bright blue landscape, which creates ...

This artwork titled "Sombre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 38.5 x 28 inches, framed size is 48.25 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line in white. Beneath the line is a textured deep blue that is composed o...

A large, unique print on canvas by American Artist, Mitch Lyons (1938-2018), signed lower right. The canvas is unstretched and will be shipped rolled in a tube. Mitch Lyons earned ...

Damien Hirst - KYNANCE COVE Date of creation: 2023 Medium: Laminated Giclée print on aluminium composite panel Edition: 411 Size: 120 x 90 cm Condition: Brand new and never framed T...

This abstract contemporary limited edition print by Roger Mudre features a cool-toned palette with subtle gold accents. Concentric circles of varying sizes overlap one another to cre...

Carlos Cruz Diez Induction chromatique a double frequence Madris B 2008 Pigment chromatography on canvas Ed 2 of 8 28 x 79 in Signed on verso

In this contemporary encaustic monotype, layers of pigmented beeswax on a scroll of lightweight Japanese paper create an undulating composition suggesting layers of the earth's crust...

This unsigned and unnumbered poster is an overrun from the limited edition of 144 signed and numbered pieces created by Friedel Dzubas for the Community Holiday Festival in 1973. In ...

Artist: Joan Miro Title: Les Campagnards (The Rustics) Medium: Color lithograph on Vichy cloth mounted on paper Signed: Hand Signed Edition: 36/75 Measurements: 46.5" x 30" Fram...

This abstract limited edition print by Teodora Guererra features a warm palette, with thin layers of warm grey and burnt sienna tones layered over top of one another. White is layere...

The Free South Africa series deftly addresses the nature of South Africa's apartheid regime in Haring's unique and succinct visual language. Signed, dated, and numbered lower right e...

Proofed and editioned by Peter Kosowicz at Thumbprint Editions Ltd, London, published by Paragon Press. Edition 2/115 The large-scale pop-art 'Grey Spots' Etching with Aquatint is a...

Etching, 1976 Handsigned by the artist in pencil and numbered 16/50 Publisher : Sala Gaspar (Barcelone) Printer : Torralba, Rubi (Barcelone) Catalog : Dupin 343 105.00 cm. x 90.00 cm...

Firebird, 1971 Bridget Riley Screenprint in colours, on wove paper Signed, dated and numbered from the edition of 75 (plus 15 artist's proofs) Printed by Kelpra Studio, London Image...

This abstract limited edition print features a red and gold rectangular patterned backdrop, in front of which, green and yellow birds sitting on top of branches. The foreground and b...

Framed "Flying Colors" lithograph by Alexander Calder. Signed Calder in lower right corner. Edition 11 of 100.

Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Onion Train Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition Size: 225 Size: 42 x 29.5 inches [106.68 x 74.93 cm]

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** The artist is moving to a new full time venture in 2026 __...

The 50th Anniversary of the League of Women Voters Screenprint Poster from 1970, designed by Richard Anuszkiewicz (1930 - 2020) printed in 1969,...

Artist: Deborah Kass (American, 19452-) Title: Sense and Sensibility Year: 1987 Medium: Two Screenprints (diptych), signed and numbered in pencil...

14th New York Film Festival Allan D’Arcangelo, American (1930–1998) Date: 1976 Screenprint, signed and numbered in pencil Edition of 107/144 Size: 40 x 59 in. (101.6 x 149.86 cm)

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Artist/Designer; Manufacturer: Mel Bochner (American, 1940-2025) Marking(s); notes: signed; ed. 12/30; 2022 Materials: silkscreen on Lanaquarelle paper with diamond dust Dimensions (...

Artist: Louisa Chase, American (1951 - 2016) Title: Untitled (Spooks) Year: 1987 Medium: Lithograph, signed and numbered in pencil Edition: 30 Paper Size: 30 x 44.5 Inches (76.2 x 1...

Sam Francis, American (1923 - 1994) - Untitled (SFE-118), Year: 1993-94, Medium: Aquatint, numbered in pencil and signature embossed, Edition: 4/20, Image Size: 35.75 x 18 inch...

Artist: Michael David, American (1954 - ) Title: Red from the Being Series Year: 1991 Medium: Lithograph, signed and numbered in pencil Edition: 50 Size: 46 x 35 in. (116.84 x 88.9 cm)

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...