Small Abstract Prints

Ronald Brooks (R.B.) Kitaj BAGHDAD, 1972 Six Color Screenprint and Photoscreenprint 20 × 14 1/2 inches Pencil signed and numbered 1/125 Printed at Kelpra Studio, London Published by ...

Aquatint on watermarked paper, hand-signed and hand-numbered in pencil on lower margin by Piero Dorazio. Edition of 55 prints. Wonderful contemporary and abstract blue composition ...

This exquisite lithograph by Joan Miro (1893–1983), titled Figure noire sur fond bleu et Composition avec formules chimiques (Black Figure on Blue Background and Composition with Che...

This exquisite lithograph by Joan Miro (1893–1983), titled Empreintes de mains sur fond bleu-vert et jaune (Handprints on Blue-Green and Yellow Background), from the folio Derriere l...

Lithograph, 1974 Edition : 4/50 Publisher : XXe siècle (Paris) Printer : Mourlot (Paris) Catalog : [Prudhomme Moestrup 76, p. 105] 56.50 cm. x 45.00 cm. 22.24 in. x 17.72 in. (pape...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1984. Signed in the plate on the lower. The print suite was realized ...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Komposition V (Composition V), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edition pu...

Donald Baechler, Creamsicle, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aq...

Karl Korab Untitled Color Serigraph Year: 1977 Size: 21 x 14 in Edition: 1,500 Signed in the plate Publisher: HMK Fine Arts, New York COA provided Ref.: 924...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 309/450 Technique: Screen Print Paper: Fine Art Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered by Both ar...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism...

Artist: Alexander Calder Medium: Original lithograph Title: Damier Portfolio: Derriere le Miroir #156 Year: 1966 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17.9, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, ...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, br...

Our M.C.-2 Screen print, 1970 Signed in pencil lower right Chop stamp: Denise Rene Editeur, on lower left margin From: Album Charities Edition: 300 (35/300) Catalog raisonne states e...

Andy Goldsworthy Presentation print for Royal Mail Christmas Stamp Series, 2003 Color photogravure on handmade rag paper with deckled edges 15 × 20 1/4 inches hand signed lower right...

This exquisite lithograph by Fernand Leger (1881–1955), titled Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21-22, originates from the 1949 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1949. The composition exemplifies Leger’s distinctive modernist vision, uniting color, structure, and rhythm into a celebration of harmony between abstraction and industrial dynamism. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21-22 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1949 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 90. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, L’art abstrait, No. 21-22, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1949 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold color contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christie’s New York for Contraste de formes (1913). Fernand Leger Composition...

Abstract French etching in blues and reds, circa 1981. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. ...

This Limited Edition giclee coastal landscape print by Molly Doe Wensberg is an edition size of 195. The print features a green and light lavender palette, and captures a scene of a ...

This artwork titled "Those From Away, plate II" 1989, is an original hand colored linocut with collage on Fuji Handmade paper by noted American artist Steven Sorman, b.1948. It is ha...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled La table (The Table), from the folio Derriere le miroir, No. 65, originates from the 1954 edition published by ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

"Julio Girona (Cuba, 1914-2002) 'Anda, dime', 1999 silkscreen on paper 20.1 x 14.1 in. (50.8 x 35.6 cm.) Edition of 47 ID: GIR1066-004-047" "Julio Girona...

Lithograph, 1956 Handsigned by the artist in pencil Edition : 226/300 Publisher : Maeght (Paris) Printer : Maeght (Paris) Catalog : Maeght 1024 Vallier p.294 40.50 cm. x 56.00 cm. 1...

Artist: Jacques Villon (French, 1875-1963) Title: "Pastoral" From the suite "Les Bucoliques" Year: 1953 Medium: Color lithograph Paper: Japan nacre Image size: 8 x 19 inches Sheet size: 22.25 x 18.5 inches Signature: Hand signed in pencil by the artist Edition: From the edition of 245 Publisher: Scripta and Picta Printer: Fernand Mourlot, Paris Condition: Excellent Frame: Unframed About the artist. Jacques Villon was born Gaston Duchamp on July 31, 1875, in Damville, Normandy. His family is one of remarkable artistic repute; he and his three siblings Marcel Duchamp, Raymond Duchamp...

Paars Hart, is part of the artist's "The Curacao Pictures" Series. This one-of-a- kind, archival pigment print is printed on Hahnemuhle Photo Rag bright paper with a deckled edge. S...

Composition is a black and white etching on paper, realized by the Italian artist Cesare Peverelli (Milan, 1922 - Paris, 2000) and printed in 1973 by La Nuova Foglio, a publishing house of Macerata, as the dry-stamp reports on the lower right corner. Hand-signed and numbered in pencil and in Arabic numerals on the lower margin. From an edition of 100 prints . This is an instinctive composition showing a very rapid line and recalling the Surrealist concept of automatic writing...

Andre Masson, French (1896 - 1987) - Embleme, Year: 1942, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: 5/30, Image Size: 9.5 x 8.75 inches, Size: 18.25 ...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Lithograph on vélin paper. Paper Size: 12.5 x 20 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, ...

School of Paris Artist, Andre Minaux (Paris 1923-86) Limited Edition 20/20, printed in 7 colours on Japon paper. Sheet size 57" x 38", image size 49" x 32" Signed Bottom right in pencil, editioned in pencil bottom left With a full sheet authenticity certificate, dated 1964 This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting. The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life: 'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...

This is an original etching and drypoint realized by Joan Miró in 1975. Hand signed in pencil on the lower right and numbered on the lower left. Edition of 75 prints. It represent...

Fanciful aquatint etching of whimsical figures surrounding a tunnel backed by fiery hues of red and yellow by artist Imelda Teran, circa 1995. Signed lower right. Original artwork...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

A stunning example of the artist’s best work, Red Curve (For Joel) was created by Ellsworth Kelly in 1993 and is an original color lithograph on Arches paper...

Tom Burckhardt FILEUSE from Earth School Portfolio, 2005 Digital Print on Card Stock Pencil signed and numbered 19 on the front from the limited edition of only 25 24 × 18 inches Unf...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph VIII, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel,...

Plate No. 143 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

Plate No. 286 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

Plate No. 92 by Johanna Goodman Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation...

Caught on a Breeze #1 – Green by Charlie Davies [2021] limited_edition Soft ground etching Edition number 100 Image size: H:22 cm x W:30 cm Complete Size of Unframed Work: H:36 cm x...

Joan Miró Litografia Original VII (Abstract, Modern, Surrealism, Colorful, Iconic) Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, ...

"Vicente Rojo (Mexico, 1932-2021) 'Nubes de fuego (Libro de artista)', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 12.6 x 21.3 in. (32 x 54 cm.) Edition of 50 ID: ROJ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Original serigraph silkscreen print by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen p...

Guru Kaveri is an artwork realized by John Gilbert in 2013. Lithograph, cm 65 x 65 cm with frame. Signed, dated and numbered (copy 28/30) in pencil on the front. Stamp of the Ga...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Maravillas con variaciones acrosticas en el Jardin de Miro (Marvels with Acrostic Var...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite woodcut by Hans Jean Arp (1886–1966), titled Relief I et II (Relief I and II), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originates from the...

This exquisite lithograph by Geer van Velde (1898–1977), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 51, originates from the 1952 edition published by Maeght...

Frank Stella Raft of the Medusa, Part IV (Casino Knokke poster, Hand signed by Frank Stella), 1991 Offset lithograph (hand signed in black marker by Frank Stella) Signed in black mar...

Stephen Powers EVERYTHING IS SHIT Except You Love, 2014 Screenprint on 335 GSM Coventry Rag paper 24 × 24 inches Edition PP 3/3 Hand Signed and numbered in the artist's distinctive hand. One of only three rare Printer's Proofs Rare collectible! One of only three (3) printers proofs!! For offer here is an 11 Color lithograph on 335 GSM Coventry Rag paper featuring the incredibly popular message : "Everything is Shit Except you Love” by artist Stephen Powers, who recently exhibited at the Brooklyn Museum. The simple messaging with bold, playful lettering with purple background has resonated with so many, and the edition sold out almost immediately. This is one of only three rare Printers Proofs, aside from the regular edition, which is also long sold out. In excellent condition; never framed. Makes a terrific gift that says it all. Excellent provenance: Acquired directly from the printer. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...

Leonor Fini Duality Edited for Volume I of “The Three Wise Men” Zinc engraving on Arches, c. 1960 Edition 27 of 100 Published by Pierre and Genevieve Argillet in1960 Sheet siz...

Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...