Small Abstract Prints

Mark Ryden Dodecahedron (Hand Signed by Mark Ryden), 2015 Offset Lithograph poster (hand signed by Mark Ryden) Hand signed by artist on lower right front for the present owner. 20 × 16 inches Unframed This Mark Ryden offset lithograph poster was published on the occasion of his exhibition at the Paul Kasmin...

Artist: Alexander Calder Title: Plate 6 Portfolio: Derriere le Miroir #173 Medium: Lithograph Date: 1968 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°3 (double) Juin 1952, originates from the 19...

An original Mid Century woodblock print titled "Long Hot Summer" by American artist Toma Yovanovich. Hand signed in pencil and numbered 2 ...

Original serigraph silkscreen print by German/Canadian expressionist Yargo de Lucca (1925-2008) from the “Canada Suite” series, a hand-signed and numbered Inuit-inspired silkscreen p...

Jose Ignacio Cervantes (Mexico, 1969) 'Cirugia III', 2007 woodcut on paper Guarro Super Alpha 250g. 22.5 x 18.9 in. (57 x 48 cm.) ID: CEJ-101 Unframed

Jasper Johns Untitled 2010 Intaglio on Revere Standard White 19 x 21 1/2 inches 48 x 55 cm Edition of 50 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery...

This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...

Hewitt, Charlie. UNTITLED COMPOSITION. Woodcut, not dated, but circa 1995. Edition of 100. Signed and numbered in pencil. 16 x 20 inches. In excellent condition.

The Eye and the Beard of God by Friedensreich Hundertwasser was originally created as a painting in 1962. Hundertwasser, known for his distinct, whimsical style, often combined bold ...

This colorful lithograph is part of my private collection. It is a limited edition , 1 print available, signed and numbered 25/150. It is in very good condition. Vibrant and colorful.

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Cauchemar de l'éléphant blanc (The Nightmare of the White Elephant), from Henri Matisse, Jazz, originates from ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

Tracey Emin Me + Paul We Are the Trolls, 1995 Monoprint on paper Signed, titled and dated in graphite pencil on the front Unique Frame included: bears original label from Jay Jopling, the founder of White Cube Gallery, Emin's longtime gallery Measurements: Framed (original vintage frame included) 15.5 inches vertical by 20.5 by .75 inches Work 11.5 inches vertical by 16.5 inches horizontal Provenance: The Collection of Douglas S. Cramer, USA Hubert S. Bush Collection USA (with label) Jay Jopling, London (with label) - Jay Jopling is the legendary founder of White Cube Gallery This early (1995) monoprint is part of Tracey Emin's "troll" series, depicting her younger self and her (now estranged) twin brother Paul as children with sometimes murderous thoughts. It was acquired from the collection of Douglas Cramer, (August 22, 1931 – June 4, 2021) a top American television producer who worked for Paramount Television and Spelling Television, producing series such as Mission: Impossible, The Brady Bunch, and Dynasty - who amassed one of the most distinguished collections of contemporary art in the United States. A 2011 Daily Mail article entitled "If you Think Tracey Emin is Wild, say Hello to her Terrible Twin" describes a different monotype, also from the troll series, that Tracey gave to her brother Paul, which he promptly and publicly sold on a TV show, much to her chagrin. The article reads: "Yet there is one person central to Tracey's life who has managed to stay largely shielded from the public eye: her twin brother Paul.. He leads a life that could hardly be more different to Tracey's. She is worth millions, is a household name, owns an estate in the South of France and has A-list friends such as Kate Moss, Orlando...

Sans Titre is an original lithograph realized by the Spanish artist Antoni Tapies. Hand-signed in pencil by the artist on the lower right. Numbered in pencil on the lower left. Editi...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Bildnis eines Gelben (Portrait of a Yellow Figure), from the folio Paul Klee, 12 aquarelles (Paul Klee, Twel...

Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...

Signed lower right, "Ryonosuke Fukui" (Japanese, 1923-1986), a listed artist, and created circa 1965. An artist's proof, hand-colored etching comprising superimposed, stylized plan...

Agent X Zustrion (Abstract, Round, Disc, Circle, Warm) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper 2024 Size: 19x19in Edition: 75 Signed, dated and numbere...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Trois panneaux (noir) (Three Panels [Black]), originates from the historic 1964 folio Derriere le Miroir, No. 149. Pu...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x18.8 edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, b...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 8" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

Paul Levy (American, b. 1944) An established designer and illustrator, Paul M. Levy was born in Brooklyn, New York, in 1944. He received his B.S. in Industrial Design from the University of Cincinnati, Ohio in 1968, returning later to do independent study there. He also did independent study at Pratt Institute, Brooklyn, New York, in 1969 and received an M.F.A. in Sculpture and Printmaking from Ohio University, Athens. From 1964 through 1971 he worked for design firms in Ohio, New York and California. From 1971 through 1973 he taught at the University of Cincinnati and Ohio University, Athens. He has exhibited in galleries, museums and art groups. In 1971 he was one of a number of artists who created enormous outdoor murals in a Cincinnati project called "Urban Walls." His graphic designs and illustrations for such firms as Container Corporation of America have appeared in publications such as Fortune, Business Week...

"Homage to the Square - Portfolio 1, Folder 20, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Robert Indiana, American (1928 -2018) - The Beware Danger from the American Dream Portfolio, Year: 1963 (1997), Medium: Screenprint on wove paper (unsigned), Edition: 395, Image S...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 142, 1964. Published by Aim...

Roland Martin Abstract Geometric Composition Medium: Color Silkscreen Year: 1972 Signed, numbered and dated by hand Edition: 15 Condition: Minor Defects Size: 23.2 × 16.4 inches COA provided Roland Martin (born July 29, 1927 in Tuttlingen ) is a German sculptor . As a 16-year-old Martin was used in 1943 as a Luftwaffenhelfer, towards the end of the war he was taken prisoner. From 1946 to 1951 he studied at the Bernstein School in Glatt with Hans Ludwig Pfeiffer and Paul Kälberer In 1950 he was for a short time at the State Academy of Fine Arts Karlsruhe, Field Office Freiburg in Freiburg im Breisgau with Wilhelm Gerstel, from 1951 to 1952 he was a student of Fritz Nuss. Since 1952 Martin works as a freelance sculptor in Tuttlingen. Among his students is Jörg Bach...

This exquisite lithograph by Marc Chagall (1887–1985), titled Reve au cirque (Dream at the Circus), from the album XXe Siecle, Nouvelle serie, XXVIIIe Annee N°26, Mai 1966, originate...

"Le Lézard aux Plumes d'Or" is an original lithograph realized by Joan Miró in 1971, and part of the famous homonym series. Hand signed and numbered, it is an H.C. (out of commerce)...

This artwork titled "Centre Noeuds" plate #9, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

Alison Hildreth, American (1934 - ) - Seascape, Year: 1995, Medium: Aquatint, signed, dated and numbered in pencil, Edition: AP, Image Size: 14.5 x 21.5 inches, Size: 15.5 x 22 ...

Night Chanters, black and white framed lithograph, kachina, limited edition 100 The Gallery Wall, Inc. now doing business as Glenn Green Galleri...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Lis et glaieuls (Lilies and Gladioli), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from ...

Carborundum and intaglio. Signed and numbered from the edition of 25. Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1958. Signed o the plate on the lower. The print suite was realized i...

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Joan Miro by Jacques Prévert and Georges R...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

Kurt Schwitters 50 Collages by Schwitters, 1962 Lithograph and Silkscreen 22 × 17 inches Unframed Extremely rare and desirable lithographed exhibition poster published on the occasio...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...

Konrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Le...

Marchand des couleurs is a contemporary artwork realized in 1974 by Man Ray Mixed colored lithograph on wove paper. Printed by Atelier Desjobert, Pa...

Raul Anguiano (Mexico, 1915-2006) 'Ninfa y fauno', 2003 sugarlift on paper 19.3 x 15 in. (49 x 38 cm.) ID: ANG-107 Hand-signed by author

Jack Zajac, American, born 1929 1964 Etching and aquatint hand printed on Fabriano paper, pencil signed and editioned. Edition Roman Numeral III Image: 12 9/16 x 8 5/8 in. (31.9 x 2...

(NOTE: I apologize for the reflections in these photos; the piece has a custom lucite frame, very solid and sealed in back, and I didn't want to take the frame apart to shoot the pie...

Joan MIRO (after) Family with a Star Lithograph Printed signature in the plate On heavy paper 60 x 45 cm (c. 24 x 18 in) Edited by galerie Maeght Excellent condition

Fine Art Print, belongs to a collection "STRIPES". Limited edition of 10.

This exquisite four color process archival pigment print after George Condo (born 1957), titled Parallel Figures, from the folio George Condo, Drawing Paintings, originates from the ...

" Zodiaque " is an etching realized by Max Ernst in 1971. This print is hand signed and numbered. This is an edition of 100 prints. Reference: Catalogue Spies n. 144. Originally a ...

Original aquatint etching “Untitled” by the Germans artist, Ferdinand Springer. Signed in lower right margin in pencil by the artist and dated 1951. Condition is excellent. Edition size in pencil in lower left margin 98/200. Sheet size (full) is 115 by 22.75. Image size is 9.75 by 18.75. The artwork is housed in a thin antique silver contemporary frame. Overall framed measurements are 19.5 by 27 inches. Under glass. Provenance: A St. Petersburg, Florida collector. Ferdinand Springer, painter and printmaker, was born to a German father and a Swiss mother in Berlin on October 1, 1907. After graduating from high school in Potsdam, he studied art history at the University of Zurich. He began painting in 1927 and visited Milan where he met the Italian painters Giorgio Morandi and Carlo Carrà. Springer moved to Paris in 1928 where he studied with Roger Bissière at the Académie Ranson. In 1932, he learned intaglio techniques at Atelier 17 in Paris and, in 1937, he traveled to New York where he exhibited at the Julian Levy Gallery. During this time he met Alexander Calder and Salvatore Dali...

Blue Ruthms (Agerup 188) after the 1966 painting, Peinture. Etching with aquatint, 1968 Signed, dated and numbered in pencil (see photos) Edition: 95 (74/95) Plate: 17 1/2 x 21 1/2" ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 85-86, 1956. Published by A...

Galloping Horse is an artwork realized by  Jean-Marie Guiny, 2000s.  Etching, Edition 145/160. 40 x 50 cm ; with frame.  Hand signed in the lower right part. Good condtions! J...

Le Lézard aux Plumes d'Or, Plate X is a beautiful color lithograph on Japanese paper, realized in 1971 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983)...

Avraham Inlender Untitled Composition (Geometric Abstraction, Fractal) Color silkscreen Year: 1981 Signed, dated, numbered or inscribed Edition: 29 Size: 16.6 × 16.8 on 23.4 × 23.4 i...

ABOUT THIS PIECE: Inspired by the warm light, open vistas, and saturated colors of her birthplace (Southern California), Julianna Goodman’s collages often distill memories of nature ...

This abstract, limited edition print by Elwood Howell features a predominantly green palette, with a muted yellow area at the top of the composition. Subtle circle shapes and long ve...