Aquatint Abstract Prints

Created by Al Held in 1988, Almost There is an aquatint with hard-ground etching on Somerset paper. Hand-signed, dated, and numbered from the edition of 60 in pencil on the verso, th...

This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...

Karl Kasten, American (1916 - 2010) - Money Tree, Year: 1967, Medium: Etching and Aquatint on Rives, signed, titled, numbered and dated in pencil, Edition: 7/20, Image Size: 15.7...

Signed and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. He has decided against...

Conrad Marca-Relli - Composition XIV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition number: 51/75 Size: 56 x 76 cm Condition: In very good conditions and...

Proofed and editioned by Peter Kosowicz at Thumbprint Editions Ltd, London, published by Paragon Press. Edition 2/115 The large-scale pop-art 'Grey Spots' Etching with Aquatint is a...

Akio Wakasa Miyakawa - Primitive Lineage, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 11.75 x 19.5 inches, Size: 15 x ...

ONE WEEK ONLY SALE AT 40% "Untitled III" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 25-3/4 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 20 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen...

Large, scarce limited edition color aquatint by Alexander Calder, from a limited edition of 90. Signed by Calder and numbered in pencil. Printed and published by 2RC Edizioni d'Art...

Antoni Tàpies is considered one of the most significant Spanish artists of the 20th century and a leading exponent of European informal art. His work combines matter, signs and symbo...

Signed, titled and numbered by the artist. Image size: 4.75 x 4.5 inches Medium: aquatint and drypoint Year: 2014 Edition size: 50 Abstract image invoking scenery of the Mediterrane...

Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 27/75 Publisher : Maeght Editeur, Paris Printer : Crommelynck et Dutrou, Paris Catalog : [Dupin 159, p. 130...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Red Earth Year: circa 1979 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: ...

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

Sam Francis, American (1923 - 1994) - Untitled (SFE-118), Year: 1993-94, Medium: Aquatint, numbered in pencil and signature embossed, Edition: 4/20, Image Size: 35.75 x 18 inch...

Artist: Gilou Brillant Title: Untitled 2 Year: 1974 Medium: Aquatint Etching, signed in pencil Size: 30 x 22 in. (76.2 x 55.88 cm)

Aquatint, 1953 Handsigned by the artist in pencil and numbered VI/XV Printer : Fiorini 65.50 cm. x 50.00 cm. 25.79 in. x 19.69 in. (paper) 43.00 cm. x 33.50 cm. 16.93 in. x 13.19...

Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower right, edition EA (épreuve d'ar...

This original etching and aquatint in colours is hand signed in pencil by the artist "Zao Wou-Ki" in Chinese and Pinyin at the lower right margin. It is hand numbered in pencil from ...

Conrad Marca Relli - Composition X Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Amsterdam VIII is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is...

Artist: Will Mentor, American (1958 - ) Title: Cubist Composition Year: 1990 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 13/75 Paper Size: 33.5 x 24 in. (8...

Artist: Terry Winters, American (1949 - ) Title: untitled 6 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

Frank Stella challenges the narrative possibilities of abstraction in this tribute to the literary work “Moby-Dick”. Rather than plainly depicting scenes of the novel, Stella instead...

Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed. Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186. Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...

Oval is a color etching and aquatint on paper, realized in 1987 by the Italian graphic master Piero Dorazio (Rome, 1927 - Perugia, 2005). Signed and dated in pencil " Piero Dorazio ...

Juggler 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint depicting a juggler. Edition of 100 copies. On the back oh the artwork there ...

"Untitled II" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 26 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 28 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen, Claude Simard...

Jean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...

Artist: Jacqueline Debutler, French (1928 - ) Title: untitled Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition...

Artist: Harry Hoehn, American (1917 - 1974) Title: Untitled Year: circa 1963 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 18/50 Image Size: 17.5 x 23 inches ...

"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Abstract Composition is an original etching and aquatint realized in the 1960s Century by Marcel Fiorini (1922-2008). Good Conditions. Edition of 36/100. The artwork is depicted th...

Etching and aquatint, 1965 Handsigned by the artist in pencil and numbered 23/50 Publisher : Galerie Louise Leiris, Paris Printer : Crommelynck Catalog : [Baer n°1179 Bb1 T. V p. 201...

Robert Savoie, Canadian (1939 - ) - Movement, Year: 1978, Medium: Etching and Aquatint on Arches, signed, dated and numbered in pencil, Edition: 15/50, Image Size: 22 x 27.5 inches, ...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 33/75 Publisher : Las estampas de la cometa (Gustavo Gili), Barcelone Printer : Ed...

Artist: Gloria Garfinkle, American (1929 - ) Title: Ginza 3 Year: 1993 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 11/20 Ima...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

20JU3G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 19. Image size: 69.3 x 49.6 cm / 27.3 x 19.5 in Paper size: 88 x 67.2 cm / 34.6 x 26.5 in Clément'...

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

Meduse Etching and aquatint printed in colors, 1958 Signed, titled, numbered and dated in pencil (see photos) Edition: 50 (25/50) Etching and aquatint printed in colors ...

Pierre Soulages Eau Forte XVIII, 1962 Edition number: 69/100 Etching and aquatint in colors, signed in pencil by the artist. 1 Plate on Velin d'Arches paper Printed by Lacouriere, Pa...

Donald Baechler, Blue Muffin, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and a...

Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour. Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour. They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre. Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan. Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin. Select Group Exhibits 1951 New Editions Group,Auckland,New Zealand 1952-54,78 Redfern Gallery, London 80,83,84,86 1956 Nutida Engelsk Grofik, Stockholm 1957 National Arts Council of Southern Rhodesia 'Looking at People', South London Art gallery 1959 Tel Aviv Museum, Israel Arte Britonico Maderno Figurotiro, Galeria,Buchloz, Bogota The London Group 1960 Graven Image, Whitechopel Gallery, London Sixteen Pointers, A I.A. Gallery, London 1961 Museo de Arte, Barcelona Senfelder Group, Arts Council, London 1962 Towards Art Gulbenkian,R.C.A .London Contemporary British Pointers, Birmingham 1964-66 Curwen Gallery 1966 Crabowski Gallery, London 1967 A.A.A. Gallery, New York Schuman Gallery, New York 1968 Camden Arts Centre, London 1969 Pratt Centre, New York Art for lndustry, Arts Council, London 1970 University of South Florida, Miami 1971 Portland Museum,Oregon 1972 Art Gallery of Ontario, Toronto, Canada 1976 R.C.A.Printmakers,Waddington Gallery,London 1988 'Exhibition Road',R.C.A,London 1989 Berkeley Square Gallery, London 1989,90 Austin Desmond Gallery, london 1990 Scottish Gallery, London 1991 Big Little Picture-Show,W.Jackson,London 1992 'Winter Seen III',W.Jackson Gallery,London 1993 1 st Egyptian Print Triennale, Giza, Egypt 1994 Art '94, london, with Art First La Galerie du Touquet (with Alain Morcot) 1995 Art...

Conrad Marca-Relli - COMPOSITION IV Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Observations: Etching and aquatint on G...

Johnny Friedlaender (Polish/French, 1912-1992), "Signe Des Temps" [Sign of the Times], Etching and Aquatint in Colors on Paper, circa 1972, numbered edition "40/95" lower left, signe...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...

Aquatinte on BFK Rives paper - Unframed. Clément's work fluctuates between painting and sculpture, a back and forth that both results from, and contributes to, an ongoing exchange o...

A very good impression of this color aquatint and etching. Artist's proof, aside from the edition of 75. Signed and inscribed "PA" in pencil. Printed by Labryrinth, Florence. Publish...

Hand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...

This one is a dark burgundy or purple color. Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London Studies with Anthony...

Max Papart (1911-1994) "The Blue Rider" Original Etching with Aquatint, circa 1973 This is a rare artist proof. The artist proof is pencil signed and titled by the artist. The regu...

Etching and aquatint, 1958 Handsigned by the artist in pencil and numbered 6/20 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 13.00 cm. x 9.50 cm. 5.12 in. x 3.74 in. (image) Frontispiece for Louis Aragon...

Artist: Terry Winters, American (1949 - ) Title: untitled 1 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

Artist: Terry Winters, American (1949 - ) Title: untitled 5 from Album Year: 1988 Medium: Etching with Aquatint, signed and numbered in pencil Edition: HC 2/2 Image: 20 x 16 inches S...

Artist: Barbara Kwasniewska, Polish (1931 - ) Title: Oiseau Moqueur Year: 1973 Medium: Aquatint Etching, signed and numbered in ink Edition: 75, EA Size: 34.5 in. x 29.5 in. (87.63 c...

This original etching and aquatint in colours is hand signed in pencil by the artist "Miró" at the lower right margin. It is also hand numbered in pencil 5 from the edition of 30, a...

Aquatint and etching on paper. Hand signed lower right by Roberto Matta. Hand numbered 90/100 lower left. Image size: 14.1 x 18.6 inches. Sheet size: 26 x 19.6 inches. Frame siz...