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Period: 1930s
Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
Located in Southampton, NY
Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...
Category

Modern 1930s Abstract Prints

Materials

Lithograph

Max Bill, Variation 13, from XXe siecle, 1938
Located in Southampton, NY
This exquisite lithograph by Max Bill (1908–1994), titled Variation 13, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du n...
Category

Constructivist 1930s Abstract Prints

Materials

Lithograph

Art Deco Lithograph Poster "Antwerp" World Port- Art City by Jozef Winters
Located in New York, NY
This iconic Art Deco lithograph poster designed by Belgian artist Jozef Winters proudly promotes Antwerp as both a thriving world port and a celebrated art city. Crafted circa 1930, ...
Category

Art Deco 1930s Abstract Prints

Materials

Lithograph

Constructivist Abstraction — Precisionism / Spatial Illusionism
By Paul Kelpe
Located in Myrtle Beach, SC
Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...
Category

Abstract Geometric 1930s Abstract Prints

Materials

Lithograph

Ray Kaiser, (Abstracted Seated Woman)
Located in New York, NY
This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. The Whitney Museum of American Art has a set. The dimensions, 12 x 9 1/4 inches, are for the sheet; this work signed and dated in the plate. Ray Kaiser...
Category

Abstract 1930s Abstract Prints

Materials

Lithograph

Sonia Delaunay, Plate No. 22, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 22 (Plate No. 22), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

DECORATION - Rare - 1 of only 4 signed Impressions
Located in Santa Monica, CA
PAUL LANDACRE (1893 – 1963) DECORATION (Design for Green Mansions) 1932-3 (Wien 125), Wood engraving. RARE. Only four titled and signed impressions, ...
Category

Abstract 1930s Abstract Prints

Materials

Woodcut

Francisco Bores, The Earth, from Verve, Revue Artistique, 1937
Located in Southampton, NY
This exquisite lithograph by Francisco Bores (1898–1972), titled La terre (The Earth), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue publi...
Category

Surrealist 1930s Abstract Prints

Materials

Lithograph

Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
Located in Southampton, NY
Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...
Category

Modern 1930s Abstract Prints

Materials

Lithograph

Wassily Kandinsky, Oriental, from XXe siecle, 1938
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Orientalisches (Oriental), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Laz...
Category

Modern 1930s Abstract Prints

Materials

Woodcut

French Modern Art by Henri Matisse - Les Fauves
Located in Paris, IDF
Les Fauves by Henri Matisse (1869-1954), hand-signed book cover lithography printed in Switzerland, 32 x 51 x 0,2 cm - 12,5 x 20 x 0,07 in, printed by Mourlot Editions Henri Matisse...
Category

Fauvist 1930s Abstract Prints

Materials

Cardboard, Lithograph

Sonia Delaunay, Plate No. 28, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 28 (Plate No. 28), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Le Cerf et la Vigne - Original Etching by M. Chagall - 1930
Located in Roma, IT
Not Signed. From the series "Les Fables de La Fontaine". Catalogue Sorlier No 154. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over ...
Category

Surrealist 1930s Abstract Prints

Materials

Etching

Fernand Leger, Water, from Verve, Revue Artistique, 1937
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1937. This vibrant composition embodies Leger’s fascination with the elemental forces of nature reinterpreted through the lens of modernity. L’Eau reflects his ongoing exploration of the harmony between mechanical precision and organic movement, transforming the natural motif of flowing water into an abstract symphony of curves, color, and rhythm. Through its interplay of form and line, the work reveals Leger’s mastery of balance and visual dynamism—an artistic celebration of motion and modern life. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the leading modern artists of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, 1937 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1937 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 1, published by Editions de la revue Verve, Paris, 1937 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Designed as a meeting point of art, poetry, and philosophy, Verve united the era’s greatest modern artists—including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger—with leading intellectuals such as Paul Eluard and Albert Camus. Printed by the master lithographers Mourlot Freres, each issue was a masterpiece of craftsmanship, presenting original lithographs alongside literary works in a richly designed format. The inaugural issue, Vol. I, No. 1, published in 1937, marked a defining moment in the history of modern art publishing—introducing the vision of Verve as a beacon of artistic collaboration and aesthetic excellence that would shape the visual culture of the 20th century. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger L’Eau, Leger Verve, Leger Mourlot...
Category

Cubist 1930s Abstract Prints

Materials

Lithograph

Louis SCHANKER “Jai Alai”
Located in San Francisco, CA
Louis Schanker : 1903-1981. Well, listed American abstract artist. He was well exhibited and is in the permanent collections of many important museums. This fabulous piece is a color...
Category

Abstract 1930s Abstract Prints

Materials

Woodcut

Segments — 1930s Geometric Abstraction
Located in Myrtle Beach, SC
Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...
Category

Abstract Geometric 1930s Abstract Prints

Materials

Linocut

Byron Browne, (Abstraction)
Located in New York, NY
This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as ...
Category

Abstract 1930s Abstract Prints

Materials

Lithograph

ORBITS - Large Hoeckner lithograph
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...
Category

Surrealist 1930s Abstract Prints

Materials

Lithograph

Série Noire et Rouge
Located in Palm Beach, FL
Hand-signed and numbered in pencil, 14/30. Engraved at Marcoussus' studio and printed by Lacouriere, Paris. Co-published by Pierre Loeb, Paris and Pierre Matisse, New York. Literatu...
Category

Modern 1930s Abstract Prints

Materials

Etching

Gino Severini, Futurist Engraving, from XXe siecle, 1939
Located in Southampton, NY
This exquisite linocut by Gino Severini (1883–1966), titled Gravure futuriste (Futurist Engraving), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. d...
Category

Futurist 1930s Abstract Prints

Materials

Linocut

Andre Masson, The Moon, from Verve, Revue Artistique et Litteraire, 1938
Located in Southampton, NY
This exquisite lithograph by Andre Masson (1896–1987), titled La Lune (The Moon), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from the 1938 issue published ...
Category

Modern 1930s Abstract Prints

Materials

Lithograph

John Joseph Wardell Power, The Calculating Man, from XXe siecle, 1939
Located in Southampton, NY
This exquisite linocut by John Joseph Wardell Power (1881–1943), titled L'homme calculateur (The Calculating Man), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e),...
Category

Modern 1930s Abstract Prints

Materials

Engraving

Alberto Magnelli, Composition 66, from XXe siecle, 1938
Located in Southampton, NY
This exquisite linocut by Alberto Magnelli (1888–1971), titled Composition 66, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommai...
Category

Modern 1930s Abstract Prints

Materials

Linocut

Henri Matisse, Fruits, from Verve, Revue Artistique, 1938 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Fruits, from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from the 1938 issue published by Edi...
Category

Fauvist 1930s Abstract Prints

Materials

Lithograph

Jean Helion, Untitled, from XXe siecle, 1938
Located in Southampton, NY
This exquisite linocut by Jean Helion (1904–1987), titled Sans titre (Untitled), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Somm...
Category

Modern 1930s Abstract Prints

Materials

Linocut

Giorgio de Chirico, Mysterious Cabin, from XXe siecle, 1938
Located in Southampton, NY
This exquisite linocut by Giorgio de Chirico (1888–1978), titled Cabina Misteriosa (Mysterious Cabin), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G...
Category

Modern 1930s Abstract Prints

Materials

Linocut

Wassily Kandinsky, Rider’s Path, from XXe siecle, 1938
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Reiterweg (Rider’s Path), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazz...
Category

Modern 1930s Abstract Prints

Materials

Woodcut

Ossip Zadkine, The Three Graces, from XXe siecle, 1938
Located in Southampton, NY
This exquisite linocut by Ossip Zadkine (1890–1967), titled Les trois graces (The Three Graces), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di S...
Category

Fauvist 1930s Abstract Prints

Materials

Linocut

Giorgio de Chirico, Mysterious Cabin, from XXe siecle, 1938
Located in Southampton, NY
This exquisite linocut by Giorgio de Chirico (1888–1978), titled Cabina Misteriosa (Mysterious Cabin), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G...
Category

Modern 1930s Abstract Prints

Materials

Linocut

Torero — rare, early modernist engraving – Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Torero', engraving, 1932, edition 30, only 16 known impressions, trial proof, Black & Moorhead 71. Signed, titled, dated, and inscribed 'Essai' (test) in pencil. A superb impression with rich burr, on heavy BFK Rives cream, wove paper; full margins (2 1/4 to 6 1/4 inches). A short repaired tear (3/8 inch) in the left-center sheet edge, well away from the image; otherwise, in excellent condition. Scarce. Image size 10 9/16 x 7 5/8 inches; sheet size 15 1/2 x 11 1/2 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...
Category

Modern 1930s Abstract Prints

Materials

Engraving

Pointed Shapes and Black Half Moon
Located in Myrtle Beach, SC
Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...
Category

Bauhaus 1930s Abstract Prints

Materials

Etching

La Baie de Trépassés
Located in New York, NY
An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...
Category

Expressionist 1930s Abstract Prints

Materials

Color, Aquatint

Small Forms On Crossing Bands
Located in Myrtle Beach, SC
Werner Drewes, 'Small Forms on Crossing Bands', drypoint and roulette, 1935, edition 20, Rose 1.197. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper...
Category

Bauhaus 1930s Abstract Prints

Materials

Drypoint

Henri Matisse, The Hand and the Paintbrush, from Verve, Revue, 1938 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled La Main et le pinceau (The Hand and the Paintbrush), from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, or...
Category

Fauvist 1930s Abstract Prints

Materials

Lithograph

Andre Masson, The Sun, from Verve, Revue Artistique et Litteraire, 1938
Located in Southampton, NY
This exquisite lithograph by Andre Masson (1896–1987), titled Le Soleil (The Sun), from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from the 1938 issue published...
Category

Modern 1930s Abstract Prints

Materials

Lithograph

Abraham Rattner, Autumn, from Verve, Revue Artistique et Litteraire, 1938
Located in Southampton, NY
This exquisite lithograph by Abraham Rattner (1895–1978), titled L'automne (Autumn), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue publish...
Category

Surrealist 1930s Abstract Prints

Materials

Lithograph

Carolyn McArthur, (New York City Park)
Located in New York, NY
This is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...
Category

American Modern 1930s Abstract Prints

Materials

Intaglio

Deux vieux au bord de la mer avec une pelle et une barque (B. 267-272; C. 24)
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

Cubist 1930s Abstract Prints

Materials

Etching

Sonia Delaunay, Plate No. 5, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 5 (Plate No. 5), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 30, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 30 (Plate No. 30), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 40, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 40 (Plate No. 40), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Rue Caulaincourt
Located in Fairlawn, OH
Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate 10 from "Plaches de Salut" Published by Aux Editions Jeanne Bucher, Paris Rue Caulai...
Category

Cubist 1930s Abstract Prints

Materials

Engraving, Etching

Sonia Delaunay, Plate No. 29, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 29 (Plate No. 29), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 8 (Plate No. 8), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Boy with Red Sun - Original linocut - 1938
Located in Paris, IDF
Joan MIRO Boy with Red Sun Original linocut Printed signature in the plate Published in 1938 by San Lazzaro for XXe Siecle On wove paper 32 x 25 cm (c. 13 x 10 in) References : Dut...
Category

Surrealist 1930s Abstract Prints

Materials

Linocut

Sonia Delaunay, Plate No. 20, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 20 (Plate No. 20), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 36, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 36 (Plate No. 36), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Ibram Lassaw, (Abstraction)
Located in New York, NY
This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as this one is. As a group they explored abstraction in the 1930s, while maintaining their individual styles. The plan was to make an edition of 500 portfolios although it seems highly unlikely that this was accomplished. Ibram Lassaw (1913-2003) was primarily known for his sculpture. Born in Egypt to a Russian family...
Category

Abstract 1930s Abstract Prints

Materials

Lithograph

Sonia Delaunay, Plate No. 4, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 4 (Plate No. 4), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 26, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 26 (Plate No. 26), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Beckmann, Composition (Hofmaier 323-329), Der Mensch ist kein Haustier (after)
Located in Southampton, NY
Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...
Category

Modern 1930s Abstract Prints

Materials

Lithograph

Sonia Delaunay, Plate No. 33, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 33 (Plate No. 33), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 10, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 10 (Plate No. 10), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 15, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 15 (Plate No. 15), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 7, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 7 (Plate No. 7), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositions...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 11, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 11 (Plate No. 11), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 21, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 21 (Plate No. 21), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 19, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 19 (Plate No. 19), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Sonia Delaunay, Plate No. 24, from Compositions, Colors, Ideas, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 24 (Plate No. 24), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...
Category

Modern 1930s Abstract Prints

Materials

Stencil

Harry Bowden, (Seated Figure)
Located in New York, NY
This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...
Category

Abstract 1930s Abstract Prints

Materials

Lithograph

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