1960s Abstract Prints

This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...

This exquisite lithograph by Joan Miro (1893–1983), titled Frontispice (Frontispiece), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published by M...

This exquisite heliogravure after Andre Lanskoy (1902–1976), titled Les peches des autres (The Sins of Others), from the folio Andre Lanskoy, Peintres d'aujourd'hui (Andre Lanskoy, P...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages II (Figures II), from the album Miro, Cartones 1959–1965 (Miro, Cardboards 1959–1965), originate...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Decouverte (Discovery), from the folio Derriere le miroir, No. 154, originates from the 1965 edition published b...

This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Jardin (Garden), from the folio Vieira da Silva, Peintres d'aujourd'hui (Vieira da Silva, Painters ...

Mario Yrisarry Stern - 1967 Print 29½" x 23½" inches Edition: signed and numbered in pencil 3/100 Biography Birth place: Manila, Philippines Addresses: NYC Profession: Painter ...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Untitled, from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bird, The Moon ...

This exquisite lithograph by Richard Florsheim (1916–1979), titled La Seine a Paris (The Seine in Paris), from the album Prints from the Mourlot Press, exhibition sponsored by the Fr...

This exquisite lithograph after Georges Braque (1882–1963), titled Marine a la Mouette (Seascape with Seagull), originates from the 1968 folio Varengeville, published by Maeght Edite...

Plate I, Le Cocu Magnifique Etching, 1968 From: Le Cocu Magnifique Unsigned as issued in the portfolio The set of 12 etching & aquatints is signed by Picasso on the justification pa...

This exquisite lithograph by Alexander Calder (1898–1976), titled Chasse neige (Snow Plow), originates from the historic 1963 folio Derriere le Miroir, No. 141. Published by Maeght E...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition sur fond gris (Composition on Grey Background), from the folio Derriere le miroir, No. 151–152, originates from the 1965 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1965. This evocative composition demonstrates Miro’s mastery of balance and spontaneity, where abstract forms dance across a muted field of grey, creating a poetic interplay between movement, color, and space. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition sur fond gris (Composition on Grey Background), from the folio Derriere le miroir, No. 151–152 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Unsigned and unnumbered as issued Date: 1965 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 102; Mourlot, Fernand, and Joan Miro. Miro Lithographe III: 1964–1969. Andre Sauret, Paris, 1977, nos. 428–449. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 151–152, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1965 Notes: This issue of "Behind the Mirror," for which Joan Miro executed 26 plates of original lithographs, includes a luxury edition printed on Rives velin and limited to CL examples, numbered and signed by the artist. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro Composition...

Myril Adler "Shifting" c.1960s Intaglio etching collage, ink on paper 5.25"x2.5" unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (no...

Sam Francis (1923-1994) is one of the most distinctive and collected 20th-century abstract artists. Francis began painting while recuperating after a plane crash whilst serving in ...

This exquisite heliogravure after Pierre Soulages (1919–2022), titled Planche No. 9 (Plate No. 9), from the folio Pierre Soulages, Peintres d'aujourd'hui (Pierre Soulages, Painters o...

This exquisite heliogravure after Mark Tobey (1890–1976), titled Le mur vivant (The Living Wall), from the folio Mark Tobey, Peintres d'aujourd'hui (Mark Tobey, Painters of Today), o...

This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...

Richard Haizmann Christus, 1961 Woodcut Year: 1987 (printed) Size: 33.66 x 24.01 inches (85.5 × 61 cm) Stamped verso by the Estate, signed "Dr. Wolfgang Wesiack" COA provided *Will ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 16" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...

This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...

This exquisite lithograph by Bernard Cathelin (1919–2004), titled Mexique (Mexico), from the album Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulat...

This exquisite lithograph by Andre Masson (1896–1987), titled Le Labyrinthe (The Labyrinth), from the album XXe Siecle, Nouvelle serie, XXXIe Annee No. 32, Juin 1969, originates from...

Original American Airlines Hawaii Vintage Poster - Authentic 1960s Travel Memorabilia. Archival linen backed in very good condition, A-. N...

Jo Delahaut Schaerbeek 1911 - 1992 ohne Titel, 1969 Siebdruck Rückseitig signiert, datiert und limitiert: 54/200 Blattgröße: 18 x 18 cm

Ernst Wilhelm Nay Berlin 1902 - 1968 Cologne Untitled, 1966 Original aquatint etching Printed by George Visat, Paris Sheet size: 34.3 x 28.5 cm Printed as a New Year's greeting by ...

This exquisite lithograph after Georges Braque (1882–1963), titled Les barques bleues (The Blue Boats), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pari...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Astre Patagon (The Patagonian Star), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. L'Astre Patagon embodies Miro's signature dreamlike abstraction—an interplay of cosmic forms, floating symbols, and lyrical color. This composition radiates the artist’s boundless imagination and his poetic dialogue between the material and the celestial. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Unsigned and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, capturing Miro’s visual rhythm and surreal energy in a strikingly balanced composition. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'Astre Patagon (The Patagonian Star), from Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), 1960 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Date: 1960 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 62. Miro, Joan. Joan Miro, Lithographe / II, 1953–1963. Preface by Raymond Queneau. Maeght, 1975, illustration 265 Condition: Well preserved, consistent with age and medium Provenance: From the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets, Painters, Sculptors), published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary—birds, stars, and bold spectral forms emerging from flat planes of color—that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately $37.06 million USD, achieved in June 2012 at Sotheby’s London for Peinture (Etoile Bleue) (1927). Joan Miro L'Astre Patagon, Miro Derriere le Miroir, Miro Maeght Editeur Paris, Miro Mourlot Freres, Miro 1960...

Medium: original serigraph. Signed and numbered in pencil 82/150. Executed in 1965 for the Paris Review (catalogue reference: Burchfield 2). The image size is 29 x 25 inches and the ...

Joan MIRO Discussion in the Night, King Ubu, 1966 Original lithograph (Atelier Mourlot, Paris) Unsigned Numbered / 75 copies On Arches vellum 54 x 75 cm (c. 21.2 x 29.5 in) REFEREN...

Deborah Remington – Lithograph, 1968, Untitled Artist: Deborah Remington, American (1930-2010) Title: Untitled Date: 1968 Medium: Color Lithograph Image and Sheet Size: 28 x 21 inch...

This exquisite lithograph by Cesar Baldaccini (1921–1998), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, N° 16, Mai 1961, originates from the ...

This exquisite lithograph after Georges Braque (1882–1963), titled La plage de Varengeville (The Beach at Varengeville), originates from the 1968 folio Varengeville, published by Mae...

Antoni tàpies, 1968 "Marron diagonal" lithography Signed and numbered by hand print run of 75 copies Catalogue Raisonné Tàpies Vol.I - Galfetti nº156

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Liseuse (Reader), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Today), orig...

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage aux coquelicots (Landscape with Poppies), originates from the 1968 folio Varengeville, published by Maeght ...

Myril Adler Abstract in Blue and Orange c.1960s Mixed Media 5"x2.5" unframed Signed in pencil Myril Adler, was born on September 22, 1920 in Vitebsk, Russ...

Klaus Basset Reihenbilder Spieltafeln Offset Lithograph 1967 23.62 x 16.53 inches (60 x 42 cm) Unsigned as issued COA provided *Condition: Creasing along the edges. Folded. Otherwis...

Horse and Rider is an original etching contemporary artwork realized by Marino Marini in 1963. Good conditions. Edition of 100 copies. Not signed, as issued. The artwork is depict...

101.6 x 71.1 cms (40 x 28 ins) Edition of 40 Signed lower left; numbered lower centre, printer's chop lower right. Publisher: Hollander's Workshop, New ...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau VI/X (Woman and Bird VI/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition pu...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif XII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 c...

Lithograph, 1967 Handsigned by the artist in pencil and dedicated “To Jacqueline Selz, with all my friendship!” and adorned with a pencil drawing. Edition : 100 ex. 74.50 cm. x 51.50...

Covr for derrière Le Miroir is a Lithograph realized in 1963 by Joan Mirò (1893-1983). Published on "Derrière Le Miroir, no. 139-140. The description on the rear. Good conditions...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...

An abstract geometric screenprint by Omar Rayo from 1966. Artist: Omar Rayo, Colombian (1928 - 2010) Title: Clandestine Game Year: 1966 Medium: Screenprint, signed and numbered in ...

André MARCHAND (1907-1997) Sunset, 1965 Original lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) INFORMATION : Lithograph crea...

Lithograph and collage on paper BFK Rives, 1967 Edition : 782/999 90.00 cm. x 69.00 cm. 35.43 in. x 27.17 in. (paper) 80.00 cm. x 65.00 cm. 31.5 in. x 25.59 in. (image) Handsigne...

Etching and aquatint, 1963 Edition : 53/130 Publisher : A.C. Mazo, Paris Printer : Imprimeur Atelier Crommelynck, Paris 45.00 cm. x 56.50 cm. 17.72 in. x 22.24 in. (paper) 31.70 cm....

This exquisite lithograph after Georges Braque (1882–1963), titled Paysage (Landscape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

Lithograph, 1962 Edition : 125 ex. Publisher : André Sauret (Monte-Carlo) Printer : Mourlot (Paris) Catalog : [Vallier 188, p. 284] 33.00 cm. x 52.00 cm. 12.99 in. x 20.47 in. (pape...

This exquisite heliogravure after Maurice Esteve (1904–2001), titled Le Faucheur (The Reaper), from the folio Maurice Esteve, Peintres d'aujourd'hui (Maurice Esteve, Painters of Toda...

This exquisite lithograph by Roger Bissiere (1886–1964), titled Derniere fleur (Last Flower), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges...

Klaus Bendixen Untitled Geometric Abstraction Color Silkscreen Year: 1965 Signed and numbered by hand Edition: 100 Size: 10.4 × 8.2 inches COA provided Ref.: 924802-784 Klaus Bendi...

Haku Maki: 1924-2000. Well, listed Japanese artist most notable for these incredible embossed woodcuts. They are titled after a series of poems. this one is titled Poem-12. It measur...

This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...