1960s Abstract Prints

Artist: Frank Roth, American (1936 - ) Title: Abstract Composition I Year: circa 1968 Medium: Screenprint, signed, titled and numbered in pencil Edition: 200 Image Size: 33.25 x 33 i...

This original lithograph of an abstract depiction of Van Gogh by Jose Luis Cuevas was printed at the Atelier Mourlot in 1968 and is dated in the plate on the bottom right of the image. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot. Stored in a clear protective sleeve accompanying your piece, this certificate guarantees the origin and authenticity of your personal lithograph. About the Artist: José Luis Cuevas is a Mexican artist who worked primarily with etchings, illustrations, sculptures, and paintings, though he is perhaps best known for his drawings. According to Cuevas, “perhaps because I was born in a paper mill and pencil factory, paper has always had a great fascination for me.” He briefly attended the eminent Mexican institution Escuela de Pintura, however Cuevas considers himself a self-taught draughtsman in search of an alternative to the Mexican Muralists and their social messages. For Cuevas, his drawings represent the isolation of man and an inability to communicate, many of his drawings featuring distorted human figures and figures transformed into animals. His work was inspired by the graphic styles of Francisco de Goya, Pablo Picasso, and José Guadalupe Posada...

This exquisite lithograph by Bernard Buffet (1928–1999), titled La route du village (The Village Road), originates from the 1967 album Bernard Buffet, Lithographs 1952-1966, publishe...

Antoni Tàpies Lithograph 1967 from Derriere Le Miroir: Lithograph in colors; 1967. 11 x 15 inches. Very good overall vintage condition. Unsigned from an...

Concordancia is a beautiful lithograph realized by Eduardo Chillida in 1960. Lithograph on vellum BFK Rives. Editions Maeght, Paris. Hand-signed and numbered by the artist on the l...

This exquisite lithograph after Andre Derain (1880–1954), titled Route de Village (Village Road), from the folio Les Peintres mes amis (The Painters My Friends), originates from the ...

R.B. Kitaj POGANY, 1966 17 colour Screenprint and Photo-screenprint 24 × 36 inches Pencil signed and numbered from the Limited Edition of 70 Hand-signed by artist, Signed & numbered ...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Road Sign by Alexander Liberman, Ukranian/American (1912–1999) Date: 1969 Screenprint on Rives, signed, numbered and dated in pencil Edition: AP Size: 32.5 x 22.75 in. (82.55 x 57.79...

Alan Shields Lonely Night, 1969 Screenprint and Pochoir with collage on perforated paper Pencil signed, numbered and dated from the limited edition of 100 Unframed Mixed media colla...

Arman Boom Boom (unique variation from New York International Portfolio), 1965 Screenprint with pencil additions. Pencil signed and numbered 12/225 on the front Published by Chiron ...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 168, 1967. Published by Aim...

This exquisite silkscreen by Stuart Davis (1892–1964), titled Untitled, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Atheneum...

Arthur-Luiz Piza, Brazilian (1928 - 2017) - Etoiles, Year: 1965, Medium: Etching on Arches, signed and numbered in pencil, Edition: 12/60, Image Size: 17 x 12 inches, Size: 26 x...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Original Abstract Color lithograph by Dutch artist Karel Appel (1921-2006). Created 1969. Edition size is 53 of 200. The work is signed in pencil lower right. The image size is: 25 5...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, P...

This exquisite heliogravure by Joan Miro (1893–1983), titled Femme et Oiseau I/X (Woman and Bird I/X), from the folio Joan Miro, Femmes (Women), originates from the 1965 edition publ...

Art Card: James Rosenquist, Nomad, 1963 (Hand signed), ca. 1996 Offset lithograph postcard Hand signed in marker on the front Provenance: collection of Tom Grafton, famed autograph c...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

Stanley William Hayter, British (1901 - 1988) - Abstract Composition, Year: 1967, Medium: Etching, signed and dated in pencil, Image Size: 8.25 x 6.5 inches, Size: 15 x 13.5 in. ...

Original etching, aquaforte, aquatint engraving. poetry text by Robert Pinget on facing fold of sheet. The individual sheet is unsigned. The justification page is hand signed by t...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Zartes Empor (Delicate Ascent), from the folio Derriere le miroir, No. 118, originates from the 1960 edition pub...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of the twentieth century. Neum...

Jim Dine The Robert Fraser Gallery Print, 1965 Silkscreen and Lithograph on wove paper (Deluxe hand signed limited edition) Hand signed and numbered 75/100 in graphite by Jim Dine lo...

Artist: Marc Chagall Title: Homage to Marc Chagall Portfolio: XXe Siecle Medium: Lithograph Year: 1969 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/4" Sheet Size: 12" x 9 1/2" Im...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 160, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Untitled (Plate 2) DLM Color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Printer: Mourlot Freres, Paris Note...

Pol Bury (Belgian, 1922-2005) screen print Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Original lithograph by Marc Chagall from The Bible of 1960 Ruth glaneuse Unsigned 35 x 26 cm Excellent condition

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Artist: Raymond Parker – American (1922-1990) Title: Red, Orange, Blue, Purple Year: 1969 Medium: Color Lithograph Sight size: 22.25 x 30 inches. Sheet size: 22.25 x 30 inches Sig...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 130, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Abstract Composition is an original lithograph realized by Jean-Paul Riopelle in 1968 for the Art Magazine "Derrière Le Miroir". Good conditions. The artwork represents an abstrac...

Myril Adler "Knight" c.1960s Collagraph ink on paper 2"x5" site unframed edition 2/50 Signed and titled in pencil Myril Adler, was born on September 22, 1...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Myril Adler "Magic Window" c.1960s Intaglio etching collage, ink on paper Image outlined in blue ink 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on Septe...

Artist: Alexander Calder Title: Plate 7 Portfolio: Derriere Le Miroir #141 (Stabiles) Medium: Lithograph Date: 1963 Edition: Unnumbered Sheet Size: 15" x 22" Image Size: 15" x 22" Si...

This colorful abstract original lithograph was printed in 1967 at the Atelier Mourlot in NYC. When The Mourlot Studio decided to open a branch in New York City, after a successful ex...

Andre Masson, French (1896 - 1987) - Exhibition at Galerie Lucie Weill, Year: 1968, Medium: Lithograph Poster, Size: 30 x 20.5 in. (76.2 x 52.07 cm), Printer: Mourlot, Paris, Des...

Lithograph Handsigned by the artist in pencil and numbered 38/50 Catalog : Loyer 136 69.00 cm. x 45.00 cm. 27.17 in. x 17.72 in. (paper) 52.00 cm. x 38.00 cm. 20.47 in. x 14.96 in....

This Japanese woodblock print is by the noted sosaku hanga artist Hiroyuki Tajima (1911-1984). It measures 24 x 18 inches, (25 x 19.5 inches the sheet, 33.25 x 26.25 inches framed). ...

97.5 x 66 cms (38 3/8 x 26 ins) Edition of 20

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif X, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

Jean Dubuffet Ustensiles Utopiques 1966: Hand-signed Jean Dubuffet lithographic poster published on the occasion of: "Jean Dubuffet, Recent Pa...

Lithograph, 1964 Handsigned by the artist in pencil and numbered 16/100 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 65.00 cm. x 48.00 cm. 25.59 in. x 18.9 in. (image) LCD5064

Composition is an original contemporary artwork realized in the 1960s by Rainer Maria Küchenmeister (Ahlen, 1926 - Paris, 2010). Original Etching on paper. Sigled on paper on the lower left corner. Excellent conditions. Rainer Maria Küchenmeister (Ahlen, 1926 - Paris, 2010). Rainer Küchenmeister...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Jean-P...

Artist: Alexander Calder Medium: Original lithograph Title: Damier Portfolio: Derriere le Miroir #156 Year: 1966 Edition: Unnumbered Framed Size: 21 1/4" x 17 1/4" Sheet Size: 15" x...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 54 Year: 1969 Medium: Silkscreen, signed in pencil Edition: AP Size: 25 x 19 in. (63.5 x 48.26 cm)

Artist: Charles Hinman, American (1932 - ) Title: Untitled from the On the Bowery portfolio Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: AP V/XX Size: 25.75...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VIII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with trifold, as issued. Notes: From Derrière le miroir, N° 280, 1969. Published by Aimé M...

Untitled (Martha Jackson Gallery Poster) Lithograph, 1960 Signed and dated in red crayon by the artist Edition 90 (63/90) 1st state before letters for the poster created for the Martha Jackson Gallery, Ting Exhibition, April 23-May 31, 1960 Printed on wove paper with a ”JAPAN' watermark Edition: 90 Provenance: Martha Jackson Gallery, New York Anderson Gallery David K. Anderson Collection (label) Walasse Ting (Chinese: 丁雄泉, 13 October 1929 – May 17, 2010)[1] was a Chinese-American visual artist and poet. His colorful paintings have attracted critical admiration and a popular following. Common subjects include nude women and cats, birds and other animals. He was born on 13 October 1929 in Shanghai, left China in 1946 and lived for a while in Hong Kong, then settled in Paris in 1952.[2] There, he associated with artists such as Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group CoBrA. Ting started his career as an artist in Paris in the 1950s, where he became friends with artists such as Sam Francis and Pierre Alechinsky. His early works were influenced by the CoBrA group, a European art movement known for its use of expressive, childlike imagery. In the 1960s, Ting moved to New York City and became associated with the Pop Art movement. Ting is perhaps best known for his series of paintings featuring women, which he called "Cat Women...

Joan Miro - Moon Bird, Sun Bird - Original Lithograph 1964 From the journal "XXe Siecle" Unsigned edition of unknown size Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Refere...

"Poles" Minimalist Abstract Lithograph on Paper Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...

Palesio Nua is an colored lithograph realized after Paul Klee in 1960.  Hand-numbered in the lower left in pencil. Copy n. 61 from an edition of 200 prints.  On slightly tinted vel...