Early 2000s Abstract Prints

In this contemporary relief print on archival handmade paper, a circular, botanical mandala shape with petal-like edges in dark grey is dramatic and eye-catching against the brillian...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...

Glenn Ligon Lincoln Center Festival (Hand signed, inscribed and dated), 2004 Offset lithograph on wove paper LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal) (Ships in a tube...

Includes a Certificate of Authenticity

One screen print in colors on wove paper, 2009, signed in pencil, dated and numbered, Edition of 117 (total edition includes 18 artist's proofs), image: 769 by 769 mm 30 1/4 by 30 1/...

Warren Rosser Hinged Reflection Year: 2003 8 Color Lithograph Edition: 30 Paper: Rives BFK Paper Size: 30.25 x 82.5 inches (two sheets joined) Image Size: Same Signed and numbered by...

Gerald Lubensky received his BFA in 1967 from the Rhode Island School of Design and his MA in 1969 from the University of New Mexico. He has shown his work in various one-person exhi...

William T. Wiley Good Luck with Your Art-istry (Hand Signed Card), 2002 Offset lithograph invitation card. Hand signed in green ink with inscription "Good Luck with your ART istry" ...

This detailed print by Iranian artist Mahmood Sabzi features a collection of nicely dressed women, all draped elegantly around a lounge and playing various instruments. The piece is ...

Frank Stella Frank Stella Prints 1980 - 2008 (Hand Signed), 2008 Offset Lithograph Hand signed and dated on the front, in innk with inscription that read...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...

Carl Andre Zinc: Historic Ace Gallery poster (Hand Signed by Carl Andre), 2007 Limited Edition Offset lithograph poster (hand signed by Carl Andre) ...

"Flavio Garciandia (Cuba, 1954) 'Díptico', 2004 silkscreen on paper 39.4 x 55.2 in. (100 x 140 cm.) Edition of 106 ID: GAR1570-007-106"

Judy Pfaff, American (1946 - ) - Year of the Dog #5, Year: 2008, Medium: Hand Colored Woodblock and Collage, signed, dated and numbered in pencil, Edition: varied edition of 20/20...

Françoise Gilot Francoise Gilot Monograph 1940-2000 (hand signed and warmly inscribed to renowned actress), 2000 Hardback monograph in a slipcase, hand signed and inscribed by Franco...

Emily Mason The Fifth Element (Hand signed and inscribed by Emily Mason), 2009 Hardback monograph with dust jacket (Hand signed, dated and inscribed by Emily Mason) Hand signed in ma...

Sean Scully Estampes, France (Hand Signed), 2006 Offset Lithograph poster Boldly signed in black marker on the front by Sean Scully for the present owner Unframed This is a wonderful piece for true Scully fans. It's a rare 2006 poster from the European exhibition entitled "Sean Scully Estampes" (Sean Scully Prints...

Signed, titled and numbered in pencil by the artist. Image size: 8 x 6.5 inches Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from par...

Untitled XXI Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...

Tracey Emin The Stain, 2007 Mini booklet; stitched binding; digitally printed, accompanied by pencil signed envelope 4 1/2 × 3 3/5 inches Edition of 100 (unnumbered) pencil signed by...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego V', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-122 Unframed

Jorg Immendorff (German, 1945-2007) Untitled, Germany, 2006 serigraph hand signed and dated lower right margin, numbered 20/27 lower left framed 74.5 x 48.75 inches (sight). 82.25 x 55.5 inches (frame). This work is number 20 from the edition of 27. Provenance: T. Kreuzer Gallery, Cologne, Friedman Benda Gallery, New York City Jörg Immendorff (1945–2007) was a German painter, sculptor, stage designer and art professor. He was a member of the art movement Neue Wilde. He worked as a painter, sculpture and print maker in steel, bronze, oil painting, lithography etching and serigraphy. Immendorff was born in Bleckede, Lower Saxony, near Lüneburg on the west bank of the Elbe. He attended the boarding School Ernst-Kalkuhl Gymnasium as a student. At the age of sixteen he had his first exhibition in a jazz hall cellar in Bonn. Beginning in 1963, Immendorff studied at the Art Academy in Düsseldorf (Kunstakademie Düsseldorf). Initially he studied for three terms with the theater designer Teo Otto. After Otto threw him out of his class for refusing to let one of his paintings serve as stage-set decoration, Immendorff was accepted as a student by Joseph Beuys. The academy expelled him because of some of his (left-wing) political activities and neo-dada actions. From 1969 to 1980, Immendorff worked as an art teacher at a public school, and then as a free artist, holding visiting professorships all over Europe. In 1989, he became professor at the Städelschule in Frankfurt am Main and in 1996 he became professor at the Art Academy in Düsseldorf—the same school that had dismissed him decades earlier as a student. Jörg Immendorff often worked in "grand cycles of paintings" that often lasted years at a time and were political in nature. Notable cycles include LIDL, Maoist Paintings, Cafè Deutschland , and The Rake's Progress. The first body of work that Immendorff gave a name to were his LIDL paintings, sculptures, performances, and documents, that he executed during 1968-1970. The name, "LIDL" was inspired by the sound of a child's rattle makes and much of his work from this period included the iconography of new beginnings and innocence. LIDL is comparable to Dadaist but unlike the Dada movement it never became an established group but rather consisted of a variety of artists (including James Lee Byars, Marcel Broodthaers, Nam June Paik, and Joseph Beuys) participating in actions and activities. In January 1968 he appeared in front of the West German Parliament in Bonn with a wood block labeled “Lidl” tethered to his ankle and painted in the colors of the German flag; he was subsequently arrested for defaming the flag. Best known is his Cafe Deutschland series of sixteen large paintings (1977–1984) that were inspired by Renato Guttuso Caffè Greco; in these crowded colorful pictures, Immendorff had disco-goers symbolize the conflict between East and West Germany. Since the 1970s, he worked closely with the painter A. R. Penck from Dresden (in East Germany). Immendorff created several stage designs, including two for the Salzburg Theater Festival. He designed sets for the operas Elektra and The Rake's Progress. The latter also inspired a series of paintings in which he cast himself as the rake. In 1984, Immendorff opened the bar La Paloma near the Reeperbahn in Hamburg St. Pauli and created a large bronze sculpture of Hans Albers there. He also contributed to the design of Andre Heller's avant-garde amusement park "Luna, Luna" in 1987. Immendorff created various sculptures; one spectacular example is a 25 m tall iron sculpture in the form of an oak tree trunk, erected in Riesa in 1999. In 2006, Immendorff selected 25 of his paintings for an illustrated Bible. In the foreword he described his belief in God. A major 2019 survey began at the Haus der Kunst in Munich and later traveled later to the Museo Reina Sofía in Madrid and the Fondazione Querini Stampalia in Venice, curated by Francesco Bonami. In 2000, Immendorff married his former student Oda Jaune. The have one daughter Ida Immendorff. He was a member of the Junge Wilde (German for "young wild ones") In 1978, the Junge Wilde painting style arose in the German-speaking world in opposition to established avant garde, minimal art and conceptual art. It was linked to the similar Transavanguardia movement in Italy, USA (neo-expressionism) and France (Figuration Libre). The Junge Wilde painted their expressive paintings in bright, intense colors and with quick, broad brushstrokes very much influenced by Professor at the Academy of Art in Berlin, Karl Horst Hödicke (b:1938). They were sometimes called the Neue Wilde. Berlin: Luciano...

Thomas Nozkowski Untitled #1, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

Thomas Nozkowski Untitled #5, 2008 Color etching with aquatint on Hahnemühle paper Signed, dated and numbered 5/35 in graphite pencil on the back. Bears original Deutsche Bank collec...

This impressive 12 color screenprint is by Darryl Pottorf (1952- ) The print is titled “Truck Stop de Marra Kech”. It was printed and published in 2000 by Gemini G.E.L. the well-kno...

"Madeleine Dietz (Germany, 1953) 'Kann sein', 2004 etching, aquatint on paper Velin Arches 300 g. 83.3 x 43.2 in. (211.5 x 109.5 cm.) Edition of 12 ID: DIE-301"

Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...

b. 1941, New York, NY Pat Lipsky is known for her large scale paintings of repeating stripes of bold, rich colors. The geometric forms of color shift and bounce against each other i...

Mark di Suvero Dreambook (hand signed by Mark di Suvero), 2008 Hardback monograph with no dust jacket as issued (hand signed by Mark di Suvero) Boldly signed by Mark di Suvero on the...

In this black and white monotype on rice paper, geometric shapes complement a monochromatic background that transitions through a grayscale from gray at the bottom to pale gray, almo...

Untitled XXVI Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

"It becomes particularly desperate when the peace symbol is inverted and is really plunging in despair. I grew a little weary of my own despair and my own g...

This is a monotype, a unique print with no other editions. This contemporary, vertical geometric abstract monotype on delicate Asian paper layers shapes on a background transitioning...

This impression is #5 out of 40 Anne Dykmans was born in Verviers, Belgium, in 1952. She is a graduate of l’École Nationale d’Architecture et des Arts Visuels de La Cambre in Brussels, where she studied printmaking. Specialist of the Mezzotint (mezzotinto) technique, she is especially known for her prints of interior scenes, where light and dark come together in amazing chiaroscuro effects. She has presented her work in solo and group shows in Belgium and in many countries including; among others: France, Germany, Spain, Canada, Japan, China, and the USA. She was awarded in 1983 the Prix de la Jeune Gravure Belge in Antwerp. In 1986 she received the Prize of the 8th Biennale of Engraving of Fredrikstad, Norway. She won in 1988 the Gold Medal at the 2nd Triennial of Mezzotint Engraving of Sopot, Poland. Her prints are included in many private and public collections around the world. Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier...

"Lepidine" captures Damien Hirst’s fascination with creating beauty through structure. Part of his iconic "Spots" series, this shimmering grid of vibrant colors set against a silver ...

David Humphrey Two Kitties, 2003 Monotype Hand signed and dated by the artist on the lower right front 20 × 31 1/2 inches Unframed Published by, and acquired from Tamarind Institute ...

Abstract print with fall colors, from a series inspired by ground cover and vegetation. Signed, titled and numbered from the edition of 10. Charles Eckart was born in Oakland, Calif...

Vicente Rojo (Mexico, 1932-2021) 'Suite Nubes de fuego IV', 2006 aquatint, silkscreen on paper Guarro Super Alpha 250g. 18.9 x 26.8 in. (48 x 68 cm.) Edition of 50 ID: ROJ-121 Unframed

Brightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...

Glenn Ligon's (b. 1960) practice is rooted in the examination of Black Identity within the context of American history, literature, and societal structures. His artworks build on the...

Felipe Alarcon (Cuba, 1966) 'Fantasía superpuesta I', 2005 digital print, silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: ALA1741-001-106 Hand-signed by ...

2002 Screenprint in colours, on wove paper, with full margins. 109 x 75 cm 43 x 29.6 inches Edition of 75 Signed, dated and numbered by Riley Bridget Riley is one of the most influe...

Victor Guadalajara (Mexico, 1965) 'Capullo', 2005 Chine colle, engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-102 Unframed

Color lithograph on Rives BFK, 2004. Signed by the artist in pencil lower right. Numbered II/XX in pencil lower left. One of 20 numbered artist's proofs, aside from the regular edi...

Christopher Wool Martin Kippenberger Self-Portraits Poster, 2005 Offset lithographic poster in colours on smooth wove paper. 36 × 24 inches Published by Luhring Augustine Unframed T...

Brice Marden Attendants, Bears and Rocks (Hand Signed by Brice Marden), 2002 Offset Lithograph Poster Hand signed boldly in black marker by Brice Marden on the front 17 × 22 inches U...

Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...

Francesco Clemente (Hand signed, inscribed and dated 2014 (MMXIV) to Nadine with drawings in black marker), 2002 Hardback monograph with dust jacket (Hand signed, inscribed and dated...

Sam Gilliam (1933–2022) is beloved as one of the 20th century's most important abstract artists. He was a true innovator in the evolution of American abstraction. Gilliam is credited...

Cecily Brown Paintings at Modern Art Oxford (hand signed and inscribed), 2005 Offset lithograph poster (signed and inscribed to Nadine) Hand signed and inscribed to Nadine by Cecily ...

Alexandra Nechita 2003 "Restless Paris" Print - Lithograph on Japan rice paper 27'' x 20½'' inches Edition: signed in pencil and marked 17/25 AP Alexandra Nechita began drawing at the age of two. At seven, Alexandra was painting with oils and acrylics, and her first exhibit was a one-woman (child) show held at a Los Angeles public library...

Abstract monotype in tones of blue and yellow, 2005. Dated lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arc...

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

Gabriela Arevalo (Mexico, 1964) 'El Caperucita movil', 2005 engraving on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 50 Unframed ID: ARE-101 Hand-signed by author, COA (Certificate ...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Time from the Mobility Within Series Medium: Agamograph, signed and numbered in ink Edition: 99 Year: circa 2000 Size: 11 x 11.5 in. (2...