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Early 2000s Abstract Prints

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Period: Early 2000s
One Thousand Drawings By Tracey Emin (Hand signed and inscribed book for Nadine)
Located in New York, NY
Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...
Category

Pop Art Early 2000s Abstract Prints

Materials

Ink, Mixed Media, Lithograph, Offset

Sean Scully Estampes (Graphic Works) exhibition poster (Hand Signed by Scully)
Located in New York, NY
Sean Scully Estampes, France (Hand Signed), 2006 Offset Lithograph poster Boldly signed in black marker on the front by Sean Scully for the present owner Unframed This is a wonderful piece for true Scully fans. It's a rare 2006 poster from the European exhibition entitled "Sean Scully Estampes" (Sean Scully Prints...
Category

Abstract Early 2000s Abstract Prints

Materials

Lithograph, Offset

Pilot 35 - Yellow Blue Coral Star Circle Flower Vertical Abstract Monotype, 2002
Located in Kent, CT
This is a monotype, a unique print with no other editions. This contemporary, vertical geometric abstract monotype on delicate Asian paper layers shapes on a background transitioning...
Category

Contemporary Early 2000s Abstract Prints

Materials

Archival Paper, Monotype

Donald Baechler, The Benefit Mummy. Rare Linoleum Chine Colle print, signed 7/17
Located in New York, NY
Donald Baechler The Benefit Mummy, 2005 Linoleum print, one color, with chine colle, on Rives BFK paper Rare print from an edition of only 17: Hand signed, numbered 7/17 and dated by...
Category

Pop Art Early 2000s Abstract Prints

Materials

Linocut

Grey Spots Etching with Aquatint, 2005
Located in New York, NY
Proofed and editioned by Peter Kosowicz at Thumbprint Editions Ltd, London, published by Paragon Press. Edition 2/115 The large-scale pop-art 'Grey Spots' Etching with Aquatint is a...
Category

Contemporary Early 2000s Abstract Prints

Materials

Etching, Aquatint

James Siena, geometric abstraction, Christmas print, signed/N, 8/54 Framed
Located in New York, NY
James Siena Untitled geometric abstraction (The Christmas Print), 2006 3-Color etching on paper with deckled edges Signed, dated and numbered 8/54 in graphite pencil on the front Fra...
Category

Abstract Geometric Early 2000s Abstract Prints

Materials

Etching

We Meet Again by Elizabeth Murray, (green, purple and red abstract forms)
Located in New York, NY
Brightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...
Category

Abstract Early 2000s Abstract Prints

Materials

Screen

Show Me That You Care… 2003 Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Alexandra Nechita 2003 "Show me that you care " Print - Lithograph on Japan rice paper 28¼'' x 20½'' inches Edition: signed in pencil and marked 19/25 AP Alexandra Nechita began drawing at the age of two. At seven, Alexandra was painting with oils and acrylics, and her first exhibit was a one-woman (child) show held at a Los Angeles public library...
Category

Abstract Early 2000s Abstract Prints

Materials

Lithograph

Monograph: Francesco Clemente (Hand signed, inscribed and dated 2014 (MMXIV) )
Located in New York, NY
Francesco Clemente (Hand signed, inscribed and dated 2014 (MMXIV) to Nadine with drawings in black marker), 2002 Hardback monograph with dust jacket (Hand signed, inscribed and dated...
Category

Neo-Expressionist Early 2000s Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Mexican woman artist 2004 original hand signed engraving abstract limited editio
Located in Miami, FL
Perla Krauze (Mexico, 1953) 'El exilio de los sentidos' (The exile of the senses), 2004 engraving and screenprint on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: KRA1662-001-075...
Category

Abstract Early 2000s Abstract Prints

Materials

Engraving, Screen

Une Fois Rien (Once Again / No Action)
Located in New Orleans, LA
Christine Ravaux created Une Fois Rien which is signed by pencil. This impression is #12 of 30 Shades of blacks and grays on a fallen branch create a pleasing pattern contrasted wi...
Category

Modern Early 2000s Abstract Prints

Materials

Mezzotint

UNTITLED, by Joel Shapiro (red and black abstract shapes)
Located in New York, NY
This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...
Category

Abstract Geometric Early 2000s Abstract Prints

Materials

Screen

Year of the Dog #5, Abstract Expressionist Hand Colored Woodblock and Collage
Located in Long Island City, NY
Judy Pfaff, American (1946 - ) - Year of the Dog #5, Year: 2008, Medium: Hand Colored Woodblock and Collage, signed, dated and numbered in pencil, Edition: varied edition of 20/20...
Category

Abstract Expressionist Early 2000s Abstract Prints

Materials

Woodcut, Plastic, Inkjet

Matthew Marks gallery poster: Attendants Bears and Rocks, Signed by Brice Marden
Located in New York, NY
Brice Marden Attendants, Bears and Rocks (Hand Signed by Brice Marden), 2002 Offset Lithograph Poster Hand signed boldly in black marker by Brice Marden on the front 17 × 22 inches U...
Category

Minimalist Early 2000s Abstract Prints

Materials

Lithograph, Offset, Permanent Marker

Untitled Abstract Picture
Located in New York, NY
Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...
Category

Abstract Expressionist Early 2000s Abstract Prints

Materials

Lithograph, Offset

"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Engraving, Ink, Etching, Aquatint

Flavio Garciandia, "Sin título IV", 2004, Silkscreen, 39.4x27.6 in
Located in Miami, FL
"Flavio Garciandia (Cuba, 1954) 'Sin título IV', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 106 ID: GAR1570-004-106"
Category

Abstract Early 2000s Abstract Prints

Materials

Paper, Screen

A Walk in the Tuileries Gardens Paris print with silver leaf and glazes Signed/N
Located in New York, NY
Peter Blake A Walk in the Tuileries Gardens, 2004 26 colour Screenprint with Silver leaf and 3 Glazes Hand signed and numbered 28/200 by artist on lower front 30 1/5 × 22 1/2 inches The work is matted on board and unframed as it had been removed from its original frame. Measurements: Board: 30 1/8 x 22 1/2 inches Sheet: 24 x 20 inches Unframed A Walk Through the Tuileries Gardens is based on a memory of a stroll in Paris distilled through the ephemera he found along the way. ' The legendary Peter Blake, the father of British Pop Art, is renowned for his love of gathering and collecting the ephemera of life, of memories, of dreams and whimsies, sometimes mingled with those of other historical fantasists. Possessions he regards as symbolic of his relationships with his world, carefully questioning the personal significance of each object in this respect. The scraps of tickets, fragments of plastic, driftwood, pebbles and sycamore leaf in A Walk Through the Tuileries gardens are evocative and ephemeral souvenirs, gathered at the time and collated later perhaps with a whiff of romance. His image takes us, in turn, on a stroll down the wide gravel, under the autumnal trees, a lingering taste of saucisson and red wine on our palate and with a sudden impulse to take a turn on the Caroussel. This whimsical Peter Blake print would make a great gift for any Blake fan. Legendary British Pop Art pioneer British Blake was born in 1932, and after his formal training at the Gravesend School of Art, then at the Royal Academy of Art, he broke away from tradition, producing work from 1960 on that would come to define the British Pop Art Movement. He came to be known as the Grandfather of Pop Art, and his art achieved iconic status with his sleeve for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. Blake’s art draws on imagery from the popular culture of the past and present, as well as from the canon of fine art, thus creating an alternative, more democratic visual aesthetic. He freely mixes the ‘high’ with the ‘low’, ultimately inviting us to see beyond such distinctions. Always playful, and at times irreverent, he sets up the most unlikely juxtapositions across time and space, creating conversations and ‘parties’ to which all are invited. An abiding theme is an investigation, and celebration, of England and Englishness. Collage has always been a hallmark of Blake’s work, allowing him to freely mix found objects and images of people and other artworks; screenprinting, with its use of stencils and layers, lends itself perfectly to this technique, and indeed it was Pop Art that fully realised the potential of screenprinting as a medium for complex replication. More about Peter Blake: Sir Peter Thomas Blake...
Category

Pop Art Early 2000s Abstract Prints

Materials

Silver

Cuban Artist signed limited edition original art print slkscreen abstract
Located in Miami, FL
Flavio Garciandia (Cuba, 1954) 'Sin título III', 2004 silkscreen on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 99 Unframed ID: GAR1570-003-106
Category

Abstract Early 2000s Abstract Prints

Materials

Paper, Screen

Into the Woods: Summer -- Print, Etching, Hand-coloured by Howard Hodgkin
Located in London, GB
Into the Woods: Summer, 2001-02 Howard Hodgkin Lift-ground etching with aquatint and carborundum printed in two shades of green, turquoise blue and zinc white, with hand-colouring i...
Category

Contemporary Early 2000s Abstract Prints

Materials

Acrylic, Etching

Frank Stella s Moby-Dick: Words and Shapes (Hand signed and inscribed monograph)
Located in New York, NY
Frank Stella's Moby-Dick: Words and Shapes (Hand signed and inscribed), 2000 Elegant, beautifully illustrated hardback monograph with dust jacket Hand signed, dated and inscribed by Frank Stella 10 1/4 × 8 3/4 × 1 1/4 inches Ink Inscription reads: for Ed Rochelle Frank Stella '02 Book info: Published by The University of Michigan Press, 2000 Hardcover; 326 pages Publisher's Synopsis: One of the world's leading painters and printmakers, the artist Frank Stella spent over a decade creating a huge series of works linked with Herman Melville's classic novel Moby-Dick. The completed series consists of more than 135 pieces: large metal reliefs...
Category

Abstract Expressionist Early 2000s Abstract Prints

Materials

Ink, Mixed Media, Lithograph, Offset

Madeleine Dietz, German engraving photo 83x45in aquatint abstract conceptual
Located in Miami, FL
"Madeleine Dietz (Germany, 1953) 'Kann sein', 2004 etching, aquatint on paper Velin Arches 300 g. 83.3 x 43.2 in. (211.5 x 109.5 cm.) Edition of 12 ID: DIE-301"
Category

Contemporary Early 2000s Abstract Prints

Materials

Etching, Aquatint, Screen

Time from the Mobility Within Series, Agamograph by Yaacov Agam
Located in Long Island City, NY
Artist: Yaacov Agam, Israeli (1928 - ) Title: Time from the Mobility Within Series Medium: Agamograph, signed and numbered in ink Edition: 99 Year: circa 2000 Size: 11 x 11.5 in. (2...
Category

Op Art Early 2000s Abstract Prints

Materials

Lenticular

Lincoln Center Festival print, hand signed inscribed by Glenn Ligon, Black Art
Located in New York, NY
Glenn Ligon Lincoln Center Festival (Hand signed, inscribed and dated), 2004 Offset lithograph on wove paper LARGE: 41 1/2 inches (vertical) × 32 inches (horizontal) (Ships in a tube...
Category

Contemporary Early 2000s Abstract Prints

Materials

Permanent Marker, Lithograph, Offset

Arte Povera Exhibition - Galerie Di Meo, Paris - 2005
Located in Roma, IT
Arte Povera Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2005. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from Ma...
Category

Contemporary Early 2000s Abstract Prints

Materials

Offset

Gilbert and George Major Exhibition print, Tate Modern (Hand Signed by artists)
Located in New York, NY
Gilbert & George Gilbert and George Major Exhibition, Tate Modern (Hand Signed), 2007 Offset Lithograph Poster Hand signed by Gilbert & George on the front 30 x 20 inches Unframed E...
Category

Pop Art Early 2000s Abstract Prints

Materials

Lithograph, Offset

Martin Kippenberger Self-Portraits, rare poster designed by Christopher Wool
Located in New York, NY
Christopher Wool Martin Kippenberger Self-Portraits Poster, 2005 Offset lithographic poster in colours on smooth wove paper. 36 × 24 inches Published by Luhring Augustine Unframed T...
Category

Minimalist Early 2000s Abstract Prints

Materials

Lithograph, Offset

Unique Print - bright, colourful, abstract, one of, framed monoprint
Located in Bloomfield, ON
This compelling singular signed print–one of a kind was created by the Czech born artist Joseph Drapell. The form is reminiscent of the popular sixties’ art game called Spirograph. B...
Category

Abstract Early 2000s Abstract Prints

Materials

Monoprint

Ring-a-ring of roses
Located in Toronto, Ontario
Damien Hirst (b. 1965) is one of the most divisive, high-profile, and arguably misunderstood artists of the contemporary era. (In)famous internationally for encapsulating a tiger sh...
Category

Contemporary Early 2000s Abstract Prints

Materials

Etching

Grey Leaves
Located in New York, NY
Gary Hume Grey Leaves 2004 Screen print in 4 colours with one glaze, printed on 400gsm Somerset Tub Sheet: 28 x 23 inches; 71 x 59 cm Frame: 30 3/8 x 25 1/...
Category

Contemporary Early 2000s Abstract Prints

Materials

Screen, Glaze

Spanish Artist signed limited edition original art print intagio monotype n62
Located in Miami, FL
Luis Feito (Spain, 1929-2021) 'Guadarrama IV', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-062 Hand-signed by author
Category

Abstract Early 2000s Abstract Prints

Materials

Paper, Intaglio, Monotype

Abstract Landscape India Edition 3/5 Linocut Print Nature Red Orange Black
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed "In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture" Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category

Abstract Early 2000s Abstract Prints

Materials

Archival Ink, Archival Paper, Linocut, Archival Pigment

Red flower
Located in Paris, FR
Lithograph 66.00 cm. x 51.50 cm. 25.98 in. x 20.28 in. (paper) 66.00 cm. x 51.50 cm. 25.98 in. x 20.28 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD3061
Category

Abstract Early 2000s Abstract Prints

Materials

Lithograph

Small Abstract, Tom Nozkowski (colorful abstract)
By Tom Nozkowski
Located in New York, NY
This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...
Category

Abstract Geometric Early 2000s Abstract Prints

Materials

Screen

The Past Protecting the Future - Lithograph by Francesco Clemente -2008
Located in Roma, IT
Lithograph realized in 2008. Hand signed and numbered. Edition of 260 prints. Belongs to the Suite "Olympc Games Beijing 2008". Excellent condition. Francesco Clemente's oeuvre s...
Category

Contemporary Early 2000s Abstract Prints

Materials

Lithograph

Rose Window 53 - Contemporary Botanical Mandala Relief Print on Red Paper, 2006
Located in Kent, CT
In this contemporary relief print on archival handmade paper, a circular, botanical mandala shape with petal-like edges in dark grey is dramatic and eye-catching against the brillian...
Category

Contemporary Early 2000s Abstract Prints

Materials

Archival Ink, Handmade Paper, Monoprint

Blues, American Signs Portfolio, screenprint, signed 66/100 by Robert Cottingham
Located in New York, NY
Robert Cottingham Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009 Screenprint in colors on wove paper Pencil signed, numbered 66/100, dated, and tit...
Category

Photorealist Early 2000s Abstract Prints

Materials

Screen

Contrails and Slipstream 36 - Horizontal Geometric Abstract Monotype, 2003
Located in Kent, CT
In this black and white monotype on rice paper, geometric shapes complement a monochromatic background that transitions through a grayscale from gray at the bottom to pale gray, almo...
Category

Contemporary Early 2000s Abstract Prints

Materials

Rice Paper, Monotype

Kind of Blue (Hand signed and dated card depicting his sculpture)
By Richard Deacon
Located in New York, NY
Richard Deacon Kind of Blue (Hand Signed and Dated card), 2005 Offset lithograph postcard Boldly signed and dated 9-01-05 by the artist above the image of the sculpture 5 4/5 × 4 1/4 inches Unframed Offset lithograph postcard depicting Richard Deacon's 1995 ceramic sculpture "Kind of Blue", in the collection of the Arts Council of Great Britain. This work is hand signed and dated on the front of the image. Very good vintage condition; minor handling and discoloration around far corners (edges) to the card which will easily frame out. Richard Deacon’s voluptuous abstract forms have placed him at the forefront of British sculpture since the 1980s and, hugely influential, his works are visible in major public commissions around the world. His voracious appetite for material has seen him move between laminated wood, stainless steel, corrugated iron, polycarbonate, marble, clay, vinyl, foam and leather. As he explains: “Changing materials from one work to the next is a way of beginning again each time (and thus of finishing what had gone before)”. Deacon describes himself as a ‘fabricator’, emphasising the construction behind the finished object – although many of the works are indeed cast, modelled or carved by hand – and accordingly the logic of the fabrication is often exposed: sinuous curved forms might be bound by glue oozing between layers of wood or have screws and rivets protruding from sheets of steel, wearing their hearts on their sleeves. Such transparency highlights the reactive nature of the process: it is part of a two-way conversation between artist and material that transforms the workaday into something metaphorical. The idea of ‘fabrication’ also denotes making something up, of fiction rather than truth, and this knack for wordplay surfaces in Deacon’s titles, which might establish juxtapositions or wreak new meaning from familiar sayings or clichés – see Let’s not be Stupid (1991), No Stone Unturned (1999), Water Under the Bridge (2008) or Shiver My Timbers (2016). Richard Deacon Biography Richard Deacon was born in Bangor, Wales, UK in 1949 and lives and works in London, UK. He has a BA from St Martin’s School of Art, London, UK (1972) and an MA in Environmental Media from the Royal College of Art, London, UK (1977). Solo exhibitions include Kula Gallery and the Museum of Fine Arts, Split, Croatia (2021); Middelheim Museum, Antwerp, Belgium (2017); San Diego Museum of Art, San Diego, CA, USA (2017); Prague City Gallery, Prague, Czech Republic (2017); Museum Folkwang, Essen, Germany (2016), Kunstmuseum Winterthur, Switzerland (2015); Tate Britain, London, UK (2014); Sprengel Museum, Hannover, Germany (2011); Musée de la Ville de Strasbourg, France (2010); Portland Art Museum, Oregon, USA (2008); PS1 Contemporary Art Center, New York, USA (2001); MACCSI, Caracas, Venezuela (1996); Whitechapel Art Gallery, London, UK (1989) and Museum of Contemporary Art, Los Angeles, USA (1988). He represented Wales at the Venice Biennale, Italy (2007) and has participated in the Venice Architecture Biennale, Italy (2012), Glasgow International, UK (2006) and documenta 9, Kassel, Germany (1992). He won the Turner Prize in 1987 and the Robert Jakobsen...
Category

Contemporary Early 2000s Abstract Prints

Materials

Postcard, Lithograph, Offset

Monograph: To Be Someone (Hand signed and inscribed "Love from Mary Heilmann")
By Mary Heilmann
Located in New York, NY
Mary Heilmann To Be Someone (hand signed and inscribed "Love from Mary Heilmann"), 2007 Hardback monograph with dust jacket (hand signed and inscribed by Mary Heilmann) Warmly signed...
Category

Abstract Geometric Early 2000s Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset

Blu - Screen Print by Carla Accardi - 2000
Located in Roma, IT
Screen print on paper realized by Carla Accardi in 2000. Hand signed and numbered. Edition of 71/99. Includes a metal grey frame. Very good condition.
Category

Abstract Early 2000s Abstract Prints

Materials

Screen

Abstract Print India Artist Proof Linocut Nature Earth Love Red Orange
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper Edition: AP, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category

Abstract Early 2000s Abstract Prints

Materials

Archival Ink, Archival Paper, Linocut, Archival Pigment

Navigator XIII, Yellow, Red Vertical Abstract Monotype with Black Star, Circles
Located in Kent, CT
This vertical geometric abstract monotype on paper layers shapes on a background that transitions from pale yellow to dark red. A pointed star in black shapes contrast the circular a...
Category

Contemporary Early 2000s Abstract Prints

Materials

Archival Paper, Monotype

Untitled Abstract Picture (Limited edition authorized promotional reproduction)
Located in New York, NY
Gerhard Richter Untitled Abstract Picture (one plate) - Artist Authorized, 2002 Limited Edition Artist Authorized Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition...
Category

Abstract Expressionist Early 2000s Abstract Prints

Materials

Lithograph, Offset

Three Leaves
Located in New Orleans, LA
Ravaux used the rule of threes to show 3 pieces of Christmas ivy floating below three sources of light. Christine Ravaux is a Belgian artist who uses nature in much of her work whic...
Category

Modern Early 2000s Abstract Prints

Materials

Mezzotint

"Chair", 2008 Spanish signed original screenprint abstract primitivism 23x15in
Located in Miami, FL
Esteve Casanoves (Spain, 1954) 'La silla' (Chair), 2008 silkscreen on paper Velin Arches 300 g. 23.1 x 15.4 in. (58.5 x 39 cm.) Edition of 50 ID: CAE-301 Unframed
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Ink, Screen

Mexican woman artist 2004 original hand signed engraving abstract limited editio
Located in Miami, FL
Perla Krauze (Mexico, 1953) 'El exilio de los sentidos' (The exile of the senses), 2004 engraving and screenprint on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: KRA1662-001 Han...
Category

Abstract Early 2000s Abstract Prints

Materials

Engraving, Screen

Boris Viskin Mexican Artist Original Hand Signed engraving 2004, 15x15 in
Located in Miami, FL
Boris Viskin (Mexico, 1960) Untitled from 'El exilio de los sentidos', 2004 engraving on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: VIS1662-001 Han...
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Engraving, Etching, Aquatint

The Past Protecting the Future - Lithograph by Francesco Clemente -2008
Located in Roma, IT
Lithograph realized in 2008. Hand signed and numbered. Edition of 260 prints. Belongs to the Suite "Olympc Games Beijing 2008". Excellent condition. Francesco Clemente's oeuvre s...
Category

Contemporary Early 2000s Abstract Prints

Materials

Lithograph

Irineu Garcia, ¨Animal del viento homenagem a¨ 2009 Carborundum 20.9x27.8 in
Located in Miami, FL
Irineu Garcia (Brazil, 1946) 'Animal del viento homenagem a', 2009 engraving, carborundum on paper Guarro Biblos 250g. 20.9 x 27.8 in. (53 x 70.5 cm.) Edition of 25 Unframed ID: GAR-...
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Screen, Etching

No title
Located in Paris, FR
Lithograph, 2006 Handsigned by the artist in pencil and numbered 2/20 56.00 cm. x 77.00 cm. 22.05 in. x 30.31 in. (paper) 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (image) On BFK...
Category

Abstract Early 2000s Abstract Prints

Materials

Lithograph

Torqued Spirals, Toruses and Spheres poster 2001, Hand Signed by Richard Serra
Located in New York, NY
Richard Serra Torqued Spirals, Toruses and Spheres, 2001 Offset lithograph poster (Hand signed by Richard Serra) Boldly signed in black marker on the front 28 × 20 inches Unframed This poster was published on the occasion of Serra's October 2001 exhibition at the Gagosian Gallery - one month after 9/11; The posters were sold for the benefit of the Twin Towers Fund and a certain quantity were hand signed by the artist. Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture...
Category

Minimalist Early 2000s Abstract Prints

Materials

Permanent Marker, Lithograph, Offset

Hardback Monograph: Dreambook (hand signed by sculptor Mark di Suvero)
Located in New York, NY
Mark di Suvero Dreambook (hand signed by Mark di Suvero), 2008 Hardback monograph with no dust jacket as issued (hand signed by Mark di Suvero) Boldly signed by Mark di Suvero on the...
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Ink, Mixed Media, Lithograph, Offset, Permanent Marker

Joni Mitchell Pencil Hand Signed Invitation Iris Digital Photo Print Photograph
Located in Surfside, FL
Joni Mitchell “Green Flag Song,” Published by Lev Moross Gallery. Los Angeles, CA From an exhibition of 60 large photographic triptychs. When Mitchell’s television set broke, it b...
Category

Abstract Early 2000s Abstract Prints

Materials

Color

The Wheel (Mois de l Estampe) - Vintage Lithograph Poster, 2001
Located in Paris, IDF
Pierre ALECHINSKY The Wheel (Mois de l'Estampe), 2001 Original Lithograph (Clot, Bramsen & Georges workshop) Printed signature in the plate On paper 86 x 59 cm (c. 34 x 24 inch) Cre...
Category

Abstract Early 2000s Abstract Prints

Materials

Lithograph, Offset

"Beam of Wind" 2004 signed original engraving limited edition 15x15in Mexican
Located in Miami, FL
Francisco Castro Leñero (Mexico, 1954) "Haz del Viento / Bco / Azul/" from serie "El exilio de los sentidos", 2004 Engraving, aquatint on paper...
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Ink, Engraving, Etching, Aquatint

Cuban signed limited edition original art print silkscreen 27x19 in
Located in Miami, FL
Felipe Alarcon (Cuba, 1966) 'Fantasía superpuesta I', 2005 digital print, silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: ALA1741-001-106 Hand-signed by ...
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Engraving, Screen

Spanish Artist signed limited edition original art print etching abstract n70
Located in Miami, FL
Luis Feito (Spain, 1929-2021) 'Peñalara I', 2000 etching on paper Rives BFK 300 g. 30 x 22.5 in. (76 x 57 cm.) Edition of 75 Unframed ID: FEI1051-069 Hand-signed by author
Category

Abstract Early 2000s Abstract Prints

Materials

Paper, Etching

Vicente Rojo, ¨Novela¨, 2007, Aquatint, 4.7x4.3 in
Located in Miami, FL
Vicente Rojo (Mexico, 1932-2021) 'Novela', 2007 book, sugar aquatint on paper Guarro Biblos 250g. 4.8 x 4.4 in. (12 x 11 cm.) Edition of 50 ID: ROJ-124 Unframed
Category

Contemporary Early 2000s Abstract Prints

Materials

Paper, Etching, Aquatint, Screen

Papillon, signed Abstract Expressionist print Lt of only 15 by renowned sculptor
Located in New York, NY
Mark di Suvero Papillon, 2005 Digital fine art print on Hahnemuhle acid free photo rag paper. Hand signed, dated and numbered Accompanied by colophon page from Artist's Studio, with ...
Category

Abstract Expressionist Early 2000s Abstract Prints

Materials

Digital Pigment, Lithograph

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