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Period: Mid-20th Century
Niki de Saint Phalle, My Love We Wont, Rare whimsical 1960s silkscreen Signed/N
Located in New York, NY
Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Screen, Pencil, Lithograph, Mixed Media

Four Red, Three Black, One Yellow - Original Lithograph
Located in Paris, IDF
Alexander CALDER (1898-1976) Four red, three black, one yellow Original lithograph, 1967 Unsigned and unnumbered Aside the edition of 90 copies numbered and hand signed On Lana vell...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Henri Matisse, Miss P.C., from Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle P.C. (Miss P.C.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Sister Kate — Mid-century, Jazz-inspired Modernism
Located in Myrtle Beach, SC
James Houston McConnell, 'Sister Kate', color serigraph, 1947, edition 24. Signed, dated, titled, and numbered '24' in pencil. Annotated '10.00 - 19 colors - 24 copies - #24' in pencil. A fine impression, with vibrant, fresh colors, on heavy tan wove paper, with full margins (11/16 to 1 1/2 inches). Tack holes in the four margin corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Scarce. Another of McConnell's mid-century modernist, jazz-inspired serigraphs, 'Combo', is featured in the British Museum's 2008 publication (and traveling exhibition) 'The American Scene: Prints from Hopper to Pollock'. ABOUT THE IMAGE "I Wish I Could Shimmy Like My Sister Kate", often simply "Sister Kate", is an up-tempo jazz dance song, written by Armand J. Piron and published in 1922. The lyrics of the song are narrated in the first person by Kate's sister, who sings about Kate's impressive dancing skill and her wish to be able to emulate it. She laments that she's not quite "up to date", but believes that dancing like "Sister Kate" will rectify this, and she will be able to impress "all the boys in the neighborhood" like her sister. Over the years this song has been performed and recorded by many artists, including Frances Faye and Rusty Warren, a 1959 version by Shel Silverstein...
Category

American Modern Mid-20th Century Abstract Prints

Materials

Screen

Alexander Calder lithograph 1960s (Calder derriere le miroir)
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...
Category

Contemporary Mid-20th Century Abstract Prints

Materials

Lithograph

Jasper Johns, Target with Four Faces (ULAE 55), iconic 1960s Pop Art silkscreen
Located in New York, NY
Jasper Johns Target with Four Faces (ULAE 55), 1968 Silkscreen in colors on Rives BFK wove paper Signed and dated in red ink and numbered 53/100 (total edition includes ten artist's ...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Screen

Andre Derain, Village Road, from The Painters My Friends, 1965 (after)
Located in Southampton, NY
This exquisite lithograph after Andre Derain (1880–1954), titled Route de Village (Village Road), from the folio Les Peintres mes amis (The Painters My Friends), originates from the ...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Hecatombe de Toros
Located in San Francisco, CA
This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Henri Matisse, Series L, Var. 6, Drawings, Themes and Variations, 1943 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 6 (Series L, Variation 6), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Composition (Dupin 119), Feuilles éparses, Joan Miró
Located in Southampton, NY
Aquatint and etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and print...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Etching, Aquatint

Robert N. Robathan, Canyon
Located in New York, NY
Robert N. Robathan was raised in Los Angeles. This lithograph has the blind stamp of the noted California printer, Lynton Kistler, at the lower left. An impression of this subject i...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

An Aspect of Time, Modern Lithograph by Irving Marantz
Located in Long Island City, NY
Irving Marantz, American (1912 - 1972) - An Aspect of Time, Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil, Edition: 35/50, Image Size: 19.5 x 15 inches, S...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Original Op Art Abstract Color Screenprint "Planetary Folklore" Signed #2/250
Located in Portland, OR
A Op Art abstract color screenprint, "Planetary Folklore" 1968, by Victor Vasarely (1906-1997). This very striking work by Vasarely is comprised of various colorful geometric shapes, the work is signed lower right "Vasarely" and numbered lower left "2/250. This is an early and crisp impression in excellent condition and housed under glass in a gilt & silvered hardwood frame. This very eye-catching work by one of the 20th century's leading Op artists is ready to hang on your wall. 14" x 14.50" at sight without frame Numered 2/250 A Franco-Hungarian painter, Victor Vasarely (1906-1997) first studied medicine before turning to art. In Budapest, he frequented artists from the Hungarian Bauhaus...
Category

Op Art Mid-20th Century Abstract Prints

Materials

Lithograph, Handmade Paper, Color, Screen

Wassily Kandinsky, Untitled, from Derriere le miroir, 1969 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Formulaire rouge (Red Form), from the folio Derriere le miroir, No. 179, originates from the 1969 edition publis...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Victor Vasarely, Tapestry Design, from XXe Siecle, 1954
Located in Southampton, NY
This exquisite lithograph by Victor Vasarely (1906–1997), titled Projet de tapisserie (Tapestry Design), from the album XXe Siecle, Nouvelle serie N°4 (double) Janvier 1954, originat...
Category

Op Art Mid-20th Century Abstract Prints

Materials

Lithograph

Cadmium Orange
Located in Toronto, Ontario
Josef Albers (1888-1976) is affiliated with numerous defining movements of 20th century art. Historians credit Albers with fusing elements of American and European abstraction while ...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Screen

Wassily Kandinsky, Two Riders Against Red, from XXe siecle, 1938
Located in Southampton, NY
This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Zwei Reiter vor Rot (Two Riders Against Red), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Dire...
Category

Modern Mid-20th Century Abstract Prints

Materials

Woodcut

"Sun Dance" Vibrant Mid Century Serigraph
By Kenneth W. Auvil
Located in Soquel, CA
Wonderful mid-century abstract serigraph by Kenneth William Auvil (American, b. 1925.) This serigraph features botanical and floral motifs in a bright color palette of yellows and or...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Ink, Screen, Paper

Maria Helena Vieira da Silva, Seascape, from Painters of Today, 1960 (after)
Located in Southampton, NY
This exquisite heliogravure after Maria Helena Vieira da Silva (1908–1992), titled Marine (Seascape), from the folio Vieira da Silva, Peintres d'aujour...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Red, green and blue composition 76
Located in Paris, FR
Lithograph, 1969 Handsigned by the artist in pencil and numbered 26/80 Publisher : Galerie Im Erker (Saint-Gallen) Printer : Erker-Press (Saint-Gallen) Catalog : [Schneider 76] 87....
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Garden Yellows
Located in Toronto, Ontario
Josef Albers (1888-1976) is affiliated with numerous definitional movements in 20th century art. Art Historians credit Albers for fusing elements of American and European abstraction...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Screen

Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
Located in New York, NY
This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Lithograph

Joan Mitchell, Untitled, from The Poems, 1960
Located in Southampton, NY
This exquisite silkscreen by Joan Mitchell (1925–1992), titled Untitled, from the album The Poems, originates from the 1960 edition published and printed by Tiber Press, New York, un...
Category

Abstract Expressionist Mid-20th Century Abstract Prints

Materials

Screen

Antoni Tàpies lithograph Derriere Le Miroir (Antoni Tàpies prints)
Located in NEW YORK, NY
Antoni Tàpies Lithograph c. 1968 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. Fr...
Category

Contemporary Mid-20th Century Abstract Prints

Materials

Lithograph

Joan Miro - “Plate I” from “Oda à Joan Miró” - Lithograph
Located in Collonge Bellerive, Geneve, CH
“Plate I,” from “Oda à Joan Miró,” by Joan Brossa Lithograph in colors, 1973 Signed in pencil and inscribed “H.C.” (presumably one of 10; the total edition was 525) Published by La...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Arctic Bloom /// Josef Albers Blue Orange Screenprint Homage to the Square Print
Located in Saint Augustine, FL
Artist: Josef Albers (German-American, 1888-1976) Title: "Arctic Bloom" Portfolio: Soft Edge - Hard Edge *Unsigned edition, (there was also a signed edition of 50 on Rives BFK paper)...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Screen

Intimité
Located in Middletown, NY
Paris: Mourlot Press, 1964. Lithograph in colors on Velin d’Arches paper, 6 3/4 x 10 inches (170 x 253 mm), full margins. Published by Fernand Mourlot and Jean Adhemar, 1964. In ver...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph, Handmade Paper

Ellsworth Kelly, Yellow, Blue, from Derriere le Miroir, 1964
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Jaune, Bleu (Yellow, Blue), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght ...
Category

Hard-Edge Mid-20th Century Abstract Prints

Materials

Lithograph

Gemini, 1960s Op Art geometric silkscreen, mixed media paper, Signed AP, Framed
Located in New York, NY
Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Paper, Mixed Media, Laid Paper, Screen

Ellsworth Kelly, Red Form, from Derriere le Miroir, 1958
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Formulaire rouge (Red Form), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght...
Category

Hard-Edge Mid-20th Century Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Green, Yellow, from Derriere le Miroir, 1964
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Vert, Jaune (Green, Yellow), originates from the historic 1964 folio Derriere le Miroir, No. 149. Published by Maeght...
Category

Hard-Edge Mid-20th Century Abstract Prints

Materials

Lithograph

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman
Located in New York, NY
The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...
Category

Modern Mid-20th Century Abstract Prints

Materials

Linocut

Pablo Palazuelo, Untitled, from Derriere le Miroir, 1963
Located in Southampton, NY
This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Lithograph

Pablo Palazuelo, Untitled, from Derriere le Miroir, 1963
Located in Southampton, NY
This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1963 folio Derriere le Miroir, No. 137, published by Maeght Editeur, Paris...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Lithograph

Death is something like Cousin Cynthia (Spies/Leppien 13 IV), Max Ernst
Located in Southampton, NY
Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: A photogram was a...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Photogram

Henri Matisse, Miss C.P., from Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle C.P. (Miss C.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Alberto Giacometti, Georges Braque, August 31, 1963, from Derriere le Miroir
Located in Southampton, NY
This exquisite lithograph by Alberto Giacometti (1901–1966), titled Georges Braque le 31 aout 1963 (Georges Braque, August 31, 1963), originates from the 1964 folio Derriere le Miroi...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Hommage a Rene Char after Pablo Picasso
Located in New York, NY
This colorful lithograph after Pablo Picasso was printed by the Atelier Mourlot in Paris in 1964 and is unsigned*. This image is taken from a drawing in pencil and colored chalk enti...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Intersections, Framed Abstract Lithograph by Alexander Calder
Located in Long Island City, NY
Intersections from Derriere Le Miroir by Alexander Calder, American (1898–1976) Date: 1968 Lithograph Size: 15 x 11 in. (38.1 x 27.94 cm) Frame Size: 21 x 17 inches Printer: Maeght, ...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Feu sous L eau (Fire Under Water) —Mid-century Modernism, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category

Abstract Expressionist Mid-20th Century Abstract Prints

Materials

Engraving, Etching

SAN GIMINIANO
Located in Portland, ME
Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...
Category

Mid-20th Century Abstract Prints

Materials

Etching

Interlinear K50 — Mid-Century Geometric Abstraction
Located in Myrtle Beach, SC
Josef Albers, 'Interlinear K50', zinc plate lithograph offset to stone printing, 1962, edition 20, Danilowitz 151. Signed, titled, dated, and numbered '14/20' in pencil. A superb, ri...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Lithograph

Roger Bissiere, Sun, from XXe Siecle, 1964
Located in Southampton, NY
This exquisite lithograph by Roger Bissiere (1886–1964), titled Soleil (Sun), from the album XXe Siecle, Nouvelle serie, XXVIe Annee N°24, Decembre 1964, originates from the 1964 edi...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Composition abstraite sur fond noir
Located in Paris, FR
Lithograph Handsigned by the artist in pencil and numbered 47/100 LCD3902
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Jim Dine The Robert Fraser Gallery Print famous Deluxe Signed/N British Pop art
Located in New York, NY
Jim Dine The Robert Fraser Gallery Print, 1965 Silkscreen and Lithograph on wove paper (Deluxe hand signed limited edition) Hand signed and numbered 75/100 in graphite by Jim Dine lo...
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Lithograph

Ellsworth Kelly, Red Blue, from Ten Works by Ten Painters, 1964
Located in Southampton, NY
This exquisite silkscreen by Ellsworth Kelly (1923–2015), titled Red Blue, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadsworth Athen...
Category

Minimalist Mid-20th Century Abstract Prints

Materials

Screen

UNTITLED
Located in Portland, ME
Nevelson, Louise. UNTITLED. Baro 36. Tamarind Number 801. Lithograph, 1963. Edition of 20, plus 2 Printer's Proofs, 1 Trial Proof, and 3 Artist's Proofs. Inscribed "Tamarind Impressi...
Category

Abstract Mid-20th Century Abstract Prints

Materials

Lithograph

Joan Miro, Untitled, from Derriere le miroir, 1967 (after)
Located in Southampton, NY
This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celle...
Category

Surrealist Mid-20th Century Abstract Prints

Materials

Lithograph

Pierre Bonnard, Sunset Over the Mediterranean, Verve, Revue Artistique, 1940
Located in Southampton, NY
This exquisite lithograph by Pierre Bonnard (1867–1947), titled Coucher De Soleil Sur La Mediterranee (Sunset Over the Mediterranean), from Verve, Revue Artistique et Litteraire, Vol...
Category

Post-Impressionist Mid-20th Century Abstract Prints

Materials

Lithograph

Henri Matisse, Mrs. Dorothy Parley, Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Dorothy Parley (Mrs. Dorothy Parley), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Steinberg, Illustration, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

Post-War Mid-20th Century Abstract Prints

Materials

Lithograph

Henri Matisse, Mrs. Matisse, from Portraits by Henri Matisse, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Madame Matisse (Mrs. Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...
Category

Fauvist Mid-20th Century Abstract Prints

Materials

Lithograph

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 166, 1967. Published by Aim...
Category

Modern Mid-20th Century Abstract Prints

Materials

Lithograph

Roy IV.
Located in Slovak Republic, SK
A Hahnemuehle Fine Art Print, attributed to Roy Lichtenstein. Editioned 25.
Category

Pop Art Mid-20th Century Abstract Prints

Materials

Photographic Paper, Color, Archival Pigment, Digital Pigment

Roy IV.
Roy IV.
$1,140 Sale Price
20% Off
Georges Braque, Red Flowers, from Le Solitaire, XXe siecle, 1959 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Fleurs rouges (Red Flowers), from the album Georges Braque, Le Solitaire (The Solitary), originates fro...
Category

Cubist Mid-20th Century Abstract Prints

Materials

Lithograph

Staatliche Werkkunstschule Kassel (Prefatio) Poster /// Bauhaus Josef Albers Art
Located in Saint Augustine, FL
Artist: (after) Josef Albers (German-American, 1888-1976) Title: "Staatliche Werkkunstschule Kassel (Prefatio)" Year: 1957 Medium: Original Relief Print (Letterpress), Exhibition Poster on light wove paper Limited edition: Unknown Printer: Staatliche Werkkunstschule Kassel, Kassel, Germany Publisher: Staatliche Werkkunstschule Kassel, Kassel, Germany Sheet size: 24.75" x 17.63" Image size: 11.75" x 15.63" Condition: A few faint handling creases. Never framed, has been professionally stored away for decades. In excellent condition Extremely rare Notes: Provenance: private collection - Nuremberg, Germany. Poster produced for a special exhibition of Albers' work "Early Pictures from the Twenties and New Works" at the Staatliche Werkkunstschule Kassel from May 28 - June 8, 1957. The image featured on this poster is Albers' 1942 lithograph edition "Prefatio", (Danilowitz No. 103, page 76), from his 1942 "Graphic Tectonics" series of 9 lithographs, (Danilowitz No. 100-108, page 74-79). Printer's imprint upper right. This is an extremely rare poster being if not the, one of the, earliest documented Josef Albers exhibition...
Category

Abstract Geometric Mid-20th Century Abstract Prints

Materials

Paper

Coeurs Volants (Fluttering Hearts) Schwartz 446C, historic hand signed edition
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Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...
Category

Dada Mid-20th Century Abstract Prints

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Henri Matisse, Icarus, from Verve, Revue Artistique, 1945
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This exquisite lithograph by Henri Matisse (1869–1954), titled Icarus, from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the 1945 issue published by Editio...
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Located in Miami, FL
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Category

Abstract Mid-20th Century Abstract Prints

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'The Orange Point', color serigraph, edition 54, c. 1940. Signed, titled, and annotated 'Ed/54' in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet wi...
Category

American Modern Mid-20th Century Abstract Prints

Materials

Screen

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