Abstract Abstract Prints

Lithograph, 1964 Edition : 19/150 Publisher : Hochschule St. Gallen (St. Gallen) Printer : Maeght (Paris) Catalog : [Cramer 111] 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (...

FEATHER DANCER is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (193...

Etching, 1968 Handsigned by the artist in pencil and numbered 7/50 Publisher : Galerie Louise Leiris, Paris Catalog : [Bl. 1615 ; GB 1631] 56.50 cm. x 64.50 cm. 22.24 in. x 25.39 ...

ICARUS I is an original hand-drawn lithograph created in 1986 by the French American artist Marius Sznajderman, printed in neutral warm grays and intense black on archival Arches pap...

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

Rainbow shades shine in delicate clusters of vertical lines, in this abstract, geometric lithograph. Vibrant yellow, green, magenta pink, blue and brown take on the organic quality o...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithographic reproduction on GardaMatt Art 250 GSM paper with full margins (Artist Authorized) Not signed, edition of 3433 12 1...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

"The Sun Shines All Over", a bold minimalist vintage abstract landscape print by the renowned printmaker Shiou-ping Liao (Taiwanese, b.1936). A perfectly circular, high voltage rainb...

This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...

This stunning extra large hand painted Edition offers a grand scale visual treat to your space and enrich your daily life. Limited Edition only 3 are published, and it's surreal vs a...

Louise Nevelson (1899-1988) is one of the most revered and unique artists of the 20th century. There has been a renewed interest and appreciation for her extensive body of work. In 2...

Mark Tobey, American (1890 - 1976) - Transformation, Year: circa 1970, Medium: Screenprint on Richard de Bas, signed, numbered and titled in pencil, Edition: AP, Image Size: 15.75 ...

Tadashi Kawamata Untitled for the Relocation Project, Serpentine Gallery, London, 1997 Screenprint on wove paper Pencil signed, dated '97 and numbered 169/180. 34 1/2 × 24 3/4 inches...

Piero Dorazio Abstract Composition (Bank of New York Corporate Collection), 1971 Lithograph on wove paper Pencil signed, numbered 73/75 and dated on the front. The back bears a label...

The signals is an original lithograph print realized by Leo Guida in 1984. Hand-signed on the lower left and dated in pencil. Numbered from the edition of 15 prints. Titled on the l...

Lithograph, 1971 Handsigned by the artist in pencil and annotated "Epreuve artiste" Artist proof Printer : Erker Presse, St Gallen 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (pape...

Rocaille is an original lithograph on watermarked paper "Arc". Abstract composition by the French artist Jean Dubuffet. From the album of "Territoires" (1953-1959). In excellent cond...

This original etching is hand signed in pencil by the artist “Chillida” at the lower left margin. It is also hand numbered in pencil from the edition of 100, at the lower right margi...

Agamograph (3D lenticular). Hand signed lower right by Yaacov Agam. Hand numbered 17/99 lower left. Artwork size 14.25 x 14 inches. Custom framed as pictured. Frame size: 18.75 x...

Josef Albers (1888-1976) is affiliated with numerous defining movements of 20th century art. Historians credit Albers with fusing elements of American and European abstraction while ...

Lithograph, 1979 Handsigned by the artist in pencil and numbered 88/100 Publisher : Bram Van Velde & Jacques Putman (Paris) Printer : Pierre Badey (Paris) Catalog : Mason Putman 341 ...

Artist: Dale Chihuly (1941) Title: Composition, Float Series Year: 2017 Medium: Silkscreen and acrylic on Waterford paper Edition: 18/110 Size: 37 x 25 inches Inscription: Signed and...

Ellen Tiberino (1937-1992). Head of Woman, ca. 1980. edition 450. Offset print on paper, image measuring 15.5 x 21 inches. 21.5 x 27 inches in matting. Hand signed and numbered i...

Damien Hirst Opium, 2000 Lambda C-Type print on Gloss Fuji Archive paper. Signed by the artist, lower right on recto Numbered on verso 48 x 43.7 cm 52 x 48 cm (framed) Edition 391 of...

**ANNUAL SUPER SALE UNTIL JANUARY 31ST ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT: This is a Limited edition of 30 museum qua...

Nancy Graves Calibrate, 1981 16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone Hand signed, numbered 12/30 dated on the fro...

Created by Ellsworth Kelly in 1984, Baie Rouge is an original lithograph on Arches paper. Hand-signed in pencil and numbered from the edition of just 25, the artwork measures 51 x 52...

Composition is lithograph by Antoni Tapies for the Art Magazine Derriere Le Miroir no. 175 in 1968. Published by Maeght, Paris. Edition of unknown size. Very good conditions. One ...

Alvar Sunol Pencil Signed Lithograph C.1970s Three women around a table Dimensions 21.5" wide x 12.5" high The frame measures 32.75" wide x...

mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere' Hemisphere I by Christian Stoll 58 x 58 inches (147 x 147cm) signed edition of 7 48 x 48 inches (122 x 122cm) signed edition of 7 40 x 40 inches (102 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by artist on certificate label „frameless“ glass face mounting available on request _________________________ Christian Stoll has experimented with the photography medium since 1991. His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms...

Screen print on arches paper. From Double Metamorphosis Series. Hand signed and numbered by Yaacov Agam. From the edition of 180. Sheet size 36.25 x 49.75 inches. Image size 29 ...

1982-84 Hunter College, New York (M.F.A.) 1978-80 School of Visual Arts, New York 1973-77 Bezalel Academy of Art, Jerusalem (B.F.A.) American, born in Romania Lives and works in New York City Solo Exhibitions 2008 Michael Steinberg Fine Art, New York 2006 Galeria Joan Prats, Barcelona 2005 Karpio + Facchini Gallery, Miami Jacob Karpio Galeria, San Jose (Costa Rica) 2004 Michael Steinberg Fine Art, New York 2001 Marella Arte Contemporanea, Milan 2000 Von Lintel & Nusser, New York Galerie Von Lintel & Nusser, Munich 1998 Galerie Thomas von Lintel, Munich 1997 Galerie des Archives, Paris 1995 Galerie Samuel Lallouz, Montreal L.A. Louver, Los Angeles 1994 Marc Jancou Gallery, London Galerie des Archives, Paris 1993 Galerie Barbara Farber, Amsterdam Real Art Ways, Hartford (Connecticut) 1992 Tom Cugliani Gallery, New York Galerie Marc Jancou, Zurich Galerie des Archives, Paris 1989 Tom Cugliani Gallery, New York Galerie Barbara Farber, Amsterdam Studied at bezalel from 1973 to 1977. And it was a very fascinating time because it was a highly conceptually based school. Very much influenced by Joseph Beuys, and European Conceptualism, I didn’t really like the atmosphere there that much, because it was dominated by male painters like Jörg Immendorf, Marcus Lupertz, and a few others. then came to New York to study at SVA for two years. New York in 1978 was exciting. I was very lucky to be in a class that was full of very bubbly and very energetic artists like Keith Haring, Kenny Scharf, Tim Rollins, Moira Dryer, Frank Holliday, and Tom Cugliani (who later became one of my dealers).The eighties were dominated largely by Neo-Expressionist paintings. There were Germans, such as Baselitz, Kiefer, Richter, Penck, and the Italians, Clemente, Chia, Cucchi, Palladino as well as Schnabel, Fischl, Basquiat, Salle, and many others, but all of their paintings were figuratively based. But below the popular consent, there was a group of painters who were working more in the vein of what Stephen Westfall referred to as “Neo-Surrealism,” including George Condo, Jeffrey Wasserman, Kenneth Scharf, David Humphrey. However, I felt that Carroll Dunham and you were the only two painters who seemed to be less interested in the kind of narrative, lyrical, or let’s say, stationary composition. He belongs to the generation of Terry Winters, Elizabeth Murray, David Reed and Jonathan Lasker but in some strange way, if we’re looking back to the mid-eighties, we have to include New Image painters like Susan Rothenberg, Neil Jenney, and Robert Moskowitz who were working in between the figure and abstraction with a kind of condensation and compression, in relationship, lets say, to cartoon imagery. There are artists like Jeff Koons, or even Damien Hirst who took the Duchampian aspect and brought it into the continuity of his readymade. But for me, I see no difference between the crack in “Large Glass” and the drips in Jackson Pollock’s paintings. There was something that I felt in my own equation of the continuity between Paul Klee, Duchamp, Picabia, and, oddly enough, Clyfford Still. What essentially is important is how different artists carry on a dialogue among themselves so that they can all keep their work vital. Whether from the abstract paintings of Richmond Burton, Fabian Marcaccio extending the borders of his paintings on to the wall, or Cady Noland’s early scattered installation, my own pre-occupation with machinery, urban environment, and the Duchampian models has always materialized in relationship to other forms of art making. Selected Group Exhibitions: 2014 Drawing on Difference: An Ambition by Saul Ostrow and Lidija Slavkovic, Studio Vendome Gallery, New York. 2013 Drawing on Habit: An Ambition by Saul Ostrow and Lidija Slavkovic, South Carlton Beach and The Betsy-South Beach Exhibition Programs, Art Basel, Miami Beach. 2013 Imprinted Pictures: Lydia Dona...

Silkscreen realized by Alberto Burri in 1986. Artist proof out of an edition of 50. Image dimension 60x60 cm. Hand signed and dedicated. Excellent condition.

"Homage to the Square - Portfolio 1, Folder 20, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origin...

Beautiful lithograph by Claude Viallat, Signed and numbered 8/80

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Abstract composition is a beautiful original colored screen print on paper, realized by the Italian artist and pioneer of Abstract Art Mario Radice (1898-1987), in 1988 Hand-signe...

Lithograph, 1969 Edition : 8/200 71.00 cm. x 50.00 cm. 27.95 in. x 19.69 in. (paper) 59.00 cm. x 36.00 cm. 23.23 in. x 14.17 in. (image) Handsigned by the artist in pencil Ref : LC...

Agamograph (3D lenticular). Hand signed lower right by Yaacov Agam. Hand numbered XX/XC lower left Custom framed as pictured. Plexiglass sandwich style with white frame. Frame s...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26 inches h x 27 inches w. Born in Mexico City in 1950, Ricardo Mazal moved to Barcelona Spain in 1986, and since 1990 has lived and worked in New York City, as well as Santa Fe New Mexico. Mazal’s work explores the process of visual perception as it takes form in the human consciousness. His paintings depict the passage of time, not by illustrating events but by leaving their residue to dissipate in space like a still photograph of a speeding object blurred to abstraction. In the last decade he has been honored with ten individual museum exhibitions, including a retrospective at the Museo de Arte Moderno in Mexico City and the Museo de Arte Contemporaneo (MARCO) in Monterrey. He has also shown at the Museo Nacional de Anthropologia, Mexico City and the Scottsdale Museum of Contemporary Art. KORA follows the direction begun by La Tumba de La Reina Roja (The tomb of the Red Queen...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* The "FORTH OF JULY" series is making history in the a...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

Lovely etching, framed, with fine art glass. Signed, E/A.

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

Color screenprint, 1972. Signed by the artist and dated in pencil, lower right margin. Numbered 24/60 in pencil lower left,. Printed and published by Workshop, Inc., Washington, D...

This rear cover lithograph from Derrière le Miroir No. 204 showcases Eduardo Chillida’s iconic abstract style, emphasizing his mastery of form, balance, and spatial exploration. Publ...

Bram Bogart (Dutch, born 1921) 'Diamond Composition', carborundum etching printed in colours, 2005, on handmade paper, signed, dated and numbered.

Lithograph, 1969 Handsigned by the artist in pencil and numbered 137/150 Publisher : Alain Mazo, Paris Printer : Mourlot, Paris Catalog : Prudhomme & Moestrup p.134 68.20 cm. x 82.80...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...

Color lithograph on paper, edited in 1970. Limited edition, numbered HC (hors commerce) Signed in pencil by artist in lower right corner. Very good conditions. Paper size: 80 x 59 cm...

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. Although Nevelson is best known f...

In this abstract print by Ray Elman, the artist creates a series of wave-like forms over textual tide charts for an undisclosed area. The Old in and Out Ra...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - D Year: circa 1980 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

This print was created by Albers for the occasion of an exhibition at Goethe House in Manhattan in 1973. It is in an excellent white contemporary frame. Artist: Josef Albers, German...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...

Mark Tobey, American (1890 - 1976) - Summer Joy, Year: 1971, Medium: Color Aquatint, signed, numbered and dated in pencil, Edition: 10/96, Image Size: 10.75 x 8.75 inches, Frame Si...

Original etching, aquaforte, aquatint engraving. Hand pencil signed and numbered. Published by Editions Denise René, Paris. Number: 10 from the folio edition of 120 which were on ...