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Cubist Abstract Prints

CUBIST STYLE

Inspired by the nontraditional ways Postimpressionists like Paul Cézanne and Georges Seurat depicted the world, Pablo Picasso and Georges Braque pioneered an even more abstract style in which reality was fragmented into flat, geometric forms. Cubism majorly influenced 20th-century Western art as it radically broke with the adherence to composition and linear perspectives that dated back to the Renaissance. Its watershed moments are considered Picasso’s 1907 Les Demoiselles d’Avignon, in which nude figures are fractured into angular shapes, and Georges Braque’s 1908 painting show, which prompted a critic to describe his visual reductions as “cubes.”

Although Cubism was a revolutionary art movement for European culture, it was informed by African masks and other tribal art. Its artists, which included Fernand Léger, Alexander Archipenko, Marcel Duchamp, Juan Gris and Jean Metzinger, experimented with compressing space and playing with the tension between solid and void forms in their work. While their subjects were often conventional, such as still lifes, nudes and landscapes, they were distorted without any illusion of realism.

Cubist art evolved through different distinct phases. In Analytic Cubism, from 1908 to 1912, figures or objects were “analyzed” into pieces that were reassembled in paintings and sculptures, as if presenting the same subject matter from many perspectives at once. The palette was usually monochromatic and muted, giving attention to the overlapping planes. Synthetic Cubism, dating from 1912 to 1914, moved to brighter colors and a further flattening of images. This unmooring from formal ideas of art would shape numerous styles that followed, from Dada to Surrealism.

Find a collection of authentic Cubist paintings, prints and multiples, sculptures and more art on 1stDibs.

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Style: Cubist
Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
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1960s Cubist Abstract Prints

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Linocut

Georges Braque, Landscape at L’Estaque, from Derriere le Miroir, 1964 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Paysage a l’Estaque (Landscape at L’Estaque), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, ...
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1960s Cubist Abstract Prints

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Lithograph

Sonia Delaunay, Spanish Dancer, from XXe Siecle, 1972
Located in Southampton, NY
This exquisite lithograph by Sonia Delaunay (1885–1979), titled Danseuse espagnole (Spanish Dancer), from the album XXe Siecle, Nouvelle serie, XXXIVe Annee, No. 39, Decembre 1972, o...
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1970s Cubist Abstract Prints

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Lithograph

Georges Braque, Boat on the Pebbles, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Barque sur les galets (Boat on the Pebbles), originates from the 1968 folio Varengeville, published by Maeght Edite...
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1960s Cubist Abstract Prints

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Lithograph

Descente de Croix (Descent from the Cross) — 1920s French Cubism
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
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1920s Cubist Abstract Prints

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Stencil

Georges Braque, Seascape with Seagull, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Marine a la Mouette (Seascape with Seagull), originates from the 1968 folio Varengeville, published by Maeght Edite...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Cliffs, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Les falaises (The Cliffs), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and pri...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, Les champs, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Blue Boats, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Les barques bleues (The Blue Boats), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pari...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Beach at Varengeville, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled La plage de Varengeville (The Beach at Varengeville), originates from the 1968 folio Varengeville, published by Mae...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, Landscape with Poppies, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Paysage aux coquelicots (Landscape with Poppies), originates from the 1968 folio Varengeville, published by Maeght ...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, Landscape, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Paysage (Landscape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Wave, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled La vague (The Wave), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed b...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Portuguese, from Derriere le Miroir, 1964 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, Black Seascape, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Marine noire (Black Seascape), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Plow, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled La charrue (The Plow), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Stranded Boat, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled La barque echouee (The Stranded Boat), originates from the 1968 folio Varengeville, published by Maeght Editeur, Pa...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, Night Birds, from Prints from the Mourlot Press, 1964 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux de nuit (Night Birds), from the album Prints from the Mourlot Press, exhibition sponsored by the French Emb...
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1960s Cubist Abstract Prints

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Lithograph

Georges Braque, The Black Bird and the White Bird, Derriere le Miroir (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau noir et l’Oiseau blanc (The Black Bird and the White Bird), originates from the 1964 folio Derriere le Mir...
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1960s Cubist Abstract Prints

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Lithograph

Fernand Leger, Water, from Verve, Revue Artistique, 1937
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, originates from the 1937 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1937. This vibrant composition embodies Leger’s fascination with the elemental forces of nature reinterpreted through the lens of modernity. L’Eau reflects his ongoing exploration of the harmony between mechanical precision and organic movement, transforming the natural motif of flowing water into an abstract symphony of curves, color, and rhythm. Through its interplay of form and line, the work reveals Leger’s mastery of balance and visual dynamism—an artistic celebration of motion and modern life. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the superior craftsmanship of the Mourlot Freres atelier, celebrated for its collaborations with the leading modern artists of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: L’Eau (Water), from Verve, Revue Artistique et Litteraire, Vol. I, No. 1, 1937 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1937 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 1, published by Editions de la revue Verve, Paris, 1937 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Designed as a meeting point of art, poetry, and philosophy, Verve united the era’s greatest modern artists—including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger—with leading intellectuals such as Paul Eluard and Albert Camus. Printed by the master lithographers Mourlot Freres, each issue was a masterpiece of craftsmanship, presenting original lithographs alongside literary works in a richly designed format. The inaugural issue, Vol. I, No. 1, published in 1937, marked a defining moment in the history of modern art publishing—introducing the vision of Verve as a beacon of artistic collaboration and aesthetic excellence that would shape the visual culture of the 20th century. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger L’Eau, Leger Verve, Leger Mourlot...
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1930s Cubist Abstract Prints

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Lithograph

Georges Braque, The Studio, from Derriere le Miroir, 1964 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled L’Atelier (The Studio), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Br...
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1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Horse and Bird, from Derriere le miroir, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Cheval et oiseau (Horse and Bird), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Braque,...
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1950s Cubist Abstract Prints

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Lithograph

Robert Delaunay, The Window, No. 2, from XXe Siecle, 1957 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Robert Delaunay (1885–1941), titled La fenetre, n°2 (The Window, No. 2), from the album XXe Siecle, Nouvelle serie N°9 (double), Juin 1957...
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1950s Cubist Abstract Prints

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Lithograph

Georges Braque, Cafe-Bar, from Derriere le Miroir, 1964 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Cafe-Bar, originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Georges Braque (Tribute ...
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1960s Cubist Abstract Prints

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Lithograph

Juan Gris, The Lamp, from Au Soleil du Plafond, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Juan Gris (1887–1927), titled La Lampe (The Lamp), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edit...
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1950s Cubist Abstract Prints

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Lithograph

Georges Braque, Horse and Rider, from Derriere le miroir, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Cheval et cavaliere (Horse and Rider), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Bra...
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1950s Cubist Abstract Prints

Materials

Lithograph

Juan Gris, Guitar, from Au Soleil du Plafond, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Juan Gris (1887–1927), titled Guitare (Guitar), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 edition...
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1950s Cubist Abstract Prints

Materials

Lithograph

Braque, La barque D-27, Varengeville (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 10.25 x 13.75 inches Inscription: Signed in the plat...
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1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Hercules, from Derriere le miroir, 1951
Located in Southampton, NY
This exquisite lithograph by Georges Braque (1882–1963), titled Hercules, from the folio Derriere le miroir, No. 36-37-38, originates from the 1951 edition published by Maeght Editeu...
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1950s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Two Figures, from Derriere le miroir, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Les deux figures (The Two Figures), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Braque...
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1950s Cubist Abstract Prints

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Lithograph

Lettera Amorosa
Located in San Francisco, CA
This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...
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Mid-20th Century Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Horse and Bird, from Derriere le miroir, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Cheval et oiseau (Horse and Bird), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Braque,...
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1950s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Plow, from Derriere le Miroir, 1960
Located in Southampton, NY
This exquisite lithograph by Georges Braque (1882–1963), titled La Charrue (The Plow), originates from the 1960 folio Derriere le Miroir, No. 119, Poetes, peintres, sculpteurs (Poets...
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1960s Cubist Abstract Prints

Materials

Lithograph

"Pastoral"
Located in San Francisco, CA
Artist: Jacques Villon (French, 1875-1963) Title: "Pastoral" From the suite "Les Bucoliques" Year: 1953 Medium: Color lithograph Paper: Japan nacre Image size: 8 x 19 inches Sheet size: 22.25 x 18.5 inches Signature: Hand signed in pencil by the artist Edition: From the edition of 245 Publisher: Scripta and Picta Printer: Fernand Mourlot, Paris Condition: Excellent Frame: Unframed About the artist. Jacques Villon was born Gaston Duchamp on July 31, 1875, in Damville, Normandy. His family is one of remarkable artistic repute; he and his three siblings Marcel Duchamp, Raymond Duchamp...
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Mid-20th Century Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Two Birds, from Derriere le miroir, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Les deux oiseaux (The Two Birds), from the folio Derriere le miroir, Hesiod, Theogony, Etchings by Georges Braque, ...
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1950s Cubist Abstract Prints

Materials

Lithograph

Fernand Leger, Composition on a Red Background, from Derriere le miroir, 1949
Located in Southampton, NY
This exquisite lithograph by Fernand Leger (1881–1955), titled Composition sur fond rouge (Composition on a Red Background), from the folio Derriere le miroir, L’art abstrait, No. 21...
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1940s Cubist Abstract Prints

Materials

Lithograph

Juan Gris, The Coffee Grinder II, from Au Soleil du Plafond, 1955 (after)
Located in Southampton, NY
This exquisite lithograph after Juan Gris (1887–1927), titled Le Moulin a Cafe II (The Coffee Grinder II), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), origi...
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1950s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Zelos, from Derriere le miroir, 1951
Located in Southampton, NY
This exquisite lithograph by Georges Braque (1882–1963), titled Zelos, from the folio Derriere le miroir, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, ...
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1950s Cubist Abstract Prints

Materials

Lithograph

Deux vieux au bord de la mer avec une pelle et une barque (B. 267-272; C. 24)
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
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1930s Cubist Abstract Prints

Materials

Etching

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
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1960s Cubist Abstract Prints

Materials

Linocut

Graphic Artwork Exhibition Poster by Georges Braque, Modernist Lithograph 1959
Located in Chicago, IL
"Georges Braque Graphic Works" features a bird in flight against a ruddy background. The poster announces an exhibition of prints and illustrated books held at Galerie Nicolas Rauch ...
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Mid-20th Century Cubist Abstract Prints

Materials

Lithograph

"Personaje" (Character) - Abstracted Figurative Serigraph on Paper (#146/175)
Located in Soquel, CA
"Personaje" (Character) - Abstracted Figurative Serigraph on Paper (#146/175) Abstracted figure with a collage-like appearance by Victor Chab (Argentinian, b. 1930). A figure with f...
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1980s Cubist Abstract Prints

Materials

Paper, Lithograph

Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract Print
Located in Surfside, FL
Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...
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1960s Cubist Abstract Prints

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Lithograph

Rue Caulaincourt
Located in Fairlawn, OH
Rue Caulaincourt Etching and engraving, 1931 Initialed in the plate (see photo) Edition: 77 Plate 10 from "Plaches de Salut" Published by Aux Editions Jeanne Bucher, Paris Rue Caulai...
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1930s Cubist Abstract Prints

Materials

Engraving, Etching

VI from La Magnanerie de la Ferrage, Linocut on Rice Paper by Alberto Magnelli
Located in Long Island City, NY
Artist: Alberto Magnelli, Italian (1888 - 1971) Title: VI from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...
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1970s Cubist Abstract Prints

Materials

Rice Paper, Linocut

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
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1960s Cubist Abstract Prints

Materials

Linocut

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
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1960s Cubist Abstract Prints

Materials

Linocut

Golgotha
Located in San Francisco, CA
Artist: Jacques Villon (French, 1875-1963) Title: Golgotha Year: 1956 Medium: Color lithograph Edition: Numbered 74/80 in pencil Paper: Rives Image size: 25.25 x 18.5 inches S...
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Mid-20th Century Cubist Abstract Prints

Materials

Lithograph

Braque, Paysage, Varengeville (after)
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 4.375 x 13.75 inches Inscription: Signed in the plat...
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1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, The Fields, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Les champs (The Fields), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and print...
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1960s Cubist Abstract Prints

Materials

Lithograph

Georges Braque, Seaside, from Varengeville, 1968 (after)
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...
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1960s Cubist Abstract Prints

Materials

Lithograph

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
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1960s Cubist Abstract Prints

Materials

Linocut

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
Category

1960s Cubist Abstract Prints

Materials

Linocut

Etoile de Mer Rouge (Red Star Fish) from the suite, Si je mourais La-Bas
Located in San Francisco, CA
This artwork titled " Etoile de Mer Rouge (Red Star Fish)" From the suite "Si je Mourais la Bas" is a rare original color woodcut on L.B hand made paper ...
Category

Mid-20th Century Cubist Abstract Prints

Materials

Woodcut

Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract Print
Located in Surfside, FL
Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...
Category

1960s Cubist Abstract Prints

Materials

Lithograph

III from La Magnanerie de la Ferrage, Abstract Linocut by Alberto Magnelli
Located in Long Island City, NY
Artist: Alberto Magnelli, Italian (1888 - 1971) Title: III from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size:...
Category

1970s Cubist Abstract Prints

Materials

Rice Paper, Linocut

Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract Print
Located in Surfside, FL
Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Russian French Avant Garde Lithograph Rhythm in Colour Vibrant Abstract Print
Located in Surfside, FL
Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...
Category

1960s Cubist Abstract Prints

Materials

Lithograph

Figural Abstract Mid Century Modern Lithograph Portraits, Judaica, Jewish Print
By Rita Gombinski
Located in Surfside, FL
This is a proof print and is unsigned. it has Jewish Hebraic motifs, a menorah with a Jewish star, a mezusah or megilla scroll by this talented Jewish woman artist. Her whole life lo...
Category

Mid-20th Century Cubist Abstract Prints

Materials

Canvas, Oil

Bouquet - Lithograph for Revue "Verve" by Georges Braque - 1955
Located in Roma, IT
Image dimensions: 30.5 x 20 cm. Bouquet is a beautiful colored lithograph on paper, realized by the Cubist artist, Georges Braque (Argenteuil, 1882 – Paris, 1963). Unsigned. From “Carnets Intimes” realized in 1955. Printed by Mourlot and published in the Revue Verve...
Category

1950s Cubist Abstract Prints

Materials

Lithograph

Cubist abstract prints for sale on 1stDibs.

Find a wide variety of authentic Cubist abstract prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of yellow, blue, orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Pablo Picasso, Georges Braque, Alberto Magnelli, and Jacques Villon. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Cubist abstract prints, so small editions measuring 2.13 inches across are also available. Prices for abstract prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $88 and tops out at $50,000, while the average work sells for $8,000.

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