Modern Abstract Prints

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré à Anton...

Sculpture is an etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil.Artist proof. it is an artist's proofs edition on the lower left. Ve...

A very good impression of this color etching and aquatint with strong colors. Signed and numbered 80/100 in pencil. Printed and published by Il Bisonte, Florence.

Ritmo-Struttura is a contemporary artwork realized by Francesco Guerrieri in 1964 Mixed colored Screen Print Artist Proof.  Hand signed on the lower margin Includes frame Don't ...

Karl Kasten, American (1916 - 2010) - Civitaveccia, Year: 1968, Medium: Lithograph, signed, numbered and dated in pencil, Edition: 11/20, Size: 18 x 24 in. (45.72 x 60.96 cm)

Savo Radulović, Serbian American (1911 - 1991) - The Lock, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 15, Image Size: 16.25 x 11.75 inches, Size: 20 x ...

Shirai Akiko, Japanese (1935 - 2001) - Orange Clouds, Year: 1969, Medium: Screenprint, signed, numbered, titled and dated in pencil, Edition: EA, Image Size: 11.75 x 16.75 inches...

Ornaments, 1953 Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print 7 x 4.75 inches 16 x 13.75 inches with frame Signed and Dated Lower Right Titled Lower Left Born 1890, Died 1986...

A very good impression of this large color lithograph on Arches. Signed and numbered 94/100 in pencil by Calder. Printed and published by Mourlot, Paris.

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...

Pablo Picasso (after) Helene Chez Archimede Medium: engraved on wood by Georges Aubert Dimensions: 44 x 33 cm Portfolio: Helen Chez Archimede Year: 1955 Edition: 240 (Here it is on...

This exquisite lithograph after Andre Derain (1880–1954), titled Sans titre (Untitled), originates from the 1957 folio Derriere le miroir, No. 94–95. Published by Maeght Editeur, Par...

This exquisite lithograph after Andre Derain (1880–1954), titled Sans titre (Untitled), originates from the 1957 folio Derriere le miroir, No. 94–95. Published by Maeght Editeur, Par...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 138, 1963. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 135-136, 1962-1963. Published by Aimé Maeght, Éditeur, ...

Zodiac is a contemporary artwork realized by Mario Padovan in 1976. Mixed colored lithograph. Hand signed and dated on the higher margin. Numbered on the higher left margin. Editi...

This original woodcut is hand signed in pencil by the artist with his initials “BN” at the lower left margin. It is also dated “34” [1934] next to the signature. It is also hand numbered in pencil from the edition of 300, at the lower left margin, verso. This woodcut was published in a limited edition of 300 impressions by Kestner Gesellschaft Hannover Art Museum from the original woodblock that was used in 1934. It was originally issued in the album “23 Gravures” by Orobitz Paris, 1934, in an edition of 30-50 impressions. The paper bears the ink stamp of Kestner-Gesellschaft, Hannover and the Zollamt Hannover, verso. Literature: Cristea, A. & Lewison, J. (2007) Ben Nicholson Prints...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 37 (Plate No. 37), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 39 (Plate No. 39), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 31 (Plate No. 31), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 23 (Plate No. 23), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 27 (Plate No. 27), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 16 (Plate No. 16), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Planche No. 18 (Plate No. 18), from the folio Compositions, couleurs, idees, Sonia Delaunay (Compositio...

Lunar Tables by Michael Challenger, British (1939) Date: 1969 Screenprint, signed and numbered in pencil Edition of 143/150 Size: 15.5 x 22.5 in. (39.37 x 57.15 cm)

A very good impression of this color lithograph. One of 25 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "AP" and numbered X/XXV in pencil by Moore. Print...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 116, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 167, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 129, 1961. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 211, 1974. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 211, 1974. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Bazaine. Estève. Lapique. Published by Galerie Louis Carré, Paris; ...

This artwork, titled "Aerial V" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-2”. I believe this indicates the artist did 2 impressions of the monotype, and that they are not identical. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches It is in very good condition with some faint rippling on the left and right edges, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

This artwork, titled "Aerial IV" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-20”. I believe this indicates the artist did 20 impressions of the monotype, and that no two are alike. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches It is in very good condition with some faint rippling on the left and right edges, and has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

Concentric Space (White) Clarence Holbrook Carter American (1904–2000) Date: 1969 Screenprint, signed and numbered in pencil Edition of 50 Image Size: 23.5 x 19.5 inches Size: 25 x...

This artwork titled "Genesis 2th Day" 1961 is a n original colors etching, with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and numb...

This artwork "Untitled" c.1980 is an original offset lithograph on wove paper by Canadian artist Terry Leftrook, born 1948. It is hand signed in pencil by the artist, also inscribed...

Vibrant Colorful Abstract-0-1-1,' a truly remarkable piece of limited edition art by the exceptionally talented artist Irena Orlov. This is not just any art piece; it's a masterpiec...

This artwork titled "Aero" 1990 is a color etching, with embossing and gold addition on handmade paper, with deckle edge, by noted artist Bruce Weinberg, 1942-1994 It is hand signed,...

This artwork titled "Golden Sails" 1991 is a color etching, with embossing and gold addition on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, nu...

This artwork titled "Storm" 1991 is a color etching, with embossing on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, numbered 20/50 and dated i...

Original lithograph in excellent condition by Louis Lozowick (1892-1973). Pencil signed lower right. Edition size lower left. No. 24 in the Raisonne by Janet Flint. Edition of 20. Th...

Hans Hartung 1970s signed and numbered signed and numbered colour lithograph Available one pair Title "Farandole" Signed lower right Numbered lower left XXVII/LXXV Table 5, editio...

AM Elder - Bathing in Distortions, Year: 1974, Medium: Screenprint, signed, titled, numbered and dated in pen, Edition: 2/10, Image Size: 14 x 23.5 inches, Size: 17 x 25.25 in...

"Jusqu'a L'Abstraction" is a lithograph poster by Wassily Kandinsky. This poster depicts abstract forms in purple, pink, blue, and black and was created for the Maeght gallery in Par...

Gateway and Figures is a lithograph on paper realized by an Anonymous artist in the 1970s. Hand-signed, illegible, and numbered, edition of 100 prints. Good conditions. The artwork is realized graphically through black and white and perfect consideration of the value: the mass of bodies and lines...

Jean Degottex, Vintage Poster Exhibition is offset print realized in occasion of exhibition held in Meo Gallery in 2010. Good conditions.

The South and North is an etching realized by Antonio Corpora in 1986. Hand-signed and dated on the lower right margin. The colored beautiful print is from an edition of 100. Numb...

Parrot is an original lithograph on paper, realized in the Late 20th century by the Italian artist Antonio Cremonese. Hand-signed on the lower, artist's proof. Very good conditions.

Abstract Urban Landscape is a print realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition, ex. 12/10...

Abstract Totem is a colored lithograph realized by Mario Padovan in the 1970s . Hand-signed in pencil on the lower right. Numbered in pencil on the low...

Abstract Composition is a beautiful colored screen print realized by Mario Padovan in 1971. Hand-signed in pencil on the lower right. Numbered on the lower left, Edition of 21/50 pr...

Two halves is an original modern artwork realized in 1970s by the artist Luisa Zamboni. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of XVI/XL. Inc...

Abstract Composition is an original Lithograph realized by Simone Gentile in the 1980s. Hand-signed. Numbered. Edition, 75/90. The artwork is depicted through confident strokes in...

A superb, richly-inked impression of this very scarce, early proof color aquatint on Arches. Artist's proof, aside from the edition of 180. Signed, dated and inscribed "H II fer pass...

Etching on Rives paper with the artist's watermark. Hand signed lower right by Henry Moore. Hand numbered 26/50 lower left (there were also 13 artist's proofs). Sheet size 20 x 14...

"Pour Daniel-Henry Kahnweiler Figure in Landscape" is an original lithograph by Yves Rouvre. The artist signed the piece lower right. It features an abstracted figure in fields of co...

'Flowers' is an original linocut by Wisconsin-based artist Schomer Lichtner. The composition presents a scattered floral still life amongst abstracted shadows and forms, rendered with Lichtner's quintessential abstract sensibilities. This print is one from a series that each depict abstracted subjects in black silhouette, taking pleasure in the materiality of the linocut technique. The free forms of the flower resemble the lyrical mid-century works of the French artist Henri Matisse, which combined with these material concerns demonstrate Lichter's modern sensibilities. The prints from this series are unusual because of how below the image, Lichtner also includes his Chinese seal and a linocut remarque of a cow, each of which act as an additional signature of the artist on the artwork. Linocut in black and red on Permalife white wove paper 4 x 5.25 inches, image 11.5 x 8.75 inches, sheet 16.5 x 13.63 inches, frame Signed in pencil, below image, lower right. Edition 1/100 in pencil, below image, lower left. Chinese signature stamp in red, below image, lower right. Remaque of a cow in red, below image, lower right. Permalife watermark to paper. Framed to conservation standards in a shadow-box style mounting, using 100 percent rag matting, museum glass, and housed in a silver-finish wood moulding. Overall excellent condition with no creases or discoloration. Milwaukee artist Schomer Lichtner was well known for his whimsical cows and ballerinas and abstract imagery. He and his late wife Ruth Grotenrath, both well-known Wisconsin artists, began their prolific careers as muralists for WPA projects, primarily post offices. Lichtner also painted murals for industry and private clients. Schomer was a printmaker and produced block prints, lithographs, and serigraph prints. His casein (paint made from dairy products) and acrylic paintings are of the rural Wisconsin landscape and farm animals. He became interested in cows when he and Ruth spent summers near Holy Hill in Washington County. According to David Gordon, director of the Milwaukee Art Museum, Schomer Lichtner had a tremendous joie de vivre and expressed it in his art. Schomer Lichtner was nationally known for his whimsical paintings and sculptures of black- and white-patterned Holstein cows...