Modern Abstract Prints

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of pink, black, white. Similar to iconic works by Saul Steinberg. Jean Carzou (Armenian: Ժան Գառզու, 1 January 1907 – 12 August 2000) was a French–Armenian artist, painter, and illustrator, whose work illustrated the novels of Ernest Hemingway and Albert Camus. Carzou was born Karnik Zouloumian (Armenian: Գառնիկ Զուլումեան) in Aleppo, Syria to an Armenian family. Carzou later created his name from the first syllables of his name and surname, and added a Parisian nickname, "Jean". He was educated in Cairo, Egypt before moving to Paris in 1924 to study architecture. Carzou belonged to the art movement called "La Jeune Peinture" ("Young Picture") of the School of Paris, with painters like Bernard Buffet, Yves Brayer, Jansem, Jean Carzou, Louis Vuillermoz, Pierre-Henry, Daniel du Janerand, Gaston Sébire, Paul Collomb, Jean Monneret, Jean Joyet and Gaëtan de Rosnay. He started working as a theater set decorator but quickly realized he preferred drawing and painting. In 1938, more than a hundred exhibitions of his works were organized in Paris, in the French provinces and abroad. In 1949, he received the coveted Hallmark prize. Carzou, like his contemporaries Salvador Dali, and Pablo Picasso was part of a generation that witnessed many wars and was deeply affected by it. Carzou made his first lithograph in 1951 and was prolific in both the lithographic and etching medium. He had solo exhibitions throughout the world and was elected to the French Academy of Fine Arts in 1977. In 1952, he created costumes and sceneries for Les Indes Galantes of Rameau at the Opéra de Paris. He continued with Le Loup (1953) for "Les Ballets" of Roland Petit, Giselle (1954) and Athalie (1955) at the Opéra and "La Comédie française". Carzou mastered a number of mediums, though his line drawing and engraving would become well known as illustrations for some of the 20th century's most revered writers, including Hemingway, Albert Camus, Ionesco and Rimbaud. Carzou produced stunning work of painted glass and porcelain, in pencils, gauche and pastels as well as oil painting, often choosing to work on textured or irregular fabrics and papers rather than traditional canvas. Carzou was elected a member of the Institut de France, Académie des beaux-arts, succeeding in the seat left vacant by the death of painter Jean Bouchaud in 1977. He was also awarded the National Order of Merit of France. Among his closest friends were the painters Daniel du Janerand, Gabriel Deschamps, Louis Vuillermoz, Pierre-Henry, André Vignoles, Pierre Gaillardot, Rodolphe Caillaux...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Nebula is an exciting intellectual piece that blends the artistic and scientific sensibilities of Miró. Composed of red, blue, yellow and green circles floating along a black ring, t...

ESTRUCTURES 2 Date of creation: 2006 Medium: Lithograph on paper Edition: 75 Size: 41 x 31 cm Observations: Lithograph on paper signed by the artist and numbered edition of 75. Alber...

A very good impression of this color lithograph. Signed and numbered 38/50 in pencil by Chagall. Catalogue reference: Mourlot 541

Fine piece of Florida abstract Landscape art. With a French Art Deco feel to it.

Artist: Joan Miro Title: Jaillie du Calcaire from Souvenirs de Portraits d'Artistes. Jacques Prévert: Le Coeur à l'ouvrage. (Cramer 156) Year: 1972 Medium: Lithograph, signed in the ...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Schwarzer Fleck (Black Spot), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San ...

Skater in Motion II, 1938 Original linocut on paper Artist's initial's inscribed in block From the portfolio, Verve, by Teriade 35.5 x 26 cm - sheet 40.6 x 31.2 cm - framed Unknown e...

Artist: Henri Matisse (after) Title: Souvenirs d'Oceanie Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Framed Size: 17" x 17" Sheet Size: 14"...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie Z, var. 1 (Series Z, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat proof printed by the artist. $875. 26 Broadway" is the home of the Standard Oil...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe II Catalogue Raisonne. Nicely framed. Lithographs II ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe III Catalogue Raisonne. Nicely framed. Lithograph III...

This colorful lithographic poster was printed in 1982 at the Atelier Mourlot in Paris was printed for an exhibition of Atelier Mourlot prints in Tokyo at Seibu Department Stores, 198...

Palesio Nua is an colored lithograph realized after Paul Klee in 1960.  Hand-numbered in the lower left in pencil. Copy n. 61 from an edition of 200 prints.  On slightly tinted vel...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 8 (Series L, Variation 8), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie I, var. 3 (Series I, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie F, var. 2 (Series F, Variation 2), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie D, var. 7 (Series D, Variation 7), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Pablo Picasso (after) "Enfant Dejeunant" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 121/500 lower left From the estate of Pablo Pi...

A very good impression of this color aquatint and etching. Artist's proof, aside from the edition of 75. Signed and inscribed "PA" in pencil. Printed by Labryrinth, Florence. Publish...

Untitled (Plate 2) DLM Color lithograph, 1963 Unsigned and unnumbered (as issued) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Printer: Mourlot Freres, Paris Note...

Artist: Robyn Denny, British (1930 - 2014) Title: The Paramount Suite (Orange) Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 32/75 Size: 26 x 34 inches

Color Lithograph Pencil Signed and Numbered 48/50 Image Size: approx 22 x 29 inches Framed Size: approx 30.25 x 41 inches Antoni Tàpies was born December 13, 1923, in Barcelona and ...

Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th-century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Gotthard Johnny Friedlaender was born in Pless (Pszczyna), Prussian Silesia, as the son of a pharmacist. He was graduated from the Breslau (Wrocław) high school in 1922 and then attended the Academy of Arts (Akademie der Bildenden Kunste) in Breslau, where he studied under Otto Mueller. He graduated from the Academy as a master student in 1928. In 1930 he moved to Dresden where he held exhibitions at the J. Sandel Gallery and at the Dresden Art Museum. He was in Berlin for part of 1933, and then journeyed to Paris. After two years in a Nazi concentration camp, he emigrated to Czechoslovakia, where he settled in Ostrava, where he held the first one-man show of his etchings. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L ‘Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Staël and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951 and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968 Friedlaender was travelling to Puerto Rico, New York City and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth-century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

This exquisite lithograph by Orlando Pelayo (1920–1990), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Essais litteraires Noces, l'ete...

Letter From Vienna Artist signed, dated, paper sheet 30x22.5 Krystyna Smiechowska was born in 1935 Krakow -2014 Paris France. Printmaker Krystyna Smiechowska draws her inspiration f...

Joan MITCHELL (1925-1992) Abstract Tree, 1969 Original lithograph (Atelier Arte) Signed on the plate On vellum, 77 x 56 cm (c. 31 x 22 in) INFORMATION: Rare proof on vellum, with ...

Lithograph printed in colours on Japon nacré paper 77 x 57 cm hand-signed by the artist H.C from an aside edition of 50

Artist: Joan Miro, Spanish (1893 - 1983) Title: Tapis de Tarragona (M. 880) Year: 1972 Medium: Lithograph with embossed signature Edition: 1000 Size: 12 in. x 17 in. (30.48 cm x 43....

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph by Alexandre Garbell (1903–1970), titled Sans titre (Untitled), originates from the 1962 album Albert Camus, oeuvres completes, Recits et romans, L'Etranger...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie L, var. 13 (Series L, Variation 13), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Th...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...

Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects,...

Michael Gross (Hebrew: מיכאל גרוס‎; 1920 – 4 November 2004) was an Israeli painter, sculptor and conceptual artist. Michael Gross was born in Tiberias in the British-administered Palestine in 1920. He grew up in the farming village of Migdal. In 1939-1940, he left to study at the Teachers’ Training College in Jerusalem. In 1939, while he was away, his father was murdered by Arabs, and the family farm and home were destroyed. This event impacted on his work as an artist. From 1943 to 1945, he studied architecture at Technion – Israel Institute of Technology in Haifa. From 1951 to 1954, he studied art at the École nationale supérieure des Beaux-Arts in Paris. He returned to Israel in 1954 and settled in the artists’ village of Ein Hod. Gross's works are imbued with the light and spirit. They are minimalist, but never pure abstraction, always tied to natural form and laden with feeling. In his early paintings, Gross simplified form in order to concentrate on proportion, broad areas of color, and the size and placement of each element. This reductive process was also notable in his sculptures, whether in painted iron or other materials such as white concrete. In later paintings, he often juxtaposed large off-white panels with patches of tone, adding textured materials such as wooden beams, burlap and rope. Gross’s rough, freely-brushed surfaces, along with the use of soft pastel coloring, conjure up images of the Israeli landscape. Education 1936-1940 Teachers Seminary, Jerusalem 1943-1945, Technion, Haifa, architecture, studied sculpture with Moshe Ziffer. 1951-1954 Beaux Arts, Paris with Michel Guimond Teaching 1954 - 1954 Higher School of Education, Haifa. 1957-1960 Bezalel Academy of Arts and Design, Jerusalem 1960-1980 Oranim Art Institute, Tivon Awards 1964: Hermann Struck Prize 1967: Dizengoff Prize 1971...

"An Ending a Beginning" Photography 24.5" x 17.5" in Ed. 1/24 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 25: 24.5 x 17.5" inch Editi...