Surrealist Abstract Prints

This exquisite lithograph by Joan Miro (1893–1983), titled La chasseresse (The Huntress), originates from the December 1965 folio Derriere le Miroir, No. 155, published by Maeght Edi...

Roberto Matta, Chilean (1911 - 2002) - L'eau est Mana, Year: 1974, Medium: Lithograph on Arches Paper, signed and numbered in pencil, Edition: 50/200, Image Size: 21.5 x 30 inche...

This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, New York, and printed by Mourlot Freres, Paris, 1975. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume II, 1975 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Leon Amiel, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 198. Cramer, Patrick. Joan Miro: Lithographs Volume V 1972–1975. Maeght, 1992, illustration 1038. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume II, published by Leon Amiel, New York; printed by Mourlot Freres, Paris, 1975 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume II, published in 1975 by Leon Amiel, New York, with lithographs printed by Mourlot Freres, Paris, is the second installment in the monumental four-volume series documenting Miros complete lithographic work. The project was conceived as both an artistic and scholarly endeavor, uniting Miro’s technical innovation with comprehensive cataloguing of his print oeuvre. Volume II chronicles an essential period in Miros career—from 1950 to 1956—when his exploration of symbolic abstraction, vibrant color, and gestural spontaneity reached new levels of expressive freedom. The collaboration between Miro and the master lithographers at Mourlot resulted in works of exceptional brilliance and vitality, capturing the artist’s playful yet deeply spiritual sensibility. The album was produced with meticulous attention to detail, printed on the highest-quality velin paper, and accompanied by essays and documentation that provide historical and artistic context. Issued in English and French-language editions, Joan Miro Lithographs, Volume II stands as a landmark in 20th-century printmaking—testament to the enduring creative partnership between Miro, Mourlot, and the publishers Maeght and Amiel. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...

Le Lézard aux Plumes d'Or, Plate X is a beautiful color lithograph on Japanese paper, realized in 1971 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 1983)...

Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, miró graveur 1. 1928- 1960, 1984. Published by Daniel Lelong, éditeur...

" Hölderlin: Poèmes " is a hand-signed etching realized by Max Ernst  in 1961. It presents very good conditions. Passepartout included: 49 x 34 cm. Bibliography: Catalog Brusberg n....

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Femme et oiseau (Woman and Bird), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 e...

Murray Tinkelman, American (1933 - ) - Photogram, Year: 1969, Medium: Etching with embossing, signed, dated and numbered in pencil, Edition: 15, Image Size: 14 x 8 inches, Size: ...

Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif II, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm...

SALVADOR DALÍ I DOMÉNECH (Figueras, Gerona, 1904 – 1989). "La electronica". Litografía papel. Ejemplar E.A. 26/60 Firmada y numerada a lápiz Medidas de la litografía: 36 x 50 cm. ...

This exquisite lithograph by Joan Miro (1893–1983), titled L'air (The Air), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originates from the 1938 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1938. This lyrical and atmospheric composition embodies Miro's fascination with the invisible rhythms of nature and the poetry of movement. L'air captures the ethereal and weightless essence of the natural world through his fluid linework and organic forms, evoking a sense of freedom and transformation. The work reflects Miro's deep belief in the interconnectedness of all living things and his pursuit of an art that transcends material boundaries to reach the spiritual realm. Created during one of the artist's most innovative periods, this piece demonstrates the harmony between abstraction and imagination that defines his unique visual language. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the leading modernists of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: L'air (The Air), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, 1938 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1938 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Dupin, Jacques, et al. Miro Graveur. D. Lelong, 1984, illustration 1310. Miro, Joan, et al. Joan Miro: Lithographs. Leon Amiel, 1972, illustration 6. Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. I, No. 3, published by Editions de la revue Verve, Paris, 1938 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine's inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi and the Nu Bleu series, stands as a testament to Matisse's enduring genius and to the publication's legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro's inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro's work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for £23,561,250 (approximately $37 million) at Sotheby's, London, on June 19, 2012. Joan Miro L'air, Miro Verve...

El Ultimo viaje del buque fantasma, Plate X Color lithograph, 1976 Signed in pencil lower right corner (see photo) From: Gabriel Garcia Marquez, El Ultimo viaie del buque Fantasma (The Last Voyage of the Ghost Ship (1868), 12 illustration by Wilfredo Lam Edition: 99 (6/99) This one of an edition of 99 from the delixe edition of the book of the same title There was an additional edition of 200 books, signed and numbered on the justification page Publisher: Poligrafa, Barcelona Printer: Poligrafa, Barcelona The Gabriel Garcia Marquez/Lam book is an illustrated version of the short story, a man recalls the night during his boyhood when an enormous passenger ship went aground in his small town on the shores of the Caribbean. It is considered a Latin American masterpiece of surrealism and transculturation. (See below analysis of the story) Sheet size: 29 7/8 x 22 inches Condition: Very fresh colors and condition Slight scuffing verso from previous hinges Reference: Lam-Tonneau-Ryckelnck CR360 About the author and the storyline of the book by Marquez: Gabriel García Márquez was born in 1927, he is a famous Colombian writer, novelist, short story writer, screenwriter and journalist. In 1982 he received the Novel Prize for Literature. He is an author sometimes inherently related to magical realism and his best-known work is the novel One Hundred Years of Solitude...

For Alberti, For Spain! it's an artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 62/90. Reference: Dupin 926 Printed on Fabriano paper, Printed ...

"Miró Lithographe I - Plate VIII"  is a lithograph realized by  Joan Miró in 1972. Good conditions. It comes from the set of 11 lithographs realized for the catalogue "Miró Lithogr...

KURT SELIGMANN (1900–1962 American, born in Switzerland,) LA SORCIERE - (The Witch) 1934 Etching and aquatint, unsigned ? possibly a proof aside from The ...

This exquisite lithograph after Alberto Giacometti (1901–1966), titled Sans titre (Untitled), from the album XXe Siecle, Nouvelle serie N°7 (double) Juin 1956, originates from the 19...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Angel of Alchemy MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISH...

American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...

This exquisite lithograph by Cesar Baldaccini (1921–1998), titled Compression dans la nuit (Compression in the Night), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, originates from the 1963 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1963. Compression dans la nuit reflects Cesar’s fascination with transformation, matter, and the poetic potential of industrial materials, encapsulating his lifelong dialogue between creation and destruction. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Cesar Baldaccini (1921–1998) Title: Compression dans la nuit (Compression in the Night), from the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1963 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXVe Annee N°22, Noel 1963, published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris; printed by Mourlot Freres, Paris, 1963 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Cesar Baldaccini (1921–1998), known simply as Cesar, was a groundbreaking French sculptor whose radical manipulation of industrial materials redefined the language of modern sculpture and secured his place among the most influential artists of the 20th century. Born in Marseille to Italian immigrant parents, he rose from modest beginnings to international acclaim through his inventive transformation of metal, scrap, and synthetic matter into dynamic works that fused poetry with power. After studying at the Ecole des Beaux-Arts in Marseille and Paris, he absorbed the innovations of modern masters such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. Like Picasso, Cesar sought to reinvent form through fragmentation; like Calder, he drew inspiration from the mechanics of movement; and like Duchamp, he challenged conventional definitions of art by transforming discarded materials into conceptual masterpieces. His early Fers soudes (welded iron sculptures) of the 1950s revealed his fascination with industrial detritus and the sculptural possibilities of found objects, while his Compressions of the 1960s—created by compacting automobiles and metal waste using hydraulic presses—became iconic symbols of modern industrial society’s power and fragility. These works embodied both destruction and creation, reflecting the aesthetic philosophy of the Nouveau Realisme movement, founded by Pierre Restany, of which Cesar was a central figure alongside Yves Klein, Arman, Jean Tinguely, and Niki de Saint Phalle. His Expansions of the late 1960s and 1970s, made by pouring and allowing liquid polyurethane to expand freely, introduced a radical new sculptural language of chance, energy, and transformation, blurring the boundary between control and spontaneity. With works such as Pouce (Thumb)—a monumental cast of his own thumb—Cesar turned the human form into a symbol of identity, individuality, and creative authorship, while his Human Imprints and Portraits Empreintes captured the immediacy of human presence in enduring bronze. His bold explorations of material and process anticipated later conceptual and environmental art, influencing generations of artists including John Chamberlain, Richard Serra, Anselm Kiefer, Jeff Koons, and Tony Cragg. Both a sculptural innovator and a cultural icon, Cesar designed the Cesar Award—France’s equivalent of the Academy Award—bridging avant-garde experimentation with popular recognition. His works are held in major institutions such as the Centre Pompidou (Paris), the Tate Modern (London), the Museum of Modern Art (New York), and the Peggy Guggenheim Collection (Venice), reflecting his enduring global impact. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Cesar Baldaccini remains a towering figure of postwar modernism—a sculptor who turned compression, expansion, and transformation into metaphors of contemporary existence. His highest auction record was achieved by Compression "Ricard" (Compression Ricard) (1962), which sold for $2.41 million USD at Sotheby’s, Paris, on December 5, 2018, affirming his legacy as one of the most visionary, provocative, and collectible artists of the modern era. Cesar Baldaccini Compression dans la nuit, Cesar Compression...

This artwork titled "Hecatombe de Toros" 1971, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numb...

ARTIST: Salvador Dali TITLE: Five Continents - United Nations MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: World Federation of United Nations Associations EDITION NUMBER: ...

Sans Titre is an original vintage poster realized after a painting by Joan Mirò (1893 - 1983) in the early 1980s. Original Color lithograph on paper. Sheet dimensions: 78 x 55.3 cm...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered Signature on the corner. Edition 44 of 45. metallic silver aluminum. Baj was an Italian artist best k...

Artist: Alexander Calder (1898-1976) Title: Sky Bird, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inche...

Juris Putrāms graphics artists, works in book and advertising graphics, poster art, creates installations, organizes campaigns, decorates interiors and exhibitions. The artist's work...

Published Benincasa Carmine. Edizioni SEAT, Torino, Italy. Offset directly from the original plates. Limited edition. This is not hand signed or numbered. Signature in the printing p...

ARTIST: Salvador Dali TITLE: Time American Clock MEDIUM: Lithograph SIGNED: Hand Signed PUBLISHER: Levine & Levine, New York EDITION NUMBER: EA ME...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 87–89, originates from the 1956 edition published by Maeght E...

Hand signed and numbered. Edition of 100 prints, numbered and hand signed. Excellent condition.

Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: A photogram was a...

Artist: Salvador Dali (1904-1989) Title: Prophétie de Dalínean (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Dalínean Prophecy, Imaginations and Objects ...

Raoul Ubac Title: Untitled Composition Medium: Color Lithograph Year: 1972 Size: 14.9 x 21.8 inches Notes: Centerfold and verso printed as published Publisher: Maeght, Paris Unsigned...

This artwork titled "Sans Titre" 1968, is an original color lithograph on Arches paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is hand signed and numbered 30/...

Image dimensions: 33.5 x 47.5 cm. Le Lézard aux Plumes d'Or is a beautiful color lithograph on tissue paper, realized in 1971 by the Spanish Surrealist artist, Joan Mirò (Montroing ...

Untitled is an artwork realized by Man Ray (1890 - 1976) in 1970. Etching and aquatint from the series Les Anatomes. Aquatint etching on lana paper. Hand signed and numbered. Edition 13/100. Image 43 x 31.8 cm; Sheet 66 x 50.8 cm. Ref. Anselmino 70. Very Good condition. Man Ray was born in Philadelphia into a family of Russian immigrants of Jewish origin. He grew up in New York where he completed his studies. Here he works in 1908 as a draftsman and graphic designer. In 1912 he began to sign his works with the pseudonym "Man Ray", which means ray man. He buys his first camera in 1914, to photograph his works of art. In 1915 the collector Walter Conrad Arensberg presented it to Marcel Duchamp, with whom he would become a great friend. The three founded the Society of Independent Artists. In 1919 he painted his first airbrushes, images produced with an airbrush, a commonly used retouching tool for a graphic designer. In New York, with Marcel Duchamp he formed the American branch of the Dada movement which began in Europe as a radical rejection of traditional art, but was not very successful. In 1921 Duchamp returned to Paris and Man Ray followed him. In Paris Duchamp introduced him to the most influential artists of France, including André Breton and Philippe Soupault. Soupault hosted the first exhibition of Man Ray in his library, where the famous work Cadeau was exhibited. Man Ray's Parisian success is due to his skill as a photographer, especially as a portraitist. Famous artists of the time, such as James Joyce, Gertrude Stein, Jean Cocteau and many others, posed in front of his camera. In 1922 Man Ray produced his first frames, which he called rayographs (rayographies), or photographic images obtained by placing objects directly on sensitive paper. in 1924 surrealism was officially born, Man Ray was the first surrealist photographer. The production of his research work goes hand in hand with the publication of his fashion photographs in Vogue. He falls in love with the famous French singer Alice Prin...

Original lithograph by Marc Chagall from The Bible of 1960 Ruth glaneuse Unsigned 35 x 26 cm Excellent condition

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: House with Stag's Head from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper,...

Alain LE YAOUANC Construction Original lithograph Handsigned in pencil On Japan paper, 40,5 x 31,5 cm (c. 15,9 x 12,4 inch) Excellent condition

Fire, Fire, Fire an original signed limited edition lithograph from the series “The World Of Currier And Ives as interpreted by Salvador Dali” pub...

Andre MASSON Water Nymph, 1964 Original lithograph (Mourlot workshop) Printed monogram of the artist in the plate On vellum 32 x 24 cm (c. 13 x 10 in) RE...

Mark Ryden 2 part invitation forming a 3-D Dodecahedron (hand signed by Mark Ryden), 2016 Offset lithograph invitation Hand signed by Mark Ryden 6 1/2 in diameter Ingeniously desig...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the April 1961 folio Derriere le Miroir, No. 125-126, published by Maeght Editeur, P...

Joan Miró is one of the greatest artists of the 20th century. He is renowned internationally as a painter, sculptor, printmaker, and ceramicist. Miró’s works, which were at the int...

Mirò - Sculptures is a vintage lithographic poster realized after Joan Mirò in occasion of one of his exhibitions at Galerie Maeght. Off...

Artist: Alexander Calder (1898-1976) Title: Sky Swirl, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 26 x 20 inch...

Artist: Rita Simon, American (1938 - ) Title: Spacescape Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: 300, AP 30 Image Size: 32 x 24 inches Size: 36...

"Baby Dragon Dreams" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper depicting ascending figures by Jim Crabb (American, b. 1947). The figures are made up ...

Salvador Dali American Trotting Horses no.1 poster for Tokyo Exhibit 1974. This image is from the The Currier and Ives Suite of six litho...

Miró Lithographe I - Plate VII is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs ...

Untitled is an artwork realized by Johnny Friedlaender, 1970s. Etching on wove paper. Signed and numbered. Edition of 135 copies. Good conditions!

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), originates from the 1972 album Calder autobiographie. Published by Maeght Editeur, Paris, and...

Joan Miro, After, Spanish (1893 - 1983) - The Cascade from Indelible Miro, Year: 1972, Medium: Offset Lithograph, signed in the plate, Size: 14 x 9.75 in. (35.56 x 24.77 cm), Fr...

Andre Masson, French (1896 - 1987) - Exhibition at Galerie Lucie Weill, Year: 1968, Medium: Lithograph Poster, Size: 30 x 20.5 in. (76.2 x 52.07 cm), Printer: Mourlot, Paris, Des...

Vintage Poster Exhibition Galerie Maeght is a vintage Lithograph and Offset poster realized after Joan Mirò (1893-1983) in the 1970s. Good conditions. Joan Miró i Ferrà (20 April 1...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif X, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

Wifredo Lam El Círculo de Piedra, 1970 Lithograph Ed. 50 of 125 22 x 17 in

Libra from Signs of the Zodiac by Salvador Dali is from a series of 12 limited edition lithographs. This original hand signed lithograph is Libra, the seventh astrological sign ...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif VIII, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 ...