People Abstract Prints

Limited edition of 150 prints, numbered and hand signed. Very good condition.

Toreros seek to elicit inspiration and art from their work. Their intentions are not to deliberately cause harm the bull, but create an emotional connection with the crowd through th...

Rocca Luis César Rita, 2023 Serigraph in six colors 21.70 x 21.70 in Edition of 30 This serigraph (silkscreen or screen print) is part of a limited e...

Rebecca Skinner’s “Worn 2” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of yellow wallpaper in a state...

Bicycle Shop by Julian Trevelyan, 1937 Additional information: Medium: etching with hand colouring 28.5 x 38.5 cm 11 1/4 x 15 1/8 in signed, titled, dated and numbered 19/25 in penc...

Justin Pollmann "A Summer Reverie" 2022 Inkjet Transfer Collage, Monotype 25"x18" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

Leonard Baskin (American, 1922-2000), Three Surrealist Figural Compositions, Etching on Wove Paper, each marked edition "A.P" lower left and signed in pencil lower right, comprising:...

"Renee's Breakfast" depicts a simple image of three eggs on a plate with bacon, a breakfast so familiar to many, and serves as a poignant reminder of the passage of time and the transience of even the most ordinary moments. Just as the morning sun rises and sets, casting shifting shadows and changing the hues of the yolks, so does life move forward, never standing still. The sizzling bacon mirrors life's moments, fleeting and ephemeral, yet leaving behind a savory residue of memories. In this seemingly mundane tableau, we find an allegory for the ceaseless march of time, urging us to savor each bite, each moment, for they are as precious as the breakfast on our plate. John Kato...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

Three Nightshades Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Justin Pollmann "It's a Beach Boys Song About Growing Up" 2021 Inkjet Transfer Collage, Monotype 36"x28" inches The inkjet transfer images are made by collaging transfers of inkje...

Justin Pollmann "For Best Results, Cut Along The Belief Bias" 2023 Inkjet Transfer Collage, Monotype 17"x15" Inches The inkjet transfer images are made by collaging transfers of i...

#473 FLOWERS, 2016 Luminogram, Silver Gelatin Print Print size: 30.5 x 40.6 cm Framed: 49 x 58 cm Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/ This is a Unique piece Series: The Self Representation of Light Signed and dated in pen on verso, Certificate of Authenticity provided The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. "I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...

Ghost. 1989., paper, screen print, 60x32.5 cm

Manfred Schwartz (American, b. Poland, 1909-1970), "Flowering Moon", Lithograph on Paper, mid 20th century, reclining figure in blue, numbered edition "44/70" lower left, signed in p...

Manfred Schwartz (American, b. Poland, 1909-1970), The Ring in Plum, Abstract Figural Composition, Lithograph on Paper, mid 20th century, two nude figures in dangling hoop on purple ...

Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Clarinet, Lithograph on Paper, circa 1955, numbered edition "15/50" lower left, signed in pencil and with the ar...

Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Flower, Lithograph on Paper, circa 1955, marked "artist's proof" lower left, signed in pencil and with the artis...

Julian Trevelyan (English, 1910-1988), "Piazza Signoria", Etching and Aquatint, signed in pencil lower right, titled lower center, and numbered "64 /100" lower left, inscribed and st...

William Henry Bradley (American, 1868-1962), The Chap-Book May, Lithographic Poster, 1895, published by Stone and Kimball, signed in plate lower left, black frame. Image: 20" H x 13....

William Tillyer The Ruswarp Suite 1 2023 Etching, aquatint on paper, Edition of 35, Set of 6 Plate size: 39.4 x 39.4 cms (15 1/2 x 15 1/2 ins) Paper size: 57.2 x 57.8 cms (22 1/2 x 2...

"Music" is a lithograph made by Robert Kushner in 1981. The work is number 2 from an edition of 25. Signed in pencil, lower right, "Robert Kushner". The artwork size is 26 x 31 3/4 i...

Justin Pollmann "Between Two Chairs" 2021 Inkjet Transfer Collage, Monotype 36" x 33.5" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the p...

Justin Pollmann "Thistle Weeds and Prickly Needs" 2021 Inkjet Transfer Collage, Monotype 33"x26" Inches The inkjet transfer images are made by collaging transfers of inkjet prints...

Justin Pollmann "Parallel Journey" 2023 Inkjet Transfer Collage, Monotype 37"x24" Inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’...

Created in 2000, this color screenprint is hand-signed by Robert Rauschenberg (Port Arthur, 1925 - Captiva, 2008) in pencil in the lower left margin and is numbered from the edition ...

Created in 1974, this color lithograph on Richard de Bas paper is hand-signed by Jasper Johns (Augusta, 1930 - ) in pencil in the lower right margin. Numbered from the edition of 47 ...