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Medium: Etching
Carmen, The Bull s Horns - Original Etching (Cramer #52)
Located in Paris, IDF
Pablo PICASSO Carmen, The Bull's Horns, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog...
Category

1940s Modern Etching Animal Prints

Materials

Etching

JACK SNIPE
Located in Portland, ME
Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.
Category

1920s American Realist Etching Animal Prints

Materials

Etching

JACK SNIPE
$680 Sale Price
20% Off
Michael Canney Rhinoceros Etching 1947 After Dürer s Rhinoceros 1515
Located in Eversholt, Bedfordshire
MICHAEL CANNEY (1923-1999) RHINOCEROS Etching with aquatint and plate tone 1947, signed and dated Sheet Height 14.5 cm Length 21cm. In a cream mount ...
Category

1940s Etching Animal Prints

Materials

Etching

Unité, Planche 19 (Set of 2) /// Surrealism Modern Art Le Corbusier Bull Cow
Located in Saint Augustine, FL
Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed in pencil lower right. It is also monogram s...
Category

1960s Surrealist Etching Animal Prints

Materials

Etching, Aquatint, Intaglio

Homo Ludens - Etching by Sergio Barletta - 1960s
Located in Roma, IT
Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...
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1960s Contemporary Etching Animal Prints

Materials

Etching

Unicorn in Field, Surrealist Etching by Douglas C. Backhaus
Located in Long Island City, NY
Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...
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1970s Surrealist Etching Animal Prints

Materials

Etching

You, Me and Rose on the Sea
Located in Toronto, ON
4 1/4" x 6" Unframed Limited Edition Etching + Aqua Tint + Chine colle,Hand coloured Hand signed by Mariko Ando 2021
Category

2010s Etching Animal Prints

Materials

Etching

Wassily Kandinsky - Horse Knight - Original Etching
Located in Collonge Bellerive, Geneve, CH
Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued
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1960s Abstract Geometric Etching Animal Prints

Materials

Etching

Who Caire, Pop Art Intaglio Etching by Jean Sariano
Located in Long Island City, NY
Who Caire Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching, signed and numbered in pencil Edition of 300 Size: 16 x 29 in. (40.64 x 73.66 cm)
Category

1970s Etching Animal Prints

Materials

Etching, Intaglio

Monkeys - Etching - 18th Century
Located in Roma, IT
From Histoire Naturelle, Quadrupèdes. Engraving on laid paper, plate 18, depicting a lively group of monkeys including the Saki, Pinché, Saimiri, Ouistiti, and Magot, each shown in ...
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18th Century Modern Etching Animal Prints

Materials

Etching

Salvador Dali, Le Cerf Malade Signed Etching Engraving, Color Lithograph Pochoir
Located in Surfside, FL
An original signed drypoint etching with color pochoir by Spanish artist Salvador Dali titled "La Cerf Malade", depicting a stag deer, from the Portfolio: Le Bestiaire de la Fontaine...
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1970s Surrealist Etching Animal Prints

Materials

Color, Drypoint, Etching

PHOTO!Horse and Jockey - Etching by Sigfrido Oliva - 1989
Located in Roma, IT
Etching realized by Sigfrido Oliva in 1989. Hand signed and numbered in pencil. Edition of 50. Excellent condition.
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1980s Contemporary Etching Animal Prints

Materials

Etching

"Winter Wildfowling" Frank Weston Benson, Hunting Scene, Outdoors, Marshes
Located in New York, NY
Frank Weston Benson Winter Wildfowling, 1927 Signed lower left Etching on paper Image 8 1/2 x 7 inches Born in Salem, Massachusetts, a descendant of a long line of sea captains, Benson first studied art at Boston’s Museum School where he became editor of the student magazine. In 1883, Benson enrolled at the Académie Julian in Paris where artists such as Bouguereau, Lefebvre, Constant, Doucet and Boulanger taught students from all over Europe and America. It was Boulanger who gave Benson his highest commendation. “Young man,” he said, “Your career is in your hands . . . you will do very well.” Benson’s parents gave him a present of one thousand dollars a twenty-first birthday and told him to return home when it ran out. The money lasted long enough to provide Benson with two years of schooling in Paris, a summer at the seaside village of Concarneau in Brittany and travel in England. Upon returning to America, Benson opened a studio on Salem’s Chestnut Street and began painting portraits of family and friends. An oil of his wife, Ellen Perry Peirson, dressed in her wedding gown is representative of this period. It demonstrates not only the academic techniques he learned at the Academie Julian but also his own growing emphasis on the effects of light. And yet, despite all the technical mastery displayed in the work, the painting exudes the warmth that existed between model and artist. More than a likeness, it is a study in serenity. Perhaps it was of a work such as this that Benson was thinking when he said, “The more a painter knows about his subject, the more he studies and understands it, the more the true nature of it is perceived by whoever looks at it, even though it is extremely subtle and not easy to see or understand. A painter must search deeply into the aspects of a subject, must know and understand it thoroughly before he can represent it well.” Following a brief stint as an instructor at the Portland, Maine, Society of Art, Benson was appointed as instructor of antique drawing at the Museum School in Boston in the spring of l889. Benson’s long association with the school was particularly fruitful. Under the leadership of Edmund Tarbell and Benson the Museum School became a national and internationally recognized institution. The students won numerous prizes, enrollment tripled, a new school building was erected and visiting delegations from other schools sought the secret of their success. Benson cherished his role as teacher and was held in high esteem by his students, many of whom called him “Cher Maitre.” Reminiscing about his long career with the school Benson once said, “I may have taught many students, but it was I who learned the most.” In 1890, Benson won the Hallgarten Prize at the National Academy in New York. It was the first of a long series of awards, that earning for him the sobriquet “America’s Most Medalled Painter.” In the early years of his career, Benson’s studio works were mostly portraits or paintings of figures set in richly appointed interiors. Young women in white stretch their hands out towards the glow of an unseen fire; girls converse on an antique settee in a room full of objets d’arts; his first daughter, Eleanor, poses with her cat. Works of this sort, together with a steady influx of portrait commissions, earned Benson both renown and financial rewards, yet it was in his outdoor works that gave Benson his greatest pleasure. In the latter half of the 1890s, Benson summered in Newcastle, on New Hampshire’s short stretch of seacoast. It was here, in 1899, that Benson made his first foray into impressionism with Children in the Woods and The Sisters, the latter a sun-dappled study of his two youngest daughters, Sylvia and Elisabeth. This painting was one of the first works that Benson hung at an exhibition with nine friends. The resignation of these ten illustrious artists rocked the American art establishment but, the catalogue for their first exhibition was titled, simply, “Ten American Painters.” When, in 1898, the three Bostonians and seven New Yorkers began to exhibit their best work in exquisitely arranged small shows, the group (dubbed by newspapers, “The Ten” ) quickly became known as the American Impressionists, a bow to the style of their French predecessors. The Ten’s annual shows soon became an eagerly awaited part of the annual exhibition calendar and were always well reviewed. Held annually in New York City, the group’s yearly exhibitions usually traveled to Boston and were occasionally seen in other cities. Benson’s association with other members of the group such as Childe Hassam, Thomas Dewing, William Merrit Chase and J. Alden Weir, only reinforced his growing emphasis on the tenets of Impressionism. As he later said to his daughter Eleanor, “I follow the light, where it comes from, where it goes.” The principles of Impressionism began to dominate Benson’s work by 1901, the year that the Bensons first summered on the island of North Haven in Maine’s Penobscot Bay. His summer home “Wooster Farm,” which they rented and finally bought in 1906, became the setting for some of Benson’s best known work and there, it seemed, he found endless inspiration. Benson’s sparkling plein-air paintings of his children–Eleanor, George, Elisabeth and Sylvia–capture the very essence of summer and have been widely reproduced: In The Hilltop, George and Eleanor watch the sailboat races from the headland near their house. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, he returned to the wildfowl and sporting subjects that had remained his lifelong passion. Using etching and lithography, watercolor, oil and wash, Benson portrayed the birds observed since childhood and captured scenes of his hunting and fishing expeditions. Together with his two brothers-in-law, Benson bought a small hunting retreat on a hill overlooking Cape Cod’s Nauset Marsh. Here, in the late 1890s, he began experimenting with black and white wash drawings. These paintings became so popular that Benson was not able to keep up with the demand. He turned to an art publishing company to have several made into it intaglio prints; twelve wash drawings are known to have been reproduced in this manner. At least two of them were given as gifts to associate members of the Boston Guild of artists, of which Benson was a founding member. Benson was also an avid fisherman and his salmon fishing expeditions to Canada’s Gaspé Peninsula where one of the high points of his summer. There, in 1921, he began the first in a series of watercolors that would eventually over 500 works. Benson’s watercolors conveyed the joy and beauty of a sportsman’s life whether in a painting of a hunter setting out decoys, a flock of ducks coming in for a landing or a grouse flushed from cover. The critics favorably compared Benson’s watercolors to those of Homer. “The love of the almost primitive wilderness which appears in many of Homer’s landscapes and the swift, sure touch with which he suggests rather than describes–these also characterize Benson’s work,” one critic wrote. “The solitude of the northern woods is very much like Homer’s.” Like the wash drawings before them, Benson’s watercolors proved...
Category

1920s Academic Etching Animal Prints

Materials

Paper, Etching

Swallowtail Butterfly and Lady Bird Diptych
Located in Deddington, GB
Guy Allen Lady Bird and Swallowtail Butterfly are original etchings, engraved onto a copper plate, from which Guy Allen creates an impression of ink onto paper. To create his pieces,...
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21st Century and Contemporary Realist Etching Animal Prints

Materials

Paper, Etching

The Hopping Clown
Located in Toronto, ON
Image Size: 11" x 5 1/2" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2009
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Early 2000s Etching Animal Prints

Materials

Etching

Richmond Park, from London Parks, Landscape with Horses and Deer Print, 1969-70
Located in Kingsclere, GB
Richmond Park, from London Parks by Julian Trevelyan, 1969-70 Additional information: Medium: etching, aquatint and soft-ground (unframed) 58.5 x 77 cm 23 1/8 x 30 1/4 in signed, ti...
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21st Century and Contemporary Etching Animal Prints

Materials

Etching

Miracolo - Etching by Marino Marini - 1970
Located in Roma, IT
Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: Toninelli n. 101. Image dimensions : 44 x 39 cm.
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1970s Etching Animal Prints

Materials

Etching

Dog and Snipe original signed limited edition etching by Leon Danchin
Located in Paonia, CO
Leon Danchin, born in Lille, France in 1887 began his career as an artist at the age of sixteen when he was accepted by the Salon des Artists in Paris. He eventually became known as ...
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20th Century Realist Etching Animal Prints

Materials

Etching

At the Foolish Fair
Located in Toronto, ON
Image Size: 9" x 4.5" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2019
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2010s Etching Animal Prints

Materials

Etching

Sunday Afternoon
Located in Toronto, ON
Image Size: 6" x 4 1/4" Unframed Limited Edition Etching of 20 Hand Signed by Mariko Ando 2021
Category

2010s Etching Animal Prints

Materials

Etching

ALICE IN WONDERLAND WHITE RABBIT Hand signed Etching, Female Portrait, Erotica
Located in Union City, NJ
Alice In Wonderland:White Rabbit is an original hand made etching by the American abstract painter Knox Martin. Printed in black ink on archival printmaking paper, 100% acid free. Er...
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1970s Contemporary Etching Animal Prints

Materials

Etching

Head of Veal - Spanish Surrealism
Located in London, GB
This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 145, with Roma...
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1960s Surrealist Etching Animal Prints

Materials

Etching

A Burro Train, New Mexico
Located in Middletown, NY
Etching with aquatint on heavy laid paper, 7 x 9 1/4 inches (172 x 233 mm), full margins. Signed in the plate, lower right image area. Minor corner loss, top right, and a 1/4 inch ed...
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Late 19th Century American Realist Etching Animal Prints

Materials

Laid Paper, Etching

Salvador Dali etching, signed with monogram, Tristan and the Dragon, 1970
Located in Petworth, West Sussex
Salvador Dalí (Spanish, 1904–1989) Tristan and the Dragon Drypoint etching in colour From the 1970 Tristan and Iseult series, British book edition, printed on Mandeure paper, with ‘A...
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20th Century Surrealist Etching Animal Prints

Materials

Etching

Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting' Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
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Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Gunner Riding - Original Etching by Giovanni Fattori - 1900 ca.
Located in Roma, IT
Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...
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Early 1900s Naturalistic Etching Animal Prints

Materials

Etching

Tete de Veau (Calf s Head) - Etching - 1960s
Located in Roma, IT
Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...
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1960s Surrealist Etching Animal Prints

Materials

Etching

Great Horned Owl, Etching on paper, pencil signed, titled and annotated Proof
Located in New York, NY
Christine McGinniss Charming, 1960s work - makes a wonderful gift Etching with plate tone on off-white wove paper Pencil titled and signed Artists Proof, aside from the regular editi...
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1960s Realist Etching Animal Prints

Materials

Etching

Diana - Original Etching on Paper by Leo Guida - 1989
Located in Roma, IT
Diana is an original black and white etching realized by Leo Guida. Hand-signed and dated in pencil, on the lower right. Title on the bottom center. The state of preservation is...
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1980s Etching Animal Prints

Materials

Etching

The Cow, etching by Stan Washburn
Located in Palm Springs, CA
Signed, titled and numbered etching from the edition of 100. In individual prints, and his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravi...
Category

1970s Contemporary Etching Animal Prints

Materials

Etching

from "Ode à ma Mère" (Sheet 5) - Contemporary, Etching, Black, White, Spider
Located in Köln, DE
Etching by Louise Bourgeois from 1995 from the portfolio "Ode à ma Mère": book with a text by Louise Bourgeois (English French) and 9 etchings. The present copy (sheet 5 from ...
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1990s Contemporary Etching Animal Prints

Materials

Black and White, Etching

Cat and Mouse : Original etching, Handsigned
Located in Paris, IDF
Mordecai MOREH Cat and Mouse, 1982 Original etching Handsigned in pencil Numbered / 300 On vellum 9 x 21 cm (c. 4 x 8 inch) INFORMATION : This etching was created for the Greeting ...
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1980s Modern Etching Animal Prints

Materials

Etching

Lida the Swan , New York Armory Show, Ashcan School, ASL, NYMOMA, AIC, LACMA
Located in Santa Cruz, CA
Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise...
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Early 1900s Etching Animal Prints

Materials

Paper, Aquatint

Wolfman
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 4/10 i...
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Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Mare and Foal by Orovida Pissarro - Etching Print
Located in London, GB
SOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...
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20th Century Etching Animal Prints

Materials

Etching

La Mort du Chat Murr - Etching by Jean François Raffaëlli - 1875
Located in Roma, IT
Etching on laid paper Inscribed in pencil: Épreuve tirée de la planche donnée personnellement par l’artiste pour la Société des Aquafortistes Published by Cadart Luquet, Éditeu...
Category

1870s Modern Etching Animal Prints

Materials

Drypoint, Etching

Le Morse - Etching by Antoine Defehrt - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
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1770s Modern Etching Animal Prints

Materials

Etching

THE WATER TROUGH
Located in Portland, ME
Tunnicliffe, Charles. THE WATER TROUGH. Etching, not dated (circa 1930s/40s). Edition of 75, signed in pencil and numbered 9/75. 5 7/8 x 5 7/8 inches, framed to 15 x 13 1/2. In excel...
Category

1930s Etching Animal Prints

Materials

Etching

Whistling Swan, Etching, Birds, Waterfowl, Black and White
Located in Wiscasset, ME
Etcher and painter Richard Bishop was born in Syracuse, New York and studied engineering at Cornell University. After serving in World War I, he settled...
Category

Mid-20th Century Realist Etching Animal Prints

Materials

Paper, Etching, Aquatint

Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Engraving, Etching

Le Chat et les Fleurs (from "Les Chats par Champfleury")
Located in Kansas City, MO
Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...
Category

1860s Impressionist Etching Animal Prints

Materials

Etching, Aquatint

A La Queue (Join the Queue) Naughty Dogs of Paris by O Klein
Located in Paonia, CO
A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is t...
Category

1930s Other Art Style Etching Animal Prints

Materials

Etching

Les Cigognes - Etching by Félix Bracquemond - 1870s
Located in Roma, IT
Les Cigognes is an artwork realized by Félix Bracquemond in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publi...
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1870s Modern Etching Animal Prints

Materials

Etching

Eared Grebe /// John James Audubon Ornithology Havell Edition Bird Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Eared Grebe" (Plate CCCCIV - 404; part No. 81) Portfolio: The Birds of America, Havell Edition Year: 1838 Medium: Original Ha...
Category

1830s Victorian Etching Animal Prints

Materials

Watercolor, Engraving, Aquatint, Intaglio

Print by Georges Manzana Pissarro La Bergère Turque (The Turkish Shepherdess)
Located in London, GB
'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...
Category

1920s Post-Impressionist Etching Animal Prints

Materials

Etching

Chaplin and Red Tailed Hawk
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 23/50 ...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Head of a Man, Fish and Morning Glory
Located in Middletown, NY
Etching with aquatint in colors on white wove paper with a deckle edge, 18 x 15 inches (457 x 381 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 123/...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

Flora
Located in Middletown, NY
Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 38/50 ...
Category

Late 20th Century American Modern Etching Animal Prints

Materials

Handmade Paper, Etching, Aquatint

The Leap - Etching by Henry Alke - 1846
Located in Roma, IT
Etching and aquatint realized by Henry Alken in 1846. Plate from "The Analysis of the Hunting Field". Very good condition. Henry Alken (1765-1851) was en english painter and engrav...
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Mid-19th Century Modern Etching Animal Prints

Materials

Etching

Lakeshore, landscape by lake, by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....
Category

1980s Contemporary Etching Animal Prints

Materials

Etching, Aquatint

from "Ode à ma Mère" (Sheet 6) - Contemporary, Etching, Black, White, Spider
Located in Köln, DE
Etching by Louise Bourgeois from 1995 from the portfolio "Ode à ma Mère": book with a text by Louise Bourgeois (English French) and 9 etchings. The present copy (sheet 6 from ...
Category

1990s Contemporary Etching Animal Prints

Materials

Black and White, Etching

Homo Ludens - Etching by Sergio Barletta - 1960s
Located in Roma, IT
Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...
Category

1960s Contemporary Etching Animal Prints

Materials

Etching

German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Fiel...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Chimera No. 5
Located in Columbia, MO
Leonor Fini (Argentine-French, 1907 - 1996) was an independent and visionary artist whose work defied categorization within Surrealism, despite her association with its key figures i...
Category

20th Century Surrealist Etching Animal Prints

Materials

Paper, Etching, Aquatint

L Ecorcheur- Etching by Robert De Launay - 1771
Located in Roma, IT
L'Ecorcheur is an etching realized by R. De Launay in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...
Category

1770s Etching Animal Prints

Materials

Etching

Elephant of Siva Temple - Original etching
Located in Paris, IDF
Paul JOUVE Elephant of Siva Temple Original etching Printed signature in the plate On vellum 103 x 75 cm (c. 41 x 30in) Posthumous edition by Chalcographie du Louvre, authenticated ...
Category

Late 20th Century Art Nouveau Etching Animal Prints

Materials

Etching

Putorius Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Isl...
Category

1770s Old Masters Etching Animal Prints

Materials

Watercolor, Handmade Paper, Etching, Intaglio

Girls and Pigs - Etching by William Ward After George Morland - 1797
Located in Roma, IT
Image dimensions: 38.2 x 45.7 cm. Girl and Pigs is an original etching, hand-colored, d'après George Morland. Interesting artist's proof by William Ward ...
Category

1790s Etching Animal Prints

Materials

Etching

Seamen Killing a Polar Bear, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'Seamen Killing a Polar Bear' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field S...
Category

Early 19th Century Naturalistic Etching Animal Prints

Materials

Aquatint

Le Paon - Etching after Jacques De seve - 1771
Located in Roma, IT
Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.
Category

1770s Modern Etching Animal Prints

Materials

Etching

Etching animal prints for sale on 1stDibs.

Find a wide variety of authentic Etching animal prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add animal prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Leo Guida, Louis Legrand, TURPIN, P[ierre Jean Francois], and Salvador Dalí. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching animal prints, so small editions measuring 0.5 inches across are also available