Lithograph Animal Prints

ONCE I WAS THE SUN is a limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. ONCE I WAS...

FAILE HOLLYWOOD, 2019 9.5" x 28.5" 7 ply maple wood Unnumbered edition of 150 Each deck comes with a COA from BEYOND THE STREETS signed by curator Roger Gastman that confirms authen...

Chromolithograph, circa 1895. 245mm by 300mm (sheet). Central vertical fold as issued.

Georges BRAQUE Leda and the Swann Stone lithograph (Art-Litho workshop, Paris) Printed signature in the pate Limited to 399 copies unumbered On Arches vellum 18 x 23" (45 x 58 cm) E...

MOMA Print Retrospective 1981 is an original hand drawn lithographic poster printed on 100% acid free paper created by Pierre Alechinsky in 1981 for his retrospective exhibition at T...

LEONOR FINI Cat Duo 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Noel Daggett, American (1925 - 2005) - Roll your own, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 22 inches, Size: ...

This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Seal with a Kiss is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 60/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...

This is an original rare first octavo edition John James Audubon hand-colored lithograph entitled "Canada Grouse, 1. 2 Males, 3. Females, 4. Trillium pic...

Mr. Monkey Drowning Himself is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Mane...

The original vintage poster by Emil Cardinaux for the Jungfrau Railway in the Bernese Oberland, Switzerland, is a classic example of early 20th-century travel advertising. Emil Cardi...

Original Queen of the Jungle vintage lithograph movie poster, archival linen backed. US 1-sheet. "The Temple of Mu." Serial. Episode No 10. St...

George Rodrigue George's Sweet Inspirations From the rare limited edition of 150 Original serigraph on paper Hand signed and numbered 2000 20x16 inches MINT CONDITION

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Numbered. Edition, 9/15. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. ...

Abstract French lithograph, circa 1980. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Archival plasti...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Cacatua Ophthalimica” (Blue-eyed Cockatoo) by John Gould, from the supplement to his "Birds of Australia", published in London between 1851 and 1869. The print depicts a large blue-eyed cockatoo perched on a branch, with its head turned to the left. The scene is enhanced with leaves and sky and clouds in the background. This striking framed Gould...

This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...

This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages. There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Salvador Dali (1904-1989) - Bucéphale Lithograph from 1972 The edition of 187/250.. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Referen...

'Race des forets d'Angleterre' (The English Forest Breed) Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by ...

This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-shafted Woodpecker, 1. Male, 2. Female", No. 55, P...

Artist: Slonem, Hunt Title: Lemon Bunnies Series: Bunnies Date: 2017 Medium: Lithograph on Paper Unframed Dimensions: 24" x 16" Framed Dimensions: 29" x 22" Signature: Signed...

'Basset Bleu de Gascogne'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French serie...

This is an original hand-colored lithograph entitled "Great American White Egret", No. 74, Plate 370, by John James Audubon from his "Birds of America" publication. It was lithograph...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Georges Braque, After, French (1882 - 1963) - Three Birds, Year: circa 1960, Medium: Lithograph Poster, Image Size: 34.5 x 23 inches, Size: 37 x 25.5 in. (93.98 x 64.77 cm), Prin...

Original " Are You 100% American? Prove it! Buy US government bonds. Third Liberty Loan" vintage poster. This poster from World War I questions whether the viewer is genuinely A...

An original hand-signed limited edition lithograph by famed sculptor Emile Gilioli. Edition of only 75. Émile Gilioli (b. Paris, 10 June 1911, d. Paris,...

Print Sz: 9 1/2"H x 12 1/2"W 1933 Proof Plate for 'Spills and Thrills' Published by Charles Scribner's Sons New York 1933

Artist: Ben Shahn, American (1898 - 1969) Title: One Must Know the Animals from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.7...

This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Bassets D'Artois a Jambes Torses'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a Fre...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

"Magic Circus" lithograph by Michel Delacroix. Hand-signed MIchel Delacroix. Hand-numbered XX/C. Depicts a circus, complete with elephant and horses, traveling through a French city...

Original Philips Infra-Rouge vintage poster. Size: 23" x 31". Archival linen-backed French antique poster. It is archival linen backed and ready to frame. This fun kitchen poster...

This artwork "Wildcat" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered from the edition of 750 in pencil by the art...

Turtles is an original print realized by George Edwards in the 18th century. Color lithograph. Original Title: Die kleine Moraft Tchildgröte, Tab. LXXVII. Good conditions, except...

Blue Grosbeak is an original chromolithograph from the rare Bien edition 1860 by J.J. Audubon and shows a male and female adult Grosbeak with a young Grosbeak perched on the edge of the nest. This group of colorful birds are seen on a Dogwood cornus florida tree. This print is in good condition. The paper is evenly age toned throughout. The ” Birds of America” by John James...

Fish is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence) Lithograph print, mid-20th century. Very good conditions. Not sign...

An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Black-throated Diver", No. 96, Plate 477, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts three Black-throated Divers; an adult male (1), an adult female (2) and a young Diver (3). The male sits on the bank, while the young Diver floats in the water and the female watches...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Etudes de Mains et Colombe". The original drawing ...

This is a framed original 19th century hand-colored folio-sized lithograph entitled “Pernis Apivorus (The Honey Buzzard) by John Gould, plate 6 in volume 1 of his "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Honey Buzzard perched on a branch of a leafy tree in the foreground and three others in the background. The bird in the foreground has an insect in its beak and others are in flight on the right This striking framed Gould...

LEONOR FINI Cat with Staff 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Artist: John James Audubon (American, 1785-1851) Title: "Snowy Heron" (Plate 374, No. 75) Portfolio: The Birds of America, First Royal Octavo Edition Year: 1840-1844 Medium: Original...

Luis Jimenez Study of a Classical Horse and a Modern Horse Year: 1994 4 Color Lithograph Edition: 40 Paper: Rives BFK, White Paper Size: 41.75 x 29.5 inches Image Size: 37 x 22.75 inches Signed and numbered by hand COA provided --------------- Luis Alfonso Jiménez...

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

An original rare and extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "White-headed Sea Eagle or Bald Eagle", No. 3, Plate ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Artist: Salvador Dali Title: American Trotting Horses No. 2 Date: 1971 Portfolio: Currier & Ives as Interpreted by Salvador Dali Medium: Litho...

'1. Ageronia arethusa 2. Ageronia amphinome' Late 19th century colour lithograph of butterflies.

Silkscreen Serigraph print hand signed, numbered. Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia....

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

Unknown Artist Nixon + Spiro - Zero, 1968 Extremely rare vintage 1960s Offset lithograph poster 28 × 22 inches Publisher Published by Joe A. Kennedy; printed by Provo Press Unframed,...

This artwork titled "Ram's Head, Full Face" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vi...