1960s Animal Prints

Savo Radulović, Serbian American (1911 - 1991) - Exodus, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 20, Image Size: 9.5 x 14.25 inches, Size...

Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed in pencil lower right. It is also monogram s...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet ...

Vintage Andy Warhol Cow Skateboard Deck: This work originated circa 2010 as a result of the collaboration between Alien Workshop and the Andy Warhol Foundation. A brilliant piece of...

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage...

Coloured lithograph on japanese paper, edited in 1969. Limited edition of 10 copies, numbered p.d.a (prova d'artista) in lower left corner. Hand signed by artist in pencil in the low...

Artist: Larry Rivers, American (1923 - 2002) Title: Downtown Lion Year: 1967 Medium: Etching on Wove paper, signed and numbered in pencil Edition: 3/24 Image Size: 11.5 x 17.5 inches...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), this pie...

This exquisite lithograph after Rene Magritte (1898–1967), titled Deux Tourterelles, dans la Chaude Penombre de Leur Maison (Two Turtledoves, in the Warm Penumbra of Their Home), fro...

Enrico Baj - Original Lithograph Colorful Abstraction 1962 From the art revue XXe Siecle Dimensions: 32 x 24 Edition: G. di San Lazzaro. Unsigned and unumbered as issued

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 145, with Roma...

This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in G...

Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...

Etching on chamois-colored laid paper, realized in 1968/69. Plate from "Faust (La Nuit de Walpurgis), published by Argillet, Paris. Edition of 49/150, hand colored. Hand signed an...

Pablo Picasso "Paix, Désarmement pour le succès de la Conférence au Sommet, Paris, Mai 1960" Original Vintage Poster, 1952/1960. Archival linen backed and ready to frame. This pos...

Andre Francois, Hungarian (1915 - 2005) - Cheval Bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 7/50, Image Size: 15.5 x ...

Lithograph in colors on paper. Hand signed and numbered in pencil. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonabl...

Original 1968 “Discover France by Train” Vintage Travel Poster (English text) — Linen Backed, Mourlot Printed. Grade A, A-, ready to frame. Enhance your collection with this authent...

Christine McGinniss Charming, 1960s work - makes a wonderful gift Etching with plate tone on off-white wove paper Pencil titled and signed Artists Proof, aside from the regular editi...

Vienna Lipizzaner Engraving, 1962 Signed and dated lower right (see photo) Titled and numbered lower left (see photo) This impression is from the second edtition printed c. 1992 1st ...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Unsigned and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Coq (The Rooster), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Unsigned and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 3" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

Charles Lapicque Original Handsigned Lithograph Dimensions: 56 x 38 cm Edition: Epreuve d'Artiste Hand Signed Charles Lapicque was one of the great painters of the “Ecole de Paris...

Artist: Philippe Noyer (1917-1985) Title: The Owl Year: circa 1969 Medium: Lithograph on Arches paper Edition: 102/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscriptio...

This exquisite lithograph after Rene Magritte (1898–1967), titled Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Un Seduisant Navire deau de Mer (A Seductive Sea Water Ship), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

Wifredo Lam Bird and Spirit Figure, 1967 Original lithograph Hand signed in pencil Numbered / 300 On Arches vellum 50 x 65 cm (c. 20 x 26 in) REFERENCE : Catalog raisonne Tonneau...

This work is hand signed in pencil "R. Lichtenstein" at the lower right margin on the mount board. It is also signed, verso. It is also hand numbered in pencil from the edition of 20...

The original Stone Garden vintage psychedelic 1960s poster is in excellent condition. The artist is Wilfred Satty (1939 – 1982). German-born collage artist and graphic designer ...

Original excellent condition, linen backed United Airlines: Seattle, the 1968 airplane airline aviation travel poster promoting travel to Seattle, Washington aboard United Airlines and featuring art of a Native American Indian totem pole...

London original travel poster; artist Sam Wisnom. Size 25 x 37"; archival linen backed and ready to frame. Original vintage travel po...

Artist: Richard Lindner, German/American (1901 - 1978) Title: How it all Began from the "After Noon" Portfolio Year: 1969 Medium: Lithograph on Arches, signed and numbered in pencil ...

Horses 1963 is an original contemporary artwork realized by Marino Marini. Color etching and aquatint. Edition of 100 copies. On the back oh the artwork there is an inscription in ...

Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...

Here's something nobody you know has - and good luck finding another hand signed by the artist anywhere else in the world Nancy Graves Original Graham Gallery poster (hand signed by ...

Framed 24.50 x 21 in No. 366 in the Catalogue Raisonne of Chagall's lithographs Framed with museum-quality archival materials, including museum glass which filters out 99% of harmf...

Signed lower right, 'Lebadang' for Hoi (Dang) Lebadang (Vietnamese-French, 1922-2015) and with number and limitation, 163/215, lower left. This notable artist was born in Quang Tri...

Lithograph by Picasso Atelier Mourlot. Paper: Vélin. Dimensions : 9 5/8 x 12 7/16 inches Reference: Bloch 1015 Picasso is not just a man and his work. Picasso is always a legend, ...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau et son nid (The Bird and Its Nest), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L...

Marc CHAGALL (1887-1985) Bible : The Lion of Judah and the Tablets of the Law, 1962 Original lithograph (Mourlot workshop) Unsigned On Vellum 32.5 x 24 cm REFERENCE: Mourlot catalo...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...

Harvey Daniels Parrots - 1966 Print - Lithograph 24.25'' x 19.25'' in. Signed in pencil and marked 11/15 Harvey Daniels trained at Willesden School of Art and the Slade School, Lon...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau noir et l’Oiseau blanc (The Black Bird and the White Bird), originates from the 1964 folio Derriere le Mir...

Elegant etching of pair of swans by French artist Francois Soulas, 1969. Signed in pencil lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...

Andre Francois, Hungarian (1915 - 2005) - Cheval Noir, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size: 15.5 x ...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Andre Francois, Hungarian (1915 - 2005) - Cheval jaune et bleu, Year: circa 1960, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: 6/50, Image Size:...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Marc CHAGALL The Blue Cow, 1967 Original lithograph (Mourlot workshop) Not signed On paper 31 x 24 cm (c. 12 x 10 in) REFERENCE : Catalog raisonne Mourlot #488 Edited by XX Siecle ...

Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...

Circus scene with cat, lithograph. (possibly colored with watercolor painting. I am not sure) Sakti Burman (born 1935 in Kolkata) is a contemporary Indian artist of Indian parentag...

Larry Rivers Downtown Lion (1st State), 1967 Etching on wove paper, signed, inscribed and dated with blind stamps Signed, dated and inscribed in graphite; Printers Proof aside from ...

Etching, realized by Sergio Barletta in 1960s. Hand-signed in the lower right. Edition of 50. Excellent condition. Sergio Barletta (1934) is an Italian cartoonist and illustrator...

Scandinavia by SAS - Storks. Original vintage European travel poster created by the artist Otto Nielsen. This poster features the prop plane and would be SAS's earliest printing of the image. Archival linen-backed, fine condition, ready to frame. Beautiful travel poster for Scandinavian Airlines. Excellent condition with wonderful artistry and soft warm colors. SAS was founded in 1946 as a consortium of the national airlines of Denmark, Norway, and Sweden. Over the years, it has played a crucial role in connecting Scandinavia with the rest of the world. Otto Nielsen was a Danish artist known for contributing to Scandinavian Airlines System (SAS) posters. Born on December 29, 1916, in Copenhagen, Denmark, Nielsen became a prominent figure in the world of graphic design and illustration, particularly for his work with SAS. Otto Nielsen created a series of iconic posters for SAS during the mid-20th century. His artwork often featured stylized and colorful depictions of Scandinavian landscapes, culture, and landmarks. These posters were part of SAS's marketing campaigns to promote air travel to and from Scandinavia. This is an Original Lithograph Vintage Poster; it is not a reproduction. The Vintage Poster has been working with collectors worldwide, helping them with their original vintage poster collections...