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Style: Naturalistic
Superb Epimachus Speciosus Bird lithographed by the ornithologists Gould
Located in Milan, IT
This plate is unique because of the bird species' unmistakable beauty and the great scientific and artistic skill with which Elisabeth and Jhon Gould rendered it.
The price quoted h...
Category
Late 19th Century Naturalistic Animal Prints
Materials
Lithograph
Great White Egret: An Original 19th C. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original hand-colored lithograph entitled "Great American White Egret", No. 74, Plate 370, by John James Audubon from his "Birds of America" publication. It was lithograph...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Finland Bear Hunting, aquatint engraving hunting snow print, 1813
Located in Melbourne, Victoria
'Finland Bear Hunting'
Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch.
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
A Greenfinch
A Sparrow: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Animal Prints
Materials
Engraving
Townsend
s Arvicola: Original 19th Cent. Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Townsend's Arvicola; Sharp-nosed Arvicola; Bank Rat", No. 31, Plate CXLIV from John James Audubon's Quadruped...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Harlequin Humming-Bird, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Animal Prints
Materials
Engraving
Naturalistic Modern Texas Bobcat Black and White Animal Wildlife Print
Located in Houston, TX
A signed and numbered print of a bobcat from Texas artist Charles Beckendorf. Charles did the original in pencil for this series. The print is displayed in a chrome frame and white m...
Category
1960s Naturalistic Animal Prints
Materials
Paper, Black and White
Harlan
s Buzzard Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st edition John James Audubon hand-colored lithograph entitled "Harlan's Buzzard", No. 2, Plate 8 from Audubon's "Birds of America, lithographed, printed and col...
Category
Late 19th Century Naturalistic Animal Prints
Materials
Lithograph
Bearded Tree Swift Birds: 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio sized lithograph entitled "Dendrochelidon Mystaceus" (Bearded Tree-Swift) by John Gould from his monograph "The Birds of Great Britain", publi...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Engraving, Etching
American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background.
This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
"Washington Sea Eagle": An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Washington Sea Eagle", No. 3, Plate 13, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1856-1871. It depicts an adult male sea eagle perched on a rock.
This is an excerpt from Audubon's own description of this magnificent eagle, which includes how he came up with the name "Washington Sea Eagle":
"The name which I have chosen for this new species of Eagle, “The Bird of Washington,” may, by some, be considered as preposterous and unfit; but as it is indisputably the noblest bird of its genus that has yet been discovered in the United States, I trust I shall be allowed to honour it with the name of one yet nobler, who was the saviour of his country, and whose name will ever be dear, to it. To those who may be curious to know my reasons, I can only say, that, as the new world gave me birth and liberty, the great man who ensured its independence is next to my heart. He had a nobility of mind, and a generosity of soul, such as are seldom possessed. He was brave, so is the Eagle; like it, too, he was the terror of his foes; and his fame, extending from pole to pole, resembles the majestic soarings of the mightiest of the feathered tribe...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
A Family of Common Snipe Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Gallinago Scolopacinus" (Common Snipe) by John Gould from his monograph "The Birds of Great Britain", published in London in 1...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Heart Spotted Woodpeckers: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Hemicircus Cordatus" (Heart Spotted Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Sea Otter: An Original 19th Century Hand-colored Lithograph by John J. Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Sea Otter", No. 28, Plate CXXXVII, from Audubon's "Viviparous Quadrupeds of North America", prin...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Fiel...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
Category
1760s Naturalistic Animal Prints
Materials
Engraving
"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph
Located in Alamo, CA
This rare original first edition Audubon hand-colored imperial folio-sized lithograph entitled "Mud Minimus Aud and Bach, Little Harvest Mouse, Males and Females, Natural Size" was e...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Hummingbirds: 19th C. Gould Hand-colored "Cyanifrons", Blue-capped Saucerottia
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Saucerottia Cyanifrons", Blue-capped Saucerottia Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts two green, blue and a little brown colored hummingbirds about a plant with green leaves and pink flowers.
This beautiful Gould hand-colored hummingbird lithograph has a few very small faint spots, but it is otherwise in excellent condition. The original text page is included.
There are other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category
Late 19th Century Naturalistic Animal Prints
Materials
Lithograph
Seamen Killing a Polar Bear, aquatint engraving field sport hunting print, 1813
Located in Melbourne, Victoria
'Seamen Killing a Polar Bear'
Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field S...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
Shooting the Wolves in Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Shooting the Wolves in Winter'
Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
North America Bear Hunt, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'North America Bear Hunt'
Colour aquatint Mathew Dubourg (1786-1838) after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
Colorful Parrot: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...
Category
1760s Naturalistic Animal Prints
Materials
Engraving
"Alpomado Falcon" Hand Colored Bird Lithograph from USPRR Exploration
Survey
Located in Alamo, CA
This striking hand colored stone lithograph of a "Alpomado Falcon" was created by John Cassin (1813-1869) and is Plate 1 in the "USPRR Exploration and Survey Report", published in Washington, DC in 1859.
There is an occasional spot, but the lithograph is otherwise in very good condition.
The 12 volume report was authorized and funded by the US government to determine the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean. These explorations and subsequent reports represented the greatest collection of knowledge of the topography and natural history of the Western United States created during the nineteenth century.
John Cassin was an ornithologist and illustrator. He was named curator of the Philadelphia Academy of Natural Sciences in 1842 and worked with John Bowen...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Bloodhound, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Blood Hound'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporti...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Engraving
Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category
1760s Naturalistic Animal Prints
Materials
Engraving
18th Century Hand Colored Engraving of a Camel from Pennant
s " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
Category
1760s Naturalistic Animal Prints
Materials
Engraving
White-throated Hummingbirds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a remarkable hand-colored folio-sized lithograph entitled "Schistes Albogularis (White-throated Wedge-bill Hummingbirds) by John Gould from his monograph " from A Monograph o...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Townsend
s Rocky Mountain Hare: an Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Black-headed Pitta Birds: A 19th C. Hand-colored Lithograph by John Gould
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Pitta Atricapilla (Black-headed Pitta) by John Gould, which is plate 19 from his monograph "The Birds of Asia", published in L...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Animal Prints
Materials
Engraving
Yarrell
s Wood-star Hummingbirds: A 19th Century Hand-Colored Gould Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Calothorax Yarrelli", Yarrell's Wood-star Hummingbirds by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three green, white, grey, and a little blue colored hummingbirds amid green cactus plants with white and pink colored flowers. The hummingbirds are augmented by gum-arabic paint, which gives them an iridescent appearance in areas in which it is used.
This beautiful Gould hand-colored hummingbird lithograph is in excellent condition. The original descriptive text page from Gould's 19th century publication is included.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
The Milking Girl - Original Etching by Filippo Palizzi - 1889
Located in Roma, IT
The Milking Girl is an original modern artwork realized in 1889 by Filippo Palizzi.
Original Etching.
Signed and dated on plate on the lower right c...
Category
1880s Naturalistic Animal Prints
Materials
Etching
Pied Flycatcher Birds: 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful hand-colored folio-sized lithograph entitled "Muscicapa Atricapilla" (Pied Flycatcher) by John Gould from his monograph "The Birds of Great Britain ", published i...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate K2 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 an...
Category
Early 17th Century Naturalistic Animal Prints
Materials
Engraving
Downy Squirrel: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Downy Squirrel, No. 5, Plate XXV", from John James Audubon's Quadrupeds of North America, published in Philad...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Canvass Back Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...
Category
Late 19th Century Naturalistic Animal Prints
Materials
Lithograph
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
African Rhinoceros Hunting, antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
"King Duck": An Original First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "King Duck, 1. Male, 2. Female", No. 81, Plate 404, from A...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Marsh Hare: Original 19th Century 1st Octavo Ed. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored first octavo edition lithograph entitled "Marsh Hare", No. 4, Plate XVIII, 18, from Audubon's "Quadrupeds of North America", printed and colored by Nagel & Weingaertner and published in New York in 1849. It depicts a pair of Marsh Hares/rabbits, presumably a male and a female, lying on grass, nose to nose, with plants in the background.
This antique hand-colored Audubon quadruped lithograph has a few faint spots, but the print is otherwise in very good condition. The sheet measures 7" high and 10.5" wide. The descriptive text pages, 151-156, from Audubon's original publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporting a...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Engraving
Gold-breasted Trumpeter, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper with watermark.
John Latham was the lea...
Category
Late 18th Century Naturalistic Animal Prints
Materials
Engraving
The Old Horse - Etching by Giovanni Fattori - 1900-1908 ca.
Located in Roma, IT
Image dimensions: 20.2 x 15.3 cm.
The Old Horse is a superb original etching (on copper matrix) on paper, signed on plate by the Italian Macchiaioli master...
Category
Early 1900s Naturalistic Animal Prints
Materials
Etching
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Animal Prints
Materials
Watercolor, Engraving
Grey Fox: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Grey Fox, No. 5, Plate XXI" from John James Audubon's Quadrupeds of North America, published in Philadelphia ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
American Black Bear: Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "American Black Bear", No. 29, Plate CXLI from Audubon's "Quadrupeds of North America". It was dr...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Great Tit Birds: A 19th C. Hand-colored Folio-sized Lithograph by John Gould
Located in Alamo, CA
This is a beautiful and vibrant hand-colored folio-sized lithograph entitled "Parus Major (Great Tit birds) by John Gould from his monograph "The Birds of Great Britain ", published ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Black or Silver Fox: An Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "American Black or Silver Fox, No. 24, Plate CXVI" from John James Audubon's Quadrupeds of North America, publ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Missouri Meadow Lark: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
German Manner of Netting Partridges, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Manner of Netting Partridges'
Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Aquatint
Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic Animal Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Animal Prints
Materials
Watercolor, Engraving
Long-Haired Squirrel: Original 19th Century Hand-colored Lithograph by Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Long Haired Squirrel, No. 6, Plate XXVII", from John James Audubon's Quadrupeds of North America, published i...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Woodpeckers, Sonnerat
s Pygmy: A 19th C. Gould Hand-colored Lithograph
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Iyngipicu Maculatus" (Sonnerat's Pygmy Woodpeckers) by John Gould from his monograph "The Birds of Asia", published in London ...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
3 plates from The Wondrous Transformation of Caterpillars
their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Early 18th Century Naturalistic Animal Prints
Materials
Watercolor, Engraving
Virginian Opossum: An Original Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Virginian Opossum", No. 14, Plate LXVI, 66, from John James Audubon's Quadrupeds of North America, drawn on s...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
Naturalistic animal prints for sale on 1stDibs.
Find a wide variety of authentic Naturalistic animal prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add animal prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John James Audubon, Samuel Howitt, After William Shiels, and Maria Sybilla Merian. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Naturalistic animal prints, so small editions measuring 0.5 inches across are also available. Prices for animal prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $38 and tops out at $16,388, while the average work sells for $302.
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