Modern Art Animal Prints

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Ara Waya Nac Sergio Gonzales-Tornero, Chilean (1927–2020) Date: 1983 Screenprint, signed, numbered, titled and dated in pencil Edition of 250 Image Size: 24 x 30 inches Size: 28 x 34...

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed, dated and ...

Roosters Amos Yaskil Israeli (1935) Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 375 Image Size: 18.5 x 14 inches Size: 26.5 x 20 in. (67.31 x 50.8 cm)

Barnet, Will. THE CAT. Szoke 120, Cole 117, Johnson 100. Color Lithograph, 1956. Edition of 12, titled and signed in pencil. Printed on Rives paper by Barnet. Estate of the artist v...

Benedictus, Edouard. Relais. Plate 1. Paris, Éditions Vincent, Fréal et Cie, 1930. Original pochoir, printed by J. Saudé.

Sunset Goose Allen Friedman, American Date: 1979 Lithograph, signed and numbered in pencil Edition of 200, AP 45 Image Size: 24 x 18 inches Size: 29.5 in. x 22 in. (74.93 cm x 55.88 cm)

"Floral Portrait with Tulip on Green Background" is an original limited edition high-quality Dibond direct UV Print of the Natasha Lelenco`s artwork titled "Scatsong". This piece, like the entire "Fetishes" series, is inspired by the idea of biophilia and the belief that, according to the artist, humanity must be repositioned as just one part of nature rather than its center. Based on Natasha Lelenco's original acrylic on canvas artwork created in 2021, each print, numbered 25 of 25, captures a vibrant fusion of floral elements and anthropomorphic forms. The result is a visually striking and emotionally resonant piece. It is worth noting that the original artwork from which this limited edition print is derived is still available and can be purchased on 1stdibs. Lelenco has subtly hand-finished each print, sometimes adding small details or enhancing the background colors. The prints are varnished, signed, and numbered on the back, and come ready to hang with a simple system that gives the impression of the artwork floating on the wall. Customers also have the option to frame it if they prefer. The artwork presents a striking silhouette composed of lush green leaves, a pink tulip, and other floral elements, set against a vivid green background. This combination of vibrant colors and intricate details showcases Lelenco's talent for transforming natural elements into extraordinary compositions, inviting viewers to explore the deeper connections between nature and human identity. The high-quality Dibond direct UV Print, finished and varnished by the artist herself, ensures durability and color quality, making this piece a lasting and valuable addition to any art collection. This edition is part of the "Fetiches" series, created by Lelenco since 2021, designed to work individually or as part of multiple panels with other pieces from the same series. Natasha Lelenco's "Fetiches" series blends portraiture and anthropomorphic forms through a meticulous accumulation of elements. These components intertwine with nuanced thematic exploration, touching upon both kitsch and popular iconography, while delving into the inseparable connection between humanity and the broader living community. Drawing from her personal biography, Lelenco constructs a dialogue between memory and imagery. Through a skillful process, she resurrects fragments of her past to craft fresh narratives that challenge conventional perceptions of existence. This narrative depth, coupled with psychological complexity, echoes classical influences, seamlessly bridging the gap between Renaissance portraiture and contemporary expression. Notably, Lelenco's "Fetiches" series reflects the artistic echoes of Italian painter Giuseppe Arcimboldo. Keywords: Scatsong, Floral Portrait, Green Background, Tulip, Biophilia, Anthropomorphic Art...

This artwork "Woman with Three Goats" c.1960 is an original linocut on thin fiber paper by noted Turkish artist Nevzat Akoral, 1926-2016 It is signed in the plate as issue. The image...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

The Rabbit is an original woodcut print by Giselle Hallf in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced c...

This Blue Dog work consists of 2 frames of Blue Dogs. One side has a red background with a sitting blue dog. The dog has soulful yellow eyes. The other side has a yellow background...

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Signed lower center, 'Miharu Lane' (Japanese-American, born 1948), titled, 'Happy Tidings' and with number and limitation, '193/350'. Paper dimensions: 19 x 24 inches. Miharu Lane ...

Savo Radulović, Serbian American (1911 - 1991) - Exodus, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 20, Image Size: 9.5 x 14.25 inches, Size...

Judith Bledsoe, American (1938 - 2013) - Cats, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 15 inche...

Artist: Arne Besser Title: Circus Triad Year: 1981 Print: Silkscreen printed on Somerset White Satin Size: 26 x 22 in Signed in pencil and marked A.P. 22/30 Unframed Arne Besser ...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Edition 9/45

The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 3" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is ...

Color lithograph on paper. Hand signed and numbered. Edition of 19/50. Dry stamp "Il Torchio", Milan. Very good condition.

The Sorrel is an original print realized by the Italian artist Gianni Testa in 1986. Original mixed colored screen print. Hand-signed by the artist on the lower left. Numbered on...

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Summer Gold Medium: Lithograph, signed and numbered in pencil Edition: 250, 5 HC Image S...

Black Bird is an original colored lithograph realized by the artist Nino Terziari in the 1970s. Hand-signed by the artist on lower right. Artis's Proof (P.A is handwritten in pencil...

ARTIST: Salvador Dali TITLE: Saint Lucie MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Michelle Broutta, Paris EDITION NUMBER: 268/450 MEASUREMENTS: 35.5" x 25" YEAR: ...

This artwork titled "Elephant Family" 1983 is an original large color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 63/300 in pe...

Listen # 6 by Harry Bunce [2021] Please note that insitu images are purely an indication of how a piece may look Listen # 6 by Harry Bunce is a mixed media work of Bunce’s rabbit ch...

Artist: Benny Andrews, American (1930 - 2006) Title: Black Bird Year: 1980 Medium: Lithograph on Cream BFK Rives Paper, signed, titled and numbered in penci...

Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Artist: Hunt Slonem Title: Lobster Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250; AP 30 Image: 19 x 19 inches Paper Size: 22 x 30 inches

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

This Blue Dog work consists of a dog on a black background. The dog is embellished with dark blue around the nose and hand painted red eyes. This pop art animal original mixed media print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Original – Top Dog...

Overall size: H40 x W60 Transcend by Kate Willows [2017] limited_edition Ink on paper Edition number 40 Image size: H:30 cm x W:20 cm Sold Unframed Please note that insitu imag...

Framed 23 x 27.57 in No. 945- in the Catalogue Raisonne of Chagall's lithographs From the publication Derrière le Miroir, issue no. 235, published by Éditions Maeght in Paris. The ...

This Blue Dog work consists of the By the Light of the Moon print with candles and a moon with several dogs, including the black & white, a re...

Will Barnet The Book, from the 1776 USA 1976: Bicentennial Prints portfolio, 1975 Silkscreen in colors on white Arches wove paper Pencil signed, titled and numbered 65/75 on the fron...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 19" (Set of 2) Portfolio: Unité *Signed in pencil lower right. It is also monogram s...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

This Blue Dog work consists of a blue dog face looking through what appears to be a window framed in black. The dog has soulful yellow eyes. This pop art animal original silkscreen...

LeRoy Neiman's art style is a blend of impressionism, expressionism, and realism, with elements of Pop Art. His work is known for its vibrant colors, spontaneous brushstrokes, and dy...

This exquisite lithograph by Constantin Terechkovitch (1902–1978), titled Cavalier tunisien (Tunisian Horseman), originates from the 1972 edition published by Editions A. C. Mazo et ...

Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...

Lithograph in colors on paper. Hand signed and numbered in pencil. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonabl...

Red Grooms Rover, 1996 Color lithograph on wove paper Color lithograph on wove paper Boldly signed and numbered 42/75 in red marker on the front this work is held in its original fra...

Artist: Raymond Jennings Saunders, American (1934 - ) Title: Duck Out of Water Year: 1975 Medium: Lithograph with Screenprint and Collage, signed and numbered in pencil Edition: 200...

Color lithograph on paper. Hand signed and numbered. Edition of 15/50. Dry stamp of "Il Torchio", Milan.

This artwork titled "Bird About to Take a Flight" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist...

Marc's Dogs, from IAA, Lithograph in Colours on Wove Paper Painting by Harvey Daniels 1936-2013, 1975 Additional information: Medium: Lithograph in colours on wove paper 26 3/4 x 18...

Lithograph in colors on cream wove paper, 15 1/2 x 20 1/2 inches (394 x 520 mm); sheet 18 x 23 1/4 inches (457 x 590 mm), full margins. Signed and titled in pencil, lower margin. Som...

Wifredo Lam Bird and Spirit Figure, 1967 Original lithograph Hand signed in pencil Numbered / 300 On Arches vellum 50 x 65 cm (c. 20 x 26 in) REFERENCE : Catalog raisonne Tonneau...

Artist: Pablo Picasso (after) Medium: lithograph, Arches paper Portfolio: Le Goût de Bonheur Year: 1970 Edition: Total of 1998 copies (666 each in German, French and English), reprod...

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 4/10 i...

Gustave Singier - Abstract Fish - Original Lithograph Conditions: excellent 32 x 24 cm 1955 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Fernando Aceves Humana (Mexico, 1969) 'Se volvió a salir el perro' (The dog came out again), 2007 woodcut on paper 17.6 x 23.1 in. (44.5 x 58.5 cm.) Edition of 10 ID: ACE-103 Unframed

Image D'un Été is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper, 100% acid free, by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. Image D'un Été confronts the viewer with a bold erotic red female nude with blue hair and an exotic tropical bird soaring beneath the heat of a blazing red orange sun. Print size - 23.25 x 19.75 in. unframed, vivid colors, hand signed in white pencil by Corneille Edition size - 200, plus proofs Year published - 1981 Printer - J K Fine Art Editions Co., NY About the artist Corneille - Guillaume Corneille was born in Liege, Belgium on July 3, 1922. Corneille studied drawing at the Amsterdam Rijksakademie, but as a painter he was entirely self-taught. After having attended courses at the School of Fine Arts in Amsterdam, he started his painting experience influenced by Surrealism. Corneille, also known as Corneille Guillaume Beverloo, was a painter and graphic artist who radicalized the conservative Dutch art world in the early 1950s. He is co-founder with Karel Appel, Eugene Brands...

Etching with aquatint on white wove paper with a deckle edge, 23 1/2 x 17 1/2 inches (598 x 317 mm); sheet 30 x 22 1/2 inches (762 x 571 mm), full margins. Signed and numbered 38/50 ...

This Blue Dog work consists of a blue dog on a background of mountains, trees, and a red and yellow sky. There is an alligator at the feet of the dog. There is also an Absolut Vodk...