People Animal Prints

Harry Schaare, American (1922 - 2008) - Polo Fields, Year: circa 1976, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 50, Size: 28 x 36 in. (71.12 x 91.44...

David Shrigley I’ve Heard About Freedom, 2021 Digital print 70 x 50 cm Framed 78 x 68 cm Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is a British artist known ...

Cape Cross, ‘Hoof’, 2001 by John Reardon Edition of 2/7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This pie...

Tim Southall Ravens at the Tower Limited Edition Etching and Aquatint Edition of 75 Image Size: H 10cm x W 15cm Sheet Size: H 20cm x W 24cm x D 0.1cm Sold Unframed Please note that i...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

LEONOR FINI Jester Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Susumu Kamijo Comes A Time, 2022 19 color silkscreen with 5 color woodblock Somerset Velvet Newsprint Grey 280gsm 2 deckle edges, 2 hand torn edges 37 1/2 × 30 in 95.3 × 76.2 cm Edi...

Jean Marais (1913 - 1998) Wheel of Life : To the Future Original lithograph Signed with the stamp of the artist (Also bears printed signature in the pla...

1922 Initialed, titled, and dated in pencil, lower margin Woodcut on cream wove paper with original colophon (Edition of 125) 10 x 15 inches (25.4 x 38.1 cm), sheet This work is ...

Lithograph in colors on paper. Hand signed and numbered in pencil. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonabl...

The Frogs is an enchanting lithograph realized in 1940 ca. by Fabrizio Clerici (1913-1993). Hand-signed in pencil, on the lower right. Artist's proof "P.A", on the lower left. The ...

Allan Mardon, Canadian (1931 - ) - Pheasant Hunt, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 17 x 23 in. (43.18 x 58.42 cm), Descr...

LEONOR FINI Cat Arabesque 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

Red Grooms Rover, 1996 Color lithograph on wove paper Color lithograph on wove paper Boldly signed and numbered 42/75 in red marker on the front this work is held in its original fra...

Charles Bragg, American (1931 - 2017) - And He Saw That it Was Good 2, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 9 x 12 i...

Original pochoir process print. Paris, Galerie Lutetia, circa 1920.

The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca. Good conditions with some foxing.

It is a GICLEE PRINT with my original oil painting Lion Fish Florida Signed by hand Olga Nikitina I give a hand touch to all my prints on ...

7" x 4" Unframed Woodcut Hand Signed by Gerhard Marks

Silkscreen Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Image size: Height: 50cm (19.69 in) Width: 66cm (25.98 in) Complete size of sheet (sheet sizes may vary) He...

Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...

This original etching and aquatint is hand signed in green pencil by the artist "Hockney" at the lower right margin. It is also hand signed in pencil from the edition of 100, at the...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Numbered. Edition, 9/15. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. ...

The Elephant and Jupiter's Monkey. Mixed colored etching on Japan paper. Signed on the lower right margin. Numbered on the lower left margin. Edition of 249/250. The artwork is from...

A "Homelovers" print By permission of the Southampton Corporation, owners of the original painting Published by Frost & Reed London Print Sz: 20 1/4"H x 25 3/4"W Frame Sz: 27 1/2"...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Announcement of Monkey Painter and Mr.Dog, His Assistant is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des ani...

Limited edition, 6/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

SELVAGGIA is an original hand drawn limited edition lithograph by the Argentine woman artist Norma Bessouet printed using hand lithography techniques on Arches paper, 10% acid free. SELVAGGIA is unframed, in mint condition, full bleed image, hand torn edges, signed in pencil by Ms. Bessouet. Print size - 28.5 x 20.5 inches, unframed, excellent condition, pencil signed by Norma Bessouet Edition size - 150, plus proofs Year printed - 1986 Printer - J K Fine Art Editions Co. NYC Bessouet, born in Argentina, schooled in Argentina, London and in Italy, where she was able to look to the works of the Old Masters for inspiration. She refers to the artists of the Italian quattrocento along with Velazquez and El Greco as her muses, and traces of these historic artists shine through in her paintings. Her work is in numerous private and public collections throughout the world. Bessouet's art focused primarily around portraits, domesticity and the female nude. In the original print, SELVAGGIA, Norma Bessouet merges certain Latin American strands of literary magic realism with Surrealism and presents a portrait of an androgynous seated figure, with bald head, serene facial expression, wearing a full length ombre shaded robe, cradling a large, long-beak bird. Ms. Bessouet's sensitive, masterly drawing expresses a fantasy doll...

Cathrine Raben Davidsen Medusa (Blue), 2024 46 × 37 cm Edition of 42 hand-signed and nubered by the artist Cathrine Raben Davidsen (b. 1972) is a Danish artist based in Copenhagen, ...

The First Meeting, Jerome Park, N. Y. is an original proof before letters of a hand colored lithograph published in 1873 by the prolific German American artist and publisher Henry Schile...

Le Dromadaire is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good c...

A surreal daliesque take on the plight of the rhinos. Pierre-Yves Riveau is an artist living in Nantes, France and is better known as PEZ on different social networking sites. He wo...

Horse Team is a black and white etching realized by Frederic Jacque in the late 19th Century. The artwork represents a farmer and horses struggling with rural jobs Good condition e...

This artwork titled "Springtime in the North" c.1980, published 1996, is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. I...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Raoul Dufy, French (1877 - 1953) - Le Serpent, Year: circa 1911, Medium: Woodblock, Image Size: 8 x 7.5 inches, Size: 13 x 10 in. (33.02 x 25.4 cm), Descr...

Mel Hunter, American (1927 - 2004) - Standardbred, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 500, Size: 22 in. x 29.5 in. (55.88 cm x 74.93 cm)

LEONOR FINI Tip-Toe Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Birds is an etching realized in 1771 by Louis Legrand. The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.

"Magic Circus" lithograph by Michel Delacroix. Hand-signed MIchel Delacroix. Hand-numbered XX/C. Depicts a circus, complete with elephant and horses, traveling through a French city...

Art Deco original pochoir print. Please find the dimensions of the artwork: 20 x 15 cm - Dimensions of the image 26 x 20 cm - Dimensions of the paper 28 x 22,5 cm - Framed dimensi...

This original lithograph is hand signed in pencil by the artist "Picasso" at the lower right margin. It is one of five artist’s proofs aside from the standard edition of 50. It was p...

Dentol is a rare colored lithograph, printed by G. Ricordi and C. Milano, Milan in 1906 in occasion of the "La Figlia di Iorio" theatrical spectacle, text by Gabriele D'Annunzio and music by Alberto Franchetti. A very beautiful vintage and advertising poster, in excellent condition except for a minor rip on the right margin at the bottom. This defect does not affect the image. This original poster representing a woman red dressed in a golden wheat field, has the dignity of an object of art, carries the signature on plate on the lower right margin of Adolfo de Karolis...

Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...

Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good condit...

Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...

To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...

Ira Moskowitz, Polish/American (1912 - 2001) - Flowers 4, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 30 in. x 21.5 in. (76.2 cm x 54.61...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Hand-Signed. Numbered. Edition, 2/15. Giselle Halff (1899-1971) born in Hanoi, student of R....

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

Fishes is an original mixed colored etching realized by Nino Cordio in 1965. Hand signed and dated on the lower right margin. Artist's proof. Hand-written dedication on the lower margin. Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...

Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...