Women Animal Prints

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Original 1919 Give The World The Once Over in the United States Navy vintage poster. Archival linen backed. This poster presents itself very fine condition. The lower text por...

Original London Jet B.O.A.C. British Overseas Airline Corporation vintage poster. Mid-century design from c. 1953. Archival linen backed in ex...

PORTRAIT IMAGINAIRE is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free by the Dutch artist known as CORNE...

"Original Vintage Aquariums Mosans Poster – Art Deco Design by A. de Loof, 1930s European Travel Advertising" Discover the Captivating "Moselle Aquariums" - A Vintage Poster by A. d...

Rufino Tamayo, Mexican (1899 - 1991) - El Perro Mueve La Cola, Year: 1974, Medium: Mixografia, signed and numbered in pencil, Edition: 61/100, Size: 22.25 x 30 in. (56.52 x 76.2 ...

Honoré BROUTELLE (1866-1929) Centaur and Unicorn, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edit...

William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...

Mid Century Nocturnal Horses with Riders Under Moonlight Lithograph Limited Edition Compelling nocturnal lithograph of two women on horseback by ...

David Shrigley Monkey Isn't Thinking About You, 2021 Digital print 70 x 50 cm Framed 90 x 70 cm unsigned Edition of 250 Published by Shrig Shop. ...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

LEONOR FINI Hatted Cats 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Girl with Unicorn Gina ’Jennie’ Tomao Stephanopoulos, American (1934–2011) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300 Image...

Born in Greenwich, Connecticut, Jack Coughlin studied at the Rhode Island School of Design in Providence and the Art Students League of New York. He is b...

This set of four hand colored copper plate engravings are illustrations by early 19th century naturalist J. H. Jacob first published in Italy in 1812, and are referred to as "Jacob's...

A Fierce Bull. 1911. Drypoint. Hardie 108. 5 3/8 x 8 (sheet 8 5/16 x 11 7/8). Edition 8. An exceptional impression with rich drypoint burr printed on antique laid paper. A proof of t...

Oskar Kokoschka, Austrian (1886 - 1980) - Der Beobachter, Year: circa 1959, Medium: Etching on natural laid paper, signed and numbered in pencil, Edition: 96, Image Size: 9.25 x 7 ...

This artwork titled "Famiglia di Acrobati" 1955, is an original color lithograph on Arches paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 7/50...

Galloping Horse is an artwork realized by  Jean-Marie Guiny, 2000s.  Etching, Edition 145/160. 40 x 50 cm ; with frame.  Hand signed in the lower right part. Good condtions! J...

Original Queen of the Jungle vintage lithograph movie poster, archival linen backed. US 1-sheet. "The Temple of Mu." Serial. Episode No 10. St...

The Cat is an Original etching print on paper realized by Giselle Halff in 1950 ca. Good conditions with some foxing. .

'German Manner of Netting Partridges' Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

'Bird Catching from Below' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports...

Cathrine Raben Davidsen Medusa (Blue), 2024 46 × 37 cm Edition of 42 hand-signed and nubered by the artist Cathrine Raben Davidsen (b. 1972) is a Danish artist based in Copenhagen, ...

PERCY AT THE FRIDGE is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook. Printed on archival Arches paper, 100% acid free, print size 28" x 21", image size 21 3/8" x 17". In this amusing depiction, "Percy" refers to the aristocratic black cat who sits patiently waiting in front of the open refrigerator stocked with fine champagne, canned salmon, milk, cream, roast turkey, and other gourmet delicacies all tempting items from his genteel mistress's offerings. She stands holding her spectacles, dressed in a jeweled tiara, long white evening gloves and light blue evening gown...

The Lady Dunlin With Her Hand Fan is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published ...

Original vintage poster: Lavocat aliments irradies. Force, Energie par les produits. This is a classic French late Art Deco period poster featuring a buff rugby player almost outpacing a steed - due no doubt to Lavocat, an 'irradiated' food. Even today, the American FDA believes that irradiating food can burn off harmful bacteria, airborne germs, and other microbes which can adversely affect food. We love this poster's depth of color, texture, and oomph - powerful and very, very Art Deco. This poster is an original Art Deco lithograph. This poster is related more to sports and running than food, but food provides energy. Note that the red is cherry red since different monitors produce the red color of this poster in different qualities. Excellent condition, undated on the poster. Behind the rugby runner is a black horse that appears to be neck and neck...

Cat is an Original Lithograph realized by Giselle Halff (1899-1971). Good conditions. Numbered. Edition, 9/15. Giselle Halff (1899-1971) born in Hanoi, student of R.X. Prinet, R. ...

"Woman" is an original woodcut realized by Mino Maccari (1898-1989). In good conditions. This artwork represents a standing woman at the top left and a detailed leg while a hand is...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts a woman laying on her side with head resting on her arm. Artwork is monochromati...

The Challenge in the Aegean is a black and white artwork realized by Giorgio De Chirico in the half of 20th Century. Rare specimen on light blue paper. Original title: "La sfida in ...

Limited edition print on Dibond featuring an autumnal anthropomorphic portrait composed of leaves, dandelions, and botanical forms on vibrant orange. This limited edition UV print o...

The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...

It is a GICLEE PRINT with my original oil painting Lion Fish Florida Signed by hand Olga Nikitina I give a hand touch to all my prints on ...

Le Dromadaire is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good c...

Victor Delfin, Peruvian (1927 - ) - Baby Condor, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 30, Image Size: 31.5 x 24 inches, Size: 35 in. ...

A striking monotype depicting the head of a faun in monochrome. Signed in graphite. Presented in a gilt frame. On paper.

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Leonor Fini, Woman dressed with peacock feathers, circa 1970 Texte : Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscoverin...

Limited edition, 6/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

Artist: Florence Grace Putterman, American (1927 - ) Title: Homage a Dito Year: 1982 Medium: Woodcut, signed in pencil Edition: TP Size: 27.5 x 39 in. (69.85 x 99.06 cm)

This artwork titled "Fish" is an original color lithograph on Laid paper by California artist Robert Holdeman, 1912-1994. It is hand signed, dated and ...

This Blue Dog work consists of a black background with a blue dog wearing a red cape from the top of the head and ears to the feet of the dog. The dog has soulful yellow eyes. This...

Etching from the studio of this acclaimed British Watercolorist. Good condition. Image 15.5" x 11.5" English artist Michael Chaplin is a Member of the Royal Watercolor Society, pa...

LEONOR FINI Cat with Staff 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

La Lidia, the oldest and most popular bullfighting magazine was founded by Julian Palacios the owner of a prestigious lithograph and engraving workshop in Madrid. These colorful...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Artist: Reuben Nakian, American (1897 - 1986) Title: Leda and the Swan - 8 Year: circa 1979 Medium: Etching and Chine Colle, signed in pencil Edition: AP XXX Image Size: 16 x 19 inch...

Beati pauperes...beati mites...beati is an artwork realized in 1964. It is part of Biblia Sacra vulgatæ editionis published by Rizzoli-Mediolani between 1967 and 1969. Color lithog...

Ira Moskowitz, Polish/American (1912 - 2001) - Flowers 4, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 30 in. x 21.5 in. (76.2 cm x 54.61...

"Vachere au Bord de L'Eau" is an original etching and aquatint by Camille Pissarro, the 8th state. It can be found in the catalogue raisonne Delteil #93. It features a woman sitting ...

HOMAGE TO SIGMUND FREUD, is an original hand drawn, stone lithograph by the American artist/sculptor Chaim Gross. HOMAGE TO SIGMUND FREUD was hand proofed and printed from hand drawn lithographic stones on archival Arches paper in shades of warm yellow for the background texture and red brown for the master drawing. HOMAGE TO SIGMUND FREUD is a surrealistic portrait composition depicting Sigmund Freud's face(one portraying him with spectacles) surrounded by symbolic imagery including swirling birds, a child opening a heart-shaped lock, an embracing couple, fingers and bare leg. HOMAGE TO SIGMUND FREUD expresses an intriguing variety of visualized psychological references. This original, hand printed lithograph measures 18.5" x 22", registration marks are visible in print margins as evidence of the master printer's use of age-old printing methods first utilized in fine art lithography printmaking. HOMAGE TO SIGMUND FREUD is unframed, in excellent condition, pencil signed, dated and inscribed B.A.T., Trial Proof aside from the edition by Chaim Gross. Edition was published in 1976 as a fundraiser for the Hebrew University in Israel. Print size - 18.5 x 22 in., unframed, very fine condition, from the master printer's private collection Printer - Joseph Kleineman, J K Fine Art Editions Co. NYC Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze...

LEONOR FINI Jester Cat 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Signed lower center, 'Miharu Lane' (Japanese-American, born 1948), titled, 'Happy Tidings' and with number and limitation, '193/350'. Paper dimensions: 19 x 24 inches. Miharu Lane ...

Horse Team is a black and white etching realized by Frederic Jacque in the late 19th Century. The artwork represents a farmer and horses struggling with rural jobs Good condition e...