Miniature Figurative Prints

L'Axis Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Artist: Peter Max (1937) Title: Heart Series IV Year: 1998 Edition: 300/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscripti...

Untitled By Alberto Giacometti Alberto Giacometti was a Swiss sculptor and painter known for his distinctive, elongated figures that convey a sense of existential loneliness and h...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Elephant en liberte (Elephant at Liberty), originates from the 1952 album The Circus of Toulouse-Lautrec...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 8.27 inches Inscription: Signed in the plate and unnumber...

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...

Keying Up - The Court Jester Etching with drypoint, 1879 Signed in the plate lower left corner (see photos) Proof before engraved title and engraved names Printed on thin light golden Japanese tissue paper In the final state, with engraved titled and typeface engraved artist’s signature below the image Condition: excellent Plate size: 6-5/8 x 4-1/4" According to Pisano, this image was very popular during Chase’s life. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. The painting was created in Munich during the artist’s studies there. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honor and helped establish the artist’s reputation as a leading American painter. Chase, always conscious of self promotion, created the etching and had numerous impressions printed. He sold them for a modest price to increase his fame. The etching was later published in Sylvester R. Koehler, American Art Review, September 1878. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. They were acquired at auction in a single auction lot, housed in a paper board folder. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery. Dorothy was the subject of Chase’s painting, My Little Daughter Dorothy. C. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. Reference: Pisano/Bake, Volume 1, Pr. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase's name in the bottom margin which are found in the third state. Artist bio in file (Chase) In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn where their first child was born. The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. Indeed, Chase often combined his two loves by painting several portraits of his wife and children in Brooklyn parks before the couple relocated to Manhattan. Later Period Between 1891 and 1902, Chase and his family spent their summers at a purpose-built home and studio in Shinnecock Hills, a close suburb of the upmarket town of Southampton on the south shore of Long Island (roughly 100 miles east of New York). Chase set up, and taught two days a week, at the nearby Shinnecock Hills Summer School of Art which benefitted from the financial backing of local art collectors. It was at Shinnecock that Chase, taken in by the region's striking natural surroundings, painted several Impressionistic landscapes. As Bettis put it, "There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work". His passion for the area was so felt he even gave his daughter Hazel the middle name of Neamaug, in honor of the rich Native American history of Shinnecock. Chase was equally focused on the students that came to the School and who he encouraged to paint in the modern plein air style favored by the French Impressionists. Although Chase was making a name for himself as an Impressionist, he never abandoned his commitment to the sombre tones and academic tropes he had learned in Munich, though these he reserved for his portraits, and for his series of striking still lifes featuring dead fish. Chase was in fact a successful society portraitist - he painted fashionable women for a fee of $2,000 - and would paint his students as "samples" which he then donated to leading art institutions (such as Lady in Black (1888) which he donated to the Metropolitan Museum in 1891). In 1896, facing financial difficulties, Chase flirted with the idea of giving up his teaching in New York and traveled with his family to Madrid where he developed a passion for bullfighting. Chase returned however to Shinnecock in June to teach his yearly summer art class, and in the fall of that year, established his own art school in Manhattan: the Chase School which was modelled on the Académie Julian in Paris. Chase lacked business savvy, however, and the Chase School lasted only two years before it was placed under new management. It continued as the New York School of Art (changed to Parsons School of Design starting 1941) with Chase as head the School for eleven more years. Chase also taught during this period at the Pennsylvania Academy of Fine Arts. In 1902, following the premature death of his friend John Twachtman, Chase was invited to join the Ten American Painters group (who included amongst its members, Frank Weston Benson, Thomas Wilmer Dewing...

La Ligne is a lithograph realized by Pierre Alechinsky in the 1970s. Good conditions, not signed. The artwork is depicted through soft strokes in a well-balanced composition.

Kabuki Aizurie is an original artwork realized in 1852 by Utagawa Kunisada (1786-1865). The lovers Osome and Hisamatsu on the run at night, the roles played by Ichikawa Danjuro and...

Des Piferari devant une Madone is a Lithograph realized by Antoinette Haudebourt-Lescot. Signed on plate and titled on the lower margin. Passpartout included cm 50x32.5 Good condi...

Nude is an original drawing in pencil realized by n unknown artist. Hand-signed (Illegible). Good condition except for some foldings. The artwork represents a nude figure through...

Pierre AMBROGIANI (1907-1985) Draft Horse, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent condition

Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.42 x 7.87 inches Inscription: Signed in the plate and unnumber...

Edition 2/13 Signed to lower right Ananda Kesler was born in Haifa, Israel. In 2002 she received her BA in Fine Art from the University of Iowa. She has continued her art education ...

The Acrobats is an original modern artwork realized by Carlo Carrà in 1922. Lithograph on paper. Hand signed and dated on the lower margin. Titled on th...

Le Serval is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Apollon is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Zodiac Signs - Lion is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut by Pie...

Plate from Journal Des Demoiselles is an original artwrok realized in the 19th century by Anonymous artist. Mixed colored lithograph from the ...

Oriental Woman is an original print realized around 1830 by Utagawa Kunisada. Beautiful colored woodblock print. Good conditions except for some folds...

Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...

A. Ramachandran Etching on Paper Print Size - 6.9 x 10 inches Paper Size - 11 x 15 inches, 2011 ( Unframed & Delivered ) Born in 1935 in Attingal, Kerala, A. Ramachandran graduated...

L'Inspecteur Général "Revizor" is a litograph realized by Hermann Paul in 1897-98, for the Theatre Magazine "L'Art et la Scène". Signed on Plate. Edition Grande Imprimerie Centrale,...

Anatomy of Animals is an etching realized in 1771 by Louis Legrand (1723-1807). It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet ...

Pochard is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. ...

Illustration for "Les Chanson Erotiques" by Pierre-Jean de Beranger. Image Dimensions ：15 x 13.5 cm This artwork is shipped from Italy. Under existing legislation, any artwork in It...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 9.45 x 6.69 inches Inscription: Signed in the plate and unnumbered, as...

Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 450. Artwork is in excellent condition. Certificate of authenticity included. All reason...

Composition with Animals is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good condit...

‎Echo et Narcisse is an artwok realized in 1911, by the French Artist Auguste Roubille (1872-1955). Three Lithographs print on paper, cm 20x15 cad. Signed in plate. The artwork is p...

Letter of the Alphabet L from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good condition...

Plate from Journal Des Demoiselles is an original artwork realized in the 19th century by Paul Lacourière Mixed colored lithograph from the Le...

Braunschweig is a beautiful color lithograph on paper, printed by von Led Kempner and published by von Schaffstein and C. Koln, Rhein. This modern artwork represents a urban and historical view of the German city of Braunschweig,in Lower Saxony, Germany, was a powerful and influential center of commerce in medieval Germany...

"Les Lorettes" is an original hand-watercolored lithograph on ivory-colorated paper by Anonymous Artist of XX Century. In excellent conditions: As good as new. Sheet dimension: 32...

Suma is an original modern artwork realized by Utagawa Kunisada II and Hiroshige II in 1864. Woodcut Print Oban Format. From the series "Omokage Genji go...

Skeleton is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Woodcut. Signed by the artist and dated in pencil, lower right. Titled in pencil, lower left, and numbered "28" in pencil, lower center. This woodcut was made by Esherick to ill...

Illustration for Jules de la Medelen's "Lord on the Sand Castle" ("Le Marquis Des Saffras") FRANCISZEK BUNSCH (born in 1926) Franciszek Bunsch was born in Bielsko in 1926. He studie...

Salvador DALI Les trois barons felons ("The three bad barons") Original etching Handsigned in pencil Limited to 115 copies On vellum Rives 45 ...

Hercule is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Decorative motifs is an original Chromolithograph print realized by an anonymous artist. Good conditions. The artwork represents Decorative motifs in a well-balanced composition.

Monte Carlo is a precious colored lithograph, printed by G. Ricordi and C. Milano, Milan, between 1895 and 1914, in occasion of "Tir aux pigeons Concours". A very beautiful vintage a...

Stern looking is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Paris,...

Ancient African Customs is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Africa" and subtitle "Ott...

Faun Parade is an original etching on paper realized by an Anonymous artist of the 17th Century. The state of preservation of the artwork ...

French Costumes at the time of Louis XII is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Costumi ...

French costumes at the time of Henry IV is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Tav. III....

French costumes at the time of Henry IV is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Tav. IV. ...

Takashi Murakami (Japanese, b. 1962) Flowers of Gratitude, 2022 Medium: Offset print, cold stamp and high gloss varnishing Dimensions: 71 cm diameter (28 in) Edition of 300: Hand-sig...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Canvasbacks, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition reflects Wyeth’s masterful study of nature and mood through his dry-brush technique. The composition captures the serene grace of waterfowl, rendered with Wyeth’s characteristic precision and quiet introspection that bridge realism and emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who chose the theme to reflect the central role of seasonal transformation in his art. Each image reveals Wyeth’s profound sensitivity to light, time, and atmosphere—his ability to distill the poetry of the natural world into tangible form. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Canvasbacks, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 12.2 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...

- etching on Montval laid - with Vollard watermark paper - Number 34 from the Suite Vollard - Exhibited: Picasso and the 20th Century, Grand Rapids Museum, MI 2002 No.18 - Unsigned ...

Salish Canoe and Rock, 2023 Archival print on heavy matt stock paper 30.5 x 34.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, mus...

Ex-Libris - C.J. Vaandrager is an Artwork realized in Mid 20th Century. Etching on paper. Hand signed in pencil. Good conditions. The artwork represents a minimalistic, clean desi...

Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807). Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...