Framed Figurative Prints

Love Letters is a lithograph on paper with an image size of 2.25 x 2.25 inches, initialed 'FMB' lower right and annotated lower left, framed in a contemporary silver and dark gray fr...

Full Moon Night (from "In the Floating World" series) Fuji Xerox copy print Signed, dated, and numbered 11/50 in pencil. Image: 29.5 x 41.5 cm. Sheet: 29.5 x 41.5 cm. BSS No. : E-199...

Henri de Toulouse-Lautrec, After, French (1864 - 1901) - Reine de Joie, Year: 1982, Medium: Lithograph, numbered in pencil, Edition: 10/500, Size: 12 x 9 in. (30.48 x 22.86 cm), ...

Rufino Tamayo (Mexican, 1899-1991). Deux Tetes, from Mujeres Suite (P. 107), 1969. Lithograph in colors on wove paper  Signed in pencil and numbered 27/150 (there was also an edition...

Steinlen, Theophile "Lait Pur Sterilise de la Vingeanne" Original lithograph, c. 1894 Rennert 12 Printed by Charles Verneau, Paris Bright Fresh Colors, RARE...

The Hat Trick is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 92/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs were created...

Jellyfish Eyes - Black 3 by Takashi Murakami (2004) Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 34/300 T...

Seated in an armchair, the woman in this Pablo Picasso print appears fragmented and disjointed due to the artist’s integration of multiple perspectives. A lithograph from the Marina ...

Zhang Xiaogang/ 張曉剛 (Chinese, b. 1958 Kunming) Two Sisters, 2003 Medium: Lithograph on wove paper Sheet dimensions: 63.5 x 74.5 cm Frame dimensions: 70 x 80.5 x 3 cm Edition of 199: ...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Richard Serra (American, B. 1938) Stop B S (G. 2024), 2004. From the portfolio 'Artists Coming Together' Lithograph on wove paper Signed in pencil and numbered 127/250 (there were al...

Tom Wesselmann (1931-2004) Monica with Tulips (1989) Signed and numbered AP 4/12 (aside the edition of 100) signed in the lower right Screenprint in colours on Museum Board. Publ...

Pablo Picasso (1881 - 1973) La Danse Barbare (from La Suite des Saltimbanques), 1905, printed 1913 Etching on Van Gelder Zonen wove paper Sheet 13 x 20 inches From the edition of 250...

WARNING! Register*Vote, INFLATION means DEPRESSION Photo lithograph, 1946 Signed in the image lower left Published by CIO (Congress of Industrial Organizations) before their merger w...

Satirical French Illustration of Man and Woman Comical illustration by Gaston Hoffmann (French, 1883-1967) titled "un bon tien vant amieux que deux tu l'auras" in French, "one real ...

Beautiful figurative limited edition lithograph by Robert Baxter (American, b. 1933). Signed and numbered "R. Baxter 20/75" lower left. Displayed with wh...

James Sellars (1927-2000) Auto-Lithograph, 1952 Image: 23.5 x 16.0 cm Frame: 36.5 x 28.5 cm Produced at the Royal College of Art in 4 colours By The Curwen Press, Pliastow, E.13 Sellars lived and worked in the county and the landscape captured his imagination and features heavily. He taught at Herefordshire College of Art before going on to be appointed head of fine art printmaking at Southampton College of Art. The Test Valley with its chalk downlands, streams and river were a rich source of inspiration for his later work and a natural progression...

Jean Jansem: 1920-2013. Well listed French Armenian Artist with auction results over $103,000 for paintings and over $3700 for prints. This fabulous colored lithograph of young ball...

Peter Doig (British, b. 1959). Lapeyrouse Wall, 2004 Etching and aquatint printed in colors on wove paper Signed and dated in pencil by the artist Edition 30/30 Published by the arti...

Artist: Kees van Dongen, Dutch (1877 - 1968) Title: Montmartre 1900 Year: 1965 Medium: Lithograph on Arches, Signed and numbered in ink Edition: 47/100 Image Size: 10.75 x 8.75 inche...

This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...

Irving Amen, American (1918 - 2011) - Flute Player and Dog, Year: circa 1965, Medium: Woodblock, signed and numbered in pencil, Edition: 74/100, Image Size: 29 x 14 inches, Size:...

Color Lithograph on wove paper, 1896. Artist's orange-red and black signature stamps, numbered in pencil (#12), from edition of 100 published by A. Vollard in the 2nd "Album des esta...

Screenprint on aluminium Edition 27 of 30 103 x 145 cm (40.5 x 57 in) Incised with signature, numbered and dated on the reverse Condition on request This work is framed in the origin...

Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...

This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...

Marc Chagall La Peintre et son double Artist: Marc Chagall Medium: Lithograph Title: La Peintre et son double (Derrière le Miroir #246) Portfolio: Derrière le Miroir Year: 1981 Editi...

This artwork titled "Delassement (Relaxation)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. The plate mark (Image) size...

"Machu Pichu" - Black and Grey Lithograph #10/200 Bold black and grey lithograph by David Alfaro Sequeiros (Mexican, 1896-1974). This piece is a high contrast, abstracted landscape....

An excellent, richly-inked impression of this print with full margins. It is one of 10 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "Epr. d'artiste" and ...

Interspaceograph - multidimensional silkscreen print on plexiglass pane and mirror. There is space between the silkscreen printed plexiglass pane and silkscreen printed mirror in th...

Tracey Emin, Billy and Traci in a Pub, 1984 Woodcut in dark blue on Japon paper, signed and inscribed 'lots love Traci xx' in pencil on the backboard, printed by the artist Test prin...

Alex Katz (b. 1927) Untitled, from the portfolio 'A Tremor in the Morning', 1986 Woodcut on wove paper Edition 32/45 Signed and numbered in pencil lower left Sheet: 20 x 19.75 inches...

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...

A compelling example of Bellany’s expressive and emotionally charged visual language, The Gambler captures the existential tension and symbolic complexity characteristic of the artis...

Artist: Andy Warhol Title: Untitled (Plate 17) Portfolio: In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" Sheet ...

Artist: Giancarlo Impiglia Title: Talking Heads Year: 1989 Medium: Screenprint, signed and numbered in pencil Edition: 225 Paper Size: 26 x 47 inches Fr...

This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

"Serena with Cap (Pink)" archival mixed media print from a limited edition of 30. Hand signed Carole A. Feuerman, dated 2012 and numbered 12/30. Printed on textured paper with additi...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Ten of Staves from Lyle Stuart Tarot Print Suite [Intended for a James Bond Movie] Year: 1978 Medium: ...

From the Three Lithographs Suite. Lithograph in black and red, on BFK Rives paper. Edition 25/80 (there were also 20 artist's proofs). Sheet size 31.875 x 39.5 inches. Image size...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

This artwork titled "Intrepid Caribou" 2002 is an original color stone cut on Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 18.5 x 12.5 inches, sheet size is 23 x 16 inches, framed size is 24.85 x 29.65 inches. Custom framed in a black metal frame, with black matting. It is in excellent condition. About the artist: Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer. Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston. Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak. The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day. Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation. While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

Andy Warhol Exhibition Poster for Andy Warhol Exhibition at the Denver Art Museum Double Elvis (Inscribed to Maryanne and hand signed twice by Andy W...

Andy Warhol (American, 1928-1987) Lion, 1975 Medium: Offset lithograph on wove paper Print dimensions: 28 × 20 cm (11 × 7 9/10 in) Frame dimensions: 32.8 x 25.8 x 2.9 cm (13 x 10 x 1...

Views of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...

Giulietta is an Art Deco depiction of a woman posing in a long gown against a plain black background. Around her, ghostly hands rise up offering beautiful temptations for her to cons...

"Shubert Theater" original lithograph by artist Al Hirschfeld. Featuring caricature portraits of Jason Robards, Jr.; Fred Astaire; Jimmy Durante; Eddie Cantor; Alfred Drake; Fred Allen; Al Jolson; Katherine Hepburn; Rex Harrison; Julie Andrews; Clark Gable; Ethel Waters; Carol Channing; Ethel Merman; Mary Martin; Lynn Fontanne; Alfred Lunt; Lillian Gish...

Christo Wrapped Building Project for 1 Times Square, New York, 1985 Lithograph, collage on cardboard Ed 17 of 100 18 x 22 in Christo became famous for his monumental collaborations...

Alvar Sunol Pencil Signed Lithograph C.1970s Three women around a table Dimensions 21.5" wide x 12.5" high The frame measures 32.75" wide x...

Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...

Laser-cut archival museum board relief with original frame Edition 38 of 50 80.8 x 68.4 cm, 31.8 x 26.9 in 83.4 × 71.1 × 3.9 cm, 32.8 x 28 x 1.5 in Signed and numbered on label on th...

Lilian Shao, China. "Chrysanthemum Song" Limited edition Serigraph printed on paper. Hand signed by the artist in pencil on the lower right and the edition number 144/300 on the l...

Warm and Sunny is an offset lithograph by Takashi Murakami from 2011. The image size is 27 x 27 inches and the framed size is 39 x 39 inches. Framed in a contemporary, silver-tone fr...

Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size: 11 .5 x 14.75 inches. Sheet size: 13.5 x 16.5 inches. Publishe...

Archival digital print on 200g Munken Lynx paper 70 x 50 cm (paper size) 89.6 x 69.5 cm (Framed) Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is an artist known...

ITZCHAK TARKAY – [CAFÉ FRIENDS] ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated HC 27/80 ⚜ Gilt Wood Frame CAFÉ SCENE WITH ELEGANT DETAIL Executed circa 2001, [Café F...

Fourth Pose from the Night: William Dunas Dance suite by Alex Katz. The piece is framed in an exquisite hand-carved white gold leaf museum frame. Artist: Alex Katz, American (192...

This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...