Acrylic Polymer Figurative Prints

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

In an expansion of Julian Opie's subject matter, from his observations of city dwellers, figures walking in the rain, runners and tourists to busy crowds of workers, the four new edi...

Andy Warhol Flowers, 1980 Enamel on porcelain Edition of 49 51 x 51 x 2 cm (20 x 20 x 0.7 in) In wooden box. Screenprint on porcelain in wooden frame signed in the glazing, numbered on label verso In mind condition. The piece is offered unframed. Throughout art history, the flower and its symbolism have been a subject matter for many renowned artists. Andy Warhol explored the qualities of the flower image through his Pop Art prism in the Flower series of 1964, thus creating cartoon-like symbols that would be instantly recognised. The 1964 Flower series became one of his most iconic and successful works.
 Based on a discovered photograph of hibiscus blossoms, Warhol drenched the flowers’ floppy shapes with a variation of vibrant colours, transforming them into psychedelic indoor décor. Playing with traditional art historical themes, Andy Warhol gave a particular twist to this historically accepted symbol of life. The electric colours of his flowers, drawn from a darker and rich undergrowth background might be the indicator of an extreme vision of life, a life lived on the edge. Andy Warhol (1928-1987) was an American artist, a leading figure of the Pop Art movement. ​Using a variety of media materials from photographs up to computer-generated art, Warhol's works explore the relationship between artistic expression, celebrity, culture and advertisement that flourished by the 1960s. Emerging from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, Warhol became a charismatic magnet for bohemian New York. In 1960, he began to produce his first canvases depicting Popeye and Dick Tracy. After Marilyn Monroe’s death in August 1962, he started working from snapshots of the star’s already legendary face, which had been widely distributed by the world’s press. His choice of subjects clearly relates to an obsession with demise – his Marilyns, his Ten Lizies (created when the actress Elizabeth Taylor was seriously ill), and also his Elvis. Part of the “Death and Disaster” series, Andy Warhol´s...

Bicycle, National Gallery By Robert Rauschenberg 1991 Medium: Foil Print Paper Size: 26.5 x 39 inches ( 67 x 99 cm ) Image Size: 26.5 x 39 inches ( 67 x 99 cm ) Edition Size: 5000

Publisher GKM. Enamel on steel. Unframed. Edition: 8 ex + 4 EA Signed by the artist. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art....

Poetics Country, a collaborative work by Mike Kelley and Tony Oursler, was published on the occasion of Documenta X in 1997. Mike Kelley (1954-2012) and Tony Oursler (b. 1957) Poeti...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and fle...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Ga...

Robert Smith (United States, 1944) 'Last spring', 1972 engraving and etching on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-002-075 Hand-signed by author

Publisher GKM. Enamel on steel. Unframed. Edition of 8 ex + 4 EA. Signed, titled and dated on the verso. Free shipment worldwide. “I paint because painting is a private Utopia,” E...

living edition print

"The Jean Genie" David Bowie as Ziggy Stardust, Santa Monica, CA 1972 Acrylic and enamel screen print on linen, 62 x 48 in Russell Young is a pop artist of international acclaim. Ru...