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Medium: Drypoint
René de Laudonnière Sablais (de Burdigale). After Crispjin van de Passe I
Located in Middletown, NY
Paris: 1861
Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins. Dog-eared left corner, extending 3-inches into the sheet, but well ou...
Category
Mid-19th Century French School Drypoint Figurative Prints
Materials
Laid Paper, Engraving, Drypoint, Etching
The Smithy
Located in Middletown, NY
A warm composition, in theme and tone; the creaky timber interior of a 19th century Scottish blacksmith's shop.
Etching and drypoint on cream laid Japan paper, 8 x 10 inches (202 x ...
Category
Late 20th Century Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching
Forellenweiher - Etching and Drypoint by Franz Von Stuck - 1890s
Located in Roma, IT
Forellenweiher is a wonderful black and white etching and drypoint on wide rod cream paper realized by Franz von Stuck in 1890-1891.
Hand signed in gr...
Category
1890s Symbolist Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Le Buisson - Etching by C.F. Daubigny - 19th Century
Located in Roma, IT
Le Buisson is a photogravure realized in the 19th Century.
signed.
Good condition.
Category
19th Century Drypoint Figurative Prints
Materials
Drypoint, Etching
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Handmade Paper, Drypoint, Etching
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Drypoint Figurative Prints
Materials
Drypoint, Etching, Engraving
A duet. Surrealistic etching, Monochromatic, Minimalistic, Polish art
By Leszek Rózga
Located in Warsaw, PL
20th century figurative drypoint print by Polish artist Leszek Rozga. Print depicts abstract figures- they look somewhat familiar but it is not clear what they are. This piece is sig...
Category
2010s Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
$760 Sale Price
20% Off
The Enchanted Pool
Located in Middletown, NY
Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...
Category
Early 20th Century English School Drypoint Figurative Prints
Materials
Etching, Laid Paper, Drypoint
Capturas
Located in New Orleans, LA
4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca.
We are ...
Category
21st Century and Contemporary Modern Drypoint Figurative Prints
Materials
Engraving, Drypoint
$455 Sale Price
35% Off
The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Varietesoubrette, Schwalbennest
also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed.
Published in Die Schaffenden...
Category
1920s Bauhaus Drypoint Figurative Prints
Materials
Drypoint
Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches (177 x 312 mm), full margins. Signed and numbered 36/75 in pencil, lower margin. In...
Category
Early 20th Century English School Drypoint Figurative Prints
Materials
Laid Paper, Etching, Drypoint
Ludgate Hill
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Promenade dans la Neige - Etching by J. Tissot - 1880
By James Tissot
Located in Roma, IT
Beautiful print on verge crème, 2° state on 3, with letters printed in red. Stamp “Lugt 1545”.
Little crack and fold on lower left margin of the sheet.
Some small traces of oxidati...
Category
1880s Post-Impressionist Drypoint Figurative Prints
Materials
Drypoint, Etching
La diligence de Beaucaire
Located in Middletown, NY
Paris: Lemerre, 1880.
Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733).
[Bourcard 110].
A note regarding the provenance:
J. H. de Bois was a well known late-19th century modern art...
Category
1880s French School Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching, Aquatint
En Pension.
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Fantasia Americana, 1880
— Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Etching
Windy Night, Stockholm.
Located in Storrs, CT
Windy Night, Stockholm. 1935. Drypoint. Dodgson 457.x. 11 7/8 x 7 5/8 (sheet 15 1/2 x 10 7/8). Edition of 80 in this state (total 93 in 10 states). Illustrated: Guichard, British Etc...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
$1,600 Sale Price
20% Off
Sexual Encounter - Original Etching ad Drypoint by A. Doré - Late 1900
Located in Roma, IT
Sexual Encounter is a beautiful drypoint made by the French painter, illustrator, and writer Amandine Doré in the second half of the 20th century. The st...
Category
Late 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
My Daughter
Located in Middletown, NY
Drypoint etching on buff wove paper, 9 3/4 x 12 3/4 inches (250 x 322 mm), full margins. Signed in pencil, lower right margin. Some general age tone, and minor mat tone around the pe...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Thames and the Tower of London
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Charing Cross - The Statue of Charles I.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil.
Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching, Aquatint
$780 Sale Price
20% Off
The Figure - Original Etching and Drypoint by Pietro Guccione - 1964
Located in Roma, IT
The Figure is an original Etching and Drypoint realized by Pietro Guccione in 1964.
Hand-signed.
Numbered, 41/50.
The artwork is depicted through confident strokes in a well-balan...
Category
1960s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
The Berry Pickers
Located in Middletown, NY
Drypoint etching on cream laid paper with an oak leaf watermark, c 1935. 7 1/4 x 9 3/4 inches (183 x 241 mm), full margins. Signed, titled and inscribed in pencil, lower margin. A b...
Category
Mid-20th Century American Modern Drypoint Figurative Prints
Materials
Laid Paper, Drypoint, Etching
THE FORGE - Rich Drypoint
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903)
THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi)
Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category
Late 19th Century Impressionist Drypoint Figurative Prints
Materials
Drypoint
Salvador Dali "Parade"
Located in Boston, MA
Artist: Dali, Salvador
Title: Parade
Series: Femmes et Chevaux
Date: 1973
Medium: drypoint printed in color
Framed Dimensions: 25" x 19.5"
Signature: Pencil signed
Edition: E...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint
$3,200 Sale Price
20% Off
Don Kichote attacking. Figurative Drypoint Etching Print, Colorful, Polish Art
Located in Warsaw, PL
Colorful figurative drypoint print by Polish artist Czeslaw Tumielewicz. Artwork depicts two people kissingDon Kichote on a horse, attacking a surreal windmill. They are shown in rat...
Category
2010s Contemporary Drypoint Figurative Prints
Materials
Paper, Drypoint
Salvador Dali "The Fiancee of King of Garbe"
Located in Boston, MA
Artist: Dali, Salvador
Title: The Fiancee of King of Garbe
Series: Le Decameron
Date: 1972
Medium: drypoint printed in color
Unframed Dimensions: 17.72" x 12.2"
Framed Dimension...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint
$2,160 Sale Price
20% Off
Palazzo dell
Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
La Marchande des Quatres-Saisons
Located in Middletown, NY
Etching with drypoint on cream wove paper, 11 3/4 x 13 3/4 inches (297 x 347 mm), full margins. Signed in pencil and numbered 32/40, lower margin. Minor mat tone and several small lo...
Category
Early 20th Century Post-Impressionist Drypoint Figurative Prints
Materials
Handmade Paper, Rag Paper, Drypoint, Etching
Posing Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Posing Nude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created through...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Walking Shadow - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Walking Shadow is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created thro...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Salvador Dali - The Beloved Feeds Among the Lilies - Signed Aquatint
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI (1904-1989)
THE BELOVED FEEDS AMONG THE LILIES, 1971
Board for the series "The Song of Songs hymns"
Aquatint and dry point on wove paper...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Aquatint
Phillips Screwdriver (Jim Dine 30 Bones of My Body portfolio) tool dry point
By Jim Dine
Located in New York, NY
The hand tool is undoubtedly Jim Dine’s most iconic motif. Meticulously catalogued in rows like scientific specimens or sketched individually, hammers, awls, brushes, saws and screwdrivers assume a visceral symbolism. Curvilinear handles evoke the contours of limbs or bones, and even metal points and blades seem organic under Dine’s thoughtful hand. In this series of dry point prints...
Category
1970s Pop Art Drypoint Figurative Prints
Materials
Drypoint
Les Arcades, Dieppe France (the arches along coastline of a town in Normandy)
Located in New Orleans, LA
The image show a panoramic view of the architectural arches and the boats in the harbor of Dieppe in Normandy France. Dieppe was occupied by German naval and army forces after the f...
Category
Early 20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Tool drypoint: Weed puller by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Drypoint Figurative Prints
Materials
Drypoint
$2,000 Sale Price
20% Off
Model - Etching by G. De Nittis - 1870s
Located in Roma, IT
Charming original drypoint on ivorycoloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. Inc...
Category
1870s Modern Drypoint Figurative Prints
Materials
Etching, Drypoint
Figures - Drypoint by Mino Maccari - Mid-20th Century
By Mino Maccari
Located in Roma, IT
Mid-20th Century.
Hand-signed in the lower right part.
Numbered. Edition 1/12.
Good conditions.
Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an Italian writer, painter, engraver and journalist, winner of the Feltrinelli Prize for Painting in 1963 and first winner of the Forte dei Marmi Satira Prize in 1973.After completing his secondary education, he enrolls in university. An interventionist like many young people of his time, he took part in the Great War at the age of nineteen as a field artillery officer. At the end of the conflict he resumed his university studies in Siena and in 1920 he graduated in law. In 1924 he was called by Angiolo Bencini to take care of the printing of the magazine Il Selvaggio, openly uncompromising fascist, revolutionary and anti-bourgeois, where his first engravings were published. After a few years of coexistence between work at the newspaper and the law firm, at the beginning of 1926 he left the legal profession to take over the direction of Il Selvaggio which he would hold until 1942. In 1928 he was the author of the small book published by Vallecchi (Florence), Il Trastullo di Strapaese (little songs and engraved woodwinds) which collected fascist songs (the same book was seized several times from Antonio Gramsci during his detention). With the transfer of the editorial staff of the Selvaggio in 1925 from Colle di Val d'Elsa to Florence, Maccari collaborated with Ardengo Soffici, Ottone Rosai and Achille Lega. In the meantime, between 1927 and 1930, he made himself known to the general public as a painter by participating in various national exhibitions. Also in 1930 Maccari works in Turin at La Stampa as editor-in-chief and has the writer Curzio Malaparte as director. His presence in the cultural and editorial world of the fascist regime is very intense, he writes and collaborates with various magazines: Quadrivio, L'Italia Letteraria, L'Italiano and Omnibus by Leo Longanesi; then, during the war, in il Primato di Bottai and, subsequently again, in Il Mondo di Pannunzio (from the first number, in 1949), up to Documento by Federigo Valli. His graphic production is also vast, ranging from the Album of Vallecchi (1925), Il trastullo di Strapaese (1928) to Linoleum (1931). Maccari illustrated in 1934 La vecchia del Bal Bullier by Antonio Baldini and in 1942 he published the Album folder, followed by Come quando fuori Piove and Il superfluo illustrata.For his pictorial work full of evident chromatic accentuations and fast brushstrokes, the violent drawing combined with the lively stroke of the graphic sign of his engravings, he is recognized by critics as a complete artist. In 1962 he was also entrusted with the presidency of the Accademia di San Luca in Rome and managed to obtain a personal exhibition at Gallery 63 in New York. His production of drawings, watercolors, temperas, etc. is endless, sometimes in collaboration with prestigious publishing houses; it is worth mentioning, just as an excellent example, the 32 b/w and color drawings with which he illustrated Il gusto di vivere, a volume that collects writings by Giancarlo Fusco, edited by Natalia Aspesi and published by Laterza in 1985. Maccari, Sienese and great contradaiolo della Torre, painted the Palio...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Paper, Drypoint, Etching
New Rochelle - Before the Wind
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category
1930s Modern Drypoint Figurative Prints
Materials
Drypoint
Bare Arms (The Practice #1)
Located in Fairlawn, OH
Bare Arms (The Practice #1)
Drypoint on Aluminum, 2019
Signed with the artist's initials (see photo)
The first plate from a proposed suite of 9 drypoints, all printed in an edition o...
Category
2010s Contemporary Drypoint Figurative Prints
Materials
Drypoint
Principio de Incertidumbre de Heisenberg - Etching, Drypoint and Pochoir - 1977
Located in Roma, IT
Etching, Drypoint and Pochoir, 1977.
Sheet 19 from the series Les Caprices de Goya de Dalì.
Printed by J.J.J. Rigal after Goya with drypoint revisions by Dalí in his own hand between 1973 and 1977.
Edition 85/200.
Red. Michler-Löpsinger 866a (from b).
Inscribed Dalì and Goya in pencil and with the artist's signature, title and number on the plate.
On bold chamois-colored BFK Rives
The Spanish master Francisco Goya created the work “Los Caprichos...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Etching, Drypoint
A Curious Place : What Happens Here ? - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
A Curious Place : What Happens Here ?
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Evening, Port of Genoa
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint
$760 Sale Price
20% Off
From Rues et Visages de Paris - 1920s - Drypoint/Etching - Modern
By Chas Laborde
Located in Roma, IT
Illustrated Plate, from Rues et Visages de Paris is a hand-colored etching and drypoint by Chas Laborde. This original print is hand-colored with tempera and watercolor.
In excellent...
Category
1920s Modern Drypoint Figurative Prints
Materials
Tempera, Watercolor, Drypoint, Etching
Studio Interior No. 1 — 1930s Masterwork
Located in Myrtle Beach, SC
Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...
Category
1930s American Realist Drypoint Figurative Prints
Materials
Drypoint
Model
Located in Roma, IT
Charming original drypoint on ivory coloured plate realized by Giuseppe De Nittis between 1870 and 1880. Signed on plate lower left margin, not numbered and in perfect conditions. In...
Category
1870s Modern Drypoint Figurative Prints
Materials
Drypoint
$3,090
Nude - Etching - 1968
Located in Roma, IT
Etching and drypoint realized by Salvador Dalì to illustrate Pierre Ronsard's "Les Amours de Cassandre".
Published by Argillet, Paris, in 1968.
Edition of 299 pieces. One of 165 sp...
Category
1960s Surrealist Drypoint Figurative Prints
Materials
Etching, Drypoint
The Dance of Death. 1914-1918
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Drypoint Figurative Prints
Materials
Drypoint
La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art
Located in Saint Augustine, FL
Artist: Louis LeGrand (French, 1863-1951)
Title: "La Loge (The Lodge)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by LeGrand in the plate (printed signature) l...
Category
Early 1900s Post-Impressionist Drypoint Figurative Prints
Materials
Drypoint, Etching, Intaglio
Little Penthouse
By Martin Lewis
Located in New York, NY
Martin Lewis (1881-1962), Little Penthouse, drypoint, 1931, signed in pencil lower right [signed in the plate in a rectangle lower left]. Reference: McCarron 91, only state. Printed ...
Category
1930s American Realist Drypoint Figurative Prints
Materials
Drypoint
Figures - Drypoint by Mino Maccari - 1945
By Mino Maccari
Located in Roma, IT
Figures 1945 is an original drypoint realized by Mino Maccari (1945).
The artwork is in good conditions, except for worn paper on the margins. Image Dimensions: 20x18.8 cm.
Hand- ...
Category
1940s Modern Drypoint Figurative Prints
Materials
Paper, Drypoint
Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Etching, aquatint and drypoint. Not Signed and not Numbered as issued.
Edition of 226 pieces.
Belongs to the Suite "Histoire Naturelle de Buffon" (plate p. 86).
Printed by Lacourièr...
Category
1940s Cubist Drypoint Figurative Prints
Materials
Paper, Etching, Drypoint, Aquatint
Abstract Composition - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century.
In very good conditions.
The artwor...
Category
Mid-20th Century Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
Night Time, Dieppe.
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Drypoint Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Trajan - Drypoint Etching attr. to Salvador Dalì - 1973
Located in Roma, IT
Trajan is an original contemporary artwork realized in 1973.
Black and white drypoin etching.
Hand signed on the lower margin.
Numbered on the lower left. Edition of 216/261.
Ref...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Etching, Drypoint
Salvador Dali - The Rider and the Deer - Handsigned Engraving
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Rider and the Deer - Handsigned Engraving
1974
Hand signed by Dali
Edition: /250
The dimensions of the image are 22.8 x 15.7 inches on 3...
Category
1970s Surrealist Drypoint Figurative Prints
Materials
Drypoint, Aquatint
Figurative Etching of Two Girls in Gowns, Line Drawing
By Dorian Krausz
Located in Soquel, CA
Delicate drypoint etching of two girls by Dorian Krausz (American, b. 1948). Signed "Dorian Krausz" in the lower right corner. Numbered "196/300" in the lower left corner. Presented ...
Category
Late 20th Century Contemporary Drypoint Figurative Prints
Materials
Paper, Ink, Drypoint
$372 Sale Price
20% Off
Dans les Cendres (In the embers)
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing.
Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work.
In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category
Late 19th Century Impressionist Drypoint Figurative Prints
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Kvinnehode (Schiefler 259; Woll 288), Edvard Munch
By Edvard Munch
Located in Southampton, NY
Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...
Category
Early 1900s Expressionist Drypoint Figurative Prints
Materials
Drypoint
$15,996 Sale Price
20% Off
Drypoint figurative prints for sale on 1stDibs.
Find a wide variety of authentic Drypoint figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Anselmo Bucci, André Derain, Salvador Dalí, and Edmund Blampied. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Drypoint figurative prints, so small editions measuring 0.04 inches across are also available