Lithograph Figurative Prints

This exquisite lithograph after Jean Cocteau (1889–1963), titled Veronica (Veronica), from the folio Taureaux, Lithographies de Jean Cocteau (Bulls, Lithographs by Jean Cocteau), ori...

Panoramic View of Saruhashi is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in...

Majestic Painting Of Beetle Painter is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published...

Plate from Journal Des Demoiselles is an original artwork realized in the 19th century by Paul Lacourière Mixed colored lithograph from the Le...

Indian Giant Squirrel is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and w...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Mr. Bunny Eating A Big Carrot is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Ma...

Reading news is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

Ancient View of Niagara Waterfalls is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in capital...

Italian State Railways is an original artwork realized in the early century by Aleardo Terzi. Mixed colored lithograph. A vintage affiche depicting Ita...

La Fornarina is a colored lithograph realized by Antonio Fomez in 1970s . Hand-signed in pencil on the lower right. Numbered, edition of 99 prints in pencil on the lower left. Good...

A very good impression of this color lithograph. Printer's proof, annotated P.P. 1 from the unknown edition size. Printed by United Church Press, Boston/Philadelphia. Published by Un...

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

Georges Braque, French (1882 - 1963) - Athene, Year: circa 1963, Medium: Offset Lithograph, Image Size: 9 x 7.25 inches, Size: 13.5 x 11 in. (34.29 x 27.94 cm)

Les Visages Georges Rouault (After), French (1871–1958) Date of original: 1932 Lithograph, signed in the plate Image Size: 6 x 8 inches Size: 9 x 12 in. (22.86 x 30.48 cm)

DRESSED UP is an original hand drawn lithograph by Peter Max printed in an edition of 280, using traditional hand lithography techniques on archival paper, 100% acid free. DRESSED UP...

Shepherd is an original artwork realized by Italian artist Pietro Morando (Alessandria 1889- 1980). Hand-colored lithograph. Hand-signed on the lower left in pencil. Good conditio...

Caricature is a lithograph realized by Nadar in Late 19th Century. Good condition. The artwork is depiced through soft strokes in a well-balanced composition.

Cross building four flights of stairs from Ecce Homo is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 49 from the porfolio Ecce Homo publishe...

Toreador is an original artwork realized by Josè Guevara in the 1971. Colored lithograph on paper. Edited by Fondazione Di Paolo. Hand-signed in penci...

This lithograph was created by Mexican artist Jose Luis Cuevas. Known for his aggressive attitude and strong beliefs, Cuevas' work is characterized by...

Small Rodents is a color lithograph realized by an anonymous artist in the late19th century. Good conditions, except for usual signs of aging. The artwork shows four small rodents,...

Original lithographic print done as a gravure using black ink attributed to the hand of the well known French artist, Jean Dufy. Signed in the plate “Dufy” lower right. Circa 1960. Condition is very good. “Pierre Hautot...

The affection is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) i...

Salvador Dali - The Atomic Era - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed in the image LIMITED : 19...

Alpine Bear is an original lithograph on ivory-colored paper realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature" and was published...

Le Paradis et la Péri is a wonderful black and white lithograph on China paper applied, realized in 1901 by the French artist Henri Fantin-Latour (Grenoble, 1836- Buré 1906). From Robert Schumann...

The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

The Skull is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la N...

Leonor Fini - Pleasure - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigne...

Color lithograph on paper. Hand signed and numbered. Edition of 19/50. Dry stamp "Il Torchio", Milan. Very good condition.

Alphonse Mucha worked mainly as a poster artist and became an influential figure of Art Nouveau in late 1890s, when poster illustrations were emerging as popular art form and new pri...

Landscape is an original lithograph realized by Raoul Dufy in the early 20th Century. Good conditions except for diffused foxings. Hand-signed on the lower right, Numbered, Editio...

The companionship is an original lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in Pa...

Artist: Peter Max (1937) Title: Statue of Liberty VII Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 10 x 5.5 inches Condition: Excellent In...

Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...

Deer is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from the series of "Les Trois Règnes de la Nature", and was published in 1...

The mocking is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in ...

Frederic Lepia is an original Lithograph realized by D. M. Raffet in 1848. Good condition included a cream colored cardboard passpartout. Denis Auguste Marie Raffet (2 March 1804 –...

Original Lithograph by Jean Cocteau Title: Profil Signed in the plate Dimensions: 65 x 44 cm

Ancient View of Como is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted in Capital Letters on the low...

The Mouse is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published...

Pierre AMBROGIANI (1907-1985) Lovers in Blue, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum Arches 38 x 28 cm (c. 14.9 x 11 in) Excellent con...

Original Iolanthe vintage theatre poster: Gilbert and Sullivan Iolante stone lithograph vintage poster. Museum linen backed. Clear, clean, bright. Grade A condition. The poster features a central image of a character dressed in a traditional British Grenadier Guard uniform, complete with a bearskin hat. The character is depicted in a whimsical pose, which aligns with the comedic and satirical nature of the operetta. Above the main figure, there are smaller illustrations of various characters from the operetta, hinting at the fantastical and fairy-tale elements of the story. The title "Iolanthe" is prominently displayed in bold, stylized lettering at the bottom. "Iolanthe, or The Peer and the Peri," is a comic opera by the famous duo W.S. Gilbert and Arthur Sullivan. The opera premiered on November 25, 1882, at the Savoy Theatre in London and is one of their most beloved works. "Iolanthe" tells the story of fairy Iolanthe, who was banished from the fairy kingdom...

Eventail is a vintage lithograph realized by Raul Dufy in the 1920. Good conditions. Edition of 110. The artwork is depicted through confident strokes in a well-balanced composition.

The European Macabre Dance N.40 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed on the plate, Original Edition. Published by Domenico Longo, Treviso. Handcolored lithographic postcards. Very good conditions. Alberto Martini (Oderzo, 1876 - Milan, 1954); was an Italian draftsman, painter, engraver and illustrator, forerunner of the surrealist movement...

Liberty is an original lithograph on paper realized by the Italian politician Bettino Craxi in 1989. Original lithograph on paper. Hand-signed in pencil on the lower right corner...

THE DANCE is a handmade limited edition lithograph created by the renowned Polish artist Andre de Krayewski printed using hand lithography printmaking techniques on archival Arches paper 100% acid free. THE DANCE is a richly colored modern Art Deco interior scene portraying a dancing couple printed in shades of neon blue, magenta, orange, red, green, lavender, peach, and dark steel blue gray. THE DANCE is a dramatic graphic composition featuring airbrushed blends of vibrant color defining the light purple pedestal-style vases filled with green spiked leaves; two dancing figures are positioned in the center - one of a woman wearing a backless, form fitting yellow-gray dress, the second figure is a well groomed male dressed in a dark blue gray sharkskin suit...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Artist: Peter Max (1937) Title: Heart Series III Year: 1998 Edition: 300/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscript...

The conversation over the table is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gav...

Getting Rest is aLithograph realized by Paul Hermann in 1905 ca. Good conditions except for some foxings. Signed on plate. The artwork is depicted in a well-balanced composition.

Pablo Picasso - Lithograph Title: Painter and his Model From the illustrated book "Regards sur Paris" (Paris: André Sauret, 1962) Pulled from the folio numbered 85 from the edition o...

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

The conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Shirley MacLaine Dances Broadway Film Star 20th Century Litho NYRT Published Al Hirschfeld (1903 -2003) "Shirley MacLaine Dances on Broadway" Hand-signed L...

The Conversation is an original lithograph artwork on ivory-colored paper, realized by the French draftsman Paul Gavarni (after) (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866...

Decorative Motifs - Arabic Style is a print on Ivory-colored paper realized by an A. Alessio in the early 20th Century Vintage Chromolithograph. Very good conditions. The artwork...

Eight Scenic Spots along Sumida River is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 19th century. Very Good conditions. Collect an oriental artwork...