Stencil Figurative Prints

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Le divan (The Divan), from the folio Les Bleus de Barcelone, 12 aquarelles et pastels (The Blues of Barc...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Mother and Child, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Mother and Child conveys Picassos timeless exploration of tenderness, intimacy, and the human bond, distilling the universal theme of maternal love through graceful line and lyrical composition. With rhythmic simplicity and emotional clarity, the work captures the purity of affection and the quiet strength of motherhood—an enduring motif throughout Picassos artistic life. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Mother and Child, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches (47.6 x 32.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picassos prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picassos originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheons art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artists postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheons broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Mother and Child...

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled La Bete Bleu (The Blue Beast), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lov...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and politics. His work is more about shining a small light into some of those dark corners of society then standing back and watching reactions and opinions. his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. Works usually begin on the streets and then expand to limited edition prints and originals on canvas. "The New Messiah" – Acrylic Stencil on Paper...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Nature Morte au Journal (Still Life with Newspaper), from the folio Contrastes, 13 Aquarelles, Gouache, ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Scene de famille (Family Scene), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Le Poisson Volant (The Flying Fish), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color ...

This artwork, "Moses Smiting the Rock of Meribah, Exodus" 1972 is an original color stencil on hand crumpled momigami paper. It is hand signed, dated and numbered 47/70 in White ink by the artist. The artwork size is 27.5 x 24.75 inches, framed size is 39 x 36 inches. It is custom framed in a wooden gold frame, with matting and black color spacer. It is in excellent condition, Please NOTE, the dark area at the lower left corner of the frame is only the shadow, the frame is in perfect condition. About the artist: Sadao Watanabe born and raised in Tokyo, was a Japanese printmaker in the 20th Century. He was famous for his Biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Harlequin and Boy, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. Femme à la mandoline (Woman with Mandolin) exemplifies Picasso’s lyrical interpretation of the female form during his neoclassical period, fusing harmony, sensuality, and musicality into a composition that reflects both the artist’s Mediterranean roots and his mastery of modernist form. Through the union of lithographic line and pochoir color, the work conveys a balance between intimacy and abstraction, celebrating rhythm, grace, and the timeless relationship between art and music. Executed as a lithograph and pochoir on velin paper, this work measures 11.38 x 9.09 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 11.38 x 9.09 inches (28.9 x 23.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Femme à la mandoline (Woman with Mandolin), Picasso 1930, Picasso Desjobert, Picasso pochoir...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Les Trois Musiciens (The Three Musicians), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. Les Trois Musiciens (The Three Musicians) captures Picasso’s Cubist mastery at its height, translating one of his most celebrated compositions into the refined medium of lithograph and pochoir. The scene depicts three abstracted figures—a harlequin, a monk, and a pierrot—arranged in a complex geometric harmony that embodies both the structure and rhythm of modernity. Through vivid color and precise pochoir layering, Picasso’s interplay of form, shadow, and light transforms the musicians into a symphony of shape and sound, reflecting the artist’s enduring fascination with the relationship between visual art and music. Executed as a lithograph and pochoir on velin paper, this work measures 9.09 x 11.38 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Les Trois Musiciens (The Three Musicians), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 9.09 x 11.38 inches (23.1 x 28.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Les Trois Musiciens (The Three Musicians), Picasso 1930, Picasso Desjobert, Picasso pochoir...

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

This exquisite lithograph after Henri Matisse (1869–1954), titled La danse (The Dance), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition p...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Artist: Joan Miro, Spanish (1893 - 1983) Title: L'Ete (Summer) from Verve (Vol. 1, No. 3) Year: 1938 Medium: Color Pochoir on Wove Paper, signed, titled and dated in the plate, verso...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Les Amoureux (The Lovers), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...

Fernand LÉGER Still life with Blue Pitcher and Fruits, c. 1950 Original lithograph and stencil (Jacomet workshop) Printed signature in the plate On paper 43 x 33 cm (c. 17 x 13 Inc...

This exquisite lithograph after Amedeo Modigliani (1884–1920), titled Portrait (Portrait), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 editio...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Etude pour l’homme au mouton (Study for Man with Sheep), from the folio Picasso, La flute double, 16 Des...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio Douze aquarelles de Auguste Rodin (Twelve Watercolors by Auguste...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Pablo Picasso, After, Spanish (1881 - 1973) - Buste de Faune. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.53 x...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Salvador Dali A Shattering Entrance upon the American Stage Original etching and stencil Handsigned in the right corner with the blind stamp of the editor in the left corner On B...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Pont-Neuf (Pont-Neuf), from the album Paris Capitale (Paris Capital), originates from the 1955 edition published by J...

Pablo PICASSO (1881-1973) Diurnes, The Satyr, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in) REFERENCE ...

Salvador Dali God, Time, Space, and the Pope Original etching and stencil Handsigned in the right corner with the blind stamp of the editor in the left corner On BFK Rives vellum...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bal (The Ball), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the F...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Saint-Germain-des-Pres (Saint-Germain-des-Pres), from the album Paris Capitale (Paris Capital), originates from the 1...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 1959. The work captures Leger's bold geometric visual language and his celebration of modernity, distilling mechanical rhythm and sculptural clarity into a composition emblematic of his innovative machine-age aesthetic. Executed as a lithograph and pochoir on velin paper, this work measures 13.25 x 18.25 inches (33.7 x 46.4 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Atelier Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Sans titre (Untitled), from the album Douze Contemporains (Twelve Contemporaries) Medium: Lithograph and pochoir on velin paper Dimensions: 13.25 x 18.25 inches (33.7 x 46.4 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1959 Publisher: Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston Printer: Atelier Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album Douze Contemporains (Twelve Contemporaries), published by Editions d'art du lion, Paris, and Boston Book and Art Shop, Inc., Boston; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 1959 Notes: Excerpted from the folio (translated from French), This album finished printing in December 1959 drawn to CMLXX examples numbered from I to CMLXX and XXX non-commerce examples numbered from I to XXX, was directed by Daniel Jacomet. Typography of L'Imprimerie Union in Paris. About the Publication: Douze Contemporains (Twelve Contemporaries), published in 1959 by Editions d'art du lion in collaboration with Boston Book and Art Shop, Inc., is a landmark example of mid-century French printmaking, bringing together leading modern artists in a unified portfolio of lithographs and pochoirs. The album exemplifies Jacomet's meticulous approach to color separation and hand-stenciled execution, preserving the tonal richness and structural clarity of each composition. Issued in a substantial edition of numbered and non-commerce impressions, the publication reflects the vitality of postwar Parisian art and the technical excellence of Daniel Jacomet, whose workshop played a central role in the preservation and dissemination of twentieth-century modernist imagery. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism's fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately 70 million USD, achieved in 2017 at Christies New York for Contraste de formes (1913). Fernand Leger print...

Pablo Picasso, After, Spanish (1881 - 1973) - Faune a la Diaule. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.5...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Offrende (The Offering), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 1...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure et nue (Minotaur and Nude), from the folio Picasso, La flute double, 16 Dessins, Aquarelles La...

Pablo PICASSO (1881-1973) Diurnes, The Toro Magician, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 x 40 cm (c. 11.2 x 15.7 in) ...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled L'Aube (The Dawn), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Love, 13 Waterc...

Pablo PICASSO (1881-1973) Diurnes, On the Rock, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 x 40 cm (c. 11,8 x 15.7 in) REFERE...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Nu a l'oiseau (Nude with Bird), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color of Lo...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph by Maurice Utrillo (1883–1955), titled Rue Royale, La Madeleine (Rue Royale, La Madeleine), from the album Paris Capitale (Paris Capital), originates from t...

Jacques Camus The Palm Tree under the Sun, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idé...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jeune faune, femme et enfant (Young Faun, Woman and Child), from the folio Picasso, La flute double, 16 ...

Pablo PICASSO (1881-1973) Diurnes, The Satyr with Plants, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in)...

This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...

Pablo PICASSO (1881-1973) Diurnes, Birdman, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE ...

Pablo PICASSO (1881-1973) Diurnes, Woman By the Sea, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 X 30 cm (c. 15.7 x 11.2 in) R...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faune et femme nue (Faun and Nude Woman), from the folio Picasso, La flute double, 16 Dessins, Aquarelle...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Pablo PICASSO (1881-1973) Diurnes: Werewolf, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15,7 x 11,8 in) REFERENCE...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Four Ballet Dancers, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...