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Style: Art Deco
Medium: Stencil
Art Deco : The Palm Tree under the Sun, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Palm Tree under the Sun, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "Idé...
Category
1930s Art Deco Stencil Figurative Prints
Materials
Lithograph, Stencil
Cycles Motos Alcyon.
Located in London, London
GAMY and MONTAUT, Ernest.
Cycles Motos Alcyon.
[Paris: Mabileau & Co., c. 1914].
Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm.
The Gamy-Montaut ...
Category
1910s Art Deco Stencil Figurative Prints
Materials
Screen, Stencil
Art Deco : Pink Tulips, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
Pink Tulips, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "Idées" portfolio pr...
Category
1930s Art Deco Stencil Figurative Prints
Materials
Lithograph, Stencil
The Yellow Castle, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Yellow Castle, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "Idées" portfo...
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1930s Art Deco Stencil Figurative Prints
Materials
Lithograph, Stencil
The Dove and the Snake, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Dove and the Snake, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "Idées" p...
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Art Deco : The Vine Woman with her Arrows, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Vine Woman with her Arrows, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "...
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1930s Art Deco Stencil Figurative Prints
Materials
Lithograph, Stencil
The Grey City, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Grey City, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "Idées" portfolio ...
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1930s Art Deco Stencil Figurative Prints
Materials
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Au Lido - Pochoir by G. Barbier - 1920
Located in Roma, IT
This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Le Bonheur du Jour - Pochoir by George Barbier - 1929
Located in Roma, IT
Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an original artwork realized in 1929 cover of the homonymous suite of pochoir realized b...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
L
apres-midi d
un Faune - Pochoir by G. Barbier - 1920
Located in Roma, IT
This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, who...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
La Voiture Th. Schneider, Car - 1912
Located in London, London
GAMY and MONTAUT, Ernest.
La Voiture Th. Schneider, 1912 gagne à Dieppe Dinant et à la Sarthe vitesse et régularité / Magneto Bosch Corburateur Claudel Roues Riley.
Mabileau & Co., ...
Category
1910s Art Deco Stencil Figurative Prints
Materials
Screen, Stencil
Grand-mere et Petite-fille - Pochoir by G. Barbier - 1920
Located in Roma, IT
This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier.
A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Coquette
Located in Fairlawn, OH
Coquette
Pochoir (silk screen) printed in colors, c. 1923-1925
Signed by the artist in pencil lower right; numbered in ink on the image, (see photo)
Edition: 250 (100/250) in pencil in image (see photo)
Image size: 10-1/2 x 12-3/4"
The artist won a gold medal in Paris in 1925 for his porchoirs
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Robe Grise
Located in Fairlawn, OH
Robe Grise
Pochoir (silk screen) printed in colors, 1923
Signed by the artist in pencil lower right (see photo)
The artist won a gold medal in Paris in 1925 for his pochoirs
Condition: Two spots in the upper left corner associated with the printing.
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Frontispiece for Le Bonheur du Jour - Pochoir by G. Barbier - 1929
Located in Roma, IT
Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an artwork realized in 1929.
Original colored pochoir on cardboard.
Perfect conditions.
Le Bonheur du Jour is...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
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Artwork Details:
Artist: After Pablo Picasso (1881–1973)
Title: Minotaur, from the folio Picasso, Fifteen Drawings, 1946
Medium: Lithograph and pochoir on velin paper
Dimensions: 12.63 x 18.75 inches (32.1 x 47.6 cm)
Inscription: Signed in the plate and unnumbered as issued
Date: 1946
Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso
Publisher: Pantheon Books, Inc., New York
Printer: Albert Carman, City Island, New York
Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs
Woodcuts. Catalogue Raisonne. 2023, illustration 388–402
Condition: Well preserved, consistent with age and medium
Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946
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Previously Available Items
Art Deco : The Vine Woman with her Arrows, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus
The Vine Woman with her Arrows, 1933
Original lithograph and stencil
Unsigned
On paper 39 x 29 cm (c. 15.3 x 11.4 inch)
INFORMATION : This lithograph is part of the "...
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Pink Tulips, 1933 - Original Lithograph
Located in Paris, IDF
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The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Published by Éditions Albert Levy, Librairie Centrale des Beaux-Arts, Paris.
Collections: Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Victoria and Albert Museum.
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— 1920s French Art Deco Pochoir
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Edouard Benedictus, 'Variations, plate 3' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, 1923. Signed in the matrix, in the left bottom margin. A superb, painterly impression, with fresh, vivid colors and metallic silver, cream wove paper with margins (1 to 1 3/4 inches), in good condition. Image size 14 5/16 x 11 1/2 inches; sheet size 17 1/4 x 14 inches. Archivally sleeved, unmatted.
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Located in Myrtle Beach, SC
Edouard Benedictus, 'Variations, plate 7' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, 1923. Signed in the matrix, in the left bottom margin. A superb, painterly impression, with fresh, vivid colors and metallic silver, on heavy, cream wove paper with margins (1 to 1 3/4 inches), in good condition. Image size 14 3/8 x 11 9/16 inches; sheet size 17 1/4 x 14 inches. Archivally sleeved, unmatted.
The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Published by Éditions Albert Levy, Librairie Centrale des Beaux-Arts, Paris.
Published by Éditions Albert Levy, Librairie Centrale des Beaux-Arts, Paris.
Collections: Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Victoria and Albert Museum.
Additional works from this suite of vibrant Art Deco floral designs are available from Keith Sheridan LLC...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Variations, 10
— 1920s French Art Deco Pochoir
Located in Myrtle Beach, SC
Edouard Benedictus, 'Variations, plate 10' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the matrix, in the left bottom margin. A superb, painterly impression, with fresh, vivid colors and metallic silver, on heavy, cream wove paper with margins (1 to 1 3/4 inches). A repaired tear in the center left margin, not affecting the image, in good condition. Archivally sleeved, unmatted.
Image size 14 3/8 x 11 9/16 inches; sheet size 17 3/8 x 13 7/8 inches.
The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Published by Éditions Albert Levy, Librairie Centrale des Beaux-Arts, Paris.
Collections: Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Victoria and Albert Museum.
Additional works from this suite of vibrant Art Deco floral designs are available from Keith Sheridan LLC...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Variations, 16
— 1920s French Art Deco Pochoir
Located in Myrtle Beach, SC
Edouard Benedictus, 'Variations, plate 16' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the matrix, in the left bottom margin. A superb, painterly impression, with fresh, vivid colors and metallic silver, on heavy, cream wove paper, with margins (1 to 1 3/4 inches), in good condition. Image size 14 3/8 x 11 9/16 inches; sheet size 17 1/4 x 14 inches. Archivally sleeved, unmatted.
The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Published by Éditions Albert Levy, Librairie Centrale des Beaux-Arts, Paris.
Collections: Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Victoria and Albert Museum.
Additional works from this stunning suite of vibrant Art Deco floral designs are available from Keith Sheridan LLC...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Stencil
Art Deco : Underwater Flowers, 1926 - Original Lithograph
Located in Paris, IDF
E.H. Raskin
Underwater Flowers, 1926
Original lithograph and stencil
Printed signature in the plate
On paper, 37,5 x 27,5 cm (c. 14,7 x 10,8 inch)
...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Lithograph, Stencil
Underwater Panorama, 1926 - Original Lithograph
Located in Paris, IDF
E.H. Raskin
Underwater Panorama, 1926
Original lithograph and stencil
Printed signature in the plate
On paper, 37,5 x 27,5 cm (c. 14,7 x 10,8 inch)
INFORMATION : This lithograph is...
Category
1920s Art Deco Stencil Figurative Prints
Materials
Lithograph, Stencil
Grand Prix de l’A.C.F. 1913 (Motocyclettes).
Located in London, London
GAMY and MONTAUT, Ernest.
Grand Prix de l’A.C.F. 1913 (Motocyclettes), 1er. Greame Fenton sur autocyclette CLEMENT - PNEU DUNLOP - Carburateur Longuemare bougie Eyquem.
Mabileau & ...
Category
1910s Art Deco Stencil Figurative Prints
Materials
Screen, Stencil
L’Allumage Moderne.
Located in London, London
GAMY and MONTAUT, Ernest.
L’Allumage Moderne. Magneto Lavalette Eisemann.
[Paris: Mabileau & Co., c. 1910].
Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x ...
Category
1910s Art Deco Stencil Figurative Prints
Materials
Screen, Stencil
Stencil figurative prints for sale on 1stDibs.
Find a wide variety of authentic Stencil figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include George Barbier, Salvador Dalí, Fernand Léger, and (after) Maurice Utrillo. Frequently made by artists working in the Modern, Art Deco, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stencil figurative prints, so small editions measuring 0.04 inches across are also available
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